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The document discusses ideas for photographing a murderer for the cover of a magazine and poster. It describes choosing to feature the murderer prominently on the cover to look more appealing. It also discusses posing the actor playing the murderer at an angle looking to the side to seem creepy and distant. The costume for the murderer is all black, stereotypical of what a murderer would wear to signal he is evil. Additional poster ideas involve photographing the murderer up close making eye contact to draw the audience in and make them feel threatened, as intended.
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- The opening shot is a wide landscape showing a dark hooded figure silhouetted against electricity pylons, setting a mood of threat, danger and anxiety.
- A close-up shows the figure is accompanied by an intimidating dog, adding to the sense of menace.
- It's revealed the figure is a young woman who directly addresses the camera, subverting expectations set by the threatening stereotype.
- Shots of her walking through woods and along a foggy canal towpath continue visual metaphors of danger, worry and anxiety through use
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This document discusses how the media product represents particular social groups. Specifically, it focuses on representing young teenage girls associated with fashion culture as the victim in a thriller opening. Locations like an abandoned wood and dark estate were chosen to suggest tension and lower social class. Dark lighting was used to metaphorically suggest the victim's feelings. The victim wears everyday dark clothes to appear vulnerable yet match the low financial status of residents. In contrast, the killer subverts expectations by also being a young female, challenging the male killer stereotype.
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The document analyzes the shower scene from Psycho (1960) and the opening sequence of The Sixth Sense (1999). For Psycho, it discusses how the black and white filming, lack of dialogue, camera angles, editing, music, and sounds are used to build suspense and tension during the iconic shower scene murder. For The Sixth Sense, it examines how the opening credits, lighting, costumes, camera shots, composition, editing, eye-line matching, zooming, and music/sounds are employed to introduce the characters and setting while hinting at mystery and threat.
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The document provides an analysis of the opening scene of the horror film Scream. It summarizes that the scene introduces a seemingly normal girl in a familiar household setting, creating unease for the audience who grows fond of her. Visual cues like the lone swing set and the night setting foreshadow impending danger. The scene effectively builds tension through Drew Barrymore's genuine reaction to being alone and threatened. It also subverts expectations through subtle comedy as her character holds the knife initially rather than the anticipated killer.
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The scene analyzes Norman Bates and Marion Craine in Alfred Hitchcock's film Psycho through micro-elements like camera shots, lighting, sound, and character behaviors. Norman is initially shot from a low angle, making him seem powerful yet inviting, though his smile seems ambiguous. Marion seems uncomfortable due to the isolated setting and Norman's staring. As the scene continues, Norman seems nervous and excited by Marion's presence, while Marion tries to hide her discomfort by smiling. The shots become tighter on the characters as the atmosphere becomes more ominous and Norman's behavior more threatening.
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The opening sequence of Kill Bill features a bloody bride breathing heavily while her face is obscured. A man, implied to be Bill, wipes her face and calms her before loading a gun. When the bride reveals she is pregnant, Bill shoots her. The single title card that follows is simple and in black and white to not distract from the shocking violence. This gripping opening immediately engages viewers through disturbing imagery and sound.
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The video analysis discusses various camera shots, costumes, props, and lighting used in Miley Cyrus' "Wrecking Ball" music video. Extreme close-ups and long shots are used to exaggerate emotion. Costumes suggest Cyrus doesn't care what others think of her. Props like a sledgehammer and wrecking ball are used to represent destruction and knocking down emotional walls. Lighting uses low-key backgrounds with high-key lighting on Cyrus to represent bad feelings, with more high-key lighting later to suggest finding a light at the end of the tunnel.
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The scene shows a close-up shot of a zombie looking directly into the camera, which would frighten audiences by making it seem like the zombie is about to attack them. This technique is intended to intrigue the target horror film audience and make the film seem interesting.
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This is our version, The Troll Who Stole Christmas.
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The document discusses different shot types used in a film trailer to establish genre and engage the audience. It provides examples of a high angle shot showing a character's bad premonition, a long shot presenting the antagonist as lost and dangerous in dark lighting, and a high angle shot creating eye contact between a ghost and viewer for immersion. The shots help introduce characters, show their relationship, set the location, and create an ominous atmosphere through lighting typical of the horror genre.
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The document discusses photography ideas for the cover of a magazine featuring a murderer. It describes choosing to feature the murderer prominently on the cover to look more appealing. It also notes that trashy magazines do not use full body shots, so a close-up angle was used instead. The goal was to make the audience feel threatened by having the murderer look in a creepy, distant direction. His costume is all black to identify him as evil without needing context of the drama he is from. Additional photos show him closer to draw the audience in and make eye contact to increase a sense of threat. A lower shot angle was also discussed to make him appear dominating and watching the audience.
