The document provides instructions for the film post-production workflow, including: 1) Holding a post-production meeting and planning titles, graphics, and release formats. 2) Converting film to a digital format and uploading materials to a production server. 3) Performing non-linear editing, visual effects, color correction, and audio mixing. 4) Creating a distribution master for television in 16:9 anamorphic format to fulfill technical requirements.

1. exercises on producing a
film post production manual
...and playing with colour
matti arvilommi 01/10

2. 2. film to digital conversion
who
who why
why
what
what
BetaSP or DVcam
where
where Digibeta
volumes
edit
ProTools
VCube
3. material upload to TAIK server distributed to
Material
DVD
Online/Symphony
4. NLE syncing nonsync audio
??
trying to understand the workflow
trying to understand the workflow
5a. shake, after Fx, colour correction 5b. audio mix
TV mix
theatre mix

3. colour
...could distinguish between different stages of the project
...could signify who is particiating on each stage
...could indicate a physical place or equipment
...could highlight critical points in the process
...could be used as a decoration, just for fun

5. in the end
i realised the process was too scattered and complex
to grasp for an outsider.
so i just used pretty colours and some icons.

6. Film post production manual
1) Post production meeting
6) Titles: audit with department producer
2) Film to digital conversion and teacher (responsible of editing)
Remember to provide the still images for graphic designer if the titles
will be on top of the image. Instructions for graphic designer:
3) Material upload to TAIK production * Resolution 72 dpi
network servers (sound and picture) * RGB color space
* Font minimum size: 16 px, avoid serif typefaces
* Remember the safe zone (no text to this area): up 28 px,
4) NLE down 30 px, sides 49 px
* Create the blurred version, too:
Photoshop Motion Blur 90 degrees, 1px
* File format: PSD, with alpha channel (if on top of the image)
* Formats:
5a) Shake, After Fx, 5b) Audio 4:3, image size 768 x 576 square pixel. Change the size before
Color correction mix importing to Symphony to 720 x 576 px using Photoshop
Image / Size function.
Anamorphic 16:9, image size 1024 x 576 square pixel. Change
the size before importing to Symphony to 720 x 576 px using
Photoshop Image / Size function.
TaiK-, ELO- ja Lume logos are stored to Material on UnityFC (My
Computer in edit workstations) or Material on Avidfm (desktop) -
volume. Don't forget the logos of partners and sponsors.
7) DigiBeta master / HD master and subtitles
8) Release copies (DVD, VHS, printing to film)
9) Technical audit of release copies
(students: producer, director, sound editor)
A copy that fills the technical requirements for TV distribution in anamorphic Student films that use 1.1:66 or 1.1:85 film negative can be scanned to
16:9 format should be produced from all student video productions. anamorphic 16:9 format in Symphony or by a post production company. The
Take this in account from the beginning when planning the project. aspect ratio will change. Not all TV channels accept material with black edges.

7. 241 100 24 93 223 111 115 117 191 228 190 94
197 45 37 47 138 172 132 105 90 160 179 66
149 92 189 42 42 44 214 225 220 74 93 104
119 167 177 255 255 255 000 32 32 33

8. thank you
thank you