History of tapestry
•
2 likes•706 views
History of the tapestry form old generation to new generation it is the good info about how tapestry is discovered and used for the decoration .
Report
Share
Report
Share
Download to read offline
Recommended
History of textile
The document provides an overview of the history and development of the global textile industry. It discusses the evolution from ancient spinning and weaving techniques to modern industrial processes. Key events mentioned include the inventions that drove the first and second industrial revolutions, such as the spinning jenny and water frame. The document also summarizes current global textile production statistics and Bangladesh's role as a major exporter, particularly of garments. Bangladesh has become the second largest exporter of ready-made garments after China.
Historic Textiles
An overview of the important textiles in history from different ages and different regions of the world.
textile design
The document traces the evolution of textiles from prehistoric times to the present day. It discusses how early humans used mammoth skins sewn together for clothing in 26,000 BC. In ancient Egypt in 5500 BC, evidence exists for the production of linen cloth. In China between 500-300 BC, silk production began and was used to create Hanfu tunics. During the Roman period from 27 BC to AD 476, linen weaving techniques improved and typical garments included the peplos robe. During the Middle Ages from 1200-1400 AD, wool became commonly used and weaving techniques advanced.
History of textiles
This document provides a history of textiles from ancient times to present day. It describes how textiles originated over 100,000 years ago and were made from materials like flax, cotton, silk and hemp in ancient Egypt, India, China and Japan. Synthetic fibers like nylon were later introduced in the 20th century. While the basic processes of weaving, knitting and felting textiles have not changed substantially since the 14th century, equipment and manufacturing methods have modernized and sped up production.
History of fashion
The document provides an overview of the history of fashion from ancient times to present day. It discusses the earliest clothing which was made from animal skins, plants and tree bark for protection from the weather. It then covers the fashion of early civilizations like Egypt, Greece, Rome, France, China, Japan and India. Key details are provided about the typical clothing styles and fabrics worn in different time periods and regions. The document also touches on how fashion has evolved over thousands of years from simple designs to more fitted styles and how regional differences emerged as populations grew.
CLOTHING DURING THE RENAISSANCE PERIOD by Arpana kamboj
This document provides information about clothing styles during the Renaissance period in Europe from 1400-1700. It describes the fabrics, silhouettes, and accessories worn by both men and women of different social classes over time. For women, gowns transitioned from voluminous styles to tighter fitting bodices with low necklines. Hairstyles evolved from center parts to piled curls. Men's doublets and hose gave way to shorter coats and waistcoats over linen shirts. Footwear changed from pointed shoes to boots. Headwear such as chaperons, hoods, and hats featured increasing ornamentation.
Shibori: Introduction and techniques
Introduction to Shibori, types of Shibori
Shibori techniques: Folding and clamping, stitching and gathering and bound resist techniques
Edwardian & WWI Chapter 15
All of these slideshows are interactive and that's why they look jumbled up. They really are cool to look at and study so I will email the original file if someone wants it. All I ask is to not make any changes to it.
Recommended
History of textile
The document provides an overview of the history and development of the global textile industry. It discusses the evolution from ancient spinning and weaving techniques to modern industrial processes. Key events mentioned include the inventions that drove the first and second industrial revolutions, such as the spinning jenny and water frame. The document also summarizes current global textile production statistics and Bangladesh's role as a major exporter, particularly of garments. Bangladesh has become the second largest exporter of ready-made garments after China.
Historic Textiles
An overview of the important textiles in history from different ages and different regions of the world.
textile design
The document traces the evolution of textiles from prehistoric times to the present day. It discusses how early humans used mammoth skins sewn together for clothing in 26,000 BC. In ancient Egypt in 5500 BC, evidence exists for the production of linen cloth. In China between 500-300 BC, silk production began and was used to create Hanfu tunics. During the Roman period from 27 BC to AD 476, linen weaving techniques improved and typical garments included the peplos robe. During the Middle Ages from 1200-1400 AD, wool became commonly used and weaving techniques advanced.
History of textiles
This document provides a history of textiles from ancient times to present day. It describes how textiles originated over 100,000 years ago and were made from materials like flax, cotton, silk and hemp in ancient Egypt, India, China and Japan. Synthetic fibers like nylon were later introduced in the 20th century. While the basic processes of weaving, knitting and felting textiles have not changed substantially since the 14th century, equipment and manufacturing methods have modernized and sped up production.
History of fashion
The document provides an overview of the history of fashion from ancient times to present day. It discusses the earliest clothing which was made from animal skins, plants and tree bark for protection from the weather. It then covers the fashion of early civilizations like Egypt, Greece, Rome, France, China, Japan and India. Key details are provided about the typical clothing styles and fabrics worn in different time periods and regions. The document also touches on how fashion has evolved over thousands of years from simple designs to more fitted styles and how regional differences emerged as populations grew.
CLOTHING DURING THE RENAISSANCE PERIOD by Arpana kamboj
This document provides information about clothing styles during the Renaissance period in Europe from 1400-1700. It describes the fabrics, silhouettes, and accessories worn by both men and women of different social classes over time. For women, gowns transitioned from voluminous styles to tighter fitting bodices with low necklines. Hairstyles evolved from center parts to piled curls. Men's doublets and hose gave way to shorter coats and waistcoats over linen shirts. Footwear changed from pointed shoes to boots. Headwear such as chaperons, hoods, and hats featured increasing ornamentation.
Shibori: Introduction and techniques
Introduction to Shibori, types of Shibori
Shibori techniques: Folding and clamping, stitching and gathering and bound resist techniques
Edwardian & WWI Chapter 15
All of these slideshows are interactive and that's why they look jumbled up. They really are cool to look at and study so I will email the original file if someone wants it. All I ask is to not make any changes to it.
Resist printing
The document discusses resist printing techniques, specifically focusing on batik printing. It provides background on batik, noting it originated in Egypt and was later practiced in other parts of Asia and Africa. The document describes the batik printing process, which involves applying wax resist to fabric before dyeing to create patterns. Different regions known for batik printing are highlighted, as well as the raw materials and techniques used. A brief overview of tie-dye printing is also provided.
