This is the Work Compiled by the Student of B.Sc.-Fashion Design of Dezyne E'cole College.The Project of Fashion Design is Developed by the Student … Tanu Chorasiya B.Sc. Fashion Design

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PORTFOLIO
Tanu Chourasiya
B.Sc. FT 1st year
Dezyne E’cole College, Ajmer
Diploma in Fashion Technology

2. Project report on
Women's western wear
Submitted to
Dezyne E’cole college
towards the partial fulfillment For
the award of diploma in
fashion technology
as technical knowledge Development of
women's wear
By
Tanu Chourasiya
Dezyne E’cole College
106/10, civil lines, Ajmer
0145-2624679
www.dezyneecole.com
2014-2015
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Dezyne E’cole College
Civil lines Ajmer
www.dezyneecole.com
This Project of Ms. Tanu Chourasiya has been checked and has been graded as -
______________________________________________________
Thanking You
Principal
(seal & signature)

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Fashion is an ever changing area where each and every person wants to
look good. Fashion adoption reflects the personality and image of the
person in the society and in peer group.
“Fashion” usually is the newest creation made by the designers.
I am deeply grateful to all those whose guidance has been of tremendous
value and enabled me to complete this project successfully.
Tanu Chourasiya
Graduation Diploma in Fashion Technology
Acknowledgement

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1. Fashion as a person image
2. Fashion Industry
3. Learning experience
4. Foundation design- colors
5. Corel Draw
6. Illustrations
7. Textile Studies
8. Pattern Engineering
9. Draping
10. Fabric Manipulation
11. Elements and principles
12. African Tribal Art
13. Idea Development
Contents

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Fashion is more than wearing good clothes it is about presenting a person’s image in
the society, we generally see people accepting fashion due to the peer pressure,
image in the society and when a person wants a change to brighten his life. There are
many reasons we wear what we wear.
 Protection from cold, rain and snow: - mountain climbers wear high-tech outwear
to avoid frostbite and over- exposure.
 Physical attention:-many styles are worn to inspire “chemistry”.
 Emotions: - we dress “up” when we’re happy and “down” when we’re upset.
 Religious expression: - orthodox Jewish men wear long black suits and Islamic
women cover every part of their body except their eyes.
 Identification and tradition: - judges wear robes, people in the military wear
uniforms, brides wear long white dresses.
Fashion as a person’s image

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Within the sphere of technology
industries, design technology is
perhaps the fastest growing today.
With new technologies emerging
rapidly and industries changing
complexion, more and more job
opportunities are up for the taking.
Today, only one in every four
designers is employable and only
10% of the design graduates
manage to get employment in the
design industry. Hence the
students should understand the
basic requirement of the industry
and exhibit that ability.
Fashion Industry

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This is what I learnt here at Dezyne E’cole College Creating fashion doesn’t just entail a
vivid imagination and instinct for creativity. It also involves many decisions and myriad
techniques, focused on a central idea. Dezyne E'cole Fashion Design has made me build a
strong foundation in terms of design sense, conceptualisation, independent research,
creative application and individual artistic expression.
Learning experience

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As a part of fashion industry I am training my self through formal education in
Bachelor Degree of Science in Fashion Technology and industry oriented diploma
programme in built with this study. During the course duration of Diploma
programme I had an exposure towards practical working in Fashion Design
.

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FOUNDATION DESIGN - COLORS

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Color impact and designing
Color is one of the most vital tools in the hands of a Designer. It is the most perceptible and prominent
aspect of any designer, and hence is central to the success or failure of a design scheme. It is therefore
very important that a Designer has the full knowledge and understanding of this tool.

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shades to tints of blue as a cool color.
shades to tints of yellow as a warm color
shades to tints of red as a warm color
shades to tints of green as a cool color
Color Assignments
Variation of warm and cool colors

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The following Pairs of Colors Illustrate Comparative Value
Relationship.
Value of Red is
more than Yellow
Value of Brown is
more than Green
Value of Green is
equal to Brown
If the edges between the two areas
disappears, the Values are Equal
Value of Blue is more
than Orange

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Coral Draw

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22. ILLUSTRATION
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23. POCKETS
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Kangaroo Buttoned Bellow Kangaroo
Flap Basic Style Cargo front Flap Edged Channel

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Side button cuff Draw String Cuff Simple cuff
Button Tab cuff Faced Hem Cuff Elastic cuff
CUFFS

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Layered sleeve Tulip Sleeve Puff Sleeve
Bushirt Sleeve Magyar Sleeve Plain Sleeve
SLEEVES

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Bertha Basic notched Bertha Deep Neckline Capulet Handkerchief
Bertha Knitted Ends Bertha Draped Bertha Braid Edge Trim
COLLARS

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TEXTILE STUDIES

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 Merino Sheep
 Mohair
 Alpaca Fleece
 Llama
 Cashmere
 Pashmina
 Camel Wool
 Angora Rabbit
 Coarse Animal
CONTENT :-

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Merino Sheep:
• The Merino is an
economically influential
breed of sheep prized
for its wool. The breed
is originally from Turkey
and central Spain, and
its wool was highly
valued already in the
Middle Ages.

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Mohair:
• Mohair is the hair of the Angora
goat, which may be shorn twice
each year.
• The hair is long, lightly curved,
and has a silky luster.
• It is very resistant and has fewer
scales and no crimp(round
shape)

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Alpaca Fleece:
• It is the natural fiber
harvested from an
alpaca.
• It is light weight or heavy
weight depending on how
it is spun.
• Alpaca is naturally water-
repellant and different to
ignite.

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Llama:
• The llama is a South
American camelid, widely
used as a pack and meat
animal.
• The fiber produced by
llama is very soft and is
naturally lanolin free.
• It is originated from North
America.

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Cashmere:
• The cashmere goats
lives in Mongolia and
the Himalayan
Mountains.
• Textiles made from
cashmere are soft,
light and lustrous ; it is
the most expensive
hair fiber.
• It is used for sweaters,
coats, suits, jackets
and blankets.

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Pashmina:
• Pashmina refers to a
type of fine cashmere
wool and the textiles
made from it.
• The name comes from
Pashmina goat, which
is a special breed of
goat indigenous to
high altitudes of
Himalayas in Nepal.
• Pashmina shawls are
hand spun, woven and
embroidered in
Kashmir.

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Pashmina:
• Pashmina refers to a
type of fine cashmere
wool and the textiles
made from it.
• The name comes from
Pashmina goat, which
is a special breed of
goat indigenous to
high altitudes of
Himalayas in Nepal.
• Pashmina shawls are
hand spun, woven and
embroidered in
Kashmir.

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Pashmina:
• Pashmina refers to a
type of fine cashmere
wool and the textiles
made from it.
• The name comes from
Pashmina goat, which
is a special breed of
goat indigenous to
high altitudes of
Himalayas in Nepal.
• Pashmina shawls are
hand spun, woven and
embroidered in
Kashmir.

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Coarse Animal:
• Coarse hair are used mostly for
the manufacture of resilient and
stable interlining materials.
• The most important ones are
horse hairs, camel hair(guard
hair), and goat hair.

