The document provides details for planning and pitching a thriller film, including ideas for titles, narrative, locations, costumes, and props. Some key points:
- Ideas for thriller elements include psychological thriller about nuns in a graveyard, mystery and suspense using shadows and special effects.
- The narrative begins with news reports of a murderer and establishes characters getting ready for bed before the murderer sneaks into the house.
- Locations selected are in Enfield Island Village, Brimsdown and Ponders End due to accessibility for the cast and crew.
- Costumes for the antagonist include a balaclava and dark clothing to maintain mystery, while victims wear pyjamas representing innocence and vulnerability
The project aimed at identifying a suitable model to make Shared Savings Contracts proposed to individuals compatible with P.A. organizational structure
The project aimed at identifying a suitable model to make Shared Savings Contracts proposed to individuals compatible with P.A. organizational structure
L’approccio proposto consiste in una roadmap implementativa che permette alle aziende di avviare o migliorare un processo di “Servitization” integrando nella propria offerta servizi a valore aggiunto che costituiscano effettivi elementi di differenziazione.
I servizi possono diventare nuove fonti di reddito aziendale: infatti, diversi studi hanno evidenziato che l’EBIT margin sui servizi è superiore di 3-7 volte rispetto a quello delle imprese che producono solo prodotti e presenta un maggior grado di continuità.
Per le aziende che ridefiniscono il proprio modello di business in ottica service oriented, il servizio diviene il principale elemento di differenziazione in cui il servizio diventa o una componente del prodotto («product servitization») o la vera e propria fonte di valore aggiunto al punto tale da ridurre il bene fisico ad una semplice componente dell’offerta, favorendo il posizionamento dell’azienda in un’ottica «Total Solution Providing».
Un possibile approccio al processo di «servitization» si articola in quattro fasi:
1.Riconoscere se già si è una service company
2.Rivedere la value proposition inserendo nuovi servizi
3.Adottare una forza vendita orientata al servizio
4.Industrializzare il Back Office
Le trasformazioni subite dal mercato nel corso degli ultimi anni hanno reso il Customer Experience Management un imperativo strategico fondamentale da seguire da parte delle aziende in quanto la qualità non è più sufficiente per garantire un vantaggio competitivo e la nuova via per differenziarsi è la capacità di far vivere al consumatore un’esperienza complessiva appagante e superiore in modo tale da soddisfarlo completamente.
Proprio per tali ragioni l'attenzione alla Customer Experience sta assumendo un ruolo sempre più centrale all'interno delle organizzazioni in quanto un miglioramento complessivo nella gestione dell’esperienza del cliente si traduce in un miglioramento dell'immagine aziendale e in un aumento del fatturato nel lungo periodo; è infatti dimostrato che i clienti stessi riconoscono un valore economico alla CX e sono disposti a riconoscere un “premium price” all’azienda per poterne beneficiare.
Nella realizzazione degli strumenti necessari per la gestione e l’ottimizzazione della CX (Mappatura dei touchpoint, collocazione di questi nei processi, quantificazione della qualità dei processi, costruzione dei percorsi cliente, misurazione e individuazione dei gap) e nella creazione di una strategia di Customer Experience Management è stato individuato un approccio in 5 fasi:
–Mappatura dei processi vista cliente
–Individuazione dei gap rispetto alla CX ideale
–Revisione dei singoli punti/momenti di contatto con il cliente
–Gestione strutturata del customer feedback e dei Big Data
–Creazione di una funzione interna di CX
This is a power point presentation, which my media studies group and I used to pitch our thriller film ideas. It explains concepts included and why we have chosen to do specific things such as film location, props etc.
This is our mise-en-scene planning powerpoint on all the different actors, clothing, props and lighting that will be used during the filming of our opening sequence.
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2. Short list
and ideas
IDEAS TITLES
#darkness
#codes and conventions of the thriller ?
#sub genres- mystery and psychology
#shadows
#special effects
#murder suspense
#cliff hanger- audience don’t know what's going on,
going to make them want to watch more
#Psychological thriller- nuns and graveyards
#Night time, spooky effects
#Thriller sounds.. Slow tensions to build suspense
#mysterious “kidnapper/murder guy comes
through garden door”
#actors: desire, tochi,ausca,samuel to play parts
#house for location: ponders end, brims down
and Enfield island village
In coming to our final decision on what our film should
contain and what we should reconsider, we thought
about the practicality of our ideas. In trying to find a
story that is also reasonable, in terms of resources and
accessibility, we had to compromise to reach our final
narrative….