Tie dye
Tie and dye is a handmade method of creating patterns in fabric by tightly binding parts of the fabric to prevent dye from penetrating. It has a long history in Asia, Africa, and the Western world. There are natural dyes from plants and animals and synthetic dyes made of chemicals. The general tie dye process involves washing fabric, preparing dye, binding fabric, dye application, and unbinding. Tie dyed fabrics can be used for pillows, table covers, curtains, furniture upholstery, rugs, and wallpaper in interior design.
Introduction to Textile
This presentation provides an introduction to textiles. It is presented by Subrata Kumar Chanda Uthpal, a student with ID 143003007 studying textile engineering. The presentation defines textiles as fibers, yarns or fabrics made from fibers and traces the history of textiles back to fibers found in a Georgian cave. It then outlines the core areas of textiles like spinning, weaving and knitting and provides flow charts of the textile processing system from fiber to finished garments.
Embroidery
This document discusses the art of fabric embellishment through embroidery in India. It provides background on the origins and techniques of Indian embroidery. Specific embroidery styles that are discussed include Mughal court embroideries from the 17th-18th centuries, various types of zari embroideries including zardozi and kalabutta, regional styles like applique and ralli from Rajasthan, Chamba rumals, Lucknow chikankari, and Sindhi ajrak cloth. The document emphasizes that Indian embroidery reflects diverse cultural influences and traditions across regions.
Mesopotamian Costume
The document discusses costumes and fashion in ancient Mesopotamia. Mesopotamians developed impressive skills in fashioning clothing using wool and flax. Evidence of their clothing and accessories can be seen in sculptures, tablets, pottery, and the intricate costumes created for the film "Intolerance." They placed great importance on fashion and used it to display status. Facial hair and elaborate headgear were common, and they decorated their clothing with motifs of flowers, gold, and beadwork. Mesopotamians were considered one of the most advanced civilizations of their time in their passion for fashion.
Ancient egyptian fashion priyanka singh
Egyptian Fashion has amazing dressing sense and is not oldfashioned even today. A lot can be adapted from the old civilization. Designs today can be motivated by their attire.
My style of designing - IF YOU DONT KNOW WHERE YOU COME FROM, YOU CANT DECIDE WHERE YOU ARE HEADING
Fabric Testing and quality control
This document discusses fabric testing and quality control in the textile industry. It outlines various fabric tests including thickness, thread density, weight, air permeability, stiffness, abrasion, pilling, water absorbency, repellency, and tensile strength. The objectives of testing are research, material selection, process and product control, and development, while quality control aims to manufacture quality products that meet customer demands at minimum cost and reduce wastage. Standard testing methods for each property are also provided.
Egyptian clothing
The document discusses clothing and textiles in ancient Egypt. Linen was the most common material, made from flax which was grown and processed by men. Flax stems were soaked, beaten to soften the fibers, twisted into thread, and woven on looms. Linen had to be washed, bleached in the sun, and dried on wooden boards. Common clothing included loincloths for all, and skirts and tunics of various styles for different social classes and genders. Headwear such as nemes hats and crowns symbolized status. Makeup included kohl eyeliner, ochre rouge, and hena nail paint.
Kalamkari
The document provides information about the traditional Kalamkari printing technique from India. It discusses that Kalamkari involves using natural dyes and a multi-step process to create designs on cotton fabric by hand painting or block printing. There are two main styles - the Srikalahasti style which uses freehand drawing and the Machilipatnam style which uses carved blocks. Only plants sources are used to create the red, blue, yellow and other colors. The detailed document outlines the history of Kalamkari and the specific processes and tools involved to create the intricate patterns and motifs for which it is known.
TEXTILE DESIGN AS PROBLEM SOLVING(presentation)
The document discusses textile design approaches in Ghana. It finds that local textile designers in Ghana take a direct, informal approach focused on aesthetics, making them designers rather than problem solvers. This is due to training methods that emphasize ideals over practical skills. The document recommends adopting a formal, systematic approach like the Universal Design Model to analyze needs, generate concepts, prototype, test, and market designs. This would help Ghanaian textile designers develop problem-solving skills to better meet 21st century consumer demands.
History of-textile
This presentation summarizes the history of textile spinning and looms. It discusses early inventions like the spinning jenny and water frame during the Industrial Revolution that mechanized textile production. The presentation traces the evolution of spinning from ancient techniques using hooked sticks to modern ring spinning. It also outlines the development of various looms from vertical and pit looms to modern projectile and air jet looms. The presentation provides context on how mechanization transformed the textile industry and drove the First and Second Industrial Revolutions.
Textile designing techniques
Textile designing involves applying patterns and designs to fabric surfaces. There are several techniques for constructing and decorating fabric, including weaving, knitting, printing, and dyeing. Common printing methods are hand block printing, roller printing, screen printing, and 3D printing, which apply colored designs to fabric. Dyeing techniques like tie-dye, resist dyeing, and discharge dyeing impart patterns by controlling how the fabric is immersed in dye baths or preventing dye from reaching all areas.
CARPETS
It is a pdf format file of carpets,
Where you will get to know about:
• Introduction of carpets
• History of carpets
• Components of carpet
• Types of carpet
• Difference between woven carpet & non woven carpet
• Different national & international manufacturers
• Devices & machines used in carpet manufacturing
• Selection of carpets
• Cleaning & maintenance of carpet
• Advantages & disadvantages of using carpets
Follow Me On Facebook: facebook.com/roysatyajit800
Types and Properties of Fabric
This document discusses different types of fabric and their properties. It defines fabric as a cloth or material produced by weaving threads such as cotton, nylon, wool, or silk. It then lists and describes 13 common types of fabric: cotton voile, cotton lawn, rayon challis, chambray, denim, double gauze, knit, silk, satin, linen, wool, flannel, and leather. It concludes by defining several key fabric properties, including breathability, water resistance, shrinkage, durability, crease-resistance, colorfastness, and elasticity.
