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PORTFOLIO
KARISHMA GANGWANI
Fashion Designing Diploma 1st YEAR
Dezyne E’cole college, Ajmer
Project Report
on
Fashion Design
At
Dezyne E’cole College
Ajmer
Submitted to
Dezyne E’Cole college
Towards The
Partial Fulfillment of
Diploma in Fashion Design
By
Karishma Gangwani
Dezyne E’cole college
106/10,civil lines, Ajmer
Tel-0145-2624679
I, KARISHMA GANGWANI student of Dezyne E’cole
college, am extremely grateful to each and every individual
who has contributed in successful completion of my
project.
I express my gratitude towards Dezyne E’cole college for
their guidance and constant supervision as well as for
providing the necessary information and support regarding
the compilation of project.
I then to almighty for providing me with everything that I
required for completing this project.
I would like to thank all the faculty members of Dezyne
E’cole for their critical advice and guidance without which
this project would not have been possible.
I would like to express my special gratitude towards my
parents and friends who have been constant source of
inspiration for me during this project.
ACKNOWLEDGMENT
HISTORY OF FASHION
Origin and development of costume-
Today cloths appear in a bewildering of permutation and
combination ranging from inner outers to lowers co-
ordinates to wear ensembles at different points of time in
history.
Over several thousand year of history all cloths can be broadly
classified under 5 archetypes or categories.
Draped costumederived by the wrapping of skin or material length
around the body like t5he Egyptian shanti Greek himation and the
Tahitian pareo.
Bdslip on costume made from one piece of skin or material length
with a hole for the head to pass through.
Closed stitches costume where the fabric os worn around the body
with armhole for the sleeves to be attached this category developed
into the Greek chit on the roman tunic the medieval chemise.
Sheath costume –fitted mold to the body contours this category
also extended into trousers and breeches.
Indian costume – by and large ancient garment were draped rather
than stitched giving each esemble distinctive look. Draped apparel
was worn both by men and women.
In the Indus valley civilization in the two cities of Mohenjo-Daro
and Harappa the statuette of the high priest wears a patterned Shaw
with a formal drape other statuettes and engravings are seen in
short draped sarong like skirt jewelry and elaborate.
BUttariya or upper garment.
Ba anta Riya or lower garments
The uteri or upper garment was usually of cotton or silk
ornamented border and fingers. The wears the way depended on the
both shoulder diagonally across the chest it could be the back with
the free ends
Hanging down both the lower arms of wrapped around the wrist
Ancient near East. Between 3500 -3000 BC threat civilization
arose in Mesopotamia now in parent daywear some of the different
culture of the summaries baby linens and Assyrians who inhabited
Mesopotamia.
•Sumerian costume the most basic form foe r the men and women
was a the simple ankle length wrap around skirt.
•Baby lonian costume the earlier tufted konekes skirt was
transformed into a draped look worn by a both sexes the style
almost prefigures the Greek halation or roman toga two thousand
years later
•Aaayrian costume the Assyrians wore either e rectangular or
semi-circle draped shawl was with the short sleeve tunic.
EMBROIDERY
Embroidery is the embellishment of
fabric enriching it with needle and thread
. It has also been referred to as “ Painting
with the needle”.
The history of fabric decoration takes us
to t he prehistoric times. Embroidery is
most often used on caps, hats, coats,
blankets, dress shirts.
Embroidery has always
EMBROIDERY
Basic Stitch embroidery
Basic Stitch Embroidery
Cut work
Ribbon work
Kantha Embroidery
A kantha is rich
multicolored
embroidery from
west Bengal. It is
done with simple
running stitch.
Rural women in
Bengal typically use
discarded saris,
dhotis, and cloth
and layer then with
stitches to make a
quilt, light blanket
shawls. General
motifs used in
kantha embroidery
are human figures,
animal, floral
symbols, fishes and
trees.
