SlideShare a Scribd company logo
What have you learned from
your audience feedback?
By Jaimie Hart
Introduction
 I decided to gather more information from my
audience, in order to check if the film met the
standards and portrayed the conventions we had
tried to show. We interviewed three people from
our target audience so we could collect valid,
unbiased opinions.
 Despite using the pre-questionnaire and post-
questionnaire, I thought this would be beneficial
as we could get a more detailed response.
Who are our target audience?
 Gender: Unisex
 Age:15-35
 Socio-economic groups: B-E
Why we chose this as our target
audience
 We decided to target this group as we believed,
from looking at our pre-questionnaire, that both
genders took an interest in drama films, therefore
we targeted the film at both genders.
 In addition to this, we wanted our film to reach a
mass audience. Therefore, as well as targeting
both genders, we chose to aim our production at
people between the ages of 15-35. We chose this
age range as it allowed us to reach a substantial
amount of people in order to make our film a
success, without being too ambitious.
Blumler and Katz
 Blumler and Katz examined the uses and gratification model and
devised five different gratifications that the audience take from a
film. These are:
 Escape - They use it to hide from their own reality and become
immersed into the narrative of a film
 Social interaction - People create personal relationships with the
characters
 Identity - People can relate aspects of themselves to the fictional
characters, either through circumstances or the characters traits
 Inform and educate - media texts can be used to inform
audiences about the world around the,
 Entertain - People use media texts in order to entertain
themselves.
 Our film can be connected to this theory, as our film may relate to
some people in our audience through the characters traits or
circumstances. Therefore, some members of the audience may
use our production for their identity, as they may be able to
empathize with the protagonist.
Research and Planning
The results from the pre-questionnaire
assured us that we had used the correct
connotations for a drama film. The vast
majority of our 30 participants, we used
for the questionnaire, believed our short
film fit into the Drama genre.
The feedback from our audience about
the script allowed us to improve our film.
The feedback allowed us to improve the
weaker aspects of our film, which were
highlighted by the audience. In addition
to this, the weaker elements of the script
identified were adjusted in order to
achieve the full dramatic effect we
wanted.
Continued
 In order to make our film recognisable as
a drama film, we included key codes and
conventions found in other drama films.
 For example, we included:
 Close-ups
 A troubled protagonist
 A realisation at the end
 Realistic storyline
 An enigma surrounding the narrative
Poster for our film
 As part of the ancillary task, we had to
create a poster that promotes our film. In
order to do this, I looked at a range of
posters from the drama genre to identify
the similar codes and conventions used.
Codes and Conventions of a Drama
Poster
This is the template I based my film poster on.
One on the common
features found on the
posters is the neutral/dark
colours to express the
ominous narrative
The range of pictures of the
different characters
demonstrates the intense
narrative, as shown through
the characters facial
expressions
The bright colour of the
title, tagline and release
date are all eye
catching, therefore
alerting the audience to
its genre
The actors names are
also on the film poster in
order to attract audience
members who admire
the famous actors in the
film and to credit them
Film Review
 During the creation on my film review, I examined a range of
mainstream film reviews in order to make mine seem authentic.
The film review held no specific conventions to make it based on
the drama genre. Based on the feedback from the audience, via
social media and questionnaires, I tried to showcase the strongest
elements of the film while writing the review. I did this in order to
attract a wider audience and entice them to view the film.
Post-production
 We used a post-questionnaire to gather
feedback from our audience on whether
we had successfully created a short,
drama film. As demonstrated through the
pie graph below, the majority of people
believed our film successfully conveyed
the codes and conventions of a drama
film.
Social Media
 We also used sites, such as Twitter and
Facebook, in order to gather feedback
from our audience. Due to their ability to
reach a global audience, we believed that
we could target a mass audience by using
these platforms.