International fashion designer_Coco Chanel_Dr.Ash
The one of a kind protagonist in Fashion industry was Lady Coco. The presentation lists her journey and the creations that are still awed for.
Fashion merchandising
This document discusses fashion merchandising and its various types. It defines fashion merchandising as planning and promoting sales through timely presentation, advertising, and displays. Export merchandising involves offering retail goods for sale internationally. Retail merchandising helps retailers select and promote products to encourage sales. Visual merchandising refers to all visual elements customers see inside and outside a store, with the goal of enticing customers into the store to spend money.
Linen in india
This document discusses linen as a textile material. It provides information on linen fiber properties, production countries, yarn and fabric costs compared to other materials like cotton and viscose, common linen blends, end uses in apparel, major manufacturers and suppliers globally, the linen market in India, and a SWOT analysis of European suppliers. Key points covered include that linen is obtained from flax plants, is breathable and wrinkle-prone, and that major production countries include Ireland, Italy, Belgium, and China. Blends with cotton, silk, and viscose are common.
8. protective textiles
This document discusses various types of protective textiles, including materials and classifications. It focuses on chemical protective clothing. Key points:
- Protective textiles are designed to protect the wearer from environmental hazards and include flame retardant, ballistic protection, medical, chemical, UV protection and industrial work wear fabrics.
- Chemical protective clothing must resist permeation, degradation and penetration from chemicals. Important considerations in design are breakthrough time and liquid repellency.
- Common materials for chemical protection include nonwoven fabrics like Tyvek and SMS polypropylene, activated carbon, and multi-layer combinations of fabrics and nonwovens.
- Extreme cold protective clothing uses durable, flexible and insulating
ROMAN COSTUME
The ancient Romans adopted their early clothing styles from the Greeks, wearing tunics that reached the knee for men and ankle for women. Materials included wool, linen and leather from local farms, later importing luxurious fabrics like silk, cotton and fine linen. Clothing indicated social status, with married women wearing a stola overdress and men a toga on formal occasions. Cosmetics and hairstyles also varied over time. Roman art included mosaics, frescoes, sculpture and architecture displayed in homes and public buildings.
Fashion in Ancient Greece and Rome
Fashion in ancient Greece and Rome featured simple, versatile clothing made from wool and linen.
In ancient Greece, men and women both commonly wore a basic tunic called a chiton. Women also wore a longer dress called a peplos. Clothing was often decorated with bright colors and patterns that symbolized different meanings. Hairstyles and jewelry indicated social status.
Similarly, in ancient Rome clothing like tunics and togas were made from wool or imported silk and cotton. Women typically wore a stola dress with a shawl-like palla. Both genders wore sandals or boots and used accessories like brooches. Hairstyles, cosmetics, and limited jewelry differentiated gender roles
16th century
Portraits from the 16th century show that men and women wore elaborate jewelry including necklaces, bracelets, rings, and jewels sewn onto clothing. Jewelry styles varied between places like Florence and Venice. In England, jewelry evolved from heavy pieces to more delicate designs made of small beads. Throughout the 17th century, short necklaces featuring bow motifs and pearls were popular. Men's shoes developed heels up to three inches tall and fastened with ribbons or buckles. In the 18th century, women's fashion included layers of ruffles and lace while tightly laced corsets created an hourglass shape. Diamonds were a premier gem and were often featured in parures, or matching jewelry sets
Renaissance fashion
Renaissance fashion reflected cultural progress and increased trade, which allowed more access to new materials. The rich wore elaborate, brightly colored robes and dresses decorated with gold and silver embroidery, often depicting legends and biblical scenes. Natural motifs were also used. People indulged in jewelry, furs, and wigs. Hairstyles were elaborately decorated with gems, brooches, wires, and ribbons to appear as large and high as possible, sometimes using wigs or hair additions. Dress consisted of layered skirts and dresses under petticoats for women, and for men, fashionable outfits evolved from English riding outfits to include tight pants and boots by 1800.
More Related Content
What's hot
Resist printing
The document discusses resist printing techniques, specifically focusing on batik printing. It provides background on batik, noting it originated in Egypt and was later practiced in other parts of Asia and Africa. The document describes the batik printing process, which involves applying wax resist to fabric before dyeing to create patterns. Different regions known for batik printing are highlighted, as well as the raw materials and techniques used. A brief overview of tie-dye printing is also provided.
Tie dye
Tie and dye is a handmade method of creating patterns in fabric by tightly binding parts of the fabric to prevent dye from penetrating. It has a long history in Asia, Africa, and the Western world. There are natural dyes from plants and animals and synthetic dyes made of chemicals. The general tie dye process involves washing fabric, preparing dye, binding fabric, dye application, and unbinding. Tie dyed fabrics can be used for pillows, table covers, curtains, furniture upholstery, rugs, and wallpaper in interior design.
Introduction to Textile
This presentation provides an introduction to textiles. It is presented by Subrata Kumar Chanda Uthpal, a student with ID 143003007 studying textile engineering. The presentation defines textiles as fibers, yarns or fabrics made from fibers and traces the history of textiles back to fibers found in a Georgian cave. It then outlines the core areas of textiles like spinning, weaving and knitting and provides flow charts of the textile processing system from fiber to finished garments.
Embroidery
This document discusses the art of fabric embellishment through embroidery in India. It provides background on the origins and techniques of Indian embroidery. Specific embroidery styles that are discussed include Mughal court embroideries from the 17th-18th centuries, various types of zari embroideries including zardozi and kalabutta, regional styles like applique and ralli from Rajasthan, Chamba rumals, Lucknow chikankari, and Sindhi ajrak cloth. The document emphasizes that Indian embroidery reflects diverse cultural influences and traditions across regions.
