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Th R man
    e o
Re u l c & S t re
  p bi      ai
    Professor Will Adams
      Valencia College
         Spring 2012
Th R man Re u l c
  e o      p bi
Th Hst r o Earl R me
    e i oy f    y o
 From the founding of Rome in
  c. 753 B.C.E. to c. 509 B.C.E.,
  Rome was a monarchy, ruled by
  kings.
 In 509 B.C.E., the Romans
  expelled their Etruscan king
  Tarquin and established the
  Roman Republic.
 Having witnessed the problems of
  monarchy on their own land, and
  aristocracy and democracy
  among the Greeks, the Romans
  opted for a mixed form of
  government, with 3 branches of
  government.
Th Hst r o Earl R me
  e i oy f    y o
           The Romans, who were already
            fed up with their Etruscan
            kings, were spurred to action
            after a member of the royal
            family raped a patrician matron
            named Lucretia.
           The Roman people expelled their
            kings, driving them from
            Rome.
           Even the name of king (rex) had
            become hateful, a fact that
            becomes significant when the
            emperors took control as (but
            resisted the title of) king later.
Th Hst r o Earl R me
    e i oy f    y o
 Following the last of the
  kings, the Romans did
  what they were always
  good at: copying what they
  saw around them and
  adapting it into a form that
  worked better.
 That form is what we call
  the Roman Republic,
  which endured for 5
  centuries, beginning in the
  year 509 B.C.E., according
  to tradition.
Th Meanng o Re u l c
  e    i   f p bi
 The word republic comes from the Latin words
  for “thing” and “of the people”.
 The res publica or respublica is referred to “the
  public property” or “the common weal”, as the
  online Lewis and Short Latin dictionary
  defines it, but it could also mean “the
  administration”.
 Thus, the term “republic” as first employed as
  a description of Roman government had less
  baggage than it carries today.
Th Th e B
  e   re ranc e o
             hs f
 th R man Re u l c
    e o     p bi
C n l Th Frst B
 o su s: e i   ranch
           They formed the monarchical or
            executive branch of Roman
            government in the Roman
            Republic.
           T magistrates called consuls
             wo
            carried on the functions of the
            former kings, holding supreme
            civil and military authority in
            Republican Rome.
           However, unlike the kings, the
            office of consul lasted for only one
            year.
           At the end of their year in office,
            the ex-consuls became senators for
            life, unless ousted by the censors.
Powers o th C n l
           f  e o su s
 Consuls held imperium and had
  the right to 12 lictors each.
 Each consul could veto the other.
 They led the army, served as
  judges. represented Rome in
  foreign affairs.
 Consuls presided over the comitia
  centuriata.
 The 1-year term, veto, and co-
  consulship were safeguards to
  prevent one of the consuls from
  wielding too much power.
 Emergency Contingency: In times
  of war a single dictator could be
  appointed for a 6-month term.
Senate: Th Sec n B
          e   o d ranch
              The Senate (senatus: “council of
               elders”) was the advisory branch of
               the Roman government, that early on
               composed of about 300 citizens who
               served for life.
              They were chosen by the kings, at
               first, then by the consuls, and by the
               end of the 4th century, by the
               censors.
              The ranks of the Senate was drawn
               from ex-consuls and other officers.
              Property requirements changed with
               the era.
              At first senators were only patricians
               but in time plebeians joined their
               ranks.
Assemb y: Th Thrd B
      l     e  i   ranch
             Collectively, The Assembly
              consisted of two distinct bodies:
             The Assembly of Centuries
              (comitia centuriata), which was
              composed of all members of the
              army, elected consuls annually.
             The Assembly of Tribes (comitia
              tributa), composed of all
              citizens, approved or rejected
              laws and decided issues of war
              and peace.
             The Comitia Centuriata elected
              the judicial magistrates known
              as Praetors.
W t I S t re?
 ha s a i
Th D fn i n o S t re
    e e i it o f ai
 It is a literary work that ridicules its subject in
  order to make a comment or criticism about it.

 Although satire is usually witty, and often very
  funny, the purpose of satire is to criticize in order
  to shame someone or something into reform.

 Satire usually has a definite target, which may be a
  person or group of people, an idea or attitude, an
  institution or a social practice.
Th Frst Typ o S t re
   e i      e f ai

 Formal
   In formal satire, the satiric voice
    speaks, usually in the first person,
    either directly to the reader or to a
    character in the written work.
   There are two types of formal
    satire: Horatian and Juvenalian.
H ra ian S t re
       o t      ai
 Horatian Satire,
  named for the
  Roman poet Horace,
  is gentle, urbane,
  and smiling in its
  tone.
 It aims to correct an
  attitude or behavior
  through gentle and
  sympathetic laughter
  & criticism.
H ra ian S t re
 o t      ai
Juvenalian S t re
               ai
 In contrast, the second
  type of formal satire,
  Juvenalian Satire, is
  named for the Roman
  poet Juvenal, and is
  biting, bitter, & angry
  in its tone.
 It points with contempt
  and moral indignation
  to the corruption and
  evil of human beings
  and institutions.
Juvenalian S t re
            ai
Th Sec n Typ o S t re
    e   o d   e f ai

