camera glossary
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This document defines and describes various camera shot types including high angle, low angle, bird's eye view, canted angle, worm's eye view, pan, tilt, track/dolly, crane/mechanical shot, whip pan, zoom in/out, steadicam, hand held, deep focus, and shallow focus shots. Each type of shot conveys a different perspective or allows different camera movements.
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Media glossary
This document provides definitions for various camera angles, movements, shots, and composition techniques used in media. It defines high angle, low angle, bird's eye view, worm's eye view, canted angle, pans, tilts, tracks, cranes, steadicams, zooms, handheld shots, crash zooms, deep focus, shallow focus, pull focus, rule of thirds, long shots, close-ups, medium shots, establishing shots and more. The glossary is intended to explain different visual techniques for capturing and presenting scenes.
Camera angles
The document discusses different camera angles used in filmmaking including eye-level, high angle, low angle, Dutch angle, and aerial view. Eye-level places the camera at the subject's height for a neutral perspective. A high angle shot looks down on the subject to make them appear weak while a low angle looks up to make them appear powerful. A Dutch angle uses a tilted camera for a dynamic composition. An aerial view, also called a bird's-eye view, shows the scene from directly overhead.
An introduction to camerawork
The document discusses key camera angle decisions that can be made before recording, including high angles, low angles, eye-level angles, and oblique angles. Each angle can convey different meanings - for example, a high angle may suggest vulnerability or power, while a low angle may indicate status. Eye-level shots can encourage identification, and oblique angles may imply imbalance. The document also mentions useful camera movement terms like pan, tilt, and tracking shots.
An Introduction to camerawork
The document discusses key camera angle decisions that can be made before recording, including high angles, low angles, eye-level angles, and oblique angles. Each angle can convey different meanings - for example, a high angle may suggest vulnerability or power, while a low angle may indicate status. Eye-level shots can encourage identification, and oblique angles may imply imbalance. The document also mentions useful camera movement terms like pan, tilt, and tracking shots.
Film shots
This document defines and describes various types of film shots, including establishing shots, wide or long shots, medium shots, close-up shots, medium close-ups, extreme close-ups, point of view shots, over the shoulder shots, two shots, shot reverse shots, high angle shots, and low angle shots. Each shot type is used to establish settings, include or exclude background scenery, focus on subjects or objects from different distances and angles, and manipulate the viewer's perspective for storytelling purposes.
Film shots
This document defines and describes various types of film shots, including establishing shots, wide or long shots, medium shots, close-up shots, medium close-ups, extreme close-ups, point of view shots, over the shoulder shots, two shots, shot reverse shots, high angle shots, and low angle shots. Each shot type is used to establish settings, include or exclude background scenery, frame subjects at different distances and angles, and convey different perspectives and impressions for the viewer.
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Media glossary
This document provides definitions for various camera angles, movements, shots, and composition techniques used in media. It defines high angle, low angle, bird's eye view, worm's eye view, canted angle, pans, tilts, tracks, cranes, steadicams, zooms, handheld shots, crash zooms, deep focus, shallow focus, pull focus, rule of thirds, long shots, close-ups, medium shots, establishing shots and more. The glossary is intended to explain different visual techniques for capturing and presenting scenes.
Camera angles
The document discusses different camera angles used in filmmaking including eye-level, high angle, low angle, Dutch angle, and aerial view. Eye-level places the camera at the subject's height for a neutral perspective. A high angle shot looks down on the subject to make them appear weak while a low angle looks up to make them appear powerful. A Dutch angle uses a tilted camera for a dynamic composition. An aerial view, also called a bird's-eye view, shows the scene from directly overhead.
An introduction to camerawork
The document discusses key camera angle decisions that can be made before recording, including high angles, low angles, eye-level angles, and oblique angles. Each angle can convey different meanings - for example, a high angle may suggest vulnerability or power, while a low angle may indicate status. Eye-level shots can encourage identification, and oblique angles may imply imbalance. The document also mentions useful camera movement terms like pan, tilt, and tracking shots.