Mesopotamian Costume
The document discusses costumes and fashion in ancient Mesopotamia. Mesopotamians developed impressive skills in fashioning clothing using wool and flax. Evidence of their clothing and accessories can be seen in sculptures, tablets, pottery, and the intricate costumes created for the film "Intolerance." They placed great importance on fashion and used it to display status. Facial hair and elaborate headgear were common, and they decorated their clothing with motifs of flowers, gold, and beadwork. Mesopotamians were considered one of the most advanced civilizations of their time in their passion for fashion.
Ancient egyptian fashion priyanka singh
Egyptian Fashion has amazing dressing sense and is not oldfashioned even today. A lot can be adapted from the old civilization. Designs today can be motivated by their attire.
My style of designing - IF YOU DONT KNOW WHERE YOU COME FROM, YOU CANT DECIDE WHERE YOU ARE HEADING
Fabric Testing and quality control
This document discusses fabric testing and quality control in the textile industry. It outlines various fabric tests including thickness, thread density, weight, air permeability, stiffness, abrasion, pilling, water absorbency, repellency, and tensile strength. The objectives of testing are research, material selection, process and product control, and development, while quality control aims to manufacture quality products that meet customer demands at minimum cost and reduce wastage. Standard testing methods for each property are also provided.
Egyptian clothing
The document discusses clothing and textiles in ancient Egypt. Linen was the most common material, made from flax which was grown and processed by men. Flax stems were soaked, beaten to soften the fibers, twisted into thread, and woven on looms. Linen had to be washed, bleached in the sun, and dried on wooden boards. Common clothing included loincloths for all, and skirts and tunics of various styles for different social classes and genders. Headwear such as nemes hats and crowns symbolized status. Makeup included kohl eyeliner, ochre rouge, and hena nail paint.
Kalamkari
The document provides information about the traditional Kalamkari printing technique from India. It discusses that Kalamkari involves using natural dyes and a multi-step process to create designs on cotton fabric by hand painting or block printing. There are two main styles - the Srikalahasti style which uses freehand drawing and the Machilipatnam style which uses carved blocks. Only plants sources are used to create the red, blue, yellow and other colors. The detailed document outlines the history of Kalamkari and the specific processes and tools involved to create the intricate patterns and motifs for which it is known.
TEXTILE DESIGN AS PROBLEM SOLVING(presentation)
The document discusses textile design approaches in Ghana. It finds that local textile designers in Ghana take a direct, informal approach focused on aesthetics, making them designers rather than problem solvers. This is due to training methods that emphasize ideals over practical skills. The document recommends adopting a formal, systematic approach like the Universal Design Model to analyze needs, generate concepts, prototype, test, and market designs. This would help Ghanaian textile designers develop problem-solving skills to better meet 21st century consumer demands.
History of-textile
This presentation summarizes the history of textile spinning and looms. It discusses early inventions like the spinning jenny and water frame during the Industrial Revolution that mechanized textile production. The presentation traces the evolution of spinning from ancient techniques using hooked sticks to modern ring spinning. It also outlines the development of various looms from vertical and pit looms to modern projectile and air jet looms. The presentation provides context on how mechanization transformed the textile industry and drove the First and Second Industrial Revolutions.
Textile designing techniques
Textile designing involves applying patterns and designs to fabric surfaces. There are several techniques for constructing and decorating fabric, including weaving, knitting, printing, and dyeing. Common printing methods are hand block printing, roller printing, screen printing, and 3D printing, which apply colored designs to fabric. Dyeing techniques like tie-dye, resist dyeing, and discharge dyeing impart patterns by controlling how the fabric is immersed in dye baths or preventing dye from reaching all areas.
CARPETS
It is a pdf format file of carpets,
Where you will get to know about:
• Introduction of carpets
• History of carpets
• Components of carpet
• Types of carpet
• Difference between woven carpet & non woven carpet
• Different national & international manufacturers
• Devices & machines used in carpet manufacturing
• Selection of carpets
• Cleaning & maintenance of carpet
• Advantages & disadvantages of using carpets
Follow Me On Facebook: facebook.com/roysatyajit800
Types and Properties of Fabric
This document discusses different types of fabric and their properties. It defines fabric as a cloth or material produced by weaving threads such as cotton, nylon, wool, or silk. It then lists and describes 13 common types of fabric: cotton voile, cotton lawn, rayon challis, chambray, denim, double gauze, knit, silk, satin, linen, wool, flannel, and leather. It concludes by defining several key fabric properties, including breathability, water resistance, shrinkage, durability, crease-resistance, colorfastness, and elasticity.
International fashion designer_Coco Chanel_Dr.Ash
The one of a kind protagonist in Fashion industry was Lady Coco. The presentation lists her journey and the creations that are still awed for.
Fashion merchandising
This document discusses fashion merchandising and its various types. It defines fashion merchandising as planning and promoting sales through timely presentation, advertising, and displays. Export merchandising involves offering retail goods for sale internationally. Retail merchandising helps retailers select and promote products to encourage sales. Visual merchandising refers to all visual elements customers see inside and outside a store, with the goal of enticing customers into the store to spend money.
Linen in india
This document discusses linen as a textile material. It provides information on linen fiber properties, production countries, yarn and fabric costs compared to other materials like cotton and viscose, common linen blends, end uses in apparel, major manufacturers and suppliers globally, the linen market in India, and a SWOT analysis of European suppliers. Key points covered include that linen is obtained from flax plants, is breathable and wrinkle-prone, and that major production countries include Ireland, Italy, Belgium, and China. Blends with cotton, silk, and viscose are common.
8. protective textiles
This document discusses various types of protective textiles, including materials and classifications. It focuses on chemical protective clothing. Key points:
- Protective textiles are designed to protect the wearer from environmental hazards and include flame retardant, ballistic protection, medical, chemical, UV protection and industrial work wear fabrics.
- Chemical protective clothing must resist permeation, degradation and penetration from chemicals. Important considerations in design are breakthrough time and liquid repellency.