 Indirect Satire:
   In indirect satire, the satire is expressed through
    a narrative, and the characters or groups who are
    the focus of the satire are ridiculed not by what
    is said about them, but by what they themselves
    say and do.
   Much of the great literary satire is indirect.
   In additionally, the majority of contemporary
    humor has its roots in indirect satire.
Examp e o I drect S t re
     ls f n i      ai

   The Simpsons               Clueless
   Family Guy                 Saturday Night Live
   South Park                 MAD TV
   Brave New World            Naked Gun
   Great Expectations         The Truman Show
   Scary Movies 1, 2 & 3      Scrubs
   Chappelle’s Show           Huckleberry Finn
Qu st o s t C n i er
   e i n o o sd
 When analyzing a work
  of satire, it important to
  ask one’s self the
  following questions:
    What is the author’s
     tone?
    What is the author’s
     purpose?
    Is it effective?
    What is the dominant
     satirical device used?
Fou Tec nqu s o S t re
      r   h i e   f ai
1. Exaggeration
    T enlarge, increase, or represent something beyond normal bounds
     o
    so that it becomes ridiculous and its faults can be seen.
2. Incongruity
    T present things that are out of place or are absurd in relation to
     o
    their surroundings.
3. Reversal
    T present the opposite of the normal order (e.g. the order of events
     o
    or hierarchical order).
4. Parody
    T imitate the techniques and/or style of some person, place or
     o
    thing.
Exaggera i n
        to
I c ngr ity
n o    u
Reversal
P o y
ar d
LET’S PRACT CE!
              I
Identify the satire being utilized.
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
H ra ian o Juve
 o t      r    nalian?
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
W i h o th F
 hc    f  e ou Typ s?
              r   e
Th Har ard S lng Team’s “B ys
   e    v   ai i          o
Wl B G rl – Al F
 i l e i s”   l ou Tec nqu s!
                  r   h i e
S tu a N g
  a rd y i ht L  ive – M d
                        o ern P l i
                               o it cal
S t re U i
 ai     sng Th e o th F
              re   f   e ou Tec nqu s!
                           r   h i e
act e f u
   a st ab la

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Hum1020 1200 the roman republic & satire

