\n\nThis document discusses the conventions of soap operas and how the student's media product for a soap opera trailer does or does not follow these conventions. It outlines several conventions including continuous storylines, theme tunes, working class characters, short scenes, close-ups to convey emotion, and matching cuts to music. It then explains how the student's trailer uses conventions like young villains, glamorous costumes, and higher class settings while developing some conventions like teenage casts and ignoring conventions like jobs for characters. Overall, the document asserts that the trailer uses conventions of real soap operas more than developing or challenging them.
La razón se ha convertido en “razón instrumental”, tecno-burocrática: tecnifica las conciencias y deshumaniza la sociedad.
La razón ha dejado de ser transparente. Ya no puede ser totalizante, fundamentadora, omnicomprensiva.
Seamos consecuentes: renunciemos a los saberes y respuestas últimas. Quedémonos con un pensamiento débil.
La razón se ha convertido en “razón instrumental”, tecno-burocrática: tecnifica las conciencias y deshumaniza la sociedad.
La razón ha dejado de ser transparente. Ya no puede ser totalizante, fundamentadora, omnicomprensiva.
Seamos consecuentes: renunciemos a los saberes y respuestas últimas. Quedémonos con un pensamiento débil.
La opción “prioritaria” o “preferencial” por los pobres caracteriza las orientaciones pastorales de la Iglesia de América Latina desde Medellín hasta puebla, sin embargo, en muchos ambientes ortodoxos de la Iglesia esta opción resulta controvertida y rotulada de marxista, y en los escenarios más heterodoxos se ha equiparado al pobre con el obrero o el proletario. Este panorama, refleja una realidad de fondo; el concepto actual de pobre es plurivalente y tan lleno de equívocos que se hace necesario saber ¿Quién son los pobres?, ¿por qué hay que optar preferencialmente por ellos? ¿Por qué clase de pobreza opta la Iglesia? ¿por la pobreza material, la pobreza espiritual, la pobreza evangélica, etc.?
Con el cometido de esclarecer este intrincado panorama, presento en esta monografía una visión tridimensional de la pobreza en donde abordo el concepto del pobre y el fenómeno de la pobreza desde: la tradición Bíblico veterotestamentaria, la teología de la liberación y la antropología del pobre.
El primer capítulo, habla del sentido de la pobreza en la tradición bíblica con el objeto de desentrañar su original sentido bíblico desde tres ámbitos: libros históricos, libros proféticos y libros sapienciales. Aquí notaremos cómo el término de pobre va evolucionando y adquiriendo matices, acentos, y connotaciones de acuerdo a los contextos históricos.
En el segundo capítulo, abordo el fenómeno de la pobreza desde la llamada teología de la liberación latinoamericana. Me detengo de manera particular en los principales teólogos de la liberación y en su doctrina, es decir, en su cosmovisión específica sobre el fenómeno de la pobreza y su forma de ver al hombre-pobre como una negación del ser humano, al igual que presento los distintos errores que algunos teólogos de la liberación han tenido y que la Congregación para la doctrina de la Fe ha juzgado como graves.
En el tercer capítulo, presento la pobreza vista desde la antropología del pobre que propone el Padre Federico carrasquilla, quien nos plantea que es posible construir una antropología desde los pobres. En consecuencia, trastoca la perspectiva tradicional socio-económica, donde el pobre es el relegado, el marginado social a causa de la ausencia de bienes materiales, y con mirada evangélica se encarna en la misma perspectiva existencial de los pobres, y desde allí revalora el mundo de los pobres, de aquellos en los que nadie esperaría encontrar un proyecto de humanidad.
Ya en el cuarto capítulo presento algunas acciones concretas que ayudarán a los pobres a tener una mayor inclusión en la Iglesia y ayudarle a la dignificación de su humanidad.
En la vida del pobre y en razón de su pobreza no hay solamente destrucción y muerte: el pobre desarrolla todo un humanismo, y no a pesar de ser pobre sino justamente por ser pobre. Para Jesús el pobre es el hombre auténtico, el que posee los verdaderos valores; es el hombre nuevo con quien Él quiere construir su reino.
Ha llegado el documento que la Iglesia necesitaba, en el que su tema fundamental es la familia: Amoris Laetitia: La alegría del amor. Es una exhortación apostólica, fruto de dos sínodos de los obispos. Este documento está compuesto por nueve capítulos, de los cuales deja claro que “los cristianos no podemos renunciar a proponer el matrimonio con el fin de no contradecir la sensibilidad actual, para estar a la moda, o por sentimientos de inferioridad frente al descalabro moral y humano. Estaríamos privando al mundo de los valores que podemos y debemos aportar. Es verdad que no tiene sentido quedarnos en una denuncia retórica de los males actuales, como si con eso pudiéramos cambiar algo. Tampoco sirve pretender imponer normas por la fuerza de la autoridad” (A.L. 35). Es por eso que dicho documento, aunque reconoce lo complejo que es la vida matrimonial, reconoce la importancia que la Iglesia esté presente y acompañando a las parejas a orientar su matrimonio desde Cristo. El mismo papa Francisco, invita a que esta exhortación se lea sin prisa, y que se ponga en práctica. Además, ofrece dos propuestas en las que invita a las familias cristianas a estimular y valorar los dones del matrimonio y la familia y en segundo lugar a alentar a todos para que sean signos de misericordia y cercanía allí donde la vida familiar no se realiza perfectamente o no se desarrolla con paz y gozo (Cf. A.L. 5).
