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History of Music Videos
What is a music video? 
 A music video is a short film which integrates a song and various imagery 
which is made to promote the artist of the song that is being featured. Over 
the years that they have existed, music videos have had various purposes as 
to why they have existed.
1926-1959: Talkies, Soundies and Shorts 
 Talkies were first introduced to the music industry in 1926. Warner Bros 
produced a vitaphone which featured various artists and bands. 
 Screen songs were introduced where the lyrics would appear on the screen 
and a little bouncy ball would bounce over the lyrics allowing viewers to sing 
along 
 Soundies were produced and released from 1940-1947. They were short 
musical films which included short dance sequences which are similar to 
current music videos 
 Musical Films were another important precursor to music video, and several 
well known music videos have imitated the style of classic Hollywood 
Musicals. For example, Madonna’s ‘Material Girls’ was based on Jack Cole’s 
‘Diamonds Are A Girl’s Best Friend’ from the film Gentlemen prefer Blondes.
1950’s Early Music Clips 
 Tony Bennett claimed to have created the first music video when he was 
filmed walking along the Serpentine in Hyde Park, 1956. This was from the 
UK. 
 In 1957, the first music video of the story is set in United States, starring Elvis 
Presley item Jailhouse Rock, the famous theme prison rock, disseminated 
images in black and white of the time. 
 The oldest example of a promotional music video with similarities to more 
abstract, modern videos similar to be Dáme si do bytu (Lets get to the 
apartment) created in 1958 and directed by Ladislav Rychman.
1960-1973: Promotional Clips and others 
 In the 1950’s, a visual jukebox called a ‘Scopitone’ was invented in France and 
various French artists produced short films to accompany their songs. The use of 
this spread to other countries such as the ‘Cinebox’ in Italy and the ‘Color-Sonic’ 
in the USA. 
 In 1964, The Beatles starred in their first feature film ‘A Hard Day’s Night’ directed 
by Richard Lester. It was shot in black and white and shown as a ‘mockumentary.’ 
 The Rolling Stones appeared in many promotional clips throughout the 1960’s, 
Peter Whitehead directed 2 promo clips for their single ‘Have You Seen Your 
Mother, Baby, Standing In The Shadow?’ In 1967, Whitehead directed a plot clip 
colour promo clip for the Stones single "We Love You", which first aired in August 
1967. This clip featured sped-up footage of the group recording in the studio, 
intercut with a mock trial that clearly alludes to the drug prosecutions of Mick 
Jagger and Keith Richards underway at that time. Jagger's girlfriend Marianne 
Faithfull appears in the trial scenes and presents the "judge" (Richards) with what 
may be the infamous fur rug that had featured so prominently in the press reports 
of the drug bust at Richards' house in early 1967
(…cont) 1960-1973: Promotional Clips 
and others 
 In June 1968, Elvis Presley recorded music videos again, in recording studios, 
in order to promote their new albums, making videos where famous stars If I 
Can Dream and Trouble/Guitar Man. 
 During late 1972–73 David Bowie featured in a series of promotional films 
directed by pop photographer Mick Rock, who worked extensively with Bowie 
in this period. Rock directed and edited four clips to promote four 
consecutive David Bowie singles—"John, I'm Only Dancing" (May 1972), "The 
Jean Genie" (Nov. 1972), the December 1972 US re-release of "Space Oddity" 
and the 1973 release of the single "Life on Mars?“ 
 Country music also picked up on the trend of promotional clips to go along 
with songs. Sam Lovullo, the producer of the television series Hee Haw, said 
his show presented "what were, in reality, the first musical videos.
1974-1980: The Beginnings of Music 
Television 
 The Australian TV shows Countdown and Sounds, both of which premiered in 
1974, were significant in developing and popularizing the music video genre in 
Australia and other countries, and in establishing the importance of music 
video clips as a means of promoting both emerging acts and new releases by 
established acts 
 The long-running British TV show Top of the Pops began playing music videos 
in the late 1970s, although the BBC placed strict limits on the number of 
'outsourced' videos TOTP could use. Therefore a good video would increase a 
song's sales as viewers hoped to see it again the following week. 
 Video Concert Hall, created by Jerry Crowe and Charles Henderson, launched 
on November 1, 1979, was the first nationwide video music programming on 
American television, predating MTV by almost three years
1981-1991: Music Videos go mainstream 
 In 1981, the U.S. video channel MTV launched, airing "Video Killed the Radio 
Star" and beginning an era of 24-hour-a-day music on television. With this new 
outlet for material, the music video would, by the mid-1980s, grow to play a 
central role in popular music marketing. 
 Two key innovations in the development of the modern music video were the 
development of relatively inexpensive and easy-to-use video recording and 
editing equipment, and the development of visual effects created with 
techniques such as image compositing. The advent of high-quality colour 
videotape recorders and portable video cameras coincided with the DIY ethos 
of the new wave era, enabling many pop acts to produce promotional videos 
quickly and cheaply, in comparison to the relatively high costs of using film. 
However, as the genre developed, music video directors increasingly turned to 
35 mm film as the preferred medium, while others mixed film and video.
