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U.S. HISTORY
Chapter 14 Troubled Times: the Tumultuous 1850s
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FIGURE 14.1
In Southern Chivalry: Argument versus Club’s (1856), by John Magee, South Carolinian
Preston Brooks attacks Massachusetts senator Charles Sumner after his speech
denouncing “border ruffians” pouring into Kansas from Missouri. For southerners,
defending slavery meant defending southern honor.
FIGURE 14.2
FIGURE 14.3
This map shows the states and territories of the United States as they were in 1849–
1850. (credit “User:Golbez”/Wikimedia Commons)
FIGURE 14.4
This 1850 print, Scene in Uncle Sam’s Senate, depicts Mississippi senator Henry S.
Foote taking aim at Missouri senator Thomas Hart Benton. In the print, Benton
declares: “Get out of the way, and let the assassin fire! Let the scoundrel use his
weapon! I have no arm’s! I did not come here to assassinate!” Foote responds, “I only
meant to defend myself!” (credit: Library of Congress)
FIGURE 14.5
This map shows the states and territories of the United States as they were from 1850
to March 1853. (credit “User:Golbez”/Wikimedia Commons)
FIGURE 14.6
This 1851 poster, written by Boston
abolitionist Theodore Parker, warned that
any black person, free or slave, risked
kidnapping by slave-catchers.
FIGURE 14.7
This full-length portrait of Harriet Tubman
hangs in the National Portrait Gallery of
the Smithsonian.
FIGURE 14.8
Anthony Burns, drawn ca. 1855 by an
artist identified only as “Barry,” shows a
portrait of the fugitive slave surrounded
by scenes from his life, including his
escape from Virginia, his arrest in
Boston, and his address to the court.
FIGURE 14.9
This drawing from Uncle Tom’s Cabin, captioned “Eliza comes to tell Uncle Tom that he
is sold, and that she is running away to save her child,” illustrates the ways in which
Harriet Beecher Stowe’s antislavery novel bolstered abolitionists’ arguments against
slavery.
FIGURE 14.10
This photograph shows Harriet Beecher
Stowe, the author of Uncle Tom’s Cabin,
in 1852. Stowe’s work was an inspiration
not only to abolitionists, but also to those
who believed that women could play a
significant role in upholding the nation’s
morality and shaping public opinion.
FIGURE 14.11
In this 1850 political cartoon, the artist takes aim at abolitionists, the Free-Soil Party,
Southern states’ rights activists, and others he believes risk the health of the Union.
FIGURE 14.12
This 1855 map shows the new territories
of Kansas and Nebraska, complete with
proposed routes of the transcontinental
railroad.
FIGURE 14.13
This full-page editorial ran in the Free-
Soiler Kansas Tribune on September 15,
1855, the day Kansas’ Act to Punish
Offences against Slave Property of 1855
went into effect. This law made it
punishable by death to aid or abet a
fugitive slave, and it called for
punishment of no less than two years for
anyone who might: “print, publish, write,
circulate, or cause to be introduced into
this Territory . . . [any materials] . . .
containing any denial of the right of
persons to hold slaves in this Territory.”
FIGURE 14.14
This undated image shows the aftermath of the sacking of Lawrence, Kansas, by
border ruffians. Shown are the ruins of the Free State Hotel.
FIGURE 14.15
This 1856 political cartoon, Forcing Slavery Down the Throat of a Free Soiler, by John
Magee, shows Republican resentment of the Democratic platform—here represented
as an actual platform—of expanding slavery into new western territories.
FIGURE 14.16
This 1888 portrait by Louis Schultze
shows Dred Scott, who fought for his
freedom through the American court
system.
FIGURE 14.17
In 1858, Abraham Lincoln (a) debated Stephen Douglas (b) seven times in the Illinois
race for the U.S. Senate. Although Douglas won the seat, the debates propelled Lincoln
into the national political spotlight.
FIGURE 14.18
John Brown, shown here in a photograph
from 1859, was a radical abolitionist who
advocated the violent overthrow of
slavery.
FIGURE 14.19
John Brown’s raid on Harpers Ferry represented the radical abolitionist’s attempt to start a revolt that
would ultimately end slavery. This 1859 illustration, captioned “Harper’s Ferry insurrection—Interior
of the Engine- House, just before the gate is broken down by the storming party—Col. Washington
and his associates as captives, held by Brown as hostages,” is from Frank Leslie’s Illustrated
Magazine. Do you think this image represents a southern or northern version of the raid? How are
the characters in the scene depicted?
FIGURE 14.20
The national game. Three “outs” and one “run” (1860), by Currier and Ives, shows the
two Democratic candidates and one Constitutional Union candidate who lost the 1860
election to Republican Lincoln, shown at right.
FIGURE 14.21
This map shows the disposition of electoral votes for the election of 1860. The votes
were divided along almost perfect sectional lines.