More Related Content

What's hot

Questionnaire results
Questionnaire resultsQuestionnaire results
Questionnaire results
darkmage2015
 
Evaluation q3 v2
Evaluation q3 v2Evaluation q3 v2
Evaluation q3 v2
peter_c11
 
What have you learnt from your audience feedback?
What have you learnt from your audience feedback?What have you learnt from your audience feedback?
What have you learnt from your audience feedback?chloegs
 
Survey analysis
Survey analysisSurvey analysis
Survey analysis
seaton-k-4
 
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
tomharris2905
 
Evaluation question 3 - Hyde Productions
Evaluation question 3 - Hyde ProductionsEvaluation question 3 - Hyde Productions
Evaluation question 3 - Hyde Productions
Chantelle_L
 
Pilot questionnaire
Pilot questionnairePilot questionnaire
Pilot questionnaire
backstageA2media
 
Questionnaire results unit 2, 3, 22 task 4 (1)
Questionnaire results unit 2, 3, 22 task 4 (1)Questionnaire results unit 2, 3, 22 task 4 (1)
Questionnaire results unit 2, 3, 22 task 4 (1)
bentheman21
 
Question 3
Question 3Question 3
Question 3al6030
 
Questionnaire results
Questionnaire resultsQuestionnaire results
Questionnaire results
nikonmedia
 
Questionnaire results unit 2, 3, 22 task 4 (1)
Questionnaire results unit 2, 3, 22 task 4 (1)Questionnaire results unit 2, 3, 22 task 4 (1)
Questionnaire results unit 2, 3, 22 task 4 (1)
GJTP
 
Questionnaire results
Questionnaire resultsQuestionnaire results
Questionnaire results
karrass1
 
Target Audience Research - Results
Target Audience Research - ResultsTarget Audience Research - Results
Target Audience Research - Results
Chantelle_L
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
CIdos21
 

What's hot (18)

Questionnaire results
Questionnaire resultsQuestionnaire results
Questionnaire results
 
Evaluation q3 v2
Evaluation q3 v2Evaluation q3 v2
Evaluation q3 v2
 
Q5
Q5Q5
Q5
 
What have you learnt from your audience feedback?
What have you learnt from your audience feedback?What have you learnt from your audience feedback?
What have you learnt from your audience feedback?
 
Reseach
ReseachReseach
Reseach
 
Survey analysis
Survey analysisSurvey analysis
Survey analysis
 
Audience Feedback
Audience FeedbackAudience Feedback
Audience Feedback
 
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
 
Evaluation question 3 - Hyde Productions
Evaluation question 3 - Hyde ProductionsEvaluation question 3 - Hyde Productions
Evaluation question 3 - Hyde Productions
 
Pilot questionnaire
Pilot questionnairePilot questionnaire
Pilot questionnaire
 
Questionnaire results unit 2, 3, 22 task 4 (1)
Questionnaire results unit 2, 3, 22 task 4 (1)Questionnaire results unit 2, 3, 22 task 4 (1)
Questionnaire results unit 2, 3, 22 task 4 (1)
 
Evaulation
EvaulationEvaulation
Evaulation
 
Question 3
Question 3Question 3
Question 3
 
Questionnaire results
Questionnaire resultsQuestionnaire results
Questionnaire results
 
Questionnaire results unit 2, 3, 22 task 4 (1)
Questionnaire results unit 2, 3, 22 task 4 (1)Questionnaire results unit 2, 3, 22 task 4 (1)
Questionnaire results unit 2, 3, 22 task 4 (1)
 
Questionnaire results
Questionnaire resultsQuestionnaire results
Questionnaire results
 
Target Audience Research - Results
Target Audience Research - ResultsTarget Audience Research - Results
Target Audience Research - Results
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 

Viewers also liked

Evaluation - activity 3
Evaluation - activity 3Evaluation - activity 3
Evaluation - activity 3
Arrani Kugathas
 
Slide computao quântica
Slide computao quânticaSlide computao quântica
Slide computao quântica
Renata Marques
 
