Eval task 1
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The document discusses how the media product of a film uses and develops conventions from real films. It provides several examples of shots from films like "Twilight", "The Talented Mr Ripley", and "Eden Lake" that influenced shots used in the filmmakers' thriller sequence. The examples show shots like over-the-shoulder shots during fights, reaction shots, close-ups showing aggression and vulnerability, and low angle shots used to make characters seem powerful. The filmmakers aimed to use these types of shots to develop tension and portray characters in certain ways, challenging conventions by modifying angles or subjects of the shots.
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1. The document outlines several filming locations for a student media project, including Beth's house in West Ewell. Scenes filmed there will include an establishing shot of two characters, one receiving a shocking text message.
2. Another scene will be filmed outside Beth's house, showing an antagonist holding a gun outside the window at night.
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2. Medium shots and close-ups are used to show the characters' body language and facial expressions to understand their emotions.
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This document discusses how the filmmaker challenged conventions and used techniques from other thrillers in their own psychological thriller. They included a direct camera address to make the audience uncomfortable and feel like they were in the main character's shoes. They also blurred the point-of-view to suggest the character was on drugs or drunk. Tension was created through eye contact between strangers in shots like those passing in a doorframe. Mirror shots and reactions were used to increase tension like in 24. Point-of-view and peephole shots placed the audience in the character's paranoid perspective.
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This document analyzes 9 shots from the media product "Thanatos" and how they use or develop conventions of real thriller films. Shot 1 establishes the scene with a panning long shot using natural lighting. Shot 2 is from the murderer's point of view, panning left to right to spy on the victim. Shot 3 is a long shot introducing the main character and his dog at eye level to feel personal. Shot 4 is a close up of the main character's reaction on his phone to show modernity. Shot 5 is a close up of the barking dog to connote danger. Shot 6 uses a worm's eye view of a spinning ball to create suspense. Shot 7 is in a dark room with candle lighting
Locations & pictures
1. The document outlines several filming locations for a student media project, including Beth's house in West Ewell. Scenes filmed there will include an establishing shot of two characters, one receiving a shocking text message.
2. Another scene will be filmed outside Beth's house, showing an antagonist holding a gun outside the window at night.
3. Additional scenes take place inside a local pub, requiring permission. One scene shows the antagonist harassing the female lead, who then slaps him while other patrons look on. The pub allows the characters and audience to feel part of a community.
Sinister presentation
Close ups are used in Sinister to show characters' emotions, such as disgust and intrigue. Supernatural elements are portrayed through costumes and makeup that make the antagonist appear monstrous rather than human. Low key lighting is employed frequently to generate shadows and obscure whether the antagonist is present, building suspense. Filters are applied to family clips to mimic low quality camera footage and obscure potential threats, further engaging the audience.
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Shot types
1. An establishing shot is used to set the scene and location at the beginning of the film.
2. Medium shots and close-ups are used to show the characters' body language and facial expressions to understand their emotions.
3. Wide shots provide context by showing the surrounding environment and other details about where the characters are.
Shot conventions
This document discusses various shot types and conventions used in thriller and romance films. It describes extreme long shots as establishing the setting, mid shots as conveying realism and capturing body language, close ups as showing facial expressions, extreme close ups focusing on a detail, point of view shots showing a character's perspective, bird's eye shots creating a sense of vulnerability, tracking shots following a character, tilted angles showing unease, low angles making a character intimidating, hand held cameras adding realism, and two shots revealing the relationship between two people. Examples are provided for each shot type from films in these genres.
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The document analyzes editing techniques used in the film "The Silence of the Lambs". It discusses how jump cuts are used to show the main character from different angles as she runs through the forest. When she is in an office meeting, jump cuts between the characters allow the audience to see who is talking and their reactions. A cutaway shot transitions between the busy forest and office locations. Sound analysis notes a high pitch noise sets a mysterious tone at the opening. Natural sounds accompany the character running and footsteps build tension. Different music signifies the change in scene between locations. Camera shots include long shots to establish locations, close-ups of the character's face to show her expressions, and tracking shots that follow her movement.
Silence of the lambs ppt - Alexandra
The opening sequence of Silence of the Lambs establishes the main characters and setting through various film techniques. There is a female protagonist introduced running an obstacle course while credits appear. As she runs, the music increases in pace to build tension. She is then summoned to an FBI office where there are match cuts between characters talking. The setting and lighting create an eerie mood, while costumes, camera shots, and sounds provide context about the characters and genre of thriller.
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Wilmariguevara divisiondeltrabajo
El documento describe la división del trabajo y sus tipos, incluyendo la división industrial, vertical y colateral. También describe cuatro sistemas de organización del trabajo: el taylorismo, que planifica todo el proceso de producción; el fordismo, que promueve la especialización y producción en serie; la escuela de relaciones humanas, que enfatiza el bienestar del grupo; y el toyotismo, que fomenta la flexibilidad laboral y alta rotación.