(…cont) 1981-1991: Music Videos go 
mainstream 
 In 1983, the most successful, influential and iconic music video of all time 
was released: the nearly 14-minute-long video for Michael Jackson's song 
"Thriller", directed by John Landis. The video set new standards for 
production, having cost $800,000 to film. This led to many other videos being 
played on MTV by various African-American artists. 
 Another important development in music videos was the launch of The Chart 
Show on the UK's Channel 4 in 1986. This was a program which consisted 
entirely of music videos (the only outlet many videos had on British TV at 
the), without presenters.
1992-2004: The Rise of Directors 
 In November 1992, MTV began listing directors with the artist and song 
credits, reflecting the fact that music videos had increasingly become an 
auteur's medium. 
 Around this time, many directors such as Mark Romanek and Chris 
Cunningham got their start around this time with them all bringing a unique 
vision and style to the videos they directed. 
 2 of the music videos Romanek directed are notable for being 2 of the 3 most 
expensive music videos of all time. 1 being Michael and Janet Jackson’s 
‘Scream’ which supposedly cost $7 million to make and Madonna’s ‘Bedtime 
Story’ which cost a reported $5 million.
2005-Present: The Internet becomes 
video-friendly 
 The website iFilm, which hosted short videos, including music videos, launched its 
service in 1997. 
 Napster, a peer-to-peer file sharing service which ran between 1999 and 2001, 
enabled users to share video files, including those for music videos. 
 By the mid-2000s, MTV and many of its sister channels had largely abandoned 
showing music videos in favour of reality television shows, which were more 
popular with its audiences. 
 2005 saw the launch of the website YouTube, which made the viewing of online 
video much faster and easier; Google Videos, Yahoo! Video, Facebook and 
MySpace's video functionality, use similar technology. Such websites had a 
profound effect on the viewing of music videos; some artists began to see success 
as a result of videos seen mostly or entirely online. 
 Websites such as YouTube have been accountable for the success of many people 
such as Justin Bieber, Austin Mahone, Cody Simpson, Esmee Denters, Cimorelli, 
Greyson Chance, Sam Tsui, Charice, Boyce Avenue and Timeflies.
Lyric Videos 
 A lyric video is one in which the words to the song are the main element of 
the video. 
 In 1987, Prince released a video for his song "Sign o' the Times". The video 
featured the song's words pulsing to the music presented along with abstract 
geometric shapes; an effect created by Bill Konersman. 
 In 1990 George Michael released "Praying For Time" as a lyric video. He had 
refused to make a traditional music video, so his label released a simple clip 
that displayed the song's lyrics on a black screen. 
 A lyric video may be released separately by a music label prior to the more 
usual video featuring the artist. Cee Lo Green, Lady Gaga, Katy Perry, Muse 
and Avenged Sevenfold among many others, have released lyric videos.

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History of music videos

  • 2. What is a music video?  A music video is a short film which integrates a song and various imagery which is made to promote the artist of the song that is being featured. Over the years that they have existed, music videos have had various purposes as to why they have existed.
  • 3. 1926-1959: Talkies, Soundies and Shorts  Talkies were first introduced to the music industry in 1926. Warner Bros produced a vitaphone which featured various artists and bands.  Screen songs were introduced where the lyrics would appear on the screen and a little bouncy ball would bounce over the lyrics allowing viewers to sing along  Soundies were produced and released from 1940-1947. They were short musical films which included short dance sequences which are similar to current music videos  Musical Films were another important precursor to music video, and several well known music videos have imitated the style of classic Hollywood Musicals. For example, Madonna’s ‘Material Girls’ was based on Jack Cole’s ‘Diamonds Are A Girl’s Best Friend’ from the film Gentlemen prefer Blondes.
  • 4. 1950’s Early Music Clips  Tony Bennett claimed to have created the first music video when he was filmed walking along the Serpentine in Hyde Park, 1956. This was from the UK.  In 1957, the first music video of the story is set in United States, starring Elvis Presley item Jailhouse Rock, the famous theme prison rock, disseminated images in black and white of the time.  The oldest example of a promotional music video with similarities to more abstract, modern videos similar to be Dáme si do bytu (Lets get to the apartment) created in 1958 and directed by Ladislav Rychman.