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
This is a presentation by Dada Robert in a Your Skill Boost masterclass organised by the Excellence Foundation for South Sudan (EFSS) on Saturday, the 25th and Sunday, the 26th of May 2024.
He discussed the concept of quality improvement, emphasizing its applicability to various aspects of life, including personal, project, and program improvements. He defined quality as doing the right thing at the right time in the right way to achieve the best possible results and discussed the concept of the "gap" between what we know and what we do, and how this gap represents the areas we need to improve. He explained the scientific approach to quality improvement, which involves systematic performance analysis, testing and learning, and implementing change ideas. He also highlighted the importance of client focus and a team approach to quality improvement.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Model Attribute Check Company Auto PropertyCeline George
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Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Operation “Blue Star” is the only event in the history of Independent India where the state went into war with its own people. Even after about 40 years it is not clear if it was culmination of states anger over people of the region, a political game of power or start of dictatorial chapter in the democratic setup.
The people of Punjab felt alienated from main stream due to denial of their just demands during a long democratic struggle since independence. As it happen all over the word, it led to militant struggle with great loss of lives of military, police and civilian personnel. Killing of Indira Gandhi and massacre of innocent Sikhs in Delhi and other India cities was also associated with this movement.
1. OCR G324
Joe Garnett
3304
Aquinas College:
33435
2. Evaluation Question 1:
In what ways does your media product use, develop or
challenge forms and conventions of real media products?
Using conventions = Taking the conventions of
soap operas and applying them to my own
product
3. Conventions of soap operas
-Soaps usually run week-in, week-out all year round
-Continuous storylines(narratives) based around domestic,
personal and relationships
-Plots are open ended and interlinked
-Theme tunes that change rarely
-Mainly based on working class characters
-Set around a small central area (such as a square,
Eastenders, or a cul-de-sac, Brookside)
-They are very mundane, and will usually have an
overarching theme each programme
-Usually there is not much non-diegetic sound
-Short scenes which start off with an establishing shot
4. Using conventions
close ups and big close ups are used often
in soaps to convey emotion, they give the
audience a sense of being close to the
character. A lot of the time they are shown
at the end of a scene to show the
characters feeling after an interaction.
5. Using conventions
Over the shoulder shots are very common in soaps, the
audience feel as if they are peeking over the characters
shoulder and they are in the scene. They show where the
audience need to focus, cropping out any distractions.
6. Using conventions
In some soaps, before we enter a
particular place we are shown an
exterior shot of the mise-en-
scene, this is to establish where
we are. This means that the
interior and exterior shots are
within close proximity to each,
which reinforces the small area of
which the show is set.
7. Using conventions
Almost all soap trailers have a non-diegetic soundtrack which runs throughout
the trailer.
The song we chose was
James Vincent McMorrow – Higher love
It was sung using a very high pitch voice along with high notes of a piano, these
create a slight sadness around the soap, which most soaps are as they try to
realistic.
8. Using conventions
Piano key
Many soap trailers are edited so
that the beats of the non-diegetic Music beat
sound match the cuts.
Piano key
9. Using conventions Influences
Hollyoaks – Murder storyline
Costumes - black
Shot types (CU/BCU – emotion)
Coronation Street – Kevin
cheated on his wife Sally
Costume/make-up – glamour
Shot types – mid shot
10. Using conventions
We chose E4 as the
institution for our soap
trailer. This was because
of the influence that E4
shows had given us.
11. Using conventions
E4 use a white American Typewriter
font, placed on a purple background
with an E4 logo, they have a web
address shown on their title cards. It
is usually placed at the end of a soap
trailer.
12. Developing conventions
Developing conventions = taking the
conventions of soap operas and applying a
different spin on them
13. Developing conventions
Although, villains/murderers/kidnappers are
conventions of soaps and are used regularly, our
villain(murderer) was much younger than what
has been the norm in other soaps.
Costume can
reinforce what that
character is like
14. Developing conventions
Because we have seen
murders in other soaps
(Hollyoaks), the audience
may assume that the
character in Hilltop Farm is
also a murderer because of
the costume, even though
the character is much
younger.
15. Developing conventions
Corrie
Unlike most soaps such as Coronation Street,
most of the cast are teens, and are more
glamorous in costume and make-up. The
trailer has more of a Hollyoaks or even a
Towie feel to it.
Towie
17. Challenging conventions
Hilltop Farm is based in
Alderley edge, a higher class
area than the many of the
places where other soaps
are set.(such as Albert
square in Eastenders,
There is no evidence in my
media product that any of
the characters have jobs,
whereas is Corrie and
Eastenders the jobs that
people have include
mechanics and bar staff.
18. In many soap trailers there are
transitions between the cuts of different
scenes and shots to show jumps in time,
which is evident in my media product.
Most of the shot types are very similar
(CU/BCU) and the storylines have been
used in many soaps for years. (murder
in Hollyoaks - Silas, cheating in
Coronation Street- Molly and Kevin )
Overall I would say that my media
product uses the conventions of real
media rather than develop or challenge
them.