Business plan inc Cheeky Promo July 15Rupert Cheek
Are you passionate about music, the arts, youth, education, empowerment, employment, community...? I'm looking for people to help me with my plans. You can email me, Rupert Cheek, at info@cheekypromo.com
In episode fourteen of the podcast, Adam interviews Dylan Owen, a renowned rap artist based in New York City. The interview begins with Dylan speaking about his childhood and how a love of rhyming transitioned into rap battles in school (01:57 – 09:43). He then discusses the genesis of A Living Inverse, his first rap EP (09:44 – 13:44), and how he initially promoted his new music (13:45 – 17:19). Dylan then speaks about his creative process, his decision to leave Cornell University and move to New York City, his journey as he continued releasing music, and when he became increasingly recognized for his work (17:20 – 30:38). The interview concludes with Dylan speaking about his upcoming album (30:39 – 37:32) and his thoughts on creativity in general and the music industry (37:33 – 47:03). For show notes, visit www.thepowerofbold.com. To listen to the entire episode, feel free to follow the links below:
iTunes: https://buff.ly/2WC6JTc
Google Play: https://buff.ly/2WCQxRP
Spotify: https://buff.ly/2WF1nGL
Stitcher: https://buff.ly/2WFC87B
Business plan inc Cheeky Promo July 15Rupert Cheek
Are you passionate about music, the arts, youth, education, empowerment, employment, community...? I'm looking for people to help me with my plans. You can email me, Rupert Cheek, at info@cheekypromo.com
In episode fourteen of the podcast, Adam interviews Dylan Owen, a renowned rap artist based in New York City. The interview begins with Dylan speaking about his childhood and how a love of rhyming transitioned into rap battles in school (01:57 – 09:43). He then discusses the genesis of A Living Inverse, his first rap EP (09:44 – 13:44), and how he initially promoted his new music (13:45 – 17:19). Dylan then speaks about his creative process, his decision to leave Cornell University and move to New York City, his journey as he continued releasing music, and when he became increasingly recognized for his work (17:20 – 30:38). The interview concludes with Dylan speaking about his upcoming album (30:39 – 37:32) and his thoughts on creativity in general and the music industry (37:33 – 47:03). For show notes, visit www.thepowerofbold.com. To listen to the entire episode, feel free to follow the links below:
iTunes: https://buff.ly/2WC6JTc
Google Play: https://buff.ly/2WCQxRP
Spotify: https://buff.ly/2WF1nGL
Stitcher: https://buff.ly/2WFC87B
A word from a developing artist exploring the many avenues of music business.
check out more via our blog on our website. We would love to hear from you!
https://www.ctwlibrary.com/masters-of-music-philosophy/arsenal-report/
This is the script to our Radio Trailer, it is constructed of a voiceover, sections of interviews from our documentary and also vox pops that have been included from the documentary as well.
This is the running order which helps us as a group complete our documentary without messing it up. It is a guideline in most ways because we follow it in order instead of being all over the place and forgetting where we are.
Documentary research (PowerPoint Presentation)samuelnolan
This is my powerpoint presentation showing my working for our collected data tallys.This shows a load of different charts used to show our finishing results.
Techniques to optimize the pagerank algorithm usually fall in two categories. One is to try reducing the work per iteration, and the other is to try reducing the number of iterations. These goals are often at odds with one another. Skipping computation on vertices which have already converged has the potential to save iteration time. Skipping in-identical vertices, with the same in-links, helps reduce duplicate computations and thus could help reduce iteration time. Road networks often have chains which can be short-circuited before pagerank computation to improve performance. Final ranks of chain nodes can be easily calculated. This could reduce both the iteration time, and the number of iterations. If a graph has no dangling nodes, pagerank of each strongly connected component can be computed in topological order. This could help reduce the iteration time, no. of iterations, and also enable multi-iteration concurrency in pagerank computation. The combination of all of the above methods is the STICD algorithm. [sticd] For dynamic graphs, unchanged components whose ranks are unaffected can be skipped altogether.