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The document outlines plans for an independent psychological thriller film. It discusses choosing Strike Entertainment as the independent production company and Maple Pictures as the distributor. It proposes iconic directors like Stanley Kubrick, Martin Scorsese, and Richard Kelly as inspirations. It describes the hero character as an unlikely hero like Jesse Eisenberg's role in Zombieland, the victim character as a stereotypical attractive blonde played by Emily Atack, and the villain character played by Jake Gyllenhaal. It presents a plot where a man suspects his girlfriend of cheating and goes on a killing spree wearing a mask. The genre is established as psychological thriller through music, sound, and title credits using red typography.
Media main task research
This document provides an analysis of the opening scene of the 2008 film Twilight. It summarizes that the scene introduces the main characters of Bella and Edward Cullen as they walk into the school cafeteria and make eye contact, suggesting a relationship will develop between them. Through the use of shots between the two characters, the film establishes Edward as a heartthrob outcast and the setting of the high school cafeteria.
Evaluation question 1
\n\nThis document discusses the conventions of soap operas and how the student's media product for a soap opera trailer does or does not follow these conventions. It outlines several conventions including continuous storylines, theme tunes, working class characters, short scenes, close-ups to convey emotion, and matching cuts to music. It then explains how the student's trailer uses conventions like young villains, glamorous costumes, and higher class settings while developing some conventions like teenage casts and ignoring conventions like jobs for characters. Overall, the document asserts that the trailer uses conventions of real soap operas more than developing or challenging them.
Eastenders eval
The document provides an analysis of the opening credits sequence of the BBC soap opera Eastenders. It summarizes various scenes and clues that establish key details about the characters and setting. These include: a working class family living in London near the Thames; a man sneaking out of the family's home early; a woman coming downstairs in a dressing gown; and shots of a glamorous but insecure woman and an evil-looking man in a dark messy room. The analysis uses visual clues to infer relationships, personalities, jobs, and socioeconomic class.
Q1 Powerpoint
\n\nThis document contains an evaluation of a student's media production project creating a soap opera trailer. It includes the student's responses to evaluation questions about how their trailer used or challenged conventions of real soap operas, how effective the combination of media elements was, and what they learned from audience feedback. The student describes conventions of soap operas they researched and how their trailer incorporated elements like close-ups, lighting, costumes, and storylines. They compare similarities and differences between their trailer and real soap operas, and explain how they used media technologies like a blog to organize their planning, research, and finished project elements.
A2 media studies coursework.pptx 1
The document provides information about the marketing campaign for the 2007 film The Bourne Ultimatum. It discusses the various marketing methods used, including teaser trailers, posters, websites, viral campaigns, and film festival appearances. It analyzes several teaser trailers for other films and discusses conventions of teaser trailers such as length, inclusion of genre and plot details. The document also provides terminology for print media marketing and analyzes the poster for the film Inception.
Evaluation question 3
The document discusses feedback received on a student's soap opera trailer project. The feedback identified several areas for improvement, such as shots that lingered too long, unclear storylines, shaky footage, and a lack of title cards. The student incorporated these suggestions, editing shots, reordering storylines, adding stabilization and sound effects, and including introductory and concluding title cards. Providing as well as receiving feedback helped the student strengthen the trailer by viewing it from the audience's perspective.
Double Page Spread Construction - AMPLIFY
The document describes the process of constructing a double-page magazine spread. It involves taking a background image, adding text and effects like glows. An interview subject photo is selected and effects are applied to make it stand out. Columns for the article and questions/answers are created and different colored glows are used to separate the sections. Page numbers are added to match the contents page and the spread is finalized.
How do i know that
This document discusses how the movie "REWIND" can be considered a hybrid of the horror and thriller genres. It analyzes elements of "REWIND" like camera shots, mise-en-scene, and sound design that fulfill conventions of both horror and thriller movies. Examples are given of how "REWIND" uses techniques like fast editing during shocks, ominous settings, silence to build tension, and costumes emphasizing action and death that are common to these genres. The document concludes that by establishing these genre conventions, "REWIND" contains elements of both horror and thriller movies through its use of flashing shots and flashbacks.
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Hilltop Farm Magazin pictures
- 1. Photography for Magazine Cover
- 2. Poster ideas... We chose to put the murderer on the front cover on the magazine as we thought it would look more appealing Trashy magazines never have a full body length picture on the front cover so we took that in to account, We wanted to try different ways in which the pictures look and make the audience who look at the front cover feel threatened, so we told Joe who plays the murderer to stand at an angle to the left to still be straight on to the camera and then look to the right to give that creepy, distant look.
- 3. Costume... The costume is a stereotypical outfit f what a murderer would where especially in TV soaps, he is dressed in all black so even when viewers haven't watched the drama “Hilltop Farm” they know straight away that he is evil.
- 4. Poster ideas... This was another idea for him to come up close to the camera, this idea would look professional once photoshop and placed onto the magazine The look on his face draws the audience in and the fact he is giving eye-contact makes them feel threatened as this is exactly what we wanted him to look like.
- 5. Poster ideas... This shot was done slightly below the eye level to make him look more dominating in the shot and almost like he's going to be watching you. This will draw the audience in as again because of the eye contact it makes the audience feels threatened.