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La España caciquil de la Restauración, la abyecta telaraña de corrupción existente, llevó a clamar a Joaquín Costa por la figura del “cirujano de hierro”. Refiriéndose al gobierno del sabio, del filósofo, influido por el mito de la Caverna de Platón. Las “minorías selectas” de José Ortega y Gasset, que deberían sustituir a la dirección del “hombre-masa”. Siguiendo la estela de los institucionistas y krausistas. Pero esa “élite” o “cirujano de hierro” que supuestamente nos ha de gobernar y que ha de guiar a la masa, que presuntamente subsiste en minoría de edad, puede derivar en autoritarismos varios. Por lo que Popper afirmaba que no debemos preguntarnos “¿quién debe gobernar?”, sino “¿cómo debemos gobernar?”.
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Jesse Rubin outlines his personal brand which includes how others see him as committed to music, his girlfriend, driven, dedicated, down to earth and occasionally procrastinating. His brand values treating others with respect and doing what's right. His brand promise is to affect people positively and be genuine at all times, while his vision is to become a rock star known as driven and motivated who remains a good role model. He goes by Jesse, Jess or J.R. and has a logo he has used for years to represent himself.
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Similar to Eval task 1
Evaluation task 1 - In what ways does your media production of film use, deve...
The document discusses how the media product challenges conventions of real media forms. It provides examples from films such as This is England, Twilight, Eden Lake, Bronson, and Silence of the Lambs that were used as inspiration. Specific shots and techniques are discussed, such as opening with the director's name instead of actors, using a 360 degree shot to build tension, shots through trees to emphasize action, and low angle shots to portray power dynamics between characters. The media product aims to challenge expectations by portraying the murderer as fearful rather than heroic.
Media Evaluation Task One
This document discusses how the student's media product uses and develops conventions from real media. It provides several examples of shots from films like 99 Francs, Skyfall, Divergent, Halloween, Birdman, Saving Private Ryan, Spy, and Lethal Weapon that are similar to shots used in the student's thriller. These include an establishing shot of a city, close-ups of a character's facial expressions before jumping, revealing shots that create tension, shots looking out into the distance, and shots of a gun pointing at a target. The student acknowledges limitations but aims to improve depth and add strong plot twists compared to other examples.
Evaluation Task 1
The document analyzes how the media producer's film uses, develops, or challenges conventions of real films through examples. It provides screenshots from films like The Hunger Games, Black Hawk Down, Apocalypse, James Bond: Die Another Day, and Green Zone that have similar shots and conventions to scenes in the producer's thriller. While some shots conform to traditional techniques, one underwater shot from James Bond challenges conventions. Overall, the thriller aims to feel realistic and immerse viewers like real films through conventional cinematography, sets, titles, and atmospheric effects.
'Incognito' Evaluation
The document discusses how the media product Incognito challenges conventions of real media products. It uses techniques like POV handheld camera footage inspired by The Blair Witch Project to make viewers feel involved. It also does not reveal the antagonist's face at first, building suspense like the movie Se7en. Representation of social groups focuses on the protagonist, based on characters like John Luther, being a male detective obsessed with catching the mysterious killer antagonist portrayed in a supernatural, animalistic way. Distribution could be by institutions open to blurred genre works like Netflix or streaming services rather than documentary or educational channels.
Evaluation part 1
The document compares shots from the thriller opening sequence "Blank Canvas" to shots from the films "Perfume: A Story of a Murderer" and "Red Dragon". Many shots are similar in conveying a sense of obsession or unease through close-ups of eyes, liquids, or characters interacting with paintings. Some differences are noted, such as gender of the victim, camera angles, or level of graphic content. Overall, the most similarities were found with "Perfume: A Story of a Murderer" since both works involve using bodies to create art.
How have you used or challenged forms and
This document discusses how the filmmaker challenged conventions and used techniques from other thrillers in their own psychological thriller. They included a direct camera address to make the audience uncomfortable and feel like they were in the main character's shoes. They also blurred the point-of-view to suggest the character was on drugs or drunk. Tension was created through eye contact between strangers in shots like those passing in a doorframe. Mirror shots and reactions were used to increase tension like in 24. Point-of-view and peephole shots placed the audience in the character's paranoid perspective.
Camera Angles
This document discusses different camera angles used in filmmaking and provides examples of each. It covers high angle shots, low angle shots, over the shoulder shots, tilt shots, long shots, medium close-ups, close-ups, extreme close-ups, bird's eye view shots, and worm's eye view shots. For each angle, it explains how it is used and what emotional or psychological effect it aims to achieve. Examples are given from films like Kill Bill, Jackie Brown, The Dark Knight, The Third Man, Pulp Fiction, and Psycho to illustrate different camera angles.
