This document provides an overview and lesson plan for teaching students about how artworks can connect to and reflect social, cultural, and political history through their contexts and themes. The lesson introduces the concept of context, provides examples of artworks like Guernica that addressed contemporary events like the Spanish Civil War, and guides students through analyzing artworks and selecting three of their own to present on that connect to a social, cultural, or political issue. The goal is for students to understand how art can document and illustrate different histories and for students to practice justifying connections between artworks and the circumstances of their creation.
American Period to Post War Republic (CPAR 11/12)John Labrador
Contemporary Philippine Arts from the Region
American Colonial Period (1898-1940)
Japanese Colonial Period (1941-1945)
Post War Republic (1946-1969)
Featured:
Notable artists and their artworks
Distinct historical events
Artistic concepts and techniques
Social Realism is an artistic movement, expressed in the visual and other realist arts, which depicts social and racial injustice, economic hardship, through unvarnished pictures of life's struggles.
American Period to Post War Republic (CPAR 11/12)John Labrador
Contemporary Philippine Arts from the Region
American Colonial Period (1898-1940)
Japanese Colonial Period (1941-1945)
Post War Republic (1946-1969)
Featured:
Notable artists and their artworks
Distinct historical events
Artistic concepts and techniques
Social Realism is an artistic movement, expressed in the visual and other realist arts, which depicts social and racial injustice, economic hardship, through unvarnished pictures of life's struggles.
1 Chicana Expression—Later 20th Century Public AVannaJoy20
1
Chicana Expression—Later 20th Century
Public Art and the Public Interest1 [Since the 1960s, a number of artists have engaged in
debates] over the nature of public space and the art that is to be placed within this space. In the
past in the United States, public art works often functioned as representations of civic virtues
meant to instill valuable moral lessons. They were also intended to mark the common values of a
diverse community and nation: heroic military efforts in defense of one’s country or one’s
freedoms, respect for the laws of the land. The 1960s changed all that. As people began to march
for civil rights and against the involvement of the United States in the war in Vietnam, many
began to look at public art and ask: “Whose values are being represented? Whose traditions and
beliefs? To whom are these works supposed to speak?” Certainly artists in the 1930s had created
images of working-class Americans in government buildings throughout the country, but those
murals omitted much—the racism directed at African Americans, Native Americans, Latinos and
Asian Americans, the struggles to unionize, the labor of women outside the home. Calls were
issued for a new kind of public art, one that was truly, in the words of the art historian Arlene
Raven, “in the public interest.”
Walls of Pride: Chicano/a Murals These calls were met most effectively by a new generation
of muralists, who began covering walls throughout the country with images of local history or of
the less celebratory side of national history. These artists argued that a public art could only be
truly public if those who shared space with it were consulted about its ultimate form and use. In
California in particular, a new and dynamic movement evolved that took inspiration from both the
murals of Mexico and the struggles of farm workers in the United States, led by Cesar Chavez
and Luisa Moreno, to unionize under the United Farm Workers of America (UFW).
The growing political activism of individuals of Mexican descent around this unionization drive, which
ultimately grew into a full-blown civil rights movement, led to the adoption by many of the name Chicano,
derived from Mexicano. While it had circulated as an informal term for several decades within
communities whose members described themselves as Mexican Americans, it was now used publicly
as a form of positive self-identification, indicative of a new political consciousness and a commitment
to social change. One of the first Chicano murals was produced in 1968 by Antonio Bernal on the side of
the UFW Center in Del Ray, California. The piece celebrates modern revolutionary leaders, including
Pancho Villa, and Emiliano Zapata (key figures in the Mexican Revolution of 1910-20), Cesar Chavez, ,
Malcolm X, and Martin Luther King. A companion piece depicted Pre-Columbian leaders.
Chicana Muralist Judith Baca and The Great Wall of Los An ...