An Introduction to camerawork
The document discusses key camera angle decisions that can be made before recording, including high angles, low angles, eye-level angles, and oblique angles. Each angle can convey different meanings - for example, a high angle may suggest vulnerability or power, while a low angle may indicate status. Eye-level shots can encourage identification, and oblique angles may imply imbalance. The document also mentions useful camera movement terms like pan, tilt, and tracking shots.
Film shots
This document defines and describes various types of film shots, including establishing shots, wide or long shots, medium shots, close-up shots, medium close-ups, extreme close-ups, point of view shots, over the shoulder shots, two shots, shot reverse shots, high angle shots, and low angle shots. Each shot type is used to establish settings, include or exclude background scenery, focus on subjects or objects from different distances and angles, and manipulate the viewer's perspective for storytelling purposes.
Film shots
This document defines and describes various types of film shots, including establishing shots, wide or long shots, medium shots, close-up shots, medium close-ups, extreme close-ups, point of view shots, over the shoulder shots, two shots, shot reverse shots, high angle shots, and low angle shots. Each shot type is used to establish settings, include or exclude background scenery, frame subjects at different distances and angles, and convey different perspectives and impressions for the viewer.
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The document discusses various camera movements and angles used in filmmaking. It describes panning as horizontal movement from left to right using a tripod, tilting as vertical movement pointing the camera up or down, and dolly shots as moving the camera closer or farther from the subject using a vehicle or machine. Zoom shots are described as changing the focal length to zoom in for a close-up or zoom out for a wide shot without moving the camera. High, low, and eye-level camera angles are also explained in terms of their psychological effects on viewers.
Camera Glossary
The document defines various camera techniques used in filmmaking, including different angles (high angle, low angle, bird's eye view, canted angle, worm's eye view), types of camera movement (pan, tilt, track/dolly, crane/mechanical shot, zoom in/out, crash zoom, steadicam, handheld), composition techniques (deep focus, shallow focus, pull focus, eye line match), and common shot types (long shot, close up, medium shot, medium close up, medium long shot, extreme close up, point of view shot, establishing shot). These techniques are used to convey meaning, power dynamics, and information through the camera's perspective and framing of the scene.
Camera glossary
This document provides definitions for various camera techniques used in filmmaking. It describes different camera angles like high angle, low angle, bird's eye view, and worm's eye view used to convey power dynamics. It also outlines different types of camera movement such as pans, tilts, tracks, cranes, whips, zooms, and handheld shots. Additionally, it defines compositional techniques including depth of field, focus, eye line matches, and types of shots like long shots, close-ups, and establishing shots. Finally, it notes point-of-view and over the shoulder shots.
Camera shots and movement
This document defines and describes various types of camera shots and camera movements that are used in filmmaking, including establishing shots, wide shots, crane shots, aerial shots, close-ups, extreme close-ups, point-of-view shots, two shots, shot/reverse shots, pans, tilts, high and low camera angles, dolly shots, hand-held shots, and zooms. These shots and movements help establish locations, show scale, provide different perspectives, and follow conversations or action sequences.
Film Studies - Shot Types - Homework
This document defines and describes various camera shots and techniques, including medium shot, long shot, extreme long shot/establishing shot, medium long shot, canted/Dutch tilt, tilt up, tilt down, tracking, dolly, crane, handheld, aerial/birdseye view, and zoom. Medium shots show half the body, long shots show the full body and surroundings, and extreme long shots establish the scene and relationships. Tilts, tracks, dollies and cranes involve camera movement, while zooms alter the focal length.
Cinematography
Establishing shots are usually set outside and are used to establish the scene and location. Extreme close-ups show extra detail by magnifying beyond normal human vision. Long shots capture a large area from far away and usually show the whole body. Medium shots are the most commonly used and show the subject from the middle up. Point of view shots help the audience see from the character's perspective to create tension or sympathy. Over the shoulder shots place the camera over a character's shoulder to feel like the audience is in the scene with them. Two shots show the connection between two characters. Close ups focus on a person's face or detail without background to reveal emotion or importance. High and low camera angles are used to convey power dynamics
Cameratechniquessummary
A shot is a continuous view filmed from one perspective. There are different types of shots based on camera framing, angles, and movement. Camera framing includes extreme long shots, long shots, medium shots, close-ups, and two shots. Camera angles consist of high-angle, low-angle, eye-level, bird's eye view, and others. Camera movements involve pans, tilts, cranes, dollies, tracks, zooms, and static shots with no movement. Shots are combined to form scenes that show the action in a location.