Adjusting primitives for graph : SHORT REPORT / NOTESSubhajit Sahu
Graph algorithms, like PageRank Compressed Sparse Row (CSR) is an adjacency-list based graph representation that is
Multiply with different modes (map)
1. Performance of sequential execution based vs OpenMP based vector multiply.
2. Comparing various launch configs for CUDA based vector multiply.
Sum with different storage types (reduce)
1. Performance of vector element sum using float vs bfloat16 as the storage type.
Sum with different modes (reduce)
1. Performance of sequential execution based vs OpenMP based vector element sum.
2. Performance of memcpy vs in-place based CUDA based vector element sum.
3. Comparing various launch configs for CUDA based vector element sum (memcpy).
4. Comparing various launch configs for CUDA based vector element sum (in-place).
Sum with in-place strategies of CUDA mode (reduce)
1. Comparing various launch configs for CUDA based vector element sum (in-place).
Data Centers - Striving Within A Narrow Range - Research Report - MCG - May 2...pchutichetpong
M Capital Group (“MCG”) expects to see demand and the changing evolution of supply, facilitated through institutional investment rotation out of offices and into work from home (“WFH”), while the ever-expanding need for data storage as global internet usage expands, with experts predicting 5.3 billion users by 2023. These market factors will be underpinned by technological changes, such as progressing cloud services and edge sites, allowing the industry to see strong expected annual growth of 13% over the next 4 years.
Whilst competitive headwinds remain, represented through the recent second bankruptcy filing of Sungard, which blames “COVID-19 and other macroeconomic trends including delayed customer spending decisions, insourcing and reductions in IT spending, energy inflation and reduction in demand for certain services”, the industry has seen key adjustments, where MCG believes that engineering cost management and technological innovation will be paramount to success.
MCG reports that the more favorable market conditions expected over the next few years, helped by the winding down of pandemic restrictions and a hybrid working environment will be driving market momentum forward. The continuous injection of capital by alternative investment firms, as well as the growing infrastructural investment from cloud service providers and social media companies, whose revenues are expected to grow over 3.6x larger by value in 2026, will likely help propel center provision and innovation. These factors paint a promising picture for the industry players that offset rising input costs and adapt to new technologies.
According to M Capital Group: “Specifically, the long-term cost-saving opportunities available from the rise of remote managing will likely aid value growth for the industry. Through margin optimization and further availability of capital for reinvestment, strong players will maintain their competitive foothold, while weaker players exit the market to balance supply and demand.”
Opendatabay - Open Data Marketplace.pptxOpendatabay
Opendatabay.com unlocks the power of data for everyone. Open Data Marketplace fosters a collaborative hub for data enthusiasts to explore, share, and contribute to a vast collection of datasets.
First ever open hub for data enthusiasts to collaborate and innovate. A platform to explore, share, and contribute to a vast collection of datasets. Through robust quality control and innovative technologies like blockchain verification, opendatabay ensures the authenticity and reliability of datasets, empowering users to make data-driven decisions with confidence. Leverage cutting-edge AI technologies to enhance the data exploration, analysis, and discovery experience.
From intelligent search and recommendations to automated data productisation and quotation, Opendatabay AI-driven features streamline the data workflow. Finding the data you need shouldn't be a complex. Opendatabay simplifies the data acquisition process with an intuitive interface and robust search tools. Effortlessly explore, discover, and access the data you need, allowing you to focus on extracting valuable insights. Opendatabay breaks new ground with a dedicated, AI-generated, synthetic datasets.
Leverage these privacy-preserving datasets for training and testing AI models without compromising sensitive information. Opendatabay prioritizes transparency by providing detailed metadata, provenance information, and usage guidelines for each dataset, ensuring users have a comprehensive understanding of the data they're working with. By leveraging a powerful combination of distributed ledger technology and rigorous third-party audits Opendatabay ensures the authenticity and reliability of every dataset. Security is at the core of Opendatabay. Marketplace implements stringent security measures, including encryption, access controls, and regular vulnerability assessments, to safeguard your data and protect your privacy.
3. Stand First+Quotes
My stand first which is a small outline on what the
DPS is about with a little more enthusiasm.
The Stand First read “Overload lead singer...Charlotte
Smith giving us an insight on what she has done to get
where she is with music today. . .”