Sample of AssignmentLes Demoiselles dAvignon by Pablo Picasso h.docxrtodd599
Sample of Assignment
Les Demoiselles d'Avignon by Pablo Picasso has been called one of the most important works in the genesis of modern art by The Museum of Modern Art in a 2004 publication1 and the most influential work of art of the last 100 years in a 2007 article in Newsweek.2 Picasso created the work in 1907, the modern era. Determining the proper culture is difficult. He is considered a Spanish painter. There are clear Iberian and African influences presented in the painting. He painted it in Paris. The title references a brothel in Barcelona, Spain. So, for the most consistent classification, Spanish culture seems to be the most fitting.
That said, this work is less about the cultural ties to that place, and more about someone reaching for a new direction in art. The social/psychological reference within the work has been interpreted by William Rubin in his book dedicated to the work as reflecting his deep-seated fear and loathing of the female body, which existed side by side with his craving for and ecstatic idealization of it.3 If this is true, then the way the figures are distorted would certainly support that idea. However, for two reasons this work is more than just a social comment from Picasso or a psychological manifestation of his attitude toward women and more one of development of a personal, and possibly intentional new style of presenting subject matter. The early rivalry between Matisse and Picasso is well documented. It has been suggested that Matisse's Bonheur de vivre (The Joy of Life) became a challenge for Picasso's creation of Les Damoiselles d'Avignon.4 The two seemed to be competing for who would be the leader in the pursuit of Modern Art. If this work were the last one by Picasso, it may not have had the lasting impact on the world of art that it enjoys. But in his subsequent work, and others, the fragmentation and representation of subject matter in planes that defy nature began with this work. It is a new aesthetic approach that forced the viewer at that time to reconsider many aspects of what art is and how space can be redefined.
On one hand the subject matter could be viewed as a personal comment on brothels in general, but because it is clear that Picasso was in search for a new direction in modern art, it is clear that his main purpose was to influence the world of art with this new way of presenting subject matter.
1 Publication excerpt from The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 64
2 http://www.newsweek.com/which-most-influential-work-art-last-100-years-102269
3 LES DEMOISELLES D'AVIGNON By William Rubin, Helene Seckel and Judith Cousins. Illustrated. 280 pp. New York: The Museum of Modern Art/ Harry N. Abrams.
4 https://news.masterworksfineart.com/2017/06/12/henri-matisse-and-pablo-picasso
Culture directions
Before attempting this assignment make sure that you completed both the introduction and culture lessons.
Essay On Progressive Era. Essay Example on Progressivism in the U.S.: Examin...Melissa Chastain
AP US Progressive Era Essay | Theodore Roosevelt | Woodrow Wilson. Dbq about progressive era essay. Surprising Progressive Era Essay ~ Thatsnotus. Progressive era essay thesis proposal. Women during the progressive era essays. Essay On Progressive Era. Essay about Progressive Era - Free Essay Example - 2271 Words .... Progressive movement in america essay. PPT - The Progressive Era PowerPoint Presentation, free download - ID .... Role of Christianity in the Progressive Era Essay Example | Topics and ....
Essay On Progressive Era. Essay Example on Progressivism in the U.S.: Examin...
hs_accomplished_pr_activity
1. ART and HISTORY 1
ART and HISTORY
HS Art Accomplished
VA:PR6.1.IIa
By Lillian Andrew
Overview
VA:Pr6.1.IIa Make, explain, and justify connections between artists or artwork
and social cultural and political history.
Prior to this lesson: Students should be able to identify elements and principles
in artworks, analyze and interpret meaning.
Teacher will present the art term Context. Context describes the circumstances
in which an artwork is created. Teacher will provide examples showing
connections between artworks and social, cultural, or political themes. Teacher
and students will focus on artwork titled Guernica by Pablo Picasso. Teacher
will guide students through readings from various sources covering the
artworks context. Teacher will guide students through an analysis of
Functional Family. Students will analyze Picture of Garbage by Vik Muiz.
Students will select and analyze 3 artworks or artists that connect to social,
cultural, and political history. Students will create descriptions for each work
explaining the artist/works role in history. Each student will consider
alternative perspectives in planning their presentation. Students will present
their selections to the class. Students and teacher will evaluate each student
presentation and pose questions to prompt students to justify selections.
