![Fashion Designing runs the garment from eveningwear to
sportswear, Women’s wear to Men’s wear and Kids wear to
knitwear. Garment Construction is popularly called Pattern
Engineering has a great importance in fashion design industry. The
Companies like van heuson,dockers levis, adidas etc. are the
providers of perfect fit and this is what we learn at Dezyne E’cole
through the art of pattern making.
A slop pattern [ home sewing ] and block pattern [ industrial
production ] is custom – fitted basic pattern from which pattern for
many different styles can be developed.
The Draping method involves creating a Maslin mock up by
pinning fabric directly on a form then transferring the muslin outline
and makings onto a paper pattern or using the muslin as the pattern
it self.
The flat pattern Draping method is the most commonly used
method in Menswear.
Garment Construction](https://image.slidesharecdn.com/shefaligattani-150914095611-lva1-app6892/85/Shefali-Gattani-28-320.jpg)
![Number refers to both front & back
wherever indicated :-
1. Center Front Neck Center
Back Neck
2. Center Front Waist Center
Back Waist
3. Bust Point
4. Center Bus Level
5. Center Front [Princess line] Center
Back [Princess line
6. Mid Armhole front Mid Armhole
Back
7. Shoulder Tip
8. Shoulder at Neck
9. Armhole Ridged or Roll Line
10.Plate Screw
11.Armhole Plate
Landmarks](https://image.slidesharecdn.com/shefaligattani-150914095611-lva1-app6892/85/Shefali-Gattani-34-320.jpg)
Uploaded bydezyneecole
Shefali Gattani
This document is Shefali Gattani's portfolio from her 1st year diploma in fashion technology program. It includes an acknowledgements section, table of contents, and sections on fashion as a person's image, the fashion industry, her learning experience, foundation design principles, use of Corel Draw for fashion illustration, pattern engineering techniques, measurement techniques, fabric manipulation methods, and tribal art influences. The portfolio was submitted to fulfill requirements for her diploma in fashion technology and provide technical knowledge in women's wear design.
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Shefali Gattani
- 1. PORTFOLIO SHEFALI GATTANI 1st YEARDIPLOMA IN FASHION TECHNOLOGY
- 2. Project Report on Women'sWestern Wear Submitted to Dezyne E’cole College Towards the Partial Fulfillment for Award of Diploma in Fashion Technology As Technical Knowledge Development to Women’s Wear Included With Diploma Program Of Fashion Technology By Shefali Gattani Dezyne E’cole College Ajmer Address, 106/10, civil lines, Ajmer Tel. no.0145 2624679 www.dezyneecole.com 2014-2015
- 3. ACKNOWLEDGEMENT I am deeplygrateful to all those whose guidance has been of tremendous value and enabled me to complete this project successfully. I am thankful to all my mentors of Dezyne E’ cole who gave me an opportunity to show my abilities by working on this project on the esteem organization. SHEFALI GATTANI 1ST Year diploma in Fashion Technology
- 4. 1. Fashion asa Person’s Image 2. Fashion Industry 3. Learning Experience 4. Foundation Design 5. Corel Draw 6. Fashion illustration 7. Pattern Engineering 8. Measurement techniques 9. Draping 10.Fabric Manipulation 11.Element and Principle of Design CONTENT
- 5. Fashion is amore then wearing good clothes it is about presenting a person’s image in Society , we generally see people accepting fashion due to pee pressure, Image in the society and when a person wants a change to brighten his life. There are many reasons behind what we wear. • Protection from cold ,rain and snow :- Mountain climbers wear high – tech outwear to avoid frostbite and over – exposure. • Physical attention :- Many styles are worn to inspire “chemistry”. • Emotions :- we dress “up” when we’re happy and “down” when we’re upset. • Religious expression :- Orthodox Jewish men wear long part of their body except their eyes. • Identification and tradition :- Judges wear robes ,people in the military wear uniform, brides wear long white dresses. Fashion as a Person’s Image
- 6. Within the sphereof Technology Industries , design technology is perhaps the fastest growing today. with new technologies emerging rapidly and industries changing complexion, more and more job opportunities are up for the taking .It is estimated that India will have a shortfall of five lakh people in the design sector by 2010-11 but not all gradates will be employable .Thus bringing the gap between talent and the skills required by the industry is important. only Today, one in every four designers is employable and only 10% of the design graduates manage to get employment in the design industry. Hence the student should understand the basic requirement of the industry and exhibit that ability . Fashion Industry
- 7. This is whatI learn here at Dezyne E’cole college creating fashion doesn’t entail a vivid imagination and instinct for creativity. It also involve many decisions and myriad techniques , focus on a central idea. Dezyne E’cole Fashion design made me build a strong foundation in terms of design sence, Conceptualisation independent research ,creative application and artistic experience Learning Experience
- 8. As a partof fashion industry I am training my self through formal education in Diploma programme in build with this study. During the course duration of diploma programme I had an exposure towards practical working in fashion design.
