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An Interdisciplinary Unit Combining
Visual Art, French, Spanish, and Social Studies
 How can art be used to promote positive
 action or change?
  To what extent was it used this way during
   the Spanish Civil War period?
     Should art be used for such purposes?
       What, if anything, do artists and art
        owe to society?
 Students will critically analyze, interpret and compare a variety
  of artwork created during or in reference to the Spanish Civil
  War.

 Students will consider the question of the artist’s debt to society
  and develop a personal position on this issue.

 Students will interview members of the local community
  regarding their impression of the impact of war/violence on our
  world today.

 Students will reflect upon their own feelings regarding
  war/violence and create a work of art that expresses these
  feelings, incorporating French or Spanish text from Resnais &
  Hessens’ ‘Guernica’.
 Personal Reflection: students will consider the artist’s
  role as a message maker and compose a response to the
  question, what do artists owe to society?
 Interview Process: students will each gather interview
  responses from three community members and share
  these with the class.
 Collaborative Art Work: students will each produce a
  panel that will be part of a collaborative art work.
  Ideally this will be displayed publically, at least
  temporarily.
   CT Content Standard 3: Students will consider, select, and apply a range of subject
    matter, symbols and ideas. Students will use subject matter, symbols, ideas and themes
    that demonstrate knowledge of contexts and cultural and aesthetic values to communicate
    intended meaning.

   CT Content Standard 4: Students will understand the visual arts in relation to
    history and culture. Students will compare works of art to one another in terms of
    history, aesthetics and culture; justify their conclusions; and use these conclusions to
    inform their own art making.

   CT Content Standard 5: Students will reflect upon, describe, analyze, interpret
    and evaluate their own and others’ work. Students will research and analyze historic
    meaning and purpose in varied works of art. Students will defend personal interpretations
    using reasoned argument.

   CT Content Standard 6: Students will make connections between visual
    arts, other disciplines and daily life. Students will analyze and compare characteristics
    of the visual arts within a particular historical period or style with ideas, issues or themes
    of that period or style.
Essential Questions
 Can propaganda be art? Can art be used as
  propaganda?
 How are political or social sentiments conveyed
  through art?
 Is it acceptable to use children’s artwork as
  propaganda? How might the meaning of the artist’s
  message be taken out of context in this case?
Objectives
 Students will critically analyze, interpret and compare
  a both propaganda posters and children’s artwork from
  the Spanish Civil War.

 Students will consider the question of the artist’s debt
  to society and develop a personal position on this
  issue.
Essential Questions
 How are political or social sentiments conveyed
  through art?
 Is art an appropriate vehicle for expressing
  political/social commentary?
 How might the anti-war messages of both Picasso’s
  Guernica and Resnais/Hessens’ ‘Guernica’ resonate
  with modern day audiences?
 What are your personal feelings regarding
  war/violence?
Pablo Picasso, Guernica (1937)
Alain Resnais & Robert Hessens, Guernica (1950)
Objectives
 Students will critically analyze, interpret and compare a
  Picasso’s Guernica and Alain Resnais & Robert Hessens’
  Guernica.

 Students will interview members of the local community
  regarding their impression of the impact of war/violence
  on our world today.

 Students will reflect upon both their own feelings
  regarding war/violence and those of community members,
  and create a work of art that expresses these feelings and
  incorporates both English and Spanish or French text.

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L mazzarella interdisciplinary unit

  • 1. An Interdisciplinary Unit Combining Visual Art, French, Spanish, and Social Studies
  • 2.  How can art be used to promote positive action or change?  To what extent was it used this way during the Spanish Civil War period?  Should art be used for such purposes?  What, if anything, do artists and art owe to society?
  • 3.  Students will critically analyze, interpret and compare a variety of artwork created during or in reference to the Spanish Civil War.  Students will consider the question of the artist’s debt to society and develop a personal position on this issue.  Students will interview members of the local community regarding their impression of the impact of war/violence on our world today.  Students will reflect upon their own feelings regarding war/violence and create a work of art that expresses these feelings, incorporating French or Spanish text from Resnais & Hessens’ ‘Guernica’.
  • 4.  Personal Reflection: students will consider the artist’s role as a message maker and compose a response to the question, what do artists owe to society?  Interview Process: students will each gather interview responses from three community members and share these with the class.  Collaborative Art Work: students will each produce a panel that will be part of a collaborative art work. Ideally this will be displayed publically, at least temporarily.
  • 5. CT Content Standard 3: Students will consider, select, and apply a range of subject matter, symbols and ideas. Students will use subject matter, symbols, ideas and themes that demonstrate knowledge of contexts and cultural and aesthetic values to communicate intended meaning.  CT Content Standard 4: Students will understand the visual arts in relation to history and culture. Students will compare works of art to one another in terms of history, aesthetics and culture; justify their conclusions; and use these conclusions to inform their own art making.  CT Content Standard 5: Students will reflect upon, describe, analyze, interpret and evaluate their own and others’ work. Students will research and analyze historic meaning and purpose in varied works of art. Students will defend personal interpretations using reasoned argument.  CT Content Standard 6: Students will make connections between visual arts, other disciplines and daily life. Students will analyze and compare characteristics of the visual arts within a particular historical period or style with ideas, issues or themes of that period or style.
  • 6. Essential Questions  Can propaganda be art? Can art be used as propaganda?  How are political or social sentiments conveyed through art?  Is it acceptable to use children’s artwork as propaganda? How might the meaning of the artist’s message be taken out of context in this case?
  • 7. Objectives  Students will critically analyze, interpret and compare a both propaganda posters and children’s artwork from the Spanish Civil War.  Students will consider the question of the artist’s debt to society and develop a personal position on this issue.
  • 8.
  • 9. Essential Questions  How are political or social sentiments conveyed through art?  Is art an appropriate vehicle for expressing political/social commentary?  How might the anti-war messages of both Picasso’s Guernica and Resnais/Hessens’ ‘Guernica’ resonate with modern day audiences?  What are your personal feelings regarding war/violence?
  • 10. Pablo Picasso, Guernica (1937) Alain Resnais & Robert Hessens, Guernica (1950)
  • 11. Objectives  Students will critically analyze, interpret and compare a Picasso’s Guernica and Alain Resnais & Robert Hessens’ Guernica.  Students will interview members of the local community regarding their impression of the impact of war/violence on our world today.  Students will reflect upon both their own feelings regarding war/violence and those of community members, and create a work of art that expresses these feelings and incorporates both English and Spanish or French text.