The document provides details on several paintings by Edgar Degas, including Absinthe Drinkers (1876), The Dance Class (1873-76), At the Mirror (c. 1889), and Place de la Concorde (1876). It presents information on the title, date, medium, dimensions and location of each work. It also provides a short biography of Degas, noting that he frequently depicted subjects like ballet dancers, horse races, and bathing women, and that he combined modern compositions and movement with traditional drawing skill, standing somewhat apart from other Impressionists in his process and emphasis on the human figure over landscape.
This lesson is designed as a teacher-presented class PowerPoint presentation for students from upper elementary through high school. It touches on several subjects such as visual art, dance, art history, and culture. The lesson incorporates both whole class and partner work. It is intended to introduce students to the French artist Edgar Degas and his artwork, use of lines, and connection to ballet. Assessments used are summary questions and drawings the students create.
To view this presentation in its true interactive format, click on "Save" to download the file and play in PowerPoint.
big and small, lined and soft, round and angular
of felt or velvet
adorned with fur, embroidery, gorgeous bird feathers, ribbons, stones according to the owner’s fortune
grands et petits, doublés et doux, ronds et angulaires,
en feutre ou en velours,
ornés de fourrure, broderies, plumes d'oiseaux magnifiques, de rubans, pierreries selon la fortune du propriétaire ...
Recognised as the most beautiful woman in the Mediterranean civilisations, hers was the face that launched a thousand ships and inspired the legends ...
Rückenfigur ... back figure in paintings.ppsxguimera
Wanderer above the Sea of Fog is perhaps the most iconic Rückenfigur in German Romantic painting …
Rückenfigur, the back-figure is a pictorial theme with significant power.
Rückenfigur ... back figure in paintings
Rückenfigur ... figure de dos dans la peinture.ppsxguimera
Le Voyageur contemplant une mer de nuages est probablement la Rückenfigur la plus emblématique de la peinture romantique allemande ...
Rückenfigur, la figure de dos est un thème pictural d'une grande puissance.
Has been depicted
in mythological and religious paintings, in still life, vanities, allegories, in the genre painting.
From Caravaggio and Rubens to Millet, through Vermeer, Delacroix, Manet, Moreau …
Panier en osier dans la peinture européenne.ppsxguimera
A été représenté
dans les peintures mythologiques et religieuses, les natures mortes, vanités, allégories, dans la peinture de genre.
Du Caravage et Rubens à Millet, en passant par Vermeer, Delacroix, Manet, Moreau ...
The Art of Rain_The beauty of rain in paintings..ppsxguimera
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expected or feared, delicate or stormy, metaphorical or very real, the rain has often entered the imagination of artists ...
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Medea and the beautiful Argonaut,
the first human Cain
Romulus and Remus nursed by the same she-wolf,
Vulcan who loves Venus who loves Mars
Eve and the Apple of the Tree of Temptation
and
the most human of emotions that inspired the painters
La jalousie dans la peinture européenne.ppsxguimera
Médée et le bel Argonaute,
le premier humain Caïn
Romulus et Remus nourris au sein de la même louve,
Vulcain qui aime Vénus qui aime Mars
Ève et la pomme de l'arbre de la tentation
et
la plus humaine des émotions qui a inspiré les peintres
créatures mi-hommes, mi-chevaux, habitant les forêts et les montagnes
violents et sauvages, avec une morale brutale, et un amour immodéré pour le vin et les femmes
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10. DEGAS, Edgar
The Dance Class (detail)
1873-76
Oil on canvas, 88 x 75 cm
Musée d'Orsay, Paris
11. DEGAS, Edgar
The Dance Class (detail)
1873-76
Oil on canvas, 88 x 75 cm
Musée d'Orsay, Paris
12. DEGAS, Edgar
The Dance Class (detail)
1873-76
Oil on canvas, 88 x 75 cm
Musée d'Orsay, Paris
13. DEGAS, Edgar
The Dance Class (detail)
1873-76
Oil on canvas, 88 x 75 cm
Musée d'Orsay, Paris
14. DEGAS, Edgar
The Dance Class (detail)
1873-76
Oil on canvas, 88 x 75 cm
Musée d'Orsay, Paris
15. DEGAS, Edgar
The Dance Class (detail)
1873-76
Oil on canvas, 88 x 75 cm
Musée d'Orsay, Paris
16.
17. DEGAS, Edgar
At the Mirror
c. 1889
Pastel on paper, 49 x 64 cm
Kunsthalle, Hamburg
18. DEGAS, Edgar
At the Mirror (detail)
c. 1889
Pastel on paper, 49 x 64 cm
Kunsthalle, Hamburg
19. DEGAS, Edgar
At the Mirror (detail)
c. 1889
Pastel on paper, 49 x 64 cm
Kunsthalle, Hamburg
20.
21. DEGAS, Edgar
Place de la Concorde
1876
Oil on canvas, 79 x 118 cm
The Hermitage, St. Petersburg
22. DEGAS, Edgar
Place de la Concorde (detail)
1876
Oil on canvas, 79 x 118 cm
The Hermitage, St. Petersburg
23. DEGAS, Edgar
Place de la Concorde (detail)
1876
Oil on canvas, 79 x 118 cm
The Hermitage, St. Petersburg
24. DEGAS, Edgar
Place de la Concorde (detail)
1876
Oil on canvas, 79 x 118 cm
The Hermitage, St. Petersburg
25. DEGAS, Edgar
Place de la Concorde (detail)
1876
Oil on canvas, 79 x 118 cm
The Hermitage, St. Petersburg
26. DEGAS, Edgar
Place de la Concorde (detail)
1876
Oil on canvas, 79 x 118 cm
The Hermitage, St. Petersburg
27. cast DEGAS, Edgar Featured Paintings in
Detail
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28. DEGAS, Edgar
Hilaire-Germain-Edgar De Gas, French painter and sculptor, known especially for his
paintings of ballet dancers. Other subjects that he frequently returned to include
horse races, women bathing, and portraits of friends and relatives.
Degas combined a modern focus on the creation of unusual compositions and the
rendering of movement with a traditional emphasis on skillful drawing. Degas is
usually classed with the Impressionism, but he stood somewhat apart from the other
artists in this group. He did not share the Impressionists' fascination with natural
light and its effects, and he disliked painting directly from nature, preferring instead
to work in the studio.
Moreover, Degas had little interest in landscape - the primary subject matter of the
Impressionists - and concentrated instead on the human figure. Also unlike the
Impressionists, Degas was interested in drawing and emphasized line in his work.