  • 5. 1960-1973: Promotional Clips and others  In the 1950’s, a visual jukebox called a ‘Scopitone’ was invented in France and various French artists produced short films to accompany their songs. The use of this spread to other countries such as the ‘Cinebox’ in Italy and the ‘Color-Sonic’ in the USA.  In 1964, The Beatles starred in their first feature film ‘A Hard Day’s Night’ directed by Richard Lester. It was shot in black and white and shown as a ‘mockumentary.’  The Rolling Stones appeared in many promotional clips throughout the 1960’s, Peter Whitehead directed 2 promo clips for their single ‘Have You Seen Your Mother, Baby, Standing In The Shadow?’ In 1967, Whitehead directed a plot clip colour promo clip for the Stones single "We Love You", which first aired in August 1967. This clip featured sped-up footage of the group recording in the studio, intercut with a mock trial that clearly alludes to the drug prosecutions of Mick Jagger and Keith Richards underway at that time. Jagger's girlfriend Marianne Faithfull appears in the trial scenes and presents the "judge" (Richards) with what may be the infamous fur rug that had featured so prominently in the press reports of the drug bust at Richards' house in early 1967
  • 6. (…cont) 1960-1973: Promotional Clips and others  In June 1968, Elvis Presley recorded music videos again, in recording studios, in order to promote their new albums, making videos where famous stars If I Can Dream and Trouble/Guitar Man.  During late 1972–73 David Bowie featured in a series of promotional films directed by pop photographer Mick Rock, who worked extensively with Bowie in this period. Rock directed and edited four clips to promote four consecutive David Bowie singles—"John, I'm Only Dancing" (May 1972), "The Jean Genie" (Nov. 1972), the December 1972 US re-release of "Space Oddity" and the 1973 release of the single "Life on Mars?“  Country music also picked up on the trend of promotional clips to go along with songs. Sam Lovullo, the producer of the television series Hee Haw, said his show presented "what were, in reality, the first musical videos.
  • 7. 1974-1980: The Beginnings of Music Television  The Australian TV shows Countdown and Sounds, both of which premiered in 1974, were significant in developing and popularizing the music video genre in Australia and other countries, and in establishing the importance of music video clips as a means of promoting both emerging acts and new releases by established acts  The long-running British TV show Top of the Pops began playing music videos in the late 1970s, although the BBC placed strict limits on the number of 'outsourced' videos TOTP could use. Therefore a good video would increase a song's sales as viewers hoped to see it again the following week.  Video Concert Hall, created by Jerry Crowe and Charles Henderson, launched on November 1, 1979, was the first nationwide video music programming on American television, predating MTV by almost three years
  • 8. 1981-1991: Music Videos go mainstream  In 1981, the U.S. video channel MTV launched, airing "Video Killed the Radio Star" and beginning an era of 24-hour-a-day music on television. With this new outlet for material, the music video would, by the mid-1980s, grow to play a central role in popular music marketing.  Two key innovations in the development of the modern music video were the development of relatively inexpensive and easy-to-use video recording and editing equipment, and the development of visual effects created with techniques such as image compositing. The advent of high-quality colour videotape recorders and portable video cameras coincided with the DIY ethos of the new wave era, enabling many pop acts to produce promotional videos quickly and cheaply, in comparison to the relatively high costs of using film. However, as the genre developed, music video directors increasingly turned to 35 mm film as the preferred medium, while others mixed film and video.
  • 9. (…cont) 1981-1991: Music Videos go mainstream  In 1983, the most successful, influential and iconic music video of all time was released: the nearly 14-minute-long video for Michael Jackson's song "Thriller", directed by John Landis. The video set new standards for production, having cost $800,000 to film. This led to many other videos being played on MTV by various African-American artists.  Another important development in music videos was the launch of The Chart Show on the UK's Channel 4 in 1986. This was a program which consisted entirely of music videos (the only outlet many videos had on British TV at the), without presenters.
  • 10. 1992-2004: The Rise of Directors  In November 1992, MTV began listing directors with the artist and song credits, reflecting the fact that music videos had increasingly become an auteur's medium.  Around this time, many directors such as Mark Romanek and Chris Cunningham got their start around this time with them all bringing a unique vision and style to the videos they directed.  2 of the music videos Romanek directed are notable for being 2 of the 3 most expensive music videos of all time. 1 being Michael and Janet Jackson’s ‘Scream’ which supposedly cost $7 million to make and Madonna’s ‘Bedtime Story’ which cost a reported $5 million.
  • 11. 2005-Present: The Internet becomes video-friendly  The website iFilm, which hosted short videos, including music videos, launched its service in 1997.  Napster, a peer-to-peer file sharing service which ran between 1999 and 2001, enabled users to share video files, including those for music videos.  By the mid-2000s, MTV and many of its sister channels had largely abandoned showing music videos in favour of reality television shows, which were more popular with its audiences.  2005 saw the launch of the website YouTube, which made the viewing of online video much faster and easier; Google Videos, Yahoo! Video, Facebook and MySpace's video functionality, use similar technology. Such websites had a profound effect on the viewing of music videos; some artists began to see success as a result of videos seen mostly or entirely online.  Websites such as YouTube have been accountable for the success of many people such as Justin Bieber, Austin Mahone, Cody Simpson, Esmee Denters, Cimorelli, Greyson Chance, Sam Tsui, Charice, Boyce Avenue and Timeflies.
  • 12. Lyric Videos  A lyric video is one in which the words to the song are the main element of the video.  In 1987, Prince released a video for his song "Sign o' the Times". The video featured the song's words pulsing to the music presented along with abstract geometric shapes; an effect created by Bill Konersman.  In 1990 George Michael released "Praying For Time" as a lyric video. He had refused to make a traditional music video, so his label released a simple clip that displayed the song's lyrics on a black screen.  A lyric video may be released separately by a music label prior to the more usual video featuring the artist. Cee Lo Green, Lady Gaga, Katy Perry, Muse and Avenged Sevenfold among many others, have released lyric videos.