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HISTORY OF MUSIC
VIDEOS
Feel the back of her throat
Background
   A music video is a short film integrating a song
    and imagery, produced for promotional or
    artistic purposes.
   Modern music videos are primarily made and
    used as a marketing device intended to
    promote the sale of music recordings.
   Although the origins of music videos date back
    much further, they came into prominence in
    the 1980s, when MTV based their format
    around the medium.
1900 – 1950’s
   In 1926, with the arrival of "talkies" many musical
    short films were produced. Vitaphone shorts
    (produced by Warner Bros.) featured many bands,
    vocalists and dancers. Spooney Melodies in 1930 was
    the first true musical video series.
   The Panoram jukebox with eight three-minute
    soundies were popular in taverns and night spots, but
    the fad faded during World War II.
   In the late 1950s the Scopitone, a visual jukebox, was
    invented in France and short films were produced by
    many French artists, such as Serge Gainsbourg,
    Françoise Hardy, Jacques Brel, and Jacques Dutronc
    to accompany their songs.
The Beatles
   In 1964, The Beatles starred in their first feature
    film A Hard Day's Night, directed by Richard
    Lester. Shot in black-and-white and presented as a
    mock documentary, it was a loosely structured
    musical fantasia interspersing comedic and
    dialogue sequences with musical ones.
   The musical sequences furnished basic templates
    on which countless subsequent music videos were
    modelled.
   It was the direct model for the successful US TV
    series The Monkees (1966–1968) which similarly
    consisted of film segments that were created to
The 60’s
   The monochrome 1966 clip for Bob Dylan's
    "Subterranean Homesick Blues" filmed by D. A.
    Pennebaker was featured in Pennebaker's Dylan
    film documentary Dont Look Back.
   Eschewing any attempt to simulate performance
    or present a narrative, the clip shows Dylan
    standing in a city back alley, silently shuffling a
    series of large cue cards (bearing key words from
    the song's lyrics).
   The Who featured in several promotional clips in
    this period, beginning with their 1965 clip for I
    Can't Explain. Their plot clip for Happy Jack
    (1966) shows the band acting like a gang of
    thieves.
Top of the Pops and other TV
Shows
   The long-running British TV show Top of the Pops began
    playing music videos in the late 1970s, although the BBC
    placed strict limits on the number of 'outsourced' videos
    TOTP could use.
   Therefore a good video would increase a song's sales as
    viewers hoped to see it again the following week.
   The long-running British Rock music show "The Old Grey
    Whistle Test" produced a number of pioneering videos
    made especially for the program throughout the 1970s and
    early 1980s.
   These included a video of Frank Zappa's "City of Tiny
    Lights" made using claymation and videos made for
    performers such as Television, Led Zeppelin, Genesis,
    Pink Floyd and Mike Oldfield.
MTV
   In 1981, the U.S. video channel MTV
    launched, airing "Video Killed the Radio Star"
    and beginning an era of 24-hour-a-day music
    on television.
   With this new outlet for material, the music
    video would, by the mid-1980s, grow to play a
    central role in popular music marketing.
    Many important acts of this period, most
    notably Adam and the Ants, Duran Duran and
    Madonna, owed a great deal of their success
    to the skillful construction and seductive
    appeal of their videos.
MTV
   In 1983, the most successful, influential and
    iconic music video of all time was released —
    the nearly 14-minute-long video for Michael
    Jackson's song "Thriller".
   The video set new standards for production,
    having cost US$500,000 to film.
   That video, along with earlier videos by
    Jackson for his songs "Billie Jean" and "Beat
    It", also was instrumental in getting music
    videos by African American artists played on
    MTV.
Television
   In 1985, MTV launched the channel VH1 (then
    known as "VH-1: Video Hits One"), featuring softer
    music, and meant to cater to an older
    demographic than MTV.
   MTV Europe was launched in 1987, and MTV
    Asia in 1991. Another important development in
    music videos was the launch of The Chart Show
    on the UK's Channel 4 in 1986.
   This was a program which consisted entirely of
    music videos (the only outlet many videos had on
    British TV at the time), without presenters.
   Instead, the videos were linked by then state of
    the art computer graphics. The show moved to
    ITV in 1989.
Internet
   Napster, a peer-to-peer file sharing service which ran
    between 1999 and 2001, enabled users to share video
    files, including those for music videos.
   2005 saw the launch of the website YouTube, which made
    the viewing of online video much faster and easier; Google
    Videos, Yahoo! Video, Facebook and MySpace's video
    functionality, which uses similar technology.
   Such websites had a profound effect on the viewing of
    music videos; some artists began to see success as a
    result of videos seen mostly or entirely online.
