The document provides an evaluation of the film "Hoodz" created by Marcus Chippra and other students. It discusses how the film portrays stereotypes of teenage gangs based on research from other films. It also covers the filmmaking process, including researching costumes and locations, creating the musical score, and targeting the film towards an audience of urban teenagers aged 14-21. The evaluation reflects on the learning experience of creating the film and using various filmmaking technologies.
The Henley College
AS Media Studies production unit evaluation presentation for 'Peer Pressure' by:-
Dan Walton
Sam McCoriston
Tony Rossiter
Natascha Urso
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
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2. Evaluation of Media Film “Hoodz”
1) Our film follows four teenage boys, two whom are minding their business in a rival gang’s
territory and two youths who are from the other gang. We gathered our ideas and research from films
such as Kidulthood, Adulthood and The Warriors; we gave questionnaires to our target audience in
relation to this. During our research we studied they way in which the characters dress in Kidulthood
in comparison with the teenagers today, we found it was very similar. We based our costumes on
Adulthood, so we all wore tracksuits with our hoods on. In addition, we adjusted our personality and
behaviour; we were concealed most of the time trying to remain hidden from rival gang members as
well as the police. For the setting we decided we needed to have a quite dark and secluded area
almost like one in a horror but, still near a housing estate. We chose to film our sequence in the dark
to outline how rebellious the teenagers are i.e. being out late, causing mayhem etc. There are less
people out at night therefore, it makes it harder to be seen or caught. However, Adulthood we see
most crimes happening throughout the day so we deviated from this in attempt for a more realistic
feel. Violence and anti-social behaviour is common in towns and cities these days, it’s popularised
through music, films and video games. In our film, we portray this anti-social/intimidating behaviour
via our actions and emotions. In the production of Adulthood the music played a significant part upon
the release of the film, “Bashy’s – Kidulthood to Adulthood” helped promote the film using popular
grime/hip hop artists. In contrast, our opening sequence is very similar to a music video as we have
music playing through the majority of the sequence. We used a “Garage Band” a music programme on
the Mac books to create or musical score, it was difficult to compose a grime/London hip hop score so;
instead it’s more of a Drum ‘n’ Base score. We don’t see it many films but, it’s popular with teenagers
as it’s often heard from cars or parties.
2) The film's representation is stereotypical and specific social groups and other thing help
promote contribute to this representation.
From the outset of the film, we see Nick and Kris in a rival gang’s territory minding their business near
the skate park by our school in our tracksuits, hoods up and general 'thuggish nature'. So already in the
first few seconds of the footage we see a very stereotypical representation of youths or “hoodies”.
This stereotype has been formed from what the media i.e. TV, radio and newspapers have constructed
them to be like. This is definitely a very negative representation of the youths today.
Throughout the film, we have a chase between both gangs (Me, eventually meeting up with Ashley to
hunt down Kris, Jamie and Nick). The dialogue is quite significant as the colloquial language portrays
the authenticity of the film and also stereotypically at the same time we didn’t wish too over use the
slang and dialogue as at times it can seem humorous and we didn’t want that to happen. Rather than
have a long winded conversation, scenes with dialogue were brief and snappy in order to keep up the
pace and tempo of the film. Characters in the film are male, which enforces the common stereotype
off low class criminals being predominantly male. You will also notice that not all the actors and
'criminals' in the film are both white and Indian which I feel shows that this gang youth culture has
now spanned over to every single ethnic background.
The mise-en-scene was limited; we only had the costumes and use of mobile phones to communicate
with one another during the film. Also, we had Ashley’s car. However, the costumes made an impact
and gave the audience idea that these youths are up to no good looking anti-social and intimidating.
3. Also, the effect of the location shows that to secluded areas and quite, dirty housing estates.
We used a variety of shot's for the whole film, switching subtly from POV shots, low angle, high and
angle and pan shots, medium and long shots. For the brief conversations it was simply over the
shoulders shots, extreme /close-ups. We tried to mix it up as much as we possibly could to sync up
with the high adrenaline nature of the film itself, and I feel that we have done that successfully as later
on in the film the transitions form one shot to another become quicker.
3) The genre of our film is urbanised thriller based on young teenagers similar to which
Kidulthood and Adulthood. If our film did go into production it would most likely be on the exact same
path as Adulthood did due to our sequence being aimed such a minute audience. Our film being
distributed by the UK Film Council would be the most ideal one because they work with films which
are non-mainstream and support the idea of more UK Films going abroad. With the success of
Adulthood had through the UK Film Council they’re more likely to accept more films similar to its
genre like our sequence. During the distribution phase, P&A (Prints and Advertising) have to be
utilised that means organising press junkets, trailers etc. Maximising the P&A means that the
exhibitors can show the movie exclusively and make a profit. At the production phase TMC, DJ or
Cipher Films can be the production companies. Due to the rising popularity for films and culture like
Kidulthood they would be likely to produce our film.