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Open stax history_ch14 troubled times - the tumultuous 1850s_imageslideshow.ppt

  • 1. U.S. HISTORY Chapter 14 Troubled Times: the Tumultuous 1850s PowerPoint Image Slideshow
  • 2. FIGURE 14.1 In Southern Chivalry: Argument versus Club’s (1856), by John Magee, South Carolinian Preston Brooks attacks Massachusetts senator Charles Sumner after his speech denouncing “border ruffians” pouring into Kansas from Missouri. For southerners, defending slavery meant defending southern honor.
  • 4. FIGURE 14.3 This map shows the states and territories of the United States as they were in 1849– 1850. (credit “User:Golbez”/Wikimedia Commons)
  • 5. FIGURE 14.4 This 1850 print, Scene in Uncle Sam’s Senate, depicts Mississippi senator Henry S. Foote taking aim at Missouri senator Thomas Hart Benton. In the print, Benton declares: “Get out of the way, and let the assassin fire! Let the scoundrel use his weapon! I have no arm’s! I did not come here to assassinate!” Foote responds, “I only meant to defend myself!” (credit: Library of Congress)
  • 6. FIGURE 14.5 This map shows the states and territories of the United States as they were from 1850 to March 1853. (credit “User:Golbez”/Wikimedia Commons)
  • 7. FIGURE 14.6 This 1851 poster, written by Boston abolitionist Theodore Parker, warned that any black person, free or slave, risked kidnapping by slave-catchers.
  • 8. FIGURE 14.7 This full-length portrait of Harriet Tubman hangs in the National Portrait Gallery of the Smithsonian.
  • 9. FIGURE 14.8 Anthony Burns, drawn ca. 1855 by an artist identified only as “Barry,” shows a portrait of the fugitive slave surrounded by scenes from his life, including his escape from Virginia, his arrest in Boston, and his address to the court.
  • 10. FIGURE 14.9 This drawing from Uncle Tom’s Cabin, captioned “Eliza comes to tell Uncle Tom that he is sold, and that she is running away to save her child,” illustrates the ways in which Harriet Beecher Stowe’s antislavery novel bolstered abolitionists’ arguments against slavery.
  • 11. FIGURE 14.10 This photograph shows Harriet Beecher Stowe, the author of Uncle Tom’s Cabin, in 1852. Stowe’s work was an inspiration not only to abolitionists, but also to those who believed that women could play a significant role in upholding the nation’s morality and shaping public opinion.
  • 12. FIGURE 14.11 In this 1850 political cartoon, the artist takes aim at abolitionists, the Free-Soil Party, Southern states’ rights activists, and others he believes risk the health of the Union.
  • 13. FIGURE 14.12 This 1855 map shows the new territories of Kansas and Nebraska, complete with proposed routes of the transcontinental railroad.
  • 14. FIGURE 14.13 This full-page editorial ran in the Free- Soiler Kansas Tribune on September 15, 1855, the day Kansas’ Act to Punish Offences against Slave Property of 1855 went into effect. This law made it punishable by death to aid or abet a fugitive slave, and it called for punishment of no less than two years for anyone who might: “print, publish, write, circulate, or cause to be introduced into this Territory . . . [any materials] . . . containing any denial of the right of persons to hold slaves in this Territory.”
  • 15. FIGURE 14.14 This undated image shows the aftermath of the sacking of Lawrence, Kansas, by border ruffians. Shown are the ruins of the Free State Hotel.
  • 16. FIGURE 14.15 This 1856 political cartoon, Forcing Slavery Down the Throat of a Free Soiler, by John Magee, shows Republican resentment of the Democratic platform—here represented as an actual platform—of expanding slavery into new western territories.
  • 17. FIGURE 14.16 This 1888 portrait by Louis Schultze shows Dred Scott, who fought for his freedom through the American court system.
  • 18. FIGURE 14.17 In 1858, Abraham Lincoln (a) debated Stephen Douglas (b) seven times in the Illinois race for the U.S. Senate. Although Douglas won the seat, the debates propelled Lincoln into the national political spotlight.
  • 19. FIGURE 14.18 John Brown, shown here in a photograph from 1859, was a radical abolitionist who advocated the violent overthrow of slavery.
  • 20. FIGURE 14.19 John Brown’s raid on Harpers Ferry represented the radical abolitionist’s attempt to start a revolt that would ultimately end slavery. This 1859 illustration, captioned “Harper’s Ferry insurrection—Interior of the Engine- House, just before the gate is broken down by the storming party—Col. Washington and his associates as captives, held by Brown as hostages,” is from Frank Leslie’s Illustrated Magazine. Do you think this image represents a southern or northern version of the raid? How are the characters in the scene depicted?
  • 21. FIGURE 14.20 The national game. Three “outs” and one “run” (1860), by Currier and Ives, shows the two Democratic candidates and one Constitutional Union candidate who lost the 1860 election to Republican Lincoln, shown at right.
  • 22. FIGURE 14.21 This map shows the disposition of electoral votes for the election of 1860. The votes were divided along almost perfect sectional lines.