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INTRODUCTION TO INTERIOR
DESIGN
Submitted by :
Simran Sharma
B.Arch VII SEM
INTERIOR DESIGN
To create a functional and beautiful living
environment.
WHY TO STUDY INTERIOR DESIGN?
Interior Design is the
perfect field of study if you
love design and
architecture! As an interior
designer you will research
and analyze projects, while
integrating architectural
knowledge and
design creativity. The study
of design and layout of
interior spaces is an
exciting and creative field
IS IT BEAUTIFUL?
TRADITIONAL
ROCOCO
CONTEMPORARY
COUNTRY FRENCH
ASIAN
ELEMENTS OF DESIGN
•Space
•Shape
•Line
•Texture
•Color
SPACE
The area between objects in a room
SHAPE
The solid form or structure of an
object
LINES
 The outline of an
object.
 2 points that are
connected.
 They give direction
and divide space.
 Types
Horizontal
Vertical
Diagonal
Curved
LINES
VERTICAL LINES HORIZONTAL LINES
Horizontal lines—sturdy, calm,
restful.
Vertical lines– feeling of power,
dignity and masculinity, height.
LINES
DIAGONAL LINES CURVED LINES
Curved lines—soften objectsDiagonal lines—create activity
and motion
TEXTURE
 The way an object feels
and looks.
 May be rough, smooth,
shiny, hard, soft, etc.
 Formal
Smooth texture.
 Informal
Rough texture
COLOUR
One of the most important tools
Influences how people feel and the
mood of the room.
PRINCIPLES OF DESIGN
PRINCIPLES OF DESIGN
•Harmony
•Proportion
•Scale
•Balance
•Rhythm
•Emphasis
HARMONY
Combination of variety
and unity
Unity: The room is tied
together with a common
denominator
Variety: There are
different shapes, colors
and objects in a room
PROPORTION SCALE
The way that one part of the object relates to the
whole of the design.
Golden Mean
The way an object relates to another object.
Effective ratios:
2:3, 3:5, 5:8, 4:7
BALANCE
 The feeling of rest
 Equal weight on all
parts of the room
 Formal
Both sides are the
same
 Informal
Sides are different
Informal Balance
Formal Balance
RHYTHM
 The feeling of movement in a room.
 Moves your eye from one point to another.
RHYTHM
REPETITION TRANSITION RADIATION GRADIATION
how one part of the
design changes to
another part
a design tool is
repeated
moves your eye out
from a central point
moves you eye from
light to dark or from
small to large
EMPHASIS
• The focal point of a room
• Focuses your attention
HISTORY OF INTERIOR DESIGN
HISTORY
 PREHISTORIC & PRIMITIVE
DESIGN
 ANCIENT WORLD
 MEDIEVAL/MIDDLE AGES
 RENAISSANCE
 INDUSTRIAL ERA
 TWENTIETH CENTURY
 FUTURE DIRECTION
PREHISTORIC & PRIMITIVE DESIGN
ANCIENT
MESOPOTAMIAN HOUSES
ANCIENT
CHINESE HOUSES
ANCIENT
AZTECS HOUSES
Building Material :
MUD BRICK DRIED IN SUN
Building Material :
Houses made of baked bricks
Building Material :
Thatched adobe house
Upper class –
double storied building
Craftsmen & trades –
single storied buildings
• Kitchen with fireplace
•Downstairs room for receiving
guest
•Upstairs bedroom
•Bathroom with drainage system
• Elegant Upholstery, carved
animal like legs and relief inlay
COURTYARD
• Noblemans have coloured glass windows , marble
staircase and fireplaces.