- 9.
- 10. Colour is amost vital tool in the hands of fashion designer. It is the most perceptible and hence is a central to success and failure of a designer scheme.it is therefore very important designer that a designer has a full knowledge and understanding of its tool. COLOR IMPACT IN DESIGN
- 11. Variation in CoolColor Blue Variation in Cool Color Yellow Variation in Cool Color Red Warm and Cool Color COLORS
- 12. The Yellow islighter value then Red The Blue color is Darker value then Orange The Green is lighter value then Brown The Dark Green is equal in the value to the Brown Compare the Blue and Red Rectangles to the Grey Rectangles or either side of each color. Which Grey is equal in value to the color ? It may be helpful to stand at a distance and blur your eyes. If the edge between the two area disappears, the values are equal. Comparing Value of Color
- 13.
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- 19. Bertha deep neckline BerthaTie Bertha Buster Brown Style Bertha Knotted Ends Bertha Yoke style Bertha - Braid Edge Trim COLLARS
- 20. Bellow Cargo Cargo front Kangaroo FlapShape Stitched Patch Button Flap POCKETS
- 21.
- 27.
- 28. Fashion Designing runsthe garment from eveningwear to sportswear, Women’s wear to Men’s wear and Kids wear to knitwear. Garment Construction is popularly called Pattern Engineering has a great importance in fashion design industry. The Companies like van heuson,dockers levis, adidas etc. are the providers of perfect fit and this is what we learn at Dezyne E’cole through the art of pattern making. A slop pattern [ home sewing ] and block pattern [ industrial production ] is custom – fitted basic pattern from which pattern for many different styles can be developed. The Draping method involves creating a Maslin mock up by pinning fabric directly on a form then transferring the muslin outline and makings onto a paper pattern or using the muslin as the pattern it self. The flat pattern Draping method is the most commonly used method in Menswear. Garment Construction
- 29. The Flat patternmethod where the entire pattern is drafted on a flat surface from measurements ,using the ruler and curve and straight Edges. As a fashion designer I use various tools and measuring devices to create a toil pattern on dummy. Measuring Tape Seam Ripper Scissor Drafting Scale Tailoring Chalk French curve Tools and Equipment
- 30. Pattern Making Symbol Varioussign and symbols of pattern making which I generally use on pattern:-
- 31. Pattern Making Symbol Varioussign and symbols of pattern making which I generally use on pattern:-
- 32. Pattern Making Symbol Varioussign and symbols of pattern making which I generally use on pattern:-
- 33. Notches :- • Seamallowance • Center Line • Ease $ Gather Control • Dart Legs • Identification of Front & Back • Identification of Joining Parts • Zipper Placement • Facing • Hemline • Waistline • Shoulder Tip • Sleeve Cap Punch / Circle :- • Dart intake • Corners • Buttons / Buttonholes • Trimmings • Pocket placement Jog Seam :- A jog seam is used to indicate a change in the seam allowance. ¼ inch : • All faced areas • Narrow spacing • Extreme curve • Sleeveless armhole ½ inch : • Side seam • Waist line • Center line • Styline 1inch : • Shoulder 2inch : • Straight Hemline Notches
- 34. Number refers toboth front & back wherever indicated :- 1. Center Front Neck Center Back Neck 2. Center Front Waist Center Back Waist 3. Bust Point 4. Center Bus Level 5. Center Front [Princess line] Center Back [Princess line 6. Mid Armhole front Mid Armhole Back 7. Shoulder Tip 8. Shoulder at Neck 9. Armhole Ridged or Roll Line 10.Plate Screw 11.Armhole Plate Landmarks
- 35. The flat- patternmethod is where the entire pattern is drafted on the flat surface measurement . Under garment construction we learn about the measuring techniques on the dress form. That can be seen here:- Different ways to taking measurements:- • Circumference measurements • Horizontal measurements • Vertical measurements Measurement
- 36.