Quotes
“Practice makes perfect!!”
“Enjoy and express yourself in an open manor.”
4. Intro
The intro for a DPS is a little brief on what your going
to be reading in the DPS without giving away all the
details or main parts of the DPS.
My Intro that I chose to write was “Be ready to get
your eyes set on what the lead singer of Overload has
to say about being a rockstar and entertaining
thousands of fans that come from all over the world to
come and see their band play. Here is the biggest
interview this magazine has ever had!”
5. Q&A
-What pushed you towards wanting to be the lead singer? How did you become interested in music, were you inspired?
I was very motivated in wanting to become a lead singer the band also I had proven myself to of had team leadership skills and I was also voted
the one with the strongest vocals, it is also what I’ve always wanted to do. I’ve done it all my life primary school GCSE and got tutored by Pixie
Lott’s vocalist; I always used to do it when I was little.
-Does anyone in your family have any interest in music or play and instrument?
I can play guitar and keyboard and sing. My Nan was a singer and also her brother was also in a band.
-Do you want to take music any further in your life for example as a career or part time?
I do gigs round Liverpool mostly and also places round Manchester. I wanted to take music further in my life but since then I have changed my
career path.
-Is there a time you have made a mistake in a performance or embarrassing moment?
That’s quite a funny one, I have indeed some embarrassing moments like tripping over the microphone wire in a rehearsal and got laughed at by
the rest of the band.
-How did you and the other group members become a band? (Meet and greet?)
Well we first met at college and started to get along and become friends as learning about each other and finding out we all have an interest in
music and playing different instruments, with that being made clear the band was then formed.
-What gave your band its name? What ideas did you have for it?
Well the band was called “Overload” the reason for that being our main bassist ‘Josh’ always coming across as angry half the time also having
girlfriend troubles so he was moody quite a lot. So because of him overloading with emotion and anger that’s why we thought we would name
the band “Overload”
-How much experience do you have being on stage? (Gigs, an important performance?)
I’ve performed since I was 13 years old and have had many years of performing in front of a live audience.
-Do you get nervous being on stage if so do you still get nervous?
Yes you could say I still get very nervous even up until I performed my last gig. I didn’t know what the crowds were like most of the time so I
didn’t know what their reaction would be like.
-Has anyone taught you music or helped you vocally with any parts of music? (Teachers etc)
The people that have taught me over the upcoming years of being a singer are the likes of the teacher(s) for when I had GCSE’s and then after
that I went to singing lessons and following onwards from that I had help/lessons from Pixie Lott’s vocal coach.
6. Q&A
-What advice would you give to upcoming musicians/beginners about overcoming being nervous on stage?
I would say just go out on stage or wherever you are performing in front of an audience….just enjoy and express
yourself in an open manor. I also would like to add that practise makes perfect so performing more and more also
helps you boost your confidence.
-Who is your favourite group? Why?
My favourite group would surely have to be 5SOS (5 seconds of summer) and for that reason is because they’re laid back
about being a band and also have a good attitude towards their presence on stage and how they’re in sync when
performing on stage.
-When do you usually practise? How long for?
I usually practise in the sound proof rooms for the assigned hours which vary from one and a half hours to four hours
per session. I practise every couple of days, it normally depends on my schedule and when the rest of the band is free to
rehearse.
-What band/musician do you admire? Why?
The biggest band I admire has got to be Queen because due to the hard work over the years and how they entertain
people of different age ranges.
-Were you influenced by old or new records or tapes? Which ones?
I was influenced by old records because of my Dad obviously with him being older than me and growing up my music
variety was therefore ranged all because of him.
-What moments, memories do you cherish/enjoy mostly? Where and why?
The best moment/memory has definitely got to be my first gig with Overload of course because even though I was
insanely nervous for the beginning of it I eventually started to get into my comfort zone and got an adrenaline rush
with it and just went mental and enjoyed myself but also got a standing ovation.
-How often do you perform publicly? If so why?
Once every couple of weeks because of the bands busy schedule also so it doesn’t take up other requirements along
with putting stress about having to make sure I’m on time and am well enough to do the rehearsals.