Paul Gauguin was a French Post-Impressionist painter who pioneered Primitivism through his experimental style and depictions of life in Tahiti. Dissatisfied with European art, he sought a tropical paradise where he could live simply and paint in an increasingly primitive style. In Tahiti, Gauguin often sided with natives and produced works inspired by their culture, most famously his 1897 painting "Where Do We Come From? What Are We? Where Are We Going?", considered his masterpiece exploring life's fundamental questions.
Vincent Van Gogh -The Darkness in my SoulJerry Daperro
Vincent van Gogh (1853-90) is one of the most original artists in the late 19th Century. He worked as an evangelist before taking up painting at the age of 27. He had a very short professional life lasting only for ten years. He was largely self taught but inspired by Impressionism, especially during his 2 years living in Paris. But as this short slideshow shows, Vincent is constantly exploring new styles and he would switch his style to paint the image he wanted. In his early days his painting was glomy and mainly with earthen colours. However, his paintings changed in his later works, using bright and primary colours. He became very good at it that even red coloured cows looked perfectly natural and acceptable. He had a tragic life with all his talent he managed only to sell only one of his painting. His story is also the story of two brothers, their love for each others and their sympathy to others. This seems to be a contradiction with Vincent self-portrait glazes.
Here is my rapid fire, one hour lecture on Impressionism, trying to provide a historical context to better understand the effect it had on art of the 20th century.
Paul Gauguin | Post-Impressionist, Pre-ModernistIrvin Goldman
Irvin Goldman shares some art history on Paul Gauguin. In addition to fintech and economic advances, Goldman enjoys the beauty of art and its past. Learn more at the link above!
Vincent Van Gogh -The Darkness in my SoulJerry Daperro
Vincent van Gogh (1853-90) is one of the most original artists in the late 19th Century. He worked as an evangelist before taking up painting at the age of 27. He had a very short professional life lasting only for ten years. He was largely self taught but inspired by Impressionism, especially during his 2 years living in Paris. But as this short slideshow shows, Vincent is constantly exploring new styles and he would switch his style to paint the image he wanted. In his early days his painting was glomy and mainly with earthen colours. However, his paintings changed in his later works, using bright and primary colours. He became very good at it that even red coloured cows looked perfectly natural and acceptable. He had a tragic life with all his talent he managed only to sell only one of his painting. His story is also the story of two brothers, their love for each others and their sympathy to others. This seems to be a contradiction with Vincent self-portrait glazes.
Here is my rapid fire, one hour lecture on Impressionism, trying to provide a historical context to better understand the effect it had on art of the 20th century.
Paul Gauguin | Post-Impressionist, Pre-ModernistIrvin Goldman
Irvin Goldman shares some art history on Paul Gauguin. In addition to fintech and economic advances, Goldman enjoys the beauty of art and its past. Learn more at the link above!
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
The beauty of rain in paintings.
expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
L’art de la pluie_La beauté de la pluie dans la peinture..ppsxguimera
La beauté de la pluie dans la peinture.
espérée ou redoutée, fine ou orageuse, métaphorique ou bien réelle, la pluie s’est souvent invitée dans l’imaginaire des artistes ...
Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
This tutorial offers a step-by-step guide on how to effectively use Pinterest. It covers the basics such as account creation and navigation, as well as advanced techniques including creating eye-catching pins and optimizing your profile. The tutorial also explores collaboration and networking on the platform. With visual illustrations and clear instructions, this tutorial will equip you with the skills to navigate Pinterest confidently and achieve your goals.
Hadj Ounis's most notable work is his sculpture titled "Metamorphosis." This piece showcases Ounis's mastery of form and texture, as he seamlessly combines metal and wood to create a dynamic and visually striking composition. The juxtaposition of the two materials creates a sense of tension and harmony, inviting viewers to contemplate the relationship between nature and industry.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
Fashionista Chic Couture Maze & Coloring Adventures is a coloring and activity book filled with many maze games and coloring activities designed to delight and engage young fashion enthusiasts. Each page offers a unique blend of fashion-themed mazes and stylish illustrations to color, inspiring creativity and problem-solving skills in children.
16. GAUGUIN, Paul
The Yellow Christ
1889
Oil on canvas, 92 x 73 cm
Albright-Knox Art Gallery,
Buffalo
17. GAUGUIN, Paul
The Yellow Christ (detail)
1889
Oil on canvas, 92 x 73 cm
Albright-Knox Art Gallery,
Buffalo
18. GAUGUIN, Paul
The Yellow Christ (detail)
1889
Oil on canvas, 92 x 73 cm
Albright-Knox Art Gallery,
Buffalo
19. GAUGUIN, Paul
The Yellow Christ (detail)
1889
Oil on canvas, 92 x 73 cm
Albright-Knox Art Gallery,
Buffalo
20. GAUGUIN, Paul
The Yellow Christ (detail)
1889
Oil on canvas, 92 x 73 cm
Albright-Knox Art Gallery,
Buffalo
21. GAUGUIN, Paul
The Yellow Christ (detail)
1889
Oil on canvas, 92 x 73 cm
Albright-Knox Art Gallery,
Buffalo
22.