  • 1. Th R man e o Re u l c & S t re p bi ai Professor Will Adams Valencia College Spring 2012
  • 2. Th R man Re u l c e o p bi
  • 3. Th Hst r o Earl R me e i oy f y o  From the founding of Rome in c. 753 B.C.E. to c. 509 B.C.E., Rome was a monarchy, ruled by kings.  In 509 B.C.E., the Romans expelled their Etruscan king Tarquin and established the Roman Republic.  Having witnessed the problems of monarchy on their own land, and aristocracy and democracy among the Greeks, the Romans opted for a mixed form of government, with 3 branches of government.
  • 4. Th Hst r o Earl R me e i oy f y o  The Romans, who were already fed up with their Etruscan kings, were spurred to action after a member of the royal family raped a patrician matron named Lucretia.  The Roman people expelled their kings, driving them from Rome.  Even the name of king (rex) had become hateful, a fact that becomes significant when the emperors took control as (but resisted the title of) king later.
  • 5. Th Hst r o Earl R me e i oy f y o  Following the last of the kings, the Romans did what they were always good at: copying what they saw around them and adapting it into a form that worked better.  That form is what we call the Roman Republic, which endured for 5 centuries, beginning in the year 509 B.C.E., according to tradition.
  • 6. Th Meanng o Re u l c e i f p bi  The word republic comes from the Latin words for “thing” and “of the people”.  The res publica or respublica is referred to “the public property” or “the common weal”, as the online Lewis and Short Latin dictionary defines it, but it could also mean “the administration”.  Thus, the term “republic” as first employed as a description of Roman government had less baggage than it carries today.
  • 7. Th Th e B e re ranc e o hs f th R man Re u l c e o p bi
  • 8. C n l Th Frst B o su s: e i ranch  They formed the monarchical or executive branch of Roman government in the Roman Republic.  T magistrates called consuls wo carried on the functions of the former kings, holding supreme civil and military authority in Republican Rome.  However, unlike the kings, the office of consul lasted for only one year.  At the end of their year in office, the ex-consuls became senators for life, unless ousted by the censors.
  • 9. Powers o th C n l f e o su s  Consuls held imperium and had the right to 12 lictors each.  Each consul could veto the other.  They led the army, served as judges. represented Rome in foreign affairs.  Consuls presided over the comitia centuriata.  The 1-year term, veto, and co- consulship were safeguards to prevent one of the consuls from wielding too much power.  Emergency Contingency: In times of war a single dictator could be appointed for a 6-month term.
  • 10. Senate: Th Sec n B e o d ranch  The Senate (senatus: “council of elders”) was the advisory branch of the Roman government, that early on composed of about 300 citizens who served for life.  They were chosen by the kings, at first, then by the consuls, and by the end of the 4th century, by the censors.  The ranks of the Senate was drawn from ex-consuls and other officers.  Property requirements changed with the era.  At first senators were only patricians but in time plebeians joined their ranks.
  • 11. Assemb y: Th Thrd B l e i ranch  Collectively, The Assembly consisted of two distinct bodies:  The Assembly of Centuries (comitia centuriata), which was composed of all members of the army, elected consuls annually.  The Assembly of Tribes (comitia tributa), composed of all citizens, approved or rejected laws and decided issues of war and peace.  The Comitia Centuriata elected the judicial magistrates known as Praetors.
  • 12. W t I S t re? ha s a i
  • 13. Th D fn i n o S t re e e i it o f ai  It is a literary work that ridicules its subject in order to make a comment or criticism about it.  Although satire is usually witty, and often very funny, the purpose of satire is to criticize in order to shame someone or something into reform.  Satire usually has a definite target, which may be a person or group of people, an idea or attitude, an institution or a social practice.
  • 14. Th Frst Typ o S t re e i e f ai  Formal  In formal satire, the satiric voice speaks, usually in the first person, either directly to the reader or to a character in the written work.  There are two types of formal satire: Horatian and Juvenalian.
  • 15. H ra ian S t re o t ai  Horatian Satire, named for the Roman poet Horace, is gentle, urbane, and smiling in its tone.  It aims to correct an attitude or behavior through gentle and sympathetic laughter & criticism.
  • 16. H ra ian S t re o t ai
  • 17. Juvenalian S t re ai  In contrast, the second type of formal satire, Juvenalian Satire, is named for the Roman poet Juvenal, and is biting, bitter, & angry in its tone.  It points with contempt and moral indignation to the corruption and evil of human beings and institutions.
  • 18. Juvenalian S t re ai
  • 19. Th Sec n Typ o S t re e o d e f ai  Indirect Satire:  In indirect satire, the satire is expressed through a narrative, and the characters or groups who are the focus of the satire are ridiculed not by what is said about them, but by what they themselves say and do.  Much of the great literary satire is indirect.  In additionally, the majority of contemporary humor has its roots in indirect satire.
  • 20. Examp e o I drect S t re ls f n i ai  The Simpsons  Clueless  Family Guy  Saturday Night Live  South Park  MAD TV  Brave New World  Naked Gun  Great Expectations  The Truman Show  Scary Movies 1, 2 & 3  Scrubs  Chappelle’s Show  Huckleberry Finn
  • 21. Qu st o s t C n i er e i n o o sd  When analyzing a work of satire, it important to ask one’s self the following questions:  What is the author’s tone?  What is the author’s purpose?  Is it effective?  What is the dominant satirical device used?
  • 22. Fou Tec nqu s o S t re r h i e f ai 1. Exaggeration T enlarge, increase, or represent something beyond normal bounds o so that it becomes ridiculous and its faults can be seen. 2. Incongruity T present things that are out of place or are absurd in relation to o their surroundings. 3. Reversal T present the opposite of the normal order (e.g. the order of events o or hierarchical order). 4. Parody T imitate the techniques and/or style of some person, place or o thing.
  • 24. I c ngr ity n o u
  • 26. P o y ar d
  • 27. LET’S PRACT CE! I Identify the satire being utilized.
  • 28. H ra ian o Juve o t r nalian?
  • 29. H ra ian o Juve o t r nalian?
  • 30. H ra ian o Juve o t r nalian?
  • 31. H ra ian o Juve o t r nalian?
  • 32. H ra ian o Juve o t r nalian?
  • 33. H ra ian o Juve o t r nalian?
  • 34. H ra ian o Juve o t r nalian?
  • 35. H ra ian o Juve o t r nalian?
  • 36. H ra ian o Juve o t r nalian?
  • 37. H ra ian o Juve o t r nalian?
  • 38. W i h o th F hc f e ou Typ s? r e
  • 39. W i h o th F hc f e ou Typ s? r e
  • 40. W i h o th F hc f e ou Typ s? r e
  • 41. W i h o th F hc f e ou Typ s? r e
  • 42. W i h o th F hc f e ou Typ s? r e
  • 43. W i h o th F hc f e ou Typ s? r e
  • 44. W i h o th F hc f e ou Typ s? r e
  • 45. W i h o th F hc f e ou Typ s? r e
  • 46. W i h o th F hc f e ou Typ s? r e
  • 47. W i h o th F hc f e ou Typ s? r e
  • 48. Th Har ard S lng Team’s “B ys e v ai i o Wl B G rl – Al F i l e i s” l ou Tec nqu s! r h i e
  • 49. S tu a N g a rd y i ht L ive – M d o ern P l i o it cal S t re U i ai sng Th e o th F re f e ou Tec nqu s! r h i e
  • 50. act e f u a st ab la