- 37. Round Bust measurement Round Waist measurement RoundAbdomen measurement Size=34” Circumference Measurements
- 38.
- 39. Front length Measurement Shoulder Slope Measurement Fulllength Measurement Vertical Measurements Size=34”
- 40.
- 41. Across shoulder Measurement Across Chest Measurement AbdomenArc Measurement Size=34” Horizontal Measurement
- 42.
- 43. Women’s basic SleeveBlock
- 44.
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- 50. Dart Manipulation isa slash spread and pivotal transfer making technique to transfer dart excess to one location to another for design variation .It is a beginning of pattern manipulation for generating design patterns. It require both artistic and technical skills to manage and control the pattern. PRINCIPLE 1 One Dart Series Two Dart Series A Dart may be transfer to any location around the pattern outlines from the designated pivotal point without affecting the size or fit of the garment. PRINCIPLE 2 Added fullness To increase garment to an amount greater then that provided by the dart excess of working pattern. The length and the width within the pattern’s outline must be increased. PRINCIPLE 3 Contouring To fit the contour of the upper torso closer then the basic garment the pattern must be reduced within its frame to fit the dimension of the body above, below and between the bust mounds and shoulder blades. Dart Manipulation
- 51.
- 52. HAULTER NECK BETTED KALIDAARSALWAR GARMENTS
- 53. CHOLI BLOUSE SIX PANNELPETTICOAT GARMENTS
- 54.
- 55. BASIC BODICE BLOCK SAREEBLOUSE GARMENTS
- 56.
- 58. Front view Side View Backview FRENCH DART SINGLE DART SERIES
- 59. Front View Side View BackView SINGLE DART SERIES Mid Shoulder Dart
- 60. Front View SideView Back View SINGLE DART SERIES Mid Armhole Dart
- 61. Front View SideView Back View SINGLE DART SERIES Mid Shoulder and Waist Dart
- 62. Front View SideView Back View SINGLE DART SERIES Mid Armhole and Waist Dart
- 63. Front View SideView SINGLE DART SERIES Side and Waist Dart Back View
- 64. Front View SideView Tuck Dart Back View
- 65. Front View SideView Pleat Dart Back View
- 66. Front View Radiating Dart BackView Neck Radiating Dart
- 67. Front View SideView Back View PARALLEL DART
- 68. Front View SideView Back View PRINCESS PANEL Mid Shoulder Princess Panel (Waist)
- 69. Front View SideView Back View PRINCESS PANEL Mid Shoulder Princess Panel (Torso)
- 70. Side View Back View PRINCESSPANEL Mid Armhole Princess Panel (Torso) Front View
- 71. Side View Back View DARTCLUSTERS Front View WAIST DART CLUSTER
- 72. Side View Back View GATHERS FrontView Gathers at Neck
- 73. Side View Back View GATHERS FrontView Gathers at Princess Line
- 74. Side View Back View FrontView HAULTER NECK LINE
- 76.
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- 86.
- 87. TRIBAL ART INGUJRAT