23. GAUGUIN, Paul
Vision after the Sermon
(Jacob Wrestling with the
Angel)
1888
Oil on canvas, 73 x 92 cm
National Gallery of Scotland,
Edinburgh
24. GAUGUIN, Paul
Vision after the Sermon
(Jacob Wrestling with the
Angel) (detail)
1888
Oil on canvas, 73 x 92 cm
National Gallery of Scotland,
Edinburgh
25. GAUGUIN, Paul
Vision after the Sermon
(Jacob Wrestling with the
Angel) (detail)
1888
Oil on canvas, 73 x 92 cm
National Gallery of Scotland,
Edinburgh
26. GAUGUIN, Paul
Vision after the Sermon
(Jacob Wrestling with the
Angel) (detail)
1888
Oil on canvas, 73 x 92 cm
National Gallery of Scotland,
Edinburgh
27. GAUGUIN, Paul
Vision after the Sermon
(Jacob Wrestling with the
Angel) (detail)
1888
Oil on canvas, 73 x 92 cm
National Gallery of Scotland,
Edinburgh
28. GAUGUIN, Paul
Vision after the Sermon
(Jacob Wrestling with the
Angel) (detail)
1888
Oil on canvas, 73 x 92 cm
National Gallery of Scotland,
Edinburgh
29. GAUGUIN, Paul
Vision after the Sermon
(Jacob Wrestling with the
Angel) (detail)
1888
Oil on canvas, 73 x 92 cm
National Gallery of Scotland,
Edinburgh
37. GAUGUIN, Paul
Where Do We Come From?
Who Are We? Where Are We
Going?
1897
Oil on canvas, 141 x 346 cm
Museum of Fine Arts, Boston
38. GAUGUIN, Paul
Where Do We Come From?
Who Are We? Where Are We
Going? (detail)
1897
Oil on canvas, 141 x 346 cm
Museum of Fine Arts, Boston
39. GAUGUIN, Paul
Where Do We Come From?
Who Are We? Where Are We
Going? (detail)
1897
Oil on canvas, 141 x 346 cm
Museum of Fine Arts, Boston
40. GAUGUIN, Paul
Where Do We Come From?
Who Are We? Where Are We
Going? (detail)
1897
Oil on canvas, 141 x 346 cm
Museum of Fine Arts, Boston
41. GAUGUIN, Paul
Where Do We Come From?
Who Are We? Where Are We
Going? (detail)
1897
Oil on canvas, 141 x 346 cm
Museum of Fine Arts, Boston
42. GAUGUIN, Paul
Where Do We Come From?
Who Are We? Where Are We
Going? (detail)
1897
Oil on canvas, 141 x 346 cm
Museum of Fine Arts, Boston
43. cast GAUGUIN, Paul Featured Paintings
in Detail (1)
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44. GAUGUIN, Eugène Henri Paul
Gaugin Paul was a French Post-Impressionist painter, sculptor, printmaker, ceramist,
and write, and was an important figure in the Symbolist movement, and his
experimentation was indicative of the Synthetist style of modern art.
He also paved the way to the appreciation of primitivism, as his paintings employed
many of the simplistic techniques employed by Naïve artists.
As an individual he was prone to bouts of depression and once attempted suicide.
As a painter, he was disappointed with Impressionism, as he felt that the tradition of
European painting had simply become imitative, and lacked the symbolic depth that
he desired. He also thoroughly enjoyed the art of Africa and Asia, which was full of
symbolic depth, vigor, and meaning. In his escape from the traditional European
paintings, he sought to find a tropical paradise, in which he could paint in an
increasingly primitive style and live off the land.
45. Lacking recognition for his work and with no money, he sailed to the
tropical islands of Tahiti and Marquesas, in French Polynesia. His
exploits there generated much interest, especially his reputed sexual
exploits with young native girls, some of which appear as the
subjects in his paintings.
In Polynesia, he often sided with the natives in their conflicts with
the church and colonial authorities, eventually writing a book about
his experiences there. Gaugin’s physical escape allowed his stylistic
escape of post-Renaissance painting, as he paid little attention to
classical perspective and eliminated gradations of color and
shading.
46. Inspired by the primitivism of the countries in which he lived, he also used primitive
elements in his paintings to great success.
Where do we come from? What are we? Where are we going?,
1897 This is Paul Gaugin’s most famous painting, and he considered it his
masterpiece, and the culmination of his thoughts. In Tahiti, as he was painting his
masterpiece, Gaugin declared that he would commit suicide upon its completion.
Although this was something he had previously attempted, this was not the case, as
the artist died of syphilis in 1903. The painting was meant to be read from right to
left, with the three main figures in the painting representing the three questions of
the title. The figures are arranged from the beginning stages of life, from young
figures with a child, to the middle aged figure in the middle, to the elder figure on the
left of the painting. The idol in the background, situated behind the elder figure,
represents the “Beyond.”