How to make a film
      Tom manston
Step 1
• The idea comes from the producer reading books,films,newspapers,plays
  and other people.
• The most important person in film making is the producer as he makes the
  film in to a reality.
• A director can visualise a scripted and make it reality they know how to
  put a story on a screen.
• The writer defines and clarifies the idea. The plot and main characters and
  turns it in to something that can be achieved.
• Treatment (the writer will then write the treatment a one page description
  of the main story and characters of the film.
• The pitch contains all the information the producer needs in order to sell
  the idea to the finance to commotion a scripted.
Step 2
• Pitching the producers uses the treatment and the pitch, plus
  her powers of persuasion to get money to sell the scripted.
• The producer approaches film production for companies for
  development and money, but they have projects of there
  own.
• The producer can offer on the future sales and broadcast
  rights to the film in return for money to develop the scripted.
• The producer can also apply to a public funding body such as
  the uk film coucil for a development grant.
• The producer can even pitch the film to private investors in
  hope that they will support the project.
Step 3
•   First the writer produces a synopsis and he and the producer agree or not the key
    scenes and events in the film.
•   There is as many ways of writing as there are writers but most writers create a step
    outline to plan there scripted.
•   Part of the writers fee is Conditional on delivery of the first draft this can be the
    hardest part of screenwriting.
•   Once the writer and the producer are happy , the draft is sent to the financers , all
    of witch will have there own ideas.
•   When everyone is happy with the scripted it gets lock off and becomes a final draft
    then the writer gets paid.
•   The final stage of the script development process is the creation of a sales
    treatment.
Step 4
•   The producer and director must now package the script into the full commercial
    proposition ready for financing.
•   One common way to make the project more commercial is to attach well known
    stars to the script.
•   Respected commercially successful heads of department carry considerable clout
    with knowledgeable financers.
•   To turn the film into a proper business proposition the producer must know how
    much it will actually cost to make.
•   Potential investors will want to know how the producer plans to raise money and
    how she plans to pay them back.
•   The producer has packaged into a viable commercial proposition. Now its time to
    see what people think of it.
•   The producer has packaged the film into a visible commercial proposition now its
    time to see what the people think of it.
Step 5
•   Financers can be anywhere in the world . To secure the investment she needs to
    make the film the producer must travel.
•   Privet individuals production companies and public bodies all invest in films. The
    producers lawyer draws up contracts to seal the deals.
•   The producer can also raise money from pre-sales selling the rights to the film
    before it has been made.
Step 6
•   The kick off meeting, to welcome everyone
•   Casting is picking the actors to play the different parts
•   Storyboarding is where you work out and sort out all the scenes.
•   Production design is when they star designing the sets, like miniature models and
    things.
•   Special effects planning is where you add special effects to your planning to make
    it better.
•   The production unit is deciding who does what in production unit.
Step 7
•   1st day of principle photography is where it’s the first day of actually filming.
•   Camera people filming there first scenes.
•   Lighting and sound doing what they need to do on the film set, catching the light
    and sound.
•   Acting the actors act out the scenes and deliver the lines in the script.
•   Special physical effects stunt men doing the bits that the actors cant do.
•   Chain of command having a list of who's the director producer and camera man so
    everybody on the set knows who there boss is.
Step 8
•   As the processed footage comes in the editor assembles it into scenes and creates
    a narrative sequence for the film.
•   Once the picture is locked the sound department works on the audio track laying
    creating and editing every sound.
•   Digital effects are added by specialist effects compositors and titles and credits are
    added in a composting suite.
•   The final stage of the picture edit is to adjust the colour and establish the fine
    aesthetic of the film.
•   After picture lock the rough sound mix goes to a dubbing theatre where the sound
    mixer sets the final levels.
•   After the final cut the film reaches ‘full lock’ it is now finished and ready for
    duplication but who gets the final cut?
Step 9
•   To help her sell the film to distributors the producer secures the services of a sales
    agent a specialist in film sales.
•   To help sell the film a trailer is made to show busy film buyers the most marketable
    aspects of the film.
•   The producer and the sales agent collect everything they will need to sell the film
    to distributors.
•   The market is saturated with films so the producer must go to great lengths to
    attract attention for her product.
•   A high-profile screening at one of the top films festivals can be great for generating
    ‘heat’ around a film.
•   The producer now has a hot product and can negotiate good deals with
    distributors around the world.
Step 10
•   Knowing the audience is essential and the marketing team runs test screenings to
    see how the film is received.
•   The potential audience for the films is targeted with posters cinema trailers tv
    sports and other marketing materials.
•   Television radio newspapers and magazines can all help create positive word of
    mouth about a film.
•   The birth of digital media and the internet has flooded the world with information
    but also made niche marketing possible.
•   In order to get the film to audiences the distributor must negotiate a deal with the
    cinemas to screen it.
Step 11
•   A high profile star-studded premiere is used to launch the film to the public with
    an explosion of media coverage.
•   The UK has more than 3,500 cinema screens. Although not all are British owned or
    show British films.
•   Distributors supply the exhibitors with prints of the film the more screens the film
    is shown on the more prints are needed.
•   The exhibitors take their share of the box office receipts after which the
    distributors recoup their marketing costs.
•   Once the distributors have been paid the financiers can recover their
    investments, as laid out in the recoupment schedule.
Step 12
•   Hospitality sales for hotel channels and in-flight entertainment can bring in
    millions in additional revenue.
•   UK audiences spend more on DVD’s than on cinema tickets so success on DVD can
    compensate for box office failure.
•   Televisions on the final source of revenue rights are sold separately for pay-tv
    showings and terrestrial broadcast.
•   Rights for computer games and other product licenses can be extremely lucrative
    sources of additional revenue.