Camera Glossary
This document defines and describes various camera shots, angles, movements, and compositions used in filmmaking. High angle shots look down on a subject to convey power, while low angles look up to convey being overpowered. Bird's eye views shoot directly overhead to set the scene. Dutch angles use tilted cameras. Worm's eye views see from below. Pan and whip pan movements rotate the camera horizontally. Track/dolly movements use wheeled cameras on rails. Tilts rotate vertically. Cranes move cameras in any direction. Crash zooms quickly zoom in. Steadicams follow subjects steadily through crowds. Zooms smoothly change perspective. Handheld cameras move shakily. Deep focus keeps everything in focus while shallow focus
glossary
This document defines various camera shots and angles used in filmmaking. It provides examples of high and low camera angles that can emphasize subjects differently. It also defines different types of shots including bird's eye view shots from overhead, panning and tilting static camera movements, crane shots, steadycam, zooming, different depths of field, the rule of thirds composition, eye line matching, establishing shots, points of view shots, two shots, and over the shoulder shots.
Camera shots and angle movements
This document provides definitions and descriptions of various camera shots and angles used in filmmaking. It discusses wide establishing shots that give context, close-ups that focus on details or emotions, and point-of-view shots that allow the audience to see from a character's perspective. It also covers different types of camera movement like pans, tilts, dolly shots, and zooms that can be used to follow or observe action. Camera placement from high and low angles is discussed as a way to convey meaning about characters.
Camera angles and shots
1. The document defines various camera shots and techniques used in filmmaking including aerial shots, close ups, establishing shots, handheld shots, point-of-view shots, tracking shots, and wide shots.
2. It also explains conventions like the 180 degree rule which maintains the spatial relationship between characters, and breaking this rule which can disorient the viewer.
3. Different camera angles and focuses are described like low-angle shots, shallow focus, and soft focus which can influence the audience's perspective.
Camera terminology
This document defines various camera shots and techniques used in filmmaking. It provides descriptions for over 30 different types of shots including aerial shots, close ups, establishing shots, hand-held shots, high angle shots, long shots, master shots, point-of-view shots, shallow focus shots, tilt shots, tracking shots, wide shots, and zoom shots. Each shot is defined in one to two sentences explaining how and when it is used. The document also defines rules for camera placement during scenes such as the 180 degree rule.
Movie Diferent Camera Angles Explained by Examples
Camera shots and angles are used to establish context, influence perception, and move the viewer's perspective. An establishing shot provides context by showing the location and time period. Low angle shots make objects seem powerful by looking up at them, while high angle shots look down and make objects seem smaller or vulnerable. Other shots include close-ups of parts of the body, medium close-ups from the chest up, extreme close-ups magnifying a body part, and long shots showing the full body from a distance. Camera movements like panning, tilting, tracking, and dollying change the viewer's perspective, and techniques like zooming, focus pulling, and canted angles influence perception.
Shot types and angles
Shot types and angles in film can be used to convey different meanings and perspectives. Establishing shots provide context of when and where a scene takes place from a long distance. Medium shots are most common and show all the action, while medium close-ups and close-ups focus on faces and emotions. Point-of-view and over-the-shoulder shots put the audience in the scene. High and low angle shots manipulate perspective to make the subject appear powerful or vulnerable. Zooms, pans, tilts and tracking shots dynamically move the camera for different effects.
Camera shots
This document discusses various camera shots, angles, and movements used in filmmaking. It defines wide shots, long shots, mid shots, close-ups, and extreme close-ups. It also covers point-of-view shots, two shots, aerial shots, and over-the-shoulder shots. For camera angles, it defines low angles, high angles, and canted angles. Various camera movements are outlined like pans, tilts, tracks, zooms, reverses zooms, dollies, cranes, and steadicam shots. The document also discusses compositional techniques such as balance, symmetry, asymmetry, and the rule of thirds. It defines depth of field, shallow focus, deep focus,
Cinematography
Cinematography techniques are used to tell a visual story and provide context. Some key techniques include establishing shots which set the scene, wide shots which show a large setting, and close-ups which focus on a person's face to show emotion. Different shot types like long shots, medium shots, and point-of-view shots help viewers understand characters' perspectives and relationships. Camera movements like pans, tilts, tracks and zooms are also used to guide attention and enhance scenes. Proper use of these cinematography techniques helps audiences understand when and where the story takes place.