- Common materials for chemical protection include nonwoven fabrics like Tyvek and SMS polypropylene, activated carbon, and multi-layer combinations of fabrics and nonwovens.
- Extreme cold protective clothing uses durable, flexible and insulating
ROMAN COSTUME
The ancient Romans adopted their early clothing styles from the Greeks, wearing tunics that reached the knee for men and ankle for women. Materials included wool, linen and leather from local farms, later importing luxurious fabrics like silk, cotton and fine linen. Clothing indicated social status, with married women wearing a stola overdress and men a toga on formal occasions. Cosmetics and hairstyles also varied over time. Roman art included mosaics, frescoes, sculpture and architecture displayed in homes and public buildings.
Fashion in Ancient Greece and Rome
Fashion in ancient Greece and Rome featured simple, versatile clothing made from wool and linen.
In ancient Greece, men and women both commonly wore a basic tunic called a chiton. Women also wore a longer dress called a peplos. Clothing was often decorated with bright colors and patterns that symbolized different meanings. Hairstyles and jewelry indicated social status.
Similarly, in ancient Rome clothing like tunics and togas were made from wool or imported silk and cotton. Women typically wore a stola dress with a shawl-like palla. Both genders wore sandals or boots and used accessories like brooches. Hairstyles, cosmetics, and limited jewelry differentiated gender roles
What's hot (20)
Similar to History of tapestry
16th century
Portraits from the 16th century show that men and women wore elaborate jewelry including necklaces, bracelets, rings, and jewels sewn onto clothing. Jewelry styles varied between places like Florence and Venice. In England, jewelry evolved from heavy pieces to more delicate designs made of small beads. Throughout the 17th century, short necklaces featuring bow motifs and pearls were popular. Men's shoes developed heels up to three inches tall and fastened with ribbons or buckles. In the 18th century, women's fashion included layers of ruffles and lace while tightly laced corsets created an hourglass shape. Diamonds were a premier gem and were often featured in parures, or matching jewelry sets
Renaissance fashion
Renaissance fashion reflected cultural progress and increased trade, which allowed more access to new materials. The rich wore elaborate, brightly colored robes and dresses decorated with gold and silver embroidery, often depicting legends and biblical scenes. Natural motifs were also used. People indulged in jewelry, furs, and wigs. Hairstyles were elaborately decorated with gems, brooches, wires, and ribbons to appear as large and high as possible, sometimes using wigs or hair additions. Dress consisted of layered skirts and dresses under petticoats for women, and for men, fashionable outfits evolved from English riding outfits to include tight pants and boots by 1800.
Talking Toile
Toile de Jouy fabric was created using copperplate printing techniques developed in the 1700s in France. The fabric featured pastoral scenes or mythology printed with a single color on white cotton. Christophe Oberkampf founded the first French factory to produce printed cotton fabrics in Jouy-en-Josas in 1760 after the ban on cotton was lifted. The factory pioneered copperplate printing for cotton and produced over 30,000 unique designs over its history.
Gothic mirror cases
The document discusses Gothic ivory carving from the 14th century. It provides context on the rise of Gothic art in France and importance of ivory material. Specifically, it summarizes that the piece is a carved ivory from Paris in the first third of the 14th century depicting mirror cases and courtly scenes. Ivory was a luxury material popular for secular objects like mirror cases during this time period, as shown by this piece from Paris in the early 14th century.
Wallpaper history
Wallpaper has a long history dating back to ancient China in the 2nd century BC when the first wallpaper appeared made of glued rice paper. Papermaking then spread to the Middle East and Europe over subsequent centuries. By the 16th century, wallpaper printing began in Europe using woodblock printing, and the first known fragment of printed wallpaper was found in England dated 1509. Throughout the 18th century, wallpaper manufacturing advanced significantly in England and France with the development of machine printing and new materials like flock. Key inventions like lithography in the late 18th century further advanced wallpaper printing capabilities.
Wallpaper history
Wallpaper has been used for interior decoration since ancient times. The earliest forms of paper were developed in China in the 2nd century BC and papermaking spread from there to the Middle East and Europe over subsequent centuries. By the 16th century, wallpaper with printed repetitive patterns was being produced in Europe. Throughout the 18th and 19th centuries, innovations such as machine printing allowed wallpaper manufacturing to scale up and designs to become more intricate, making wallpaper a widespread decorative feature in homes.
Wallpaper history
The document traces the history of wallpaper from its earliest origins in 400 BC when the Egyptians introduced papyrus, to its development in ancient China where the first wallpaper was made from glued rice paper. It discusses how papermaking spread from China to the Middle East and Europe between the 8th-15th centuries AD, leading to the development of the printing press and the first known fragments of printed wallpaper in the early 1500s. The document outlines several important innovations in wallpaper production during the 18th-19th centuries, including the invention of the first wallpaper printing machine in France in 1785 and a four-color printing machine in England in 1839.
European Vintage Rugs 1920's - 1950's
Märta Måås-Fjetterström was a pioneering Swedish textile artist and rug designer active in the early 20th century. She established her own rug workshop in 1919 after being dismissed from her previous position for refusing to copy designs. Måås-Fjetterström revived traditional Swedish weaving techniques and created over 700 original rug designs inspired by folk art, nature, and modernist styles. Her rugs combined simplified traditional motifs with muted palettes and helped establish Sweden's reputation for modern textile design. Måås-Fjetterström exhibited her rugs internationally and influenced generations of artists through her emphasis on craftsmanship and originality.
History of weaving
This document provides a history of textiles and weaving from early origins over 30,000 years ago to modern developments. It details the earliest known fibers including flax, cotton and wool dating back to 3000 BC in various ancient civilizations. Key developments discussed include advances in looms and weaving techniques over time, the importance of textiles in ancient Egypt, Mesopotamia, Greece, Rome and other societies, and revivals of hand weaving in modern times. Contemporary fiber artists are also mentioned.