3. Narrative
• There isn’t a clear narrative in our opening as we’ve decided to follow the James bond “sky fall” opening
where its clear, but gives a sense of ideas of where the rest of the film is headed to without giving too much
away.
• Its starts of with establishing shots of the houses, cars and surroundings. It then moves unto news reports
about a murderer/kidnapper on the loose and then we pan into two children, brushing there teeth and
getting ready for bed.
• From then onwards moves to the mother , shouting for them to get them bed ad tucking them in.
• The next scene reveals the murderer/ kidnapper sneaking into the house and making his way upstairs. The
camera the zooms in to ausca’s face( little boy) indicating that the murderer/kidnapper has got him. The
opening then abruptly ends with the thriller poster title coming up saying “LIGHTS” .
• We like our opening as it leaves the audience wanting more and wanting to find out what else is going to
happen . by leaving on a cliff hanger this adds to the suspense and thrill which ultimately conforms to thriller
generic conventions.
• The enigma
• Sense of mystery
• Challenges, conforms and develops the genre conventions
5. script
*tochi and ausca both brush their teeth and reach for the
mouthwash.Then they argue and squabble over it *
tochi:give me the mouthwash
ausca:no, I want it!
Tochi: give it here!
Desire: children,stop messing about and get to bed now!
Tochi and ausca: yes mum
(end sene)
(walks towards bedroom)
Tochi; its always your fault, we get sent to bed
Ausca; no its always you!
Tochi; no its not its you
*Ausca slams door*
(end scene)
Ausca:mummy, mumm help!
Desire:whats wrong what wrong ??
…
desire;: there there, its okay. Go back to bed okay
6. Soundtrack and planning
We decided to use a website where we could
legally make our own music and listen to other
peoples music to use for our thriller. This is a
recommended site sued my windows movie
maker (the software we used to create our
thriller).
We also used youtube and sound cloud to listen
to different thriller openings to inspire ours.
8. Locations
We have decided as a team that our filming
location will be in Enfield island village,
Brimsdown and Ponders end in my house.
This is because my team members live there
and we can base ourselves. The characters
also lived 5 minuet car/bus journey away
from each of these locations. Therefore it as
easily accessible each the cast members and
my director and I. These areas were therefore
familiar to all of us, and therefore we know
exactly which locations within the village will
be necessary to us. For instance big houses
and busy road for establishing shots
9. Costume and propp
Antagonist(Samuel benson)
The antagonists face will be concealed in a balaclava and the hoodie will be tied
up. This is so no facial expression is exposed, in order to add enigma and
mystery to the fearful character. This means nothing can be distinguished of his
face, which is very common within the thriller genre in order to keep the
audience in suspense. The colour will be black to represent darkness and evil,
yet the eye and mouth holes symbolise he is watching and his human
capabilities. He will be dressed in a black hoody, with black jeans and shoes to
conform to the stereotypical thriller genre, of the antagonist being in dark
clothing to symbolise evil and mystery. This will allow the audience to feel
included and have acknowledgement of the good and bad characters within the
film.
10. Costume and prop
Protagonist (Ausca anunobi)
The victim protagonist ausca
will be dressed in pyjamas, in
order to reflect his childish
innocence and to forewarn
the audience that this could
cause him to fall into unhelp
able danger.
The other victim protagonist Tochi, will be
dressed in pyjamas and a white housecoat,
to produce a contrast between the dark and
evil figure and the two victims. The white
will symbolise to the audience her
happiness, innocence and naivety to the
day, allowing them to understand that she
will be an extremely easy target-as well as
her brother- to the antagonist. She’s also
wearing pyjamas to represent her laid back
approach to the night, as she is unaware
that danger is headed her way. It will put
the audience into suspense, as the pyjamas
symbolise the normality of the day she is
enduring, and that this could happen to
anyone adding thrill to the film
11. Props
We decided to use a lam that was lit up in
the dark to use for the title poster. This gave
agreat affect to the picture quality as it gave
the sense that the movie was HD- giving it a
cinematic sort of style
We also used old newspapers to indicate that a
child had recently been missing. This prop as
great as it added to the realism of the thriller
and made it seem every realistic and
professional.