Tesis 2
Tesis 2Tesis 2
夏休み自由研究(2015年) 後編
夏休み自由研究(2015年) 後編夏休み自由研究(2015年) 後編
夏休み自由研究(2015年) 後編
Daiki Yasuda
 
Sida (vih)
Sida (vih)Sida (vih)
Sida (vih)
Luisa Enriquez
 
Aula direitos humanos - Prof. Américo Sampaio
Aula direitos humanos - Prof. Américo SampaioAula direitos humanos - Prof. Américo Sampaio
Aula direitos humanos - Prof. Américo Sampaio
portalrespeitarepreciso
 
Weekly update 13
Weekly update 13 Weekly update 13
Weekly update 13
Martika Dupigny-Williams
 
Post questionnaire graphs
Post questionnaire graphsPost questionnaire graphs
Post questionnaire graphs
Jaimie Hart
 
チャリさがさいせい in ecocon2010
チャリさがさいせい in ecocon2010チャリさがさいせい in ecocon2010
チャリさがさいせい in ecocon2010
翔太郎 秋山
 
Performance appraisal ppt
Performance appraisal pptPerformance appraisal ppt
Performance appraisal ppt
shaminidevimanokaran
 
Carta Náutica do Porto de Lisboa - fevereiro 2017
Carta Náutica do Porto de Lisboa - fevereiro 2017Carta Náutica do Porto de Lisboa - fevereiro 2017
Carta Náutica do Porto de Lisboa - fevereiro 2017
APL - Administração do Porto de Lisboa
 
Evaluation Activity 1 Part 1
Evaluation Activity 1 Part 1Evaluation Activity 1 Part 1
Evaluation Activity 1 Part 1
Ganeshpillai198
 
Evaluation Activity 1 Part 2
Evaluation Activity 1 Part 2Evaluation Activity 1 Part 2
Evaluation Activity 1 Part 2
Ganeshpillai198
 
Digital & Music: opportunities behind the undergoing changes
Digital & Music: opportunities behind the undergoing changesDigital & Music: opportunities behind the undergoing changes
Digital & Music: opportunities behind the undergoing changes
Marion ROSTAN
 
Remuneration to Managerial Personnel
Remuneration to Managerial PersonnelRemuneration to Managerial Personnel
Remuneration to Managerial Personnel
Akshat Gaur
 
Enterprise Risk Management
Enterprise Risk ManagementEnterprise Risk Management
Enterprise Risk Management
PYA, P.C.
 
Every Identity, its Ontology
Every Identity, its OntologyEvery Identity, its Ontology
Every Identity, its Ontology
Robert Sanderson
 
Post Questionnaire Graphs
Post Questionnaire GraphsPost Questionnaire Graphs
Post Questionnaire Graphs
chlxelxshley
 

Viewers also liked (20)

Evaluation - activity 3
Evaluation - activity 3Evaluation - activity 3
Evaluation - activity 3
 
Slide computao quântica
Slide computao quânticaSlide computao quântica
Slide computao quântica
 
Tesis 2
Tesis 2Tesis 2
Tesis 2
 
夏休み自由研究(2015年) 後編
夏休み自由研究(2015年) 後編夏休み自由研究(2015年) 後編
夏休み自由研究(2015年) 後編
 
Sida (vih)
Sida (vih)Sida (vih)
Sida (vih)
 
Aula direitos humanos - Prof. Américo Sampaio
Aula direitos humanos - Prof. Américo SampaioAula direitos humanos - Prof. Américo Sampaio
Aula direitos humanos - Prof. Américo Sampaio
 
Weekly update 13
Weekly update 13 Weekly update 13
Weekly update 13
 
Post questionnaire graphs
Post questionnaire graphsPost questionnaire graphs
Post questionnaire graphs
 
チャリさがさいせい in ecocon2010
チャリさがさいせい in ecocon2010チャリさがさいせい in ecocon2010
チャリさがさいせい in ecocon2010
 