HKT Jewels 2015 Patterned Legacy
A jewellery historian chances upon a rare 100-year-old book by French artist Albert Charles Auguste Racinet called L'Ornement Polychrome containing 100 lithographic prints of ornamental motifs from various historical periods. The prints provide inspiration for reviving ancient techniques and styles. They lead the historian to explore jewellery archives and find pieces that embody the prints' patterns, including a 19th century Chinese hair ornament featuring kingfisher feathers transformed into a contemporary brooch. The historian is enthralled by the book and looks forward to gaining further inspiration from its remaining 97 prints depicting ornamentation from different eras.
History of the brooch
The document provides a brief history of different brooch styles from ancient times to present day, including:
- Spina brooches from Roman times, some of the earliest "brooches" used to fasten clothing.
- Fibulae, similar to modern safety pins, were commonly used across Europe to fasten clothing from antiquity through medieval periods.
- Penannular and annular brooches from the 8th-10th centuries that took the form of incomplete or complete rings.
- Discoidal brooches from the 6th-15th centuries with decorative fronts and pin mechanisms on the back.
- Luckenbooth and Sølje brooches of Scotland
history of letters ppt.ppt
The first recorded handwritten letter was by Persian Queen Atossa around 500 BC. Throughout history, various materials were used for writing letters and sending messages, including papyrus, parchment, paper, and even tree bark. The modern postal system began with organized courier services in ancient Egypt and China, and the first widespread system was developed in Rome. Key developments included the introduction of the prepaid stamp by Britain in 1840 and standardized postal systems in other countries in the 19th century. Today countries like India, China, and the US have the most post offices worldwide.
Embroidery
Embroidery has been practiced since ancient times in cultures around the world as a way to decorate and reinforce clothing, becoming a status symbol denoting wealth. During the Medieval period in Europe, embroidery developed into a fine art practiced by both men and women, often using gold and silver threads and beads to depict religious and historical scenes. Contemporary embroidery artists continue experimenting with new materials and techniques to comment on social and environmental issues.
History: Middle Ages
The document summarizes aspects of religion, politics, social class, and fashion during the Middle Ages in Europe. It discusses how Christianity became the dominant religion and how the lives of people were dominated by the Church. It describes the causes and objectives of the Crusades to regain control of Jerusalem from Muslims. It also outlines the feudal system of power and the emergence of religious knight orders like the Templars, Hospitallers, and Teutonic Knights during the Crusades. Finally, it provides details on Gothic jewelry styles, gemstone cutting techniques, and popular jewelry items in the late Middle Ages like brooches, belts, and enameling.
Embroiderysp13
The art of embroidery has existed for over 30,000 years, originating in places like China and the Middle East. It began as a way to join animal skins but evolved into an embellishment for clothing. Different cultures developed unique embroidery techniques using materials available to them. Embroidery was especially important in medieval Islamic societies and was used decoratively on many items of clothing, decor, and more. In Europe, elaborate gold embroidery known as Opus Anglicanum became prestigious. Samplers were also embroidered by young girls as part of their training. Contemporary embroidery takes many artistic forms around the world today.
Alum In Ancient Egypt The Written Evidence
This book contains the proceedings of the 9th conference of the research group 'Textiles from the Nile Valley', which took place in Antwerp in 2015 and focused on textile finds from excavations in Egypt. The book includes 18 articles covering textiles excavated from sites such as Deir el-Banat, Wadi Sarga, Matmar, and Fag el-Gamus, as well as studies on textile techniques, iconography, dyeing, and collections. The conference and publication were supported by Katoen Natie and various individuals who contributed to editing and organizing the book.
Arcuri 1Arcuri 9Malia ArcuriMarie Aja-HerreraFASH 247-02.docx
Arcuri 1
Arcuri 9
Malia Arcuri
Marie Aja-Herrera
FASH 247-02
May 10, 2020FASH Test 3
17th and 18th Century
During the 17th century France, England, and Spain continued to rule Europe; The late 16th century was all about a mannerist style, however, that soon morphed into a Baroque style and quickly spread like wildfire throughout Europe. During this time, early puritan settlers had just made it to America and set up roots in New England; Places such as Holland had developed a prosperous middle class and England relied on the aristocracy as they had in the past. At the time textile machinery was gradually evolving and a new loom was introduced.
In the 17th century fashion plates were being produced in Paris, these plates are similar to a modern-day fashion magazine (picture Vogue painted on a large plate with a caption) and have helped historians set the scene for what garments and everyday life may have looked like back then. When it comes to men’s costumes not much shifted from the early 16th century to the 17th century, however, they began wearing cravats which were scarf like pieces that separates the shirts and were worn in place of collars. Instead of doublets which were very popular among men in earlier centuries they began wearing surouts and justacorps; these jackets had straight sleeves with cuffs and buttons down the front and the main difference was the fact that they covered the breeches completely. Breeches during the 17th century became slimmer and less full then other years and stopped right at the knee. Men’s wigs also grew much larger and were often worn in the natural colors they came in. Some things that stayed the same were shoes, men still preferred shoes over boots.
Women’s costume during the 17th century saw no major changes as well; The necklines became squarer and less reveling and corsets became visible. Corsets became visible at the front of the bodice and formed a V at the waist, since they were visible it meant they became heavily decorated and elaborate. A new dress cut also appeared at this time, the bodice and skirt were cut together in one length from shoulder to hem; this became known as Mantua and historians believe it to have evolved from middle-eastern robes. The final garment was very full both in the front and back and was always worn over a corset and overskirt. If women were to wear it to a formal event then the skirt was pleated and belted in the back, often skirts were pulled to the back and fastened to have a draped effect on the body.
Fig. 1 & 2. Mantua style dress (Maker unknown. Mantua, 1708. Silk and metal. New York: Metropolitan Museum of Art, 1991.6.1a, b. Purchase, Rogers Fund, Isabel Shults Fund and Irene Lewisohn Bequest, 1991. Source: The Met)
We saw a change in the shape of women’s shoes during this time, they became more pointed, heels became higher, and the shoes became narrower. The design became more decorated and elaborate and leather became used more and more. Pantof.