Gujarati Embroidery
Embroidery from the
Saurashtra and Kutch
regions in Gujarat is
not only famous but
also versatile. There
are plenty of stitches
used to beautify the
product. Ababa is the
embroidery where
small round pieces of
mirrors are fixed on
to the fabric using
buttonhole stitch.
Geometrical motifs
are fabricated with
multicolored fabric
fabric pieces leading
to patch work effect.
Phulkari Embroidery
Phulkari is a rural
tradition art of
crafting embroidered
odhni (head drape or
shawl) used by
women in Punjab,
literally means “
flower work”.
“ PHUL” Means
flower and “KARI”
means wok. Also
known as “ Gulkari” .
A very intricate
needle work, along
with bright colored
threads mainly red,
orange, blue, green
etc.
Kashida Embroidery
The word Kashmir can be
splinted as ‘kas’ means
water channel and Mir
refers to mountain. Jammu
and Kashmir is known for its
beauty. The locality is
embedded with enchanting
beautiful and inexhaustible
flora and fauna, lakes,
garden of perpetual spring,
abundance of natural
colour all around.
The best known of Indian
embroidery is the kashida
of Kashmir and its carpet
industry. Kashida on
Kashmir shawls are
recognized for their beauty,
colour, motifs, artistic
appearance and texture.
Kasuti Embroidery
Kasuti is a world famous
embroidery of Karnataka
state earlier was known as
Mysore state, Kasuti
embroidery speaks about
the people of Karnataka
their traditions, customs
and professions.
Stitches in kasuti are always
vertical, horizontal and
diagonal. The main Specialty
of this embroidery is that
never the design is traced in
the material to be
embroidered and the
embroidery starts without
knotting thread but with a
tiny back stitch. Kasuti is
done always by counting the
threads.
Draping
Draping is a method of patternmaking
that permits designers to freely and
accurately express their ideas.
.
It is the process of positioning and pinning
fabric on a dress from to develop the
structure of a garment design.
Fabric Manipulation
Fabric manipulation any technique that reshapes
the surface of the material . Gathering threads
stitches through fabric are drawn together to
reduce the fullness of a material to a
Required width .
A method of folding fabric to control fullness to
simply to create a decorative effect.
•Fashion illustration is the art of
communicating fashion ideas in a visual
form that originates with drawing paintings
and fashion sketching.
•It is used by fashion designer to brainstorm
their ideas into paper or computer.
Illustration
Corel Draw
•CorelDraw is the most popular vector
design software in the professional
computer aided fashion design industry.
•CorelDraw is designed to edit two
dimensional images such as logos and
posters.
By using a toolbox I have created
some patterns.
3-D with mash fill box
Colour scheme
Basic shapes
Garment Construction
A costume or garment is constructed
by cutting the fabric . Into a parts
according to a pattern which fits the
human then the different parts are
joined by sewing
This course is an introduction to basic
sewing and construction skills fabric
definition construction and function
are studies student learn hand sewing
nad finishing body measurement
pattern use fabric layout and cutting as
well as machine operation students are
required to create and complete
garment
SKIRTS
Pleated skirt Pegged skirt Wrap around skirt
Skirt with yoke Gores skirt Handkerchief skirt
SLEEVES
COLLARS
•People have always used color as
symbol.
•Some of the ways fashion and color
have connected
Colours
A color scheme is the choice of colors used in
design for a range of media .
Accented neutral color scheme Monochromatic color scheme
Accented neutral color scheme Monochromatic color scheme
Graphics
Graphic is an image or visual representation
of an abject their for computer graphics are
simply images displayed on a computer
screen .
Graphics are often contrasted with text
which is comprised of characters such as
number and letter rather then images
FASHION STUDIES
FASHION
Factors influencing
Fashion-
Fashion express the
prevailing human
motivation and aesthetics
in society .