   VEVO is a music video website launched by several major
    music publishers in December 2009. The videos on VEVO
    are syndicated to YouTube, with Google and VEVO sharing
    the advertising revenue

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History of music videos

  • 1. HISTORY OF MUSIC VIDEOS Feel the back of her throat
  • 2. Background  A music video is a short film integrating a song and imagery, produced for promotional or artistic purposes.  Modern music videos are primarily made and used as a marketing device intended to promote the sale of music recordings.  Although the origins of music videos date back much further, they came into prominence in the 1980s, when MTV based their format around the medium.
  • 3. 1900 – 1950’s  In 1926, with the arrival of "talkies" many musical short films were produced. Vitaphone shorts (produced by Warner Bros.) featured many bands, vocalists and dancers. Spooney Melodies in 1930 was the first true musical video series.  The Panoram jukebox with eight three-minute soundies were popular in taverns and night spots, but the fad faded during World War II.  In the late 1950s the Scopitone, a visual jukebox, was invented in France and short films were produced by many French artists, such as Serge Gainsbourg, Françoise Hardy, Jacques Brel, and Jacques Dutronc to accompany their songs.
  • 4. The Beatles  In 1964, The Beatles starred in their first feature film A Hard Day's Night, directed by Richard Lester. Shot in black-and-white and presented as a mock documentary, it was a loosely structured musical fantasia interspersing comedic and dialogue sequences with musical ones.  The musical sequences furnished basic templates on which countless subsequent music videos were modelled.  It was the direct model for the successful US TV series The Monkees (1966–1968) which similarly consisted of film segments that were created to
  • 5. The 60’s  The monochrome 1966 clip for Bob Dylan's "Subterranean Homesick Blues" filmed by D. A. Pennebaker was featured in Pennebaker's Dylan film documentary Dont Look Back.  Eschewing any attempt to simulate performance or present a narrative, the clip shows Dylan standing in a city back alley, silently shuffling a series of large cue cards (bearing key words from the song's lyrics).  The Who featured in several promotional clips in this period, beginning with their 1965 clip for I Can't Explain. Their plot clip for Happy Jack (1966) shows the band acting like a gang of thieves.
  • 6. Top of the Pops and other TV Shows  The long-running British TV show Top of the Pops began playing music videos in the late 1970s, although the BBC placed strict limits on the number of 'outsourced' videos TOTP could use.  Therefore a good video would increase a song's sales as viewers hoped to see it again the following week.  The long-running British Rock music show "The Old Grey Whistle Test" produced a number of pioneering videos made especially for the program throughout the 1970s and early 1980s.  These included a video of Frank Zappa's "City of Tiny Lights" made using claymation and videos made for performers such as Television, Led Zeppelin, Genesis, Pink Floyd and Mike Oldfield.
  • 7. MTV  In 1981, the U.S. video channel MTV launched, airing "Video Killed the Radio Star" and beginning an era of 24-hour-a-day music on television.  With this new outlet for material, the music video would, by the mid-1980s, grow to play a central role in popular music marketing.  Many important acts of this period, most notably Adam and the Ants, Duran Duran and Madonna, owed a great deal of their success to the skillful construction and seductive appeal of their videos.
  • 8. MTV  In 1983, the most successful, influential and iconic music video of all time was released — the nearly 14-minute-long video for Michael Jackson's song "Thriller".  The video set new standards for production, having cost US$500,000 to film.  That video, along with earlier videos by Jackson for his songs "Billie Jean" and "Beat It", also was instrumental in getting music videos by African American artists played on MTV.
  • 9. Television  In 1985, MTV launched the channel VH1 (then known as "VH-1: Video Hits One"), featuring softer music, and meant to cater to an older demographic than MTV.  MTV Europe was launched in 1987, and MTV Asia in 1991. Another important development in music videos was the launch of The Chart Show on the UK's Channel 4 in 1986.  This was a program which consisted entirely of music videos (the only outlet many videos had on British TV at the time), without presenters.  Instead, the videos were linked by then state of the art computer graphics. The show moved to ITV in 1989.
  • 10. Internet  Napster, a peer-to-peer file sharing service which ran between 1999 and 2001, enabled users to share video files, including those for music videos.  2005 saw the launch of the website YouTube, which made the viewing of online video much faster and easier; Google Videos, Yahoo! Video, Facebook and MySpace's video functionality, which uses similar technology.  Such websites had a profound effect on the viewing of music videos; some artists began to see success as a result of videos seen mostly or entirely online.  VEVO is a music video website launched by several major music publishers in December 2009. The videos on VEVO are syndicated to YouTube, with Google and VEVO sharing the advertising revenue