Performance appraisal ppt
Performance appraisal pptPerformance appraisal ppt
Performance appraisal ppt
 
Carta Náutica do Porto de Lisboa - fevereiro 2017
Carta Náutica do Porto de Lisboa - fevereiro 2017Carta Náutica do Porto de Lisboa - fevereiro 2017
Carta Náutica do Porto de Lisboa - fevereiro 2017
 
Evaluation Activity 1 Part 1
Evaluation Activity 1 Part 1Evaluation Activity 1 Part 1
Evaluation Activity 1 Part 1
 
Evaluation Activity 1 Part 2
Evaluation Activity 1 Part 2Evaluation Activity 1 Part 2
Evaluation Activity 1 Part 2
 
Digital & Music: opportunities behind the undergoing changes
Digital & Music: opportunities behind the undergoing changesDigital & Music: opportunities behind the undergoing changes
Digital & Music: opportunities behind the undergoing changes
 
Remuneration to Managerial Personnel
Remuneration to Managerial PersonnelRemuneration to Managerial Personnel
Remuneration to Managerial Personnel
 
лп р6
лп р6лп р6
лп р6
 
Enterprise Risk Management
Enterprise Risk ManagementEnterprise Risk Management
Enterprise Risk Management
 
Every Identity, its Ontology
Every Identity, its OntologyEvery Identity, its Ontology
Every Identity, its Ontology
 
Post Questionnaire Graphs
Post Questionnaire GraphsPost Questionnaire Graphs
Post Questionnaire Graphs
 
Evaluation Activity 3
Evaluation Activity 3Evaluation Activity 3
Evaluation Activity 3
 

Similar to Evaluation activity 3

Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
j160007
 
Evaluation on audience feedback
Evaluation on audience feedbackEvaluation on audience feedback
Evaluation on audience feedbackmelez10
 
Evaluation on audience feedback
Evaluation on audience feedbackEvaluation on audience feedback
Evaluation on audience feedbackmelez10
 
Evaluation activity 3
Evaluation activity 3Evaluation activity 3
Evaluation activity 3
Martika Dupigny-Williams
 
Q3
Q3Q3
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
MR160981
 
Q4
Q4Q4
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
MeganBlackburn9600
 
Question 3 final
Question 3 finalQuestion 3 final
Question 3 final
emmabeth27
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
j160007
 
Amy Gallacher Candidate Number: 3079 - Evaluation
Amy Gallacher Candidate Number: 3079  -  EvaluationAmy Gallacher Candidate Number: 3079  -  Evaluation
Amy Gallacher Candidate Number: 3079 - Evaluationamygallacher
 
Evaluation activty 3
Evaluation activty 3Evaluation activty 3
Evaluation activty 3
tanikaa
 
Evaluation
EvaluationEvaluation
Evaluationtafi94
 
Evaluation activty 3
Evaluation activty 3Evaluation activty 3
Evaluation activty 3
tanikaa
 
Audience research summary
Audience research summaryAudience research summary
Audience research summary
CharlieAimee24
 
Media Evaluation Question 5
Media Evaluation Question 5Media Evaluation Question 5
Media Evaluation Question 5
abbie_gower
 
Evaluation Question 4
Evaluation Question 4Evaluation Question 4
Evaluation Question 4
ThomasASMedia
 

Similar to Evaluation activity 3 (20)

Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
 
Evaluation on audience feedback
Evaluation on audience feedbackEvaluation on audience feedback
Evaluation on audience feedback
 
Evaluation on audience feedback
Evaluation on audience feedbackEvaluation on audience feedback
Evaluation on audience feedback
 
Evaluation activity 3
Evaluation activity 3Evaluation activity 3
Evaluation activity 3
 
Q3
Q3Q3
Q3
 
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
 
Q4
Q4Q4
Q4
 
Evaluation question 3
Evaluation question 3Evaluation question 3
Evaluation question 3
 