Camera angles
This document describes various camera shots and angles used in filmmaking. It discusses static shots as well as moving shots such as zooms, pans, tilts, crane shots, tracking shots, and handheld shots. It also covers different camera angles including eye level, high angles, low angles, and canted angles that can be used to convey meaning. Dolly shots are also mentioned, including pushing shots, pull back reveals, and expanding and contracting dolly shots.
Camera shots
This document discusses various camera shots, angles, and movements used in filmmaking. It describes wide shots, long shots, mid shots, close-ups, and extreme close-ups that show different parts of the subject. It also discusses point-of-view shots, two shots, and aerial shots. For camera angles, it explains low angles, high angles, and canted angles. Common camera movements like pans, tilts, tracks, zooms, reverses zooms, dollies, cranes, and steadicam shots are also outlined. Finally, it briefly touches on compositional techniques such as balance, symmetry, asymmetry, rule of thirds, depth of field, shallow focus, deep focus, and pull
Camera Movement
The document defines and describes various camera shots and techniques including panning, craning, 360 degree shots, zooming, tracking/dolly shots, point of view shots, tilting, whip pans, pedestal shots, hand held shots, racking/pulling focus, and pull in/out shots. Panning involves horizontally moving the camera on a stationary tripod. Crane shots involve moving the camera up, down, left, or right using a large crane equipment. 360 degree shots rotate the camera around a central object or person.
Camera Movements Presentation
This document defines and describes various camera movements used in filmmaking. It explains pans as moving the camera lens from side to side while keeping the vertical axis the same. Tilts are described as tipping the camera on a central axis so the horizontal and vertical position does not change but the lens does. It also outlines crab, truck, dolly crane, pedestal, steadicam, handheld, and zoom movements.
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Slideshow by Hans Lauture
The document discusses various camera movements and angles used in filmmaking. It describes panning as horizontal movement from left to right using a tripod, tilting as vertical movement pointing the camera up or down, and dolly shots as moving the camera closer or farther from the subject using a vehicle or machine. Zoom shots are described as changing the focal length to zoom in for a close-up or zoom out for a wide shot without moving the camera. High, low, and eye-level camera angles are also explained in terms of their psychological effects on viewers.
Camera Glossary
The document defines various camera techniques used in filmmaking, including different angles (high angle, low angle, bird's eye view, canted angle, worm's eye view), types of camera movement (pan, tilt, track/dolly, crane/mechanical shot, zoom in/out, crash zoom, steadicam, handheld), composition techniques (deep focus, shallow focus, pull focus, eye line match), and common shot types (long shot, close up, medium shot, medium close up, medium long shot, extreme close up, point of view shot, establishing shot). These techniques are used to convey meaning, power dynamics, and information through the camera's perspective and framing of the scene.
Camera glossary
This document provides definitions for various camera techniques used in filmmaking. It describes different camera angles like high angle, low angle, bird's eye view, and worm's eye view used to convey power dynamics. It also outlines different types of camera movement such as pans, tilts, tracks, cranes, whips, zooms, and handheld shots. Additionally, it defines compositional techniques including depth of field, focus, eye line matches, and types of shots like long shots, close-ups, and establishing shots. Finally, it notes point-of-view and over the shoulder shots.
Camera shots and movement
This document defines and describes various types of camera shots and camera movements that are used in filmmaking, including establishing shots, wide shots, crane shots, aerial shots, close-ups, extreme close-ups, point-of-view shots, two shots, shot/reverse shots, pans, tilts, high and low camera angles, dolly shots, hand-held shots, and zooms. These shots and movements help establish locations, show scale, provide different perspectives, and follow conversations or action sequences.