Camera Angles
This document discusses different camera angles used in filmmaking and provides examples of each. It covers high angle shots, low angle shots, over the shoulder shots, tilt shots, long shots, medium close-ups, close-ups, extreme close-ups, bird's eye view shots, and worm's eye view shots. Each camera angle is described in terms of how it influences the audience's perception of characters and creates different emotional impacts.
Evaluation part 1
This document analyzes the trailer for the horror film "Captured" and how it follows genre conventions of the horror genre. The trailer uses conventions such as suspenseful editing, scary music, jump scares, characterization of the killer as a tall male seeking revenge, and shots from low angles to make the killer appear powerful. It also compares shots of the killer in the trailer to those in the film "The Hills Have Eyes 2" to show how they use similar lighting and framing. Overall, the document argues that the trailer successfully uses many established conventions of horror film trailers and films to appeal to the target horror genre audience.
Question 1
Our Thriller opening 'Clean Cut' challenges conventions by presenting religious themes and supernatural wounds without showing an antagonist. It adapts Thriller conventions like showing the protagonist in peril and including crime-related sounds to isolate her. Manipulating perspectives through mirrors and TV effects adds to the supernatural theme. The sequence fits the Supernatural Thriller subgenre through its inclusion of religion and themes of physical pain. The protagonist Anna follows conventions as a weak victim who will overcome challenges. The plain white bathroom location and polaroids used in credits maintain a cold, hostile atmosphere in line with genre conventions. Unusual camera techniques like stop motion bleeding create an unsettling tone.
Incognito evaluation
The document discusses the production of the media product "Incognito". It describes how the product uses and challenges conventions of real thriller and horror films. Inspiration was drawn from films like "The Blair Witch Project" and "Se7en" that used found footage and delayed revealing the antagonist. The document also discusses the representation of characters, intended audience, research conducted, and what was learned about filming, editing, sound and more through the process.
Media evaluation 1
The document analyzes how the opening sequence of a student thriller film uses and develops conventions of real media products in the thriller genre. It matches conventions through the use of a helpless blonde female protagonist and ominous antagonist in black, as well as blood and gore makeup and a creepy male voiceover. However, it subverts conventions somewhat by setting the sequence in a doll house rather than a typical hiding location. Overall, the sequence aims to match audience expectations set by inspirations like Scream and Silence of the Lambs more than challenge conventions.
Opening Scene Analysis - Casino Royal
The opening scene of Casino Royal is set in black and white in Prague at night to create a dark and serious atmosphere. A character exits a car looking unhappy and takes a lift up to a room where another mysterious figure is waiting. When he enters, he realizes someone is there and they have a tense conversation that turns threatening when a gun is revealed. The scene then flashes back to an earlier violent fight between the two characters in a bathroom through changing shots and sounds to contrast the calm and tense nature of the previous scene. The title sequence features quick, colorful animations of violence and killings using card symbols instead of weapons to suggest the plot involves gambling at a casino and James Bond fighting against its wealthy patrons.
Evaluation
The student discusses how their media product uses and challenges conventions of real title sequences through their use of editing techniques, camerawork, sound, and fonts inspired by films like Jaws, Panic Room, and Orphan. They also explain how they represented social groups through the characters and broke conventions by casting a mixed race actress as the vulnerable victim.
2) How does your media product represent particular character types?
The document summarizes how the media product represents the character type in its film. The character is a female investigator portrayed by the author, challenging conventions by being the sole character and both victim and hero. Her outfit and neutral camera angles portray her as independent yet isolated. Mystery is built around whether she is good or bad by not showing her face until her possession. Sounds create tension and sympathy for how she feels exploring the creepy locations. Comparisons are made to characters from The Conjuring, The Exorcist, and Cabin in the Woods to illustrate how the author's character differs in portraying mystery over vulnerability or evilness.
Camera work
The document discusses the use of various camera shots and angles in filming a scene depicting a villain stealing a victim's bag. Shots include establishing shots, shots from behind characters, medium shots focusing on facial expressions, long shots showing both characters, low angle shots to make a character seem powerful, and point-of-view shots to involve the audience. Camera angles like tilting and slanting are also used to convey meaning and emphasize certain actions.
Camera work!
The document discusses the use of various camera shots and angles in filming a scene between a villain and victim. It explains that establishing shots were used to set the scene, medium shots to focus on facial expressions, long shots to show both characters, and point-of-view shots to make the audience feel like they are the villain. Camera angles like low angles and slanted shots were utilized to manipulate viewers' perspectives.
Textual analysis
This document analyