The document analyzes the use of sound, camera work, mise-en-scene, and editing in Alfred Hitchcock's famous shower scene from Psycho. It describes how the non-diegetic music builds tension before stopping when the shower starts. Piercing screams are heard as the victim is attacked. The sounds of the shower emphasize that the killing is interrupting everyday life. Rapid editing shows the back-and-forth struggle between the killer and victim. Camera angles engage viewers in voyeurism while also focusing on the killer's power over the victim.