Question 3 final
Question 3 finalQuestion 3 final
Question 3 final
 
Evaluation Question 3
Evaluation Question 3Evaluation Question 3
Evaluation Question 3
 
Amy Gallacher Candidate Number: 3079 - Evaluation
Amy Gallacher Candidate Number: 3079  -  EvaluationAmy Gallacher Candidate Number: 3079  -  Evaluation
Amy Gallacher Candidate Number: 3079 - Evaluation
 
Evaulation
EvaulationEvaulation
Evaulation
 
Evaulation
EvaulationEvaulation
Evaulation
 
Evaulation
EvaulationEvaulation
Evaulation
 
Evaluation activty 3
Evaluation activty 3Evaluation activty 3
Evaluation activty 3
 
Evaluation
EvaluationEvaluation
Evaluation
 
Evaluation activty 3
Evaluation activty 3Evaluation activty 3
Evaluation activty 3
 
Audience research summary
Audience research summaryAudience research summary
Audience research summary
 
Media Evaluation Question 5
Media Evaluation Question 5Media Evaluation Question 5
Media Evaluation Question 5
 
Evaluation Question 4
Evaluation Question 4Evaluation Question 4
Evaluation Question 4
 

Recently uploaded

The What, Why & How of 3D and AR in Digital Commerce
The What, Why & How of 3D and AR in Digital CommerceThe What, Why & How of 3D and AR in Digital Commerce
The What, Why & How of 3D and AR in Digital Commerce
PushON Ltd
 
Your Path to Profits - The Game-Changing Power of a Marketing OS for Your Bus...
Your Path to Profits - The Game-Changing Power of a Marketing OS for Your Bus...Your Path to Profits - The Game-Changing Power of a Marketing OS for Your Bus...
Your Path to Profits - The Game-Changing Power of a Marketing OS for Your Bus...
DigiMarCon - Digital Marketing, Media and Advertising Conferences & Exhibitions
 
How to Run Landing Page Tests On and Off Paid Social Platforms
How to Run Landing Page Tests On and Off Paid Social PlatformsHow to Run Landing Page Tests On and Off Paid Social Platforms
How to Run Landing Page Tests On and Off Paid Social Platforms
VWO
 
Digital Marketing Training In Bangalore
Digital Marketing Training In BangaloreDigital Marketing Training In Bangalore
Digital Marketing Training In Bangalore
syedasifsyed46
 
AI-Powered Personalization: Principles, Use Cases, and Its Impact on CRO
AI-Powered Personalization: Principles, Use Cases, and Its Impact on CROAI-Powered Personalization: Principles, Use Cases, and Its Impact on CRO
AI-Powered Personalization: Principles, Use Cases, and Its Impact on CRO
VWO
 
Digital Commerce Lecture for Advanced Digital & Social Media Strategy at UCLA...
Digital Commerce Lecture for Advanced Digital & Social Media Strategy at UCLA...Digital Commerce Lecture for Advanced Digital & Social Media Strategy at UCLA...
Digital Commerce Lecture for Advanced Digital & Social Media Strategy at UCLA...
Valters Lauzums
 
Winning local SEO in the Age of AI - Dennis Yu
Winning local SEO in the Age of AI - Dennis YuWinning local SEO in the Age of AI - Dennis Yu
Core Web Vitals SEO Workshop - improve your performance [pdf]
Core Web Vitals SEO Workshop - improve your performance [pdf]Core Web Vitals SEO Workshop - improve your performance [pdf]
Core Web Vitals SEO Workshop - improve your performance [pdf]
Peter Mead
 
The Old Oak - Press Kit - Cannes Film Festival 2023
The Old Oak - Press Kit - Cannes Film Festival 2023The Old Oak - Press Kit - Cannes Film Festival 2023
The Old Oak - Press Kit - Cannes Film Festival 2023
Pascal Fintoni
 