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40. Fashion design runs the garment from eveningwear to sportswear, women’s wear to
menswear, and kids wear to knitwear
A sloper pattern (home sewing) or block pattern (industrial production) is a custom-fitted,
basic pattern from which patterns for many different styles can be developed.
The draping method involves creating a muslin mock-up pattern by pinning fabric directly on
a form, then transferring the muslin outline and markings onto a paper pattern or using the
muslin as the pattern itself. The flat pattern drafting method is the most commonly used
method in menswear; menswear rarely involves draping.
GARMENT CONSTRUCTION
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41. T-Pins French Curve Scissor Tailor Chalk
Thread Seam Ripper Inch tape Notcher
The flat-pattern method is where the entire pattern is drafted on a flat surface from
measurements, using rulers, curves and straight-edges. As a fashion designer I used various
tools and measuring devices to create a toile pattern on dummy.
TOOLS AND EQUIPMENT
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42. Various signs and symbols of pattern marking which I generally use on pattern are:-
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44. NOTCHES:-
1. Seam
Allowances
2. Dart Legs
3. Identificatio
n of Joining
parts
4. Facings
5. Waistlines
6. Centre Line
7. Identificatio
n of Front &
Back
8. Zipper
Placement
9. Hemlines
10.Shoulder
Tip
11.Placements
of Trims &
Pockets
12.Sleeve Cap
Punch Circles:-
1. Dart Intake
2. Corners
3. Buttonholes/Buttons
4. Trimmings
5. Pocket Placement
Jog Seam:-
A Jog Seam is used to
indicate a change in the
seam allowance
Seam Allowance:-
¼ Inches:-
1. All faced areas
2. Sleeves, Armhole
½ Inches:-
1. Side Seam
2. Centre line
1 Inches:-
1. Shoulders
2 Inches:-
Straight Hemlines
NOTCHES
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45. 1. Center front neck
2. Center front waist
3. Bust point
4. Center front bust level
5. Side front (princess)
6. Mid armhole front
7. Mid armhole back
8. Shoulder tip
9. Shoulder at neck
10.Armhole ridge or roll line plate
screw
11.Armhole plate
SYMBOL KEY
CF= Center Front
CB= Center Back
BP= Bust Points
SS= Side Seam
SH= Shoulder
HBL= Horizontal Balance Line
SH-TIP= Shoulder Tip
LAND MARKS
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46. Flat patterning begins with the creation of a sloper or block pattern, a simple, fitted
garment made to the wearer's measurements. The different ways of taking
measurement on the dress form are as follows:
 Circumference measurement
 Horizontal measurement
 Vertical measurement
MEASURING TECNEQUE
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48. SIZE = 34”
Round Bust= 34”
Round Abdomen= 36”
Round Waist= 26.5”
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50. SIZE = 34”
Waist Arc= 6.5”
Bust Arc= 9 ”
Abdomen Arc= 9”
Back Arc= 8”
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52. SIZE = 34”
Shoulder Slope= 5”
Full Length= 17”
Center Front Length= 14.5”
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53. WOMEN’S BODICE BLOCK
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54. WOMEN SKIRT BLOCK
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55. WOMEN’S SLEEVE BLOCK
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56. Dart manipulation introduced the slash
spread and pivotal transfer pattern making
technique to transfer dart excess from one
location to another for design variation. It is
the beginning of pattern manipulating
process for generating design patterns.
There are three principles for dart
manipulation.
PRINCIPLE 1
A dart may be transferred to any location
around the patterns outlines from a
designated pivotal point without affecting
the size or fit of a garment.
 ONE DART SERIES
 TWO DART SERIES
PRINCIPLE 2 Added fullness
To increase fabric in a garment to an
amount greater than that provided by the
dart excess of the working pattern. The
length and width within the pattern’s outline
must be increased.
PRINCIPLE 3 Contouring
To fit the contours of the upper torso closer
than does the basic garment the pattern
must be reduced within its frame to fit the
dimension of the body above, below and in
between the bust mounds and shoulder
blades.
Mid neck
Mid shoulder
Shoulder tip
CF neck
Mid armhole
Side dart
CF waist
French dart
French dart
French dart
CF bust
DART MANIPULATION
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57. MID SHOULDER MID ARMHOLE
SINGLE DART SERIES
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Sweet heart neckline
French dart
Double stitched hemline

59. MID SHOULDER AND WAIST MID ARMHOLE AND WAIST
DOUBLE DART SERIES
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FRONT VIEW
SIDE VIEW
BACK VIEW
FRENCH DART

