4. “A real tourist aesthetic is thus advertised, and this aesthesis, as
the etymology suggests, is a “feeling”. These emotions are
collective, conventional and standardized”.
(Rachid Amirou, Imaginário Turístico e Sociabilidades de Viagem, 2007: 87).
8. Noelle O’Connor, A conceptual examination of the film induced
tourism phenomenon in Ireland, European Journal of Tourism,
Hospitality and Recreation
Vol. 2, Issue 3, pp. 105-125, 2011
FILM AS MOTIVATION
FOR TOURISM
9. FILM AS MOTIVATION
FOR TOURISM
Film as a motivation for (physical) Tourism
Film Tourism Film-induced
Tourism
10. Joanne Connell / Tourism Management 33 (2012) 1007-1029
FILM AS MOTIVATION
FOR TOURISM
11. FILM AS MOTIVATION
FOR TOURISM
Successor to literary tourism
Pilgrimage [celebrities’ cult]
Film Tourism
Hyper-real tourism [theme parks]
15. FILM AS MOTIVATION
FOR TOURISM
The Beach, 2000
(Thailand)
Australia, 2008
(Australia)
Sideways, 2004
(Californian wine
region)
Finding Nemo, 2003
(Great Barrier Reef -
Australia)
16. FILM AS MOTIVATION
FOR TOURISM
Film’s persuasion factors - Cohen (1986):
Literary ethos (actors);
Literary logos (logic and reasoning);
and literary pathos (emotions).
17. Film’s attraction factors - Macionis (2004):
Place (scenery);
Personality (characters, actors, celebrities);
and Performance (plot, genre).
FILM AS MOTIVATION
FOR TOURISM
18. FILM AS MOTIVATION
FOR TOURISM
... people come to understand their
world and their values in narrative
(or storytelling) form.
Hollihan & Baaske, 2005: 20
21. Big audience at small budget;
Substantial information about the destination;
Creation/ change of image in a short period of time;
Publicity generated by actors, director.
ADVANTAGES OF FILM AS A MARKETING TOOL :
TOURISM DEVELOPMENT
THROUGH FILM