10 Videos Any Business Can Make Right Now! - Shelly Nathan
10 Videos Any Business Can Make Right Now! - Shelly Nathan10 Videos Any Business Can Make Right Now! - Shelly Nathan
10 Videos Any Business Can Make Right Now! - Shelly Nathan
DigiMarCon - Digital Marketing, Media and Advertising Conferences & Exhibitions
 
May 2024 - VBOUT Partners Meeting Group Session
May 2024 - VBOUT Partners Meeting Group SessionMay 2024 - VBOUT Partners Meeting Group Session
May 2024 - VBOUT Partners Meeting Group Session
Vbout.com
 
Email Marketing Master Class - Chris Ferris
Email Marketing Master Class - Chris FerrisEmail Marketing Master Class - Chris Ferris
34-Rahul-Mande.pdf PROJECT REPORT MBA 4TH SEMESTER
34-Rahul-Mande.pdf PROJECT REPORT MBA 4TH SEMESTER34-Rahul-Mande.pdf PROJECT REPORT MBA 4TH SEMESTER
34-Rahul-Mande.pdf PROJECT REPORT MBA 4TH SEMESTER
DeepakTripathi733493
 
SEO as the Backbone of Digital Marketing
SEO as the Backbone of Digital MarketingSEO as the Backbone of Digital Marketing
SEO as the Backbone of Digital Marketing
Felipe Bazon
 
Is AI-Generated Content the Future of Content Creation?
Is AI-Generated Content the Future of Content Creation?Is AI-Generated Content the Future of Content Creation?
Is AI-Generated Content the Future of Content Creation?
Cut-the-SaaS
 
Digital Strategy Master Class - Andrew Rupert
Digital Strategy Master Class - Andrew RupertDigital Strategy Master Class - Andrew Rupert
Unknown to Unforgettable - The Art and Science to Being Irresistible on Camer...
Unknown to Unforgettable - The Art and Science to Being Irresistible on Camer...Unknown to Unforgettable - The Art and Science to Being Irresistible on Camer...
Unknown to Unforgettable - The Art and Science to Being Irresistible on Camer...
DigiMarCon - Digital Marketing, Media and Advertising Conferences & Exhibitions
 
Adapt or Die - Jon Lakefish, Lakefish Group LLC
Adapt or Die - Jon Lakefish, Lakefish Group LLCAdapt or Die - Jon Lakefish, Lakefish Group LLC
Generative AI - Unleash Creative Opportunity - Peter Weltman
Generative AI - Unleash Creative Opportunity - Peter WeltmanGenerative AI - Unleash Creative Opportunity - Peter Weltman
Generative AI - Unleash Creative Opportunity - Peter Weltman
DigiMarCon - Digital Marketing, Media and Advertising Conferences & Exhibitions
 

Recently uploaded (20)

The What, Why & How of 3D and AR in Digital Commerce
The What, Why & How of 3D and AR in Digital CommerceThe What, Why & How of 3D and AR in Digital Commerce
The What, Why & How of 3D and AR in Digital Commerce
 
Metaverse Marketing in the Generation of the Internet - Eugene Capon
Metaverse Marketing in the Generation of the Internet - Eugene CaponMetaverse Marketing in the Generation of the Internet - Eugene Capon
Metaverse Marketing in the Generation of the Internet - Eugene Capon
 
Your Path to Profits - The Game-Changing Power of a Marketing OS for Your Bus...
Your Path to Profits - The Game-Changing Power of a Marketing OS for Your Bus...Your Path to Profits - The Game-Changing Power of a Marketing OS for Your Bus...
Your Path to Profits - The Game-Changing Power of a Marketing OS for Your Bus...
 