•   Once the film has made a profit the producer and key creative people can reap
    their rewards or so the theory goes..
•   The final income from a film is never known distribution continues in perpetuity
    and it may even be re-released in the future.

How to make a film1

  • 1.
    How to makea film Tom manston
  • 2.
    Step 1 • Theidea comes from the producer reading books,films,newspapers,plays and other people. • The most important person in film making is the producer as he makes the film in to a reality. • A director can visualise a scripted and make it reality they know how to put a story on a screen. • The writer defines and clarifies the idea. The plot and main characters and turns it in to something that can be achieved. • Treatment (the writer will then write the treatment a one page description of the main story and characters of the film. • The pitch contains all the information the producer needs in order to sell the idea to the finance to commotion a scripted.
  • 3.
    Step 2 • Pitchingthe producers uses the treatment and the pitch, plus her powers of persuasion to get money to sell the scripted. • The producer approaches film production for companies for development and money, but they have projects of there own. • The producer can offer on the future sales and broadcast rights to the film in return for money to develop the scripted. • The producer can also apply to a public funding body such as the uk film coucil for a development grant. • The producer can even pitch the film to private investors in hope that they will support the project.
  • 4.
    Step 3 • First the writer produces a synopsis and he and the producer agree or not the key scenes and events in the film. • There is as many ways of writing as there are writers but most writers create a step outline to plan there scripted. • Part of the writers fee is Conditional on delivery of the first draft this can be the hardest part of screenwriting. • Once the writer and the producer are happy , the draft is sent to the financers , all of witch will have there own ideas. • When everyone is happy with the scripted it gets lock off and becomes a final draft then the writer gets paid. • The final stage of the script development process is the creation of a sales treatment.
  • 5.
    Step 4 • The producer and director must now package the script into the full commercial proposition ready for financing. • One common way to make the project more commercial is to attach well known stars to the script. • Respected commercially successful heads of department carry considerable clout with knowledgeable financers. • To turn the film into a proper business proposition the producer must know how much it will actually cost to make. • Potential investors will want to know how the producer plans to raise money and how she plans to pay them back. • The producer has packaged into a viable commercial proposition. Now its time to see what people think of it. • The producer has packaged the film into a visible commercial proposition now its time to see what the people think of it.
  • 6.
    Step 5 • Financers can be anywhere in the world . To secure the investment she needs to make the film the producer must travel. • Privet individuals production companies and public bodies all invest in films. The producers lawyer draws up contracts to seal the deals. • The producer can also raise money from pre-sales selling the rights to the film before it has been made.
  • 7.
    Step 6 • The kick off meeting, to welcome everyone • Casting is picking the actors to play the different parts • Storyboarding is where you work out and sort out all the scenes. • Production design is when they star designing the sets, like miniature models and things. • Special effects planning is where you add special effects to your planning to make it better. • The production unit is deciding who does what in production unit.
  • 8.
    Step 7 • 1st day of principle photography is where it’s the first day of actually filming. • Camera people filming there first scenes. • Lighting and sound doing what they need to do on the film set, catching the light and sound. • Acting the actors act out the scenes and deliver the lines in the script. • Special physical effects stunt men doing the bits that the actors cant do. • Chain of command having a list of who's the director producer and camera man so everybody on the set knows who there boss is.
  • 9.
    Step 8 • As the processed footage comes in the editor assembles it into scenes and creates a narrative sequence for the film. • Once the picture is locked the sound department works on the audio track laying creating and editing every sound. • Digital effects are added by specialist effects compositors and titles and credits are added in a composting suite. • The final stage of the picture edit is to adjust the colour and establish the fine aesthetic of the film. • After picture lock the rough sound mix goes to a dubbing theatre where the sound mixer sets the final levels. • After the final cut the film reaches ‘full lock’ it is now finished and ready for duplication but who gets the final cut?
  • 10.
    Step 9 • To help her sell the film to distributors the producer secures the services of a sales agent a specialist in film sales. • To help sell the film a trailer is made to show busy film buyers the most marketable aspects of the film. • The producer and the sales agent collect everything they will need to sell the film to distributors. • The market is saturated with films so the producer must go to great lengths to attract attention for her product. • A high-profile screening at one of the top films festivals can be great for generating ‘heat’ around a film. • The producer now has a hot product and can negotiate good deals with distributors around the world.
  • 11.
    Step 10 • Knowing the audience is essential and the marketing team runs test screenings to see how the film is received. • The potential audience for the films is targeted with posters cinema trailers tv sports and other marketing materials. • Television radio newspapers and magazines can all help create positive word of mouth about a film. • The birth of digital media and the internet has flooded the world with information but also made niche marketing possible. • In order to get the film to audiences the distributor must negotiate a deal with the cinemas to screen it.
  • 12.
    Step 11 • A high profile star-studded premiere is used to launch the film to the public with an explosion of media coverage. • The UK has more than 3,500 cinema screens. Although not all are British owned or show British films. • Distributors supply the exhibitors with prints of the film the more screens the film is shown on the more prints are needed. • The exhibitors take their share of the box office receipts after which the distributors recoup their marketing costs. • Once the distributors have been paid the financiers can recover their investments, as laid out in the recoupment schedule.
  • 13.
    Step 12 • Hospitality sales for hotel channels and in-flight entertainment can bring in millions in additional revenue. • UK audiences spend more on DVD’s than on cinema tickets so success on DVD can compensate for box office failure. • Televisions on the final source of revenue rights are sold separately for pay-tv showings and terrestrial broadcast. • Rights for computer games and other product licenses can be extremely lucrative sources of additional revenue. • Once the film has made a profit the producer and key creative people can reap their rewards or so the theory goes.. • The final income from a film is never known distribution continues in perpetuity and it may even be re-released in the future.