It is a vibrant subject
incorporating of social
,cultural , psychological
geographical economical
,technological factors,
Trends are key indicators
that directly affect and
characterize of the look of a
season trend are transitory
fashion statements fashion
is often effects by seasonal
trends which imply that a
particular style silhouette
,color texture etc. may be
time leading to a collective
societal dominant at given
point of time leading to
collective tendency to wear
similar cloths
Trends-

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Karishma Gangwani, Fashion Design Student NSQF Level -5

  • 1. PORTFOLIO KARISHMA GANGWANI Fashion Designing Diploma 1st YEAR Dezyne E’cole college, Ajmer
  • 2. Project Report on Fashion Design At Dezyne E’cole College Ajmer Submitted to Dezyne E’Cole college Towards The Partial Fulfillment of Diploma in Fashion Design By Karishma Gangwani Dezyne E’cole college 106/10,civil lines, Ajmer Tel-0145-2624679
  • 3. I, KARISHMA GANGWANI student of Dezyne E’cole college, am extremely grateful to each and every individual who has contributed in successful completion of my project. I express my gratitude towards Dezyne E’cole college for their guidance and constant supervision as well as for providing the necessary information and support regarding the compilation of project. I then to almighty for providing me with everything that I required for completing this project. I would like to thank all the faculty members of Dezyne E’cole for their critical advice and guidance without which this project would not have been possible. I would like to express my special gratitude towards my parents and friends who have been constant source of inspiration for me during this project. ACKNOWLEDGMENT
  • 4. HISTORY OF FASHION Origin and development of costume- Today cloths appear in a bewildering of permutation and combination ranging from inner outers to lowers co- ordinates to wear ensembles at different points of time in history.
  • 5. Over several thousand year of history all cloths can be broadly classified under 5 archetypes or categories. Draped costumederived by the wrapping of skin or material length around the body like t5he Egyptian shanti Greek himation and the Tahitian pareo. Bdslip on costume made from one piece of skin or material length with a hole for the head to pass through. Closed stitches costume where the fabric os worn around the body with armhole for the sleeves to be attached this category developed into the Greek chit on the roman tunic the medieval chemise. Sheath costume –fitted mold to the body contours this category also extended into trousers and breeches. Indian costume – by and large ancient garment were draped rather than stitched giving each esemble distinctive look. Draped apparel was worn both by men and women.
  • 6. In the Indus valley civilization in the two cities of Mohenjo-Daro and Harappa the statuette of the high priest wears a patterned Shaw with a formal drape other statuettes and engravings are seen in short draped sarong like skirt jewelry and elaborate. BUttariya or upper garment. Ba anta Riya or lower garments The uteri or upper garment was usually of cotton or silk ornamented border and fingers. The wears the way depended on the both shoulder diagonally across the chest it could be the back with the free ends Hanging down both the lower arms of wrapped around the wrist Ancient near East. Between 3500 -3000 BC threat civilization arose in Mesopotamia now in parent daywear some of the different culture of the summaries baby linens and Assyrians who inhabited Mesopotamia. •Sumerian costume the most basic form foe r the men and women was a the simple ankle length wrap around skirt. •Baby lonian costume the earlier tufted konekes skirt was transformed into a draped look worn by a both sexes the style almost prefigures the Greek halation or roman toga two thousand years later •Aaayrian costume the Assyrians wore either e rectangular or semi-circle draped shawl was with the short sleeve tunic.
  • 8. Embroidery is the embellishment of fabric enriching it with needle and thread . It has also been referred to as “ Painting with the needle”. The history of fabric decoration takes us to t he prehistoric times. Embroidery is most often used on caps, hats, coats, blankets, dress shirts. Embroidery has always EMBROIDERY
  • 10. Basic Stitch Embroidery Cut work Ribbon work
  • 11. Kantha Embroidery A kantha is rich multicolored embroidery from west Bengal. It is done with simple running stitch. Rural women in Bengal typically use discarded saris, dhotis, and cloth and layer then with stitches to make a quilt, light blanket shawls. General motifs used in kantha embroidery are human figures, animal, floral symbols, fishes and trees.