How to Run Landing Page Tests On and Off Paid Social Platforms
How to Run Landing Page Tests On and Off Paid Social PlatformsHow to Run Landing Page Tests On and Off Paid Social Platforms
How to Run Landing Page Tests On and Off Paid Social Platforms
 
Digital Marketing Training In Bangalore
Digital Marketing Training In BangaloreDigital Marketing Training In Bangalore
Digital Marketing Training In Bangalore
 
AI-Powered Personalization: Principles, Use Cases, and Its Impact on CRO
AI-Powered Personalization: Principles, Use Cases, and Its Impact on CROAI-Powered Personalization: Principles, Use Cases, and Its Impact on CRO
AI-Powered Personalization: Principles, Use Cases, and Its Impact on CRO
 
Digital Commerce Lecture for Advanced Digital & Social Media Strategy at UCLA...
Digital Commerce Lecture for Advanced Digital & Social Media Strategy at UCLA...Digital Commerce Lecture for Advanced Digital & Social Media Strategy at UCLA...
Digital Commerce Lecture for Advanced Digital & Social Media Strategy at UCLA...
 
Winning local SEO in the Age of AI - Dennis Yu
Winning local SEO in the Age of AI - Dennis YuWinning local SEO in the Age of AI - Dennis Yu
Winning local SEO in the Age of AI - Dennis Yu
 
Core Web Vitals SEO Workshop - improve your performance [pdf]
Core Web Vitals SEO Workshop - improve your performance [pdf]Core Web Vitals SEO Workshop - improve your performance [pdf]
Core Web Vitals SEO Workshop - improve your performance [pdf]
 
The Old Oak - Press Kit - Cannes Film Festival 2023
The Old Oak - Press Kit - Cannes Film Festival 2023The Old Oak - Press Kit - Cannes Film Festival 2023
The Old Oak - Press Kit - Cannes Film Festival 2023
 
10 Videos Any Business Can Make Right Now! - Shelly Nathan
10 Videos Any Business Can Make Right Now! - Shelly Nathan10 Videos Any Business Can Make Right Now! - Shelly Nathan
10 Videos Any Business Can Make Right Now! - Shelly Nathan
 
May 2024 - VBOUT Partners Meeting Group Session
May 2024 - VBOUT Partners Meeting Group SessionMay 2024 - VBOUT Partners Meeting Group Session
May 2024 - VBOUT Partners Meeting Group Session
 
Email Marketing Master Class - Chris Ferris
Email Marketing Master Class - Chris FerrisEmail Marketing Master Class - Chris Ferris
Email Marketing Master Class - Chris Ferris
 
34-Rahul-Mande.pdf PROJECT REPORT MBA 4TH SEMESTER
34-Rahul-Mande.pdf PROJECT REPORT MBA 4TH SEMESTER34-Rahul-Mande.pdf PROJECT REPORT MBA 4TH SEMESTER
34-Rahul-Mande.pdf PROJECT REPORT MBA 4TH SEMESTER
 
SEO as the Backbone of Digital Marketing
SEO as the Backbone of Digital MarketingSEO as the Backbone of Digital Marketing
SEO as the Backbone of Digital Marketing
 
Is AI-Generated Content the Future of Content Creation?
Is AI-Generated Content the Future of Content Creation?Is AI-Generated Content the Future of Content Creation?
Is AI-Generated Content the Future of Content Creation?
 
Digital Strategy Master Class - Andrew Rupert
Digital Strategy Master Class - Andrew RupertDigital Strategy Master Class - Andrew Rupert
Digital Strategy Master Class - Andrew Rupert
 
Unknown to Unforgettable - The Art and Science to Being Irresistible on Camer...
Unknown to Unforgettable - The Art and Science to Being Irresistible on Camer...Unknown to Unforgettable - The Art and Science to Being Irresistible on Camer...
Unknown to Unforgettable - The Art and Science to Being Irresistible on Camer...
 