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MID SHOULDER DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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MID ARMHOLE DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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MID SHOULDER AND WAIST DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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MID ARMHOLE AND WAIST DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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SIDE AND WAIST DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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FRONT VIEW
SIDE VIEW
BACK VIEW

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FRONT VIEW
SIDE VIEW
BACK VIEW

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NECK RADIATING DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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FRONT VIEW
SIDE VIEW
BACK VIEW

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MID SHOULDER PRINCESS PANEL (TORSO)

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MID SHOULDER (WAIST)
FRONT VIEW
SIDE VIEW
BACK VIEW

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MID ARMHOLE DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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MID ARMHOLE DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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MID ARMHOLE DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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MID ARMHOLE DART
FRONT VIEW
SIDE VIEW
BACK VIEW

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SHOULDER DART CLUSTER
FRONT VIEW
SIDE VIEW
BACK VIEW

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WAIST DART CLUSTER
FRONT VIEW
SIDE VIEW
BACK VIEW

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FULLNESS ARROUND NECK BAND
FRONT VIEW
SIDE VIEW
BACK VIEW

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For any fashion designer fabric
first needs to be prepare with
textures and then used for style
and design development.
Style require plain texture and
sometime textured fabric to
create better style.
Presenting few best ideas which
one learned at my study of fashion
design at Design E’cole College.

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CONTENTS
 Empire line dress
 What is empire line ?
 Fashion in the period 1795-1820
 Changes in fashion 1800-1820
 21st century inspired by Regency Era

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The period between 1795-1837 termed as “REGENCY ERA”

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Empire Line Dress (em-pahy uh-r lahyn)
• The empire line dress named for the
Empire of France as Napoleon’s first
Empress Josephine de Beauharnais
is attributed with helping to
popularize the style in Europe.

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What is empire line ?
• High waisted just under the bust.
• Long, narrow skirt with a slight flare to aid movement.
• Low, open neckline.

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Fashion In The Period 1795-1820
• Between 1795-1820 , women used to
wear skirts and jackets as day to day
outfit.
• Incorporated in this new “NATURAL”
style, clothing became much lighter.
• Upper class women began wearing
cropped dresses as they opposed to
dresses with long trains or hoops that
restricted them from leaving their
homes.

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Changes In Fashion 1800-1820
• WOMEN- Short hairs, lace, sheer
classical drapes, raised back waist of
high- waisted dresses, dress
waistlines began to drop, elaborate
hem & necklines decorations.
• MEN- Linen shirts with high collars,
short hairs, jockey boots.

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21st Century Inspired By Regency Era
• Comfortable, flattering &
available in numerous
necklines, colors, fabrics, the
empire line dress is classic
style .
• It is constantly being
reinvented to meet the
changing fashion trends.

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114. Egyptian civilization was developed near at the Nile river .it is one from worlds most ancient civilizations
and it is very famous because of its art work. People of this civilization are very creative. They fond and
create many sculpture and art pieces. For creating these artifacts they use many elements which is known
as elements of design in present days. The design elements which are found in this civilizations art are:-
Lines
Shapes
Forms
Texture
Color
Egyptian civilization
I. Lines
In this civilization people used and created the Straight lines, smooth curve lines and human figures.
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115. II. Shapes
In this era human figure drawings are most popular
and geometric shapes are used for making symbols.
III. Form
The world famous form of this era is pyramids which
are 3D creation of triangle, other famous forms are
mummy coffins and many more are mile stones of
Egyptian history
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116. IV. Texture
The people of this civilization create texture on walls and
jewelry with the use of sand, stones, metals etc.
V. Color
In this civilization yellow, golden, red, brown, black and
green are mostly used colors.
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THANK YOU
Tanu Chourasiya
B.Sc. FT 1st year
Dezyne E’cole College, Ajmer, India
Diploma in Fashion Technology