Following this lesson: Students can identify a theme of contemporary society,
culture, or politics to inspire an artwork. Students will use various news
sources including Newspapers, Internet, TV, and Podcasts. Students will
research current events that connect to contemporary social issues, cultural
norms or changes, and political news. Students will identify an issue or article
to inspire a still life. Students will select 3-4 objects to symbolize their issue or
event. Students will arrange still life and use pencils to create a drawing.
Objectives
Students will be able to
§ Analyze artworks and identify contextual influences.
§ Analyze and select 3 artworks that connect to social, cultural, and
political history.
§ Create descriptions for each selection justifying connections between
artists or artwork and history.
Activities
1. Teacher will introduce Contexts, the circumstances that surround an
artwork. Art isn’t made in a vacuum. Artists are inspired by the world
Materials
Guernica, Pablo Picasso
3rd
of May, Francisco Goya
Las Meninas, Diego Velasquez
The Green Heart, Ellen Lanyon
Functional Family, M. Louise Stanly
Picture of Garbage, Vik Muniz
Other Resources
Guernica is painting created by Pablo
Picasso for the 1937 worlds fair. The
work expresses Picasso’s disgust for
the violence in Spain caused by the
Spanish Civil War. The artwork
Guernica is titled after a small village
in Spain with the same name. The
village was bombed by German
troops lead by Adolf Hitler, in support
of the leader of Spain, Francisco
Franco. There was no strategic
purpose to the bombing. Over a
thousand people were killed or
injured.
Water by Charles Sheeler, is a work
created in 1945 around the boom of
the Industrial Revolution in America.
His work shows a pristine structure
that glorifies human ingenuity.
The Green Heart by Ellen Lanyon
depicts a surreal or fantastical setting
featuring a mechanical structure and
heart connecting to plant like forms.
The work presents ideas about man’s
connection with nature.
2. ART and HISTORY 2
Resources
https://www.khanacademy.org/humanities/art-1010/early-abstraction/cubism/a/picasso-guernica
http://www.pbs.org/treasuresoftheworld/a_nav/guernica_nav/main_guerfrm.html
http://www.metmuseum.org/toah/works-of-art/49.128
around them. Art can have social, political, and cultural themes.
2. Teacher will provide examples for artworks that connect to social,
political, or cultural history. Teacher will prompt students to analyze
each work identifying dominant elements, principles, subject and
mood. Students will consider the artist’s perspective and possible
agenda. Students will practice analyzing and identifying contexts that
are evident in an artwork.
3. Group Analysis Artworks: 3rd
of May by Francisco Goya, Water by
Charles Sheeler, The Green Heart by Ellen Lanyon.
4. Teacher and students will read and analyze Guernica by Pablo
Picasso. Teacher will use questioning throughout readings to check for
understanding.
5. Checks for Understanding Questions: Where was Guernica first
presented? What inspired Picasso to create it? What was happening in
Spain at the time the artwork was created?
6. Teacher will facilitate an analysis; lead my students, of Functional
Family by M. Louis Stanley.
7. Students will independently analyze Picture of Garbage by Vik Muniz.
8. Students will utilize online resources or art books provided, to analyze
and select 3 artworks that represent events or ideas from social,
political, or cultural history. Students must have one work for each
context.
Adaptations
Advanced students: Select 1 work for each context as well as 1 work that
demonstrate ideas from multiple contexts. Students will create an introduction
to the collection describing art’s ability to record and illustrate political,
cultural and social histories.
Beginning students: Will choose form a selection of works and identify which
work fits best describing political, social, and cultural histories.
Evaluation
Students will be assessed by a rubric aligned to the standard. Students must
have 3 works selected that reflect social, cultural, and political histories.
Students’ selections must be accompanied by a detailed description justifying
their selection.
Picture of Garbage by Vik Muniz is a
work from a series titled Wasteland.
Muniz has created a few series of
works inspiring social awareness and
change. Wasteland is a project Muniz
took on after seeing the poverty in a
community near a landfill. The
community was filled with workers
from the landfill. Muniz created
portraits of the workers with trash
from the landfill and then auctioned
the works off donating all of the profit
to the community.