Glas in lood Gilded light full catalogue
Glas in lood catalogus, via Kees Berserik: Éen ruitje heeft, bleek later, een verkeerde toeschrijving (vrouw met jongen en boog bij een fontein). Dat ruitje is vervaardigd naar een prent van Willem Thybaut. En is samen met 5 anderen door het Rijksmuseum gekocht. Ik heb het grootste deel van de catalogus geschreven. Het stuk over de Neave collectie is geheel van mijn hand.
Kravata cipar
Croatia has a long history with neckties. In 1660, Croatian mercenaries in France started a fashion trend by wearing distinctive scarves knotted around their necks that became known as cravats. Since then, neckties have become an important part of professional and formal dress for men around the world. Croatia now celebrates an annual Day of Ties on October 18th to honor the country's role in the origins of neckties. There are various necktie knots like the Windsor, half-Windsor, and Eldredge knots as well as curiosities regarding expensive custom ties and necktie collecting.
Riesner
This writing table from 1784 was commissioned for Marie Antoinette and features an intricate inlaid wood design. It was crafted by Jean-Henri Riesener in the neoclassical style inspired by recent archaeological discoveries at Pompeii and Herculaneum. The table has since passed through several owners and collections, and is now housed at the National Gallery of Art in Washington D.C., where it offers insight into the refined furniture craft of 18th century France.
Similar to History of tapestry (20)
Arcuri 1Arcuri 9Malia ArcuriMarie Aja-HerreraFASH 247-02.docx
Arcuri 1Arcuri 9Malia ArcuriMarie Aja-HerreraFASH 247-02.docx
Recently uploaded
Femmely-ACP-how to use social media to drive engagement
Femmely-ACP-how to use social media to drive engagement
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka Kalyan Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka Kalyan Matka➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKACall Girls in Bangalore (Karnataka) call me [🔝9079923931🔝] Escort In Bangalor...
Call Girls in Bangalore (Karnataka) call me [🔝9079923931🔝] Escort In Bangalore service 24X7
Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdf
Mr. Brainwash Beautiful Girl / Mixed Media / signed / Unique
Year: 2023
Format: 96,5 x 127 cm / 37.8 x 50 inch
Material: Fine Art Paper with hand-torn edges.
Method: Mixed Media, Stencil, Spray Paint.
Edition: Unique
Other: handsigned by Mr. Brainwash front and verso.
Beautiful Girl by Mr. Brainwash is a mixed media artwork on paper done in 2023. It is unique and of course signed by Mr. Brainwash. The picture is a tribute to his own most successful work of art, the Balloon Girl. In this new creation, however, the theme of the little girl is slightly modified.
In Mr. Brainwash’s mixed media artwork titled “Beautiful Girl,” we are presented with a captivating depiction of a little girl adorned in a summer dress, with two playful pigtails framing her face. The artwork exudes a sense of innocence and whimsy, as the girl is shown in a dreamy state, lifting one end of her skirt and looking down as if she were about to dance. Through the use of mixed media, Mr. Brainwash skillfully combines different artistic elements to create a visually striking composition. The vibrant colors and bold brushstrokes bring the artwork to life, evoking a sense of joy and happiness. The attention to detail in the girl’s expression and body language adds depth and character to the piece, allowing viewers to connect with the young protagonist on a personal and emotional level. “Beautiful Girl” is a testament to Mr. Brainwash’s unique artistic style, blending elements of street art, pop art, and contemporary art to create a visually captivating and emotionally resonant artwork.
The use of mixed media in “Beautiful Girl” adds an additional layer of complexity to the artwork. By combining different artistic techniques and materials, such as stencils, spray paint, and collage, Mr. Brainwash creates a dynamic and textured composition that grabs the viewer’s attention. The juxtaposition of different textures and patterns adds depth and visual interest to the piece, while also emphasizing the artist’s eclectic and experimental approach to art-making. The inclusion of collage elements, such as newspaper clippings and torn posters, further enhances the artwork’s urban and contemporary feel. Overall, “Beautiful Girl” is a visually captivating and thought-provoking artwork that showcases Mr. Brainwash’s talent for blending different artistic elements to create a truly unique and engaging piece.
Call Girls Ahmedabad 7426014248 Independent Call Girl Service Ahmedabad
Call Girls Ahmedabad 7426014248 Independent Call Girl Service Ahmedabad
Satta Matka dpboss Matka guessing Indian
Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | ΜΑΙΝ ΜΑΤΚΑ❾❸❹❽❺❾❼❾❾⓿
Satta Matka Dpboss Matka guessing Indian
Satta Matka Dpboss Matka guessing Indian❾❸❹❽❺❾❼❾❾⓿Satta Matka Dpboss Guessing Matka Indian matka Kalyan result
Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | ΜΑΙΝ ΜΑΤΚΑSatta matka, dp boss matka,matka Result, Indian Matka boss Tara matka_matka K...