4) Our target audience for our opening sequence were male/female teenagers and their age
ranging from 14-21, originating from urbanised areas and under the demographic class B, C1, C2, D
and E. As this is film on teenagers being reckless in society and it could be insight into some teenager’s
real life, so their psychographic profile is likely to be one of a struggler.
5) Upon attracting our audience it was down to the type of film, which was going to be like Kidulthood.
Being around about the same age as our target audience there would be no need to undergo dramatic
research in order to find out how teenagers behave, language speak etc. We are around other
teenagers all the time whom behave and talk differently. Aspiring to our target audience wouldn’t be
a problem as in way we are part of that target audience, it’s just putting the thoughts into context.
Same applies with our costumes, we didn’t have to go out and make or buy the costumes we already
had the costume as we our classified under the stereotypical teenagers ourselves.
During production we aimed to keep the camera shots relatively simple, we didn’t have the time,
experience or ability to do contemporary techniques such as the bullet time effect in The Matrix.
However, with our editing skills we were able to give that impression of complicated shots. We added
in slow motion to add emphasis to the head butt which is seen in films like Rocky and parodied in Scary
Movie so, its popular technique and that’s why we decided to use it. Dialogue, which was a debatable
topic amongst our group, we eventually decided to have some, from our preliminary; the dialogue was
very minimal and was hardly appealing to any audience. So from this experience we determined that
dialogue has to mean something as well as be appealing.
The post-production of Adulthood saw Bashy’s-Kidulthood to Adulthood really promote the film.
Unfortunately for us we do not have those kind of links however, we managed compose a musical
score which is quite appealing to our target audience.
4. 6) Throughout the whole project, from planning to the final evaluation, we have been required to use
many new media technologies to complete our film to a high standard. Such technologies include:
DV/HD Camera/(Tripod)
•
Apple Macbook Pro
•
Final Cut Express
•
GarageBand
•
Digital (stills) camera
•
Mobile phone
•
MP3 player
•
Internet
•
Live Type
•
I’ve had previous experience using a video camera whether it was just for family videos or recording
events such as weddings. So, within the first session of filming I was very easily able to adapt to the
camera settings and buttons. Nick and I were the cameramen, often discussing the shots; it was good
to have 2 people operate the camera as we both had different opinions on shots, positioning etc.
Executing pan shots with the tripod was only the slight difficulty we had; it did take a few takes due to
getting the smooth action of the pan correct.
As you know, instead of a normal laptop, we had to use a Macbook because it had all the suitable
programmes we needed to use to edit our footage. I and no-one in our group had no previous
experience with Macbook’s, so we found ourselves asking for our teachers help a lot when we were
just starting out. These programmes included Final cut express, which I didn’t have problem using due
to my previous experience when editing the preliminary task, Garage Band because the new syllabus
required us to create our own music and beats and integrate them into our film, as opposed to just
using a real Mp3 from another band. My experience using it was minimal as I used in year 9. Also Live
Type to do our credits Although this was tough, our whole group found it fun creating a tune that
would be suitable for our film, and luckily enough found the perfect up-beat song, or beat rather to
accompany the long running sequence.
On the first night of filming down by the underpass I decided to bring along my digital camera and take
some still photo’s of us setting up for filming, I have uploaded one of them to my blog just round the
corner from where we shot the graffiti scene. I already had previous experience with using a digital
camera so using it was no problem.
7) Looking back at our preliminary sequence we gained a lot of experience, getting use to different
type’s camera shots, positioning as well as using the editing software, Final Cut Express. We learnt a
lot from our preliminary, looking back on the edited version and comparing it to our main sequence
(Hoodz) there’s difference in how we use the camera correctly at the right time. For instance in our
preliminary we have the two boys standing up to shake hands, as they did this I zoomed in. I realised
after how much the camera actually shakes once it’s zoomed and viewed on the Mac book also how
amateurish it looks if not used correctly. Editing our preliminary sequence, due to it being the first
time we used Final Cut Express we experimented with the different types of effects and video
transitions. Comparing this with our main production, I learnt what different effects and transitions
can create different effects i.e. slow motion can create emphasis punch or head butt.
5. The pre-production phase was difficult due us living an unreasonable distance away from the site of
filming, we decided on Windsor as all of us know it well and our school is located there. Scripting our
film was also talked about within our group at one stage we were not going to have any dialogue after
our experience filming the preliminary where the actors were camera shy. However, we did come
over that because we changed the dialogue making it shorter therefore, easier to remember and say.