  • 12. Gujarati Embroidery Embroidery from the Saurashtra and Kutch regions in Gujarat is not only famous but also versatile. There are plenty of stitches used to beautify the product. Ababa is the embroidery where small round pieces of mirrors are fixed on to the fabric using buttonhole stitch. Geometrical motifs are fabricated with multicolored fabric fabric pieces leading to patch work effect.
  • 13. Phulkari Embroidery Phulkari is a rural tradition art of crafting embroidered odhni (head drape or shawl) used by women in Punjab, literally means “ flower work”. “ PHUL” Means flower and “KARI” means wok. Also known as “ Gulkari” . A very intricate needle work, along with bright colored threads mainly red, orange, blue, green etc.
  • 14. Kashida Embroidery The word Kashmir can be splinted as ‘kas’ means water channel and Mir refers to mountain. Jammu and Kashmir is known for its beauty. The locality is embedded with enchanting beautiful and inexhaustible flora and fauna, lakes, garden of perpetual spring, abundance of natural colour all around. The best known of Indian embroidery is the kashida of Kashmir and its carpet industry. Kashida on Kashmir shawls are recognized for their beauty, colour, motifs, artistic appearance and texture.
  • 15. Kasuti Embroidery Kasuti is a world famous embroidery of Karnataka state earlier was known as Mysore state, Kasuti embroidery speaks about the people of Karnataka their traditions, customs and professions. Stitches in kasuti are always vertical, horizontal and diagonal. The main Specialty of this embroidery is that never the design is traced in the material to be embroidered and the embroidery starts without knotting thread but with a tiny back stitch. Kasuti is done always by counting the threads.
  • 16. Draping Draping is a method of patternmaking that permits designers to freely and accurately express their ideas. . It is the process of positioning and pinning fabric on a dress from to develop the structure of a garment design.
  • 17.
  • 18.
  • 19. Fabric Manipulation Fabric manipulation any technique that reshapes the surface of the material . Gathering threads stitches through fabric are drawn together to reduce the fullness of a material to a Required width . A method of folding fabric to control fullness to simply to create a decorative effect.
  • 20. •Fashion illustration is the art of communicating fashion ideas in a visual form that originates with drawing paintings and fashion sketching. •It is used by fashion designer to brainstorm their ideas into paper or computer. Illustration
  • 21.
  • 22. Corel Draw •CorelDraw is the most popular vector design software in the professional computer aided fashion design industry. •CorelDraw is designed to edit two dimensional images such as logos and posters.
  • 23. By using a toolbox I have created some patterns. 3-D with mash fill box Colour scheme Basic shapes
  • 24. Garment Construction A costume or garment is constructed by cutting the fabric . Into a parts according to a pattern which fits the human then the different parts are joined by sewing This course is an introduction to basic sewing and construction skills fabric definition construction and function are studies student learn hand sewing nad finishing body measurement pattern use fabric layout and cutting as well as machine operation students are required to create and complete garment
  • 25. SKIRTS Pleated skirt Pegged skirt Wrap around skirt Skirt with yoke Gores skirt Handkerchief skirt
  • 28. •People have always used color as symbol. •Some of the ways fashion and color have connected Colours
  • 29. A color scheme is the choice of colors used in design for a range of media . Accented neutral color scheme Monochromatic color scheme Accented neutral color scheme Monochromatic color scheme
  • 30. Graphics Graphic is an image or visual representation of an abject their for computer graphics are simply images displayed on a computer screen . Graphics are often contrasted with text which is comprised of characters such as number and letter rather then images
  • 32.
  • 33. Factors influencing Fashion- Fashion express the prevailing human motivation and aesthetics in society . It is a vibrant subject incorporating of social ,cultural , psychological geographical economical ,technological factors,
  • 34. Trends are key indicators that directly affect and characterize of the look of a season trend are transitory fashion statements fashion is often effects by seasonal trends which imply that a particular style silhouette ,color texture etc. may be time leading to a collective societal dominant at given point of time leading to collective tendency to wear similar cloths Trends-