Film Studies - Shot Types - Homework
This document defines and describes various camera shots and techniques, including medium shot, long shot, extreme long shot/establishing shot, medium long shot, canted/Dutch tilt, tilt up, tilt down, tracking, dolly, crane, handheld, aerial/birdseye view, and zoom. Medium shots show half the body, long shots show the full body and surroundings, and extreme long shots establish the scene and relationships. Tilts, tracks, dollies and cranes involve camera movement, while zooms alter the focal length.
Cinematography
Establishing shots are usually set outside and are used to establish the scene and location. Extreme close-ups show extra detail by magnifying beyond normal human vision. Long shots capture a large area from far away and usually show the whole body. Medium shots are the most commonly used and show the subject from the middle up. Point of view shots help the audience see from the character's perspective to create tension or sympathy. Over the shoulder shots place the camera over a character's shoulder to feel like the audience is in the scene with them. Two shots show the connection between two characters. Close ups focus on a person's face or detail without background to reveal emotion or importance. High and low camera angles are used to convey power dynamics
Cameratechniquessummary
A shot is a continuous view filmed from one perspective. There are different types of shots based on camera framing, angles, and movement. Camera framing includes extreme long shots, long shots, medium shots, close-ups, and two shots. Camera angles consist of high-angle, low-angle, eye-level, bird's eye view, and others. Camera movements involve pans, tilts, cranes, dollies, tracks, zooms, and static shots with no movement. Shots are combined to form scenes that show the action in a location.
Camera Glossary
This document defines and describes various camera shots, angles, movements, and compositions used in filmmaking. High angle shots look down on a subject to convey power, while low angles look up to convey being overpowered. Bird's eye views shoot directly overhead to set the scene. Dutch angles use tilted cameras. Worm's eye views see from below. Pan and whip pan movements rotate the camera horizontally. Track/dolly movements use wheeled cameras on rails. Tilts rotate vertically. Cranes move cameras in any direction. Crash zooms quickly zoom in. Steadicams follow subjects steadily through crowds. Zooms smoothly change perspective. Handheld cameras move shakily. Deep focus keeps everything in focus while shallow focus
glossary
This document defines various camera shots and angles used in filmmaking. It provides examples of high and low camera angles that can emphasize subjects differently. It also defines different types of shots including bird's eye view shots from overhead, panning and tilting static camera movements, crane shots, steadycam, zooming, different depths of field, the rule of thirds composition, eye line matching, establishing shots, points of view shots, two shots, and over the shoulder shots.
Camera shots and angle movements
This document provides definitions and descriptions of various camera shots and angles used in filmmaking. It discusses wide establishing shots that give context, close-ups that focus on details or emotions, and point-of-view shots that allow the audience to see from a character's perspective. It also covers different types of camera movement like pans, tilts, dolly shots, and zooms that can be used to follow or observe action. Camera placement from high and low angles is discussed as a way to convey meaning about characters.
Camera angles and shots
1. The document defines various camera shots and techniques used in filmmaking including aerial shots, close ups, establishing shots, handheld shots, point-of-view shots, tracking shots, and wide shots.
2. It also explains conventions like the 180 degree rule which maintains the spatial relationship between characters, and breaking this rule which can disorient the viewer.
3. Different camera angles and focuses are described like low-angle shots, shallow focus, and soft focus which can influence the audience's perspective.
Camera terminology
This document defines various camera shots and techniques used in filmmaking. It provides descriptions for over 30 different types of shots including aerial shots, close ups, establishing shots, hand-held shots, high angle shots, long shots, master shots, point-of-view shots, shallow focus shots, tilt shots, tracking shots, wide shots, and zoom shots. Each shot is defined in one to two sentences explaining how and when it is used. The document also defines rules for camera placement during scenes such as the 180 degree rule.
Movie Diferent Camera Angles Explained by Examples
Camera shots and angles are used to establish context, influence perception, and move the viewer's perspective. An establishing shot provides context by showing the location and time period. Low angle shots make objects seem powerful by looking up at them, while high angle shots look down and make objects seem smaller or vulnerable. Other shots include close-ups of parts of the body, medium close-ups from the chest up, extreme close-ups magnifying a body part, and long shots showing the full body from a distance. Camera movements like panning, tilting, tracking, and dollying change the viewer's perspective, and techniques like zooming, focus pulling, and canted angles influence perception.