Satta matka, dp boss matka,matka Result, Indian Matka boss Tara matka_matka K...➐➑➎➎➑⓿➊➒➌➎ SATTA MATKA DP BOSS KALYAN RESULT
Satta Matka, Kalyan Matka, Matka Result, Fix Matka Number, Matka by unnati seo solution pvt. limited, has 3 slides
Satta Matka Dpboss Kalyan Matka Results Kalyan Chart | PDF
一比一原版(ulv学位证书)美国拉文大学毕业证如何办理
原版一模一样【微信：741003700 】【(ulv学位证书)美国拉文大学毕业证成绩单】【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
办理(ulv学位证书)美国拉文大学毕业证【微信：741003700 】外观非常简单，由纸质材料制成，上面印有校徽、校名、毕业生姓名、专业等信息。
办理(ulv学位证书)美国拉文大学毕业证【微信：741003700 】格式相对统一，各专业都有相应的模板。通常包括以下部分：
校徽：象征着学校的荣誉和传承。
校名:学校英文全称
授予学位：本部分将注明获得的具体学位名称。
毕业生姓名：这是最重要的信息之一，标志着该证书是由特定人员获得的。
颁发日期：这是毕业正式生效的时间，也代表着毕业生学业的结束。
其他信息：根据不同的专业和学位，可能会有一些特定的信息或章节。
办理(ulv学位证书)美国拉文大学毕业证【微信：741003700 】价值很高，需要妥善保管。一般来说，应放置在安全、干燥、防潮的地方，避免长时间暴露在阳光下。如需使用，最好使用复印件而不是原件，以免丢失。
综上所述，办理(ulv学位证书)美国拉文大学毕业证【微信：741003700 】是证明身份和学历的高价值文件。外观简单庄重，格式统一，包括重要的个人信息和发布日期。对持有人来说，妥善保管是非常重要的。
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
➒➌➎➏➑➐➋➑➐➐ Matka Guessing Satta Matka Kalyan panel Chart Indian Matka Satta Matta Matka Dpboss KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA Helpline number ➒➌➍➑➊➑➏➍➋➒ result update new market new business satta resul...
Helpline number ➒➌➍➑➊➑➏➍➋➒ result update new market new business satta resul...➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result marka result Dpboss sattamatka341 satta143 Satta Matka Sattamatka New Mumbai Ratan Satta Matka Fast Matka Milan Market Kalyan Matka Results Satta Game Matka Game Satta Matka Kalyan Satta Matka Mumbai Main Online Matka Results Satta Matka Tips Milan Chart Satta Matka Boss New Star Day Satta King Live Satta Matka Results Satta Matka Company Indian Matka Satta Matka Kalyan Night Matka
Kalyan Result Final ank Satta 143 Kalyan final Kalyan panel chart Kalyan Result guessing Time bazar Kalyan guessing Kalyan satta sattamatka ➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result mar...
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result mar...➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result marka result Dp Boss sattamatka341 satta143 Satta Matka Sattamatka New Mumbai Ratan Satta Matka Fast Matka Milan Market Kalyan Matka Results Satta Game Matka Game Satta Matka Kalyan Satta Matka Mumbai Main Online Matka Results Satta Matka Tips Milan Chart Satta Matka Boss New Star Day Satta King Live Satta Matka Results Satta Matka Company Indian Matka Satta Matka Kalyan Night Matka
Kalyan Result Final ank Satta 143 Kalyan final Kalyan panel chart Kalyan Result guessing Time bazar Kalyan guessing Kalyan satta sattamatka
Satta Matka Sattamatka Satta matka Satta result Matka result Satta result matkaresult Satta matka result Matka 420 Matka420 matka guessing matka guessing satta matta matka satta matta matka Kalyan chart Kalyan chart Satta matta Matka 143 SattamattaMatka143 Satta live Satta live Kalyan open Kalyan open Kalyan final Kalyan final Kalyan chart Kalyan chart Kalyan Panel Chart Kalyan Panel Chart Dp Boss india matka india matka
Recently uploaded (20)
Femmely-ACP-how to use social media to drive engagement
Femmely-ACP-how to use social media to drive engagement
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka Kalyan Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka Kalyan Matka
Call Girls in Bangalore (Karnataka) call me [🔝9079923931🔝] Escort In Bangalor...
Call Girls in Bangalore (Karnataka) call me [🔝9079923931🔝] Escort In Bangalor...
Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdf
Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdf
Call Girls Ahmedabad 7426014248 Independent Call Girl Service Ahmedabad
Call Girls Ahmedabad 7426014248 Independent Call Girl Service Ahmedabad
Satta matka, dp boss matka,matka Result, Indian Matka boss Tara matka_matka K...
Satta matka, dp boss matka,matka Result, Indian Matka boss Tara matka_matka K...
THUNDERDEVILS_COPERNICUS_SAMPLEBOARD_CAT_ZYGOCKIpdf
THUNDERDEVILS_COPERNICUS_SAMPLEBOARD_CAT_ZYGOCKIpdf
Helpline number ➒➌➍➑➊➑➏➍➋➒ result update new market new business satta resul...
Helpline number ➒➌➍➑➊➑➏➍➋➒ result update new market new business satta resul...
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result mar...
➒➌➍➑➊➑➏➍➋➒ Satta Matka Satta result marka result Satta Matka Satta result mar...
Subjectivity Subjectivity Subjectivity Subjectivity
Subjectivity Subjectivity Subjectivity Subjectivity
History of tapestry
- 1. History oF Tapestry First attested in English in 1467, the word tapestry derives from Old French tapisserie, from tapisser, meaning "to cover with heavy fabric, to carpet. Tepestry is the form of textile art traditionally woven on a vertical loom . The weft threads are usually wool or cotton, but may include silk, gold, silver, or other alternatives. The use of tapestries in Western Europe mainly for the decoration of churches and monasteries although no examples of these early wall-hangings remain History of Tapestry Art 14th Century Tapestries At that time the most highly developed centres of tapestry production were located in Paris and Flanders. The most important of these were created by Parisian weavers.
- 2. 15th Century Tapestries The finest tapestry art of the 15th century was created in the Flemish cities of Arras, Tournai, and Brussels.15th century, Brussels developed a reputation for its production of "tapis d'or". 16th Century Tapestries Two new trends emerged in the 16th century. The first was engendered by war and persecution in Flanders, which caused many Flemish weavers to flee and led to the scattering of the Flemish tapestry industry. 17th and 18th Century Tapestries A lighter type of design cartoon, signalling the coming Rococo style, was introduced into tapestry design by the decorative creations, notably the grotesques, of Claude Audran III .
- 3. 19th and 20th Century Tapestries Most 19th century tapestries were reproductions of paintings or previously woven designs. Apestry designs were becoming increasingly abstract in 20th century. If you are looking for awesome collection of handicraft , tapestry, marble item , wooden decor visitus at www.handicrunch.com