Adapt or Die - Jon Lakefish, Lakefish Group LLC
Adapt or Die - Jon Lakefish, Lakefish Group LLCAdapt or Die - Jon Lakefish, Lakefish Group LLC
Adapt or Die - Jon Lakefish, Lakefish Group LLC
 
Generative AI - Unleash Creative Opportunity - Peter Weltman
Generative AI - Unleash Creative Opportunity - Peter WeltmanGenerative AI - Unleash Creative Opportunity - Peter Weltman
Generative AI - Unleash Creative Opportunity - Peter Weltman
 

Evaluation activity 3

  • 1. What have you learned from your audience feedback? By Jaimie Hart
  • 2. Introduction  I decided to gather more information from my audience, in order to check if the film met the standards and portrayed the conventions we had tried to show. We interviewed three people from our target audience so we could collect valid, unbiased opinions.  Despite using the pre-questionnaire and post- questionnaire, I thought this would be beneficial as we could get a more detailed response.
  • 3. Who are our target audience?  Gender: Unisex  Age:15-35  Socio-economic groups: B-E
  • 4. Why we chose this as our target audience  We decided to target this group as we believed, from looking at our pre-questionnaire, that both genders took an interest in drama films, therefore we targeted the film at both genders.  In addition to this, we wanted our film to reach a mass audience. Therefore, as well as targeting both genders, we chose to aim our production at people between the ages of 15-35. We chose this age range as it allowed us to reach a substantial amount of people in order to make our film a success, without being too ambitious.
  • 5. Blumler and Katz  Blumler and Katz examined the uses and gratification model and devised five different gratifications that the audience take from a film. These are:  Escape - They use it to hide from their own reality and become immersed into the narrative of a film  Social interaction - People create personal relationships with the characters  Identity - People can relate aspects of themselves to the fictional characters, either through circumstances or the characters traits  Inform and educate - media texts can be used to inform audiences about the world around the,  Entertain - People use media texts in order to entertain themselves.  Our film can be connected to this theory, as our film may relate to some people in our audience through the characters traits or circumstances. Therefore, some members of the audience may use our production for their identity, as they may be able to empathize with the protagonist.
  • 6. Research and Planning The results from the pre-questionnaire assured us that we had used the correct connotations for a drama film. The vast majority of our 30 participants, we used for the questionnaire, believed our short film fit into the Drama genre. The feedback from our audience about the script allowed us to improve our film. The feedback allowed us to improve the weaker aspects of our film, which were highlighted by the audience. In addition to this, the weaker elements of the script identified were adjusted in order to achieve the full dramatic effect we wanted.
  • 7. Continued  In order to make our film recognisable as a drama film, we included key codes and conventions found in other drama films.  For example, we included:  Close-ups  A troubled protagonist  A realisation at the end  Realistic storyline  An enigma surrounding the narrative
  • 8. Poster for our film  As part of the ancillary task, we had to create a poster that promotes our film. In order to do this, I looked at a range of posters from the drama genre to identify the similar codes and conventions used.
  • 9. Codes and Conventions of a Drama Poster This is the template I based my film poster on. One on the common features found on the posters is the neutral/dark colours to express the ominous narrative The range of pictures of the different characters demonstrates the intense narrative, as shown through the characters facial expressions The bright colour of the title, tagline and release date are all eye catching, therefore alerting the audience to its genre The actors names are also on the film poster in order to attract audience members who admire the famous actors in the film and to credit them
  • 10. Film Review  During the creation on my film review, I examined a range of mainstream film reviews in order to make mine seem authentic. The film review held no specific conventions to make it based on the drama genre. Based on the feedback from the audience, via social media and questionnaires, I tried to showcase the strongest elements of the film while writing the review. I did this in order to attract a wider audience and entice them to view the film.
  • 11. Post-production  We used a post-questionnaire to gather feedback from our audience on whether we had successfully created a short, drama film. As demonstrated through the pie graph below, the majority of people believed our film successfully conveyed the codes and conventions of a drama film.
  • 12. Social Media  We also used sites, such as Twitter and Facebook, in order to gather feedback from our audience. Due to their ability to reach a global audience, we believed that we could target a mass audience by using these platforms.