• Kang - a hollow platform heated from underneath
• Rugs & cushions for sleeping on Kang
• Low tables ,carved cabinets ,chair, dining table
• Thatched adobe house
• Two single storied
• Works of art, statues and decoration
• Furniture was not used
• Slept on mats and
stored food in clay pots
ANCIENT
MESOPOTAMIAN HOUSES
ANCIENT
CHINESE HOUSES
ANCIENT WORLD
ANCIENT
ROMAN
ANCIENT
EGYPT
ANCIENT
GREEK
• Temples have vast hypostyle halls
• Carving and painting on wall
• Interiors connected to outdoors through
courtyard
• And loggia
• Furniture with curved legs , inlays,
decorated
• Furniture – Stool, chairs bed ,
headrest,tables
• Greek built important building in stone but used
wood for roofing
• Pottery decorated with painting
• Greek temple – Simple windowless rectangular
enclosure surounded by columns
• Greek House – Simple rooms with moulding ,
strong colours in textile
• Cups, dishes and vases for decorative accents
• KLISMOS - outward carving legs
• Greek KLINES
• Tables and chest – coloured decoration
KLINES
• Roman took over the greek concept of design
with typical engineering skill of their own
• Houses planned with courtyard or atrium
• Rooms had few or no windows
• Technique of MOSAIC
• Luxurious houses – marble inlay and painting
MIDDLE AGES
Early medieval Europe was a place of
unrest. Medieval life was uncertain and
families were often on move.
Churches and cathedral
Medieval Décor: Textile – Central focus
Medieval Furniture – Made of oak : Chest
,cupboards, benches, folding chairs , beds
with curtain
Bright fabrics and interesting lighting
effect.- Use of tapestries and hanging to
cover the wall
TAPESTRIESINLAYMOSAIC
GOTHIC PERIOD EARLY CHRISTIAN
RENNAISANCE
12TH – 18TH CENTURY
LAMBERT HITCHCOCK STYLE
o Fancy chairs of light weight with
caned or rush seats and painted
decoration
o Body had plain colour and
member were made by machine
SHAKERS STYLE
o handmade furniture which
combined stick construction – no
decorative detail
oStrong & Ascetic
INDUSTRIAL ERA
18TH – 19TH CENTURY
 "Art Nouveau" is French for "new
art“
 A very decorative style with many
design ideas being taken from
nature and using new materials of
steel, ceramic and glass.
 Wall designs, lamps, furniture and
decorative elements.
ART NOUVEAU ART & CRAFT MOVEMENT
 Arts and Crafts was an international
design movement that flourished
between 1860 and 1910
 Arts and Crafts objects were simple in
form.
 Exposed metal fittings
 Furniture in Oak and maple
FUTURE DIRECTION
THE POST
MODERN HI-TECH
o High-tech architecture, also known
as Late Modernism or Structural
Expressionism- 1970s,
o Incorporating elements of high-tech
industry and technology into building
design.
•Post-modernists seek to
create comfortable spaces for
the body, mind, and soul.
•Different styles such as classic
modernism, deconstructivism,
..etc.

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History of interior design

  • 1. INTRODUCTION TO INTERIOR DESIGN Submitted by : Simran Sharma B.Arch VII SEM
  • 2. INTERIOR DESIGN To create a functional and beautiful living environment.
  • 3. WHY TO STUDY INTERIOR DESIGN? Interior Design is the perfect field of study if you love design and architecture! As an interior designer you will research and analyze projects, while integrating architectural knowledge and design creativity. The study of design and layout of interior spaces is an exciting and creative field
  • 6. SPACE The area between objects in a room
  • 7. SHAPE The solid form or structure of an object
  • 8. LINES  The outline of an object.  2 points that are connected.  They give direction and divide space.  Types Horizontal Vertical Diagonal Curved
  • 9. LINES VERTICAL LINES HORIZONTAL LINES Horizontal lines—sturdy, calm, restful. Vertical lines– feeling of power, dignity and masculinity, height.
  • 10. LINES DIAGONAL LINES CURVED LINES Curved lines—soften objectsDiagonal lines—create activity and motion
  • 11. TEXTURE  The way an object feels and looks.  May be rough, smooth, shiny, hard, soft, etc.  Formal Smooth texture.  Informal Rough texture
  • 12. COLOUR One of the most important tools Influences how people feel and the mood of the room.
  • 15. HARMONY Combination of variety and unity Unity: The room is tied together with a common denominator Variety: There are different shapes, colors and objects in a room
  • 16. PROPORTION SCALE The way that one part of the object relates to the whole of the design. Golden Mean The way an object relates to another object. Effective ratios: 2:3, 3:5, 5:8, 4:7
  • 17. BALANCE  The feeling of rest  Equal weight on all parts of the room  Formal Both sides are the same  Informal Sides are different Informal Balance Formal Balance
  • 18. RHYTHM  The feeling of movement in a room.  Moves your eye from one point to another.
  • 19. RHYTHM REPETITION TRANSITION RADIATION GRADIATION how one part of the design changes to another part a design tool is repeated moves your eye out from a central point moves you eye from light to dark or from small to large
  • 20. EMPHASIS • The focal point of a room • Focuses your attention
  • 22. HISTORY  PREHISTORIC & PRIMITIVE DESIGN  ANCIENT WORLD  MEDIEVAL/MIDDLE AGES  RENAISSANCE  INDUSTRIAL ERA  TWENTIETH CENTURY  FUTURE DIRECTION
  • 23. PREHISTORIC & PRIMITIVE DESIGN ANCIENT MESOPOTAMIAN HOUSES ANCIENT CHINESE HOUSES ANCIENT AZTECS HOUSES Building Material : MUD BRICK DRIED IN SUN Building Material : Houses made of baked bricks Building Material : Thatched adobe house Upper class – double storied building Craftsmen & trades – single storied buildings • Kitchen with fireplace •Downstairs room for receiving guest •Upstairs bedroom •Bathroom with drainage system • Elegant Upholstery, carved animal like legs and relief inlay COURTYARD • Noblemans have coloured glass windows , marble staircase and fireplaces. • Kang - a hollow platform heated from underneath • Rugs & cushions for sleeping on Kang • Low tables ,carved cabinets ,chair, dining table • Thatched adobe house • Two single storied • Works of art, statues and decoration • Furniture was not used • Slept on mats and stored food in clay pots ANCIENT MESOPOTAMIAN HOUSES ANCIENT CHINESE HOUSES
  • 24. ANCIENT WORLD ANCIENT ROMAN ANCIENT EGYPT ANCIENT GREEK • Temples have vast hypostyle halls • Carving and painting on wall • Interiors connected to outdoors through courtyard • And loggia • Furniture with curved legs , inlays, decorated • Furniture – Stool, chairs bed , headrest,tables • Greek built important building in stone but used wood for roofing • Pottery decorated with painting • Greek temple – Simple windowless rectangular enclosure surounded by columns • Greek House – Simple rooms with moulding , strong colours in textile • Cups, dishes and vases for decorative accents • KLISMOS - outward carving legs • Greek KLINES • Tables and chest – coloured decoration KLINES • Roman took over the greek concept of design with typical engineering skill of their own • Houses planned with courtyard or atrium • Rooms had few or no windows • Technique of MOSAIC • Luxurious houses – marble inlay and painting
  • 25. MIDDLE AGES Early medieval Europe was a place of unrest. Medieval life was uncertain and families were often on move. Churches and cathedral Medieval Décor: Textile – Central focus Medieval Furniture – Made of oak : Chest ,cupboards, benches, folding chairs , beds with curtain Bright fabrics and interesting lighting effect.- Use of tapestries and hanging to cover the wall TAPESTRIESINLAYMOSAIC GOTHIC PERIOD EARLY CHRISTIAN
  • 26. RENNAISANCE 12TH – 18TH CENTURY LAMBERT HITCHCOCK STYLE o Fancy chairs of light weight with caned or rush seats and painted decoration o Body had plain colour and member were made by machine SHAKERS STYLE o handmade furniture which combined stick construction – no decorative detail oStrong & Ascetic
  • 27. INDUSTRIAL ERA 18TH – 19TH CENTURY  "Art Nouveau" is French for "new art“  A very decorative style with many design ideas being taken from nature and using new materials of steel, ceramic and glass.  Wall designs, lamps, furniture and decorative elements. ART NOUVEAU ART & CRAFT MOVEMENT  Arts and Crafts was an international design movement that flourished between 1860 and 1910  Arts and Crafts objects were simple in form.  Exposed metal fittings  Furniture in Oak and maple
  • 28. FUTURE DIRECTION THE POST MODERN HI-TECH o High-tech architecture, also known as Late Modernism or Structural Expressionism- 1970s, o Incorporating elements of high-tech industry and technology into building design. •Post-modernists seek to create comfortable spaces for the body, mind, and soul. •Different styles such as classic modernism, deconstructivism, ..etc.