Shot types and angles
Shot types and angles in film can be used to convey different meanings and perspectives. Establishing shots provide context of when and where a scene takes place from a long distance. Medium shots are most common and show all the action, while medium close-ups and close-ups focus on faces and emotions. Point-of-view and over-the-shoulder shots put the audience in the scene. High and low angle shots manipulate perspective to make the subject appear powerful or vulnerable. Zooms, pans, tilts and tracking shots dynamically move the camera for different effects.
Camera shots
This document discusses various camera shots, angles, and movements used in filmmaking. It defines wide shots, long shots, mid shots, close-ups, and extreme close-ups. It also covers point-of-view shots, two shots, aerial shots, and over-the-shoulder shots. For camera angles, it defines low angles, high angles, and canted angles. Various camera movements are outlined like pans, tilts, tracks, zooms, reverses zooms, dollies, cranes, and steadicam shots. The document also discusses compositional techniques such as balance, symmetry, asymmetry, and the rule of thirds. It defines depth of field, shallow focus, deep focus,
Cinematography
Cinematography techniques are used to tell a visual story and provide context. Some key techniques include establishing shots which set the scene, wide shots which show a large setting, and close-ups which focus on a person's face to show emotion. Different shot types like long shots, medium shots, and point-of-view shots help viewers understand characters' perspectives and relationships. Camera movements like pans, tilts, tracks and zooms are also used to guide attention and enhance scenes. Proper use of these cinematography techniques helps audiences understand when and where the story takes place.
Camera angles
This document describes various camera shots and angles used in filmmaking. It discusses static shots as well as moving shots such as zooms, pans, tilts, crane shots, tracking shots, and handheld shots. It also covers different camera angles including eye level, high angles, low angles, and canted angles that can be used to convey meaning. Dolly shots are also mentioned, including pushing shots, pull back reveals, and expanding and contracting dolly shots.
Camera shots
This document discusses various camera shots, angles, and movements used in filmmaking. It describes wide shots, long shots, mid shots, close-ups, and extreme close-ups that show different parts of the subject. It also discusses point-of-view shots, two shots, and aerial shots. For camera angles, it explains low angles, high angles, and canted angles. Common camera movements like pans, tilts, tracks, zooms, reverses zooms, dollies, cranes, and steadicam shots are also outlined. Finally, it briefly touches on compositional techniques such as balance, symmetry, asymmetry, rule of thirds, depth of field, shallow focus, deep focus, and pull
Camera Movement
The document defines and describes various camera shots and techniques including panning, craning, 360 degree shots, zooming, tracking/dolly shots, point of view shots, tilting, whip pans, pedestal shots, hand held shots, racking/pulling focus, and pull in/out shots. Panning involves horizontally moving the camera on a stationary tripod. Crane shots involve moving the camera up, down, left, or right using a large crane equipment. 360 degree shots rotate the camera around a central object or person.
Camera Movements Presentation
This document defines and describes various camera movements used in filmmaking. It explains pans as moving the camera lens from side to side while keeping the vertical axis the same. Tilts are described as tipping the camera on a central axis so the horizontal and vertical position does not change but the lens does. It also outlines crab, truck, dolly crane, pedestal, steadicam, handheld, and zoom movements.
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camera glossary
- 1. High angle High angle looks down on something or someone making it look inferior. Low angle Low angle shot loos up to something making it look superior and powerful. Birds eye view Birds eye view is directly above the object. Canted angle Canted angle shot is neither vertical nor horizontal its in between. Worms eye view Worms eye view is looking straight up making the shot inferior and the object look superior Pan Moving the camera left to right or the other way round which allows you to track a moving object
- 2. Tilt Is a shot taken by tilting the camera up or down. Track/dolly Dolly in or out to get closer to the action or ta go further away or to track movement Crane/ mechanical shot Is a shot taken on a mechanical arm and captures footage from above what a camera man cant get Whip pan Camera pan movement fast enough to give a blurred image Zoom in/out Close up image or a distance
- 3. Stead cam Lightweight mounting for a camera to keep it still when moving hand held Hand held Small Camera can be held while shooting Deep focus Everything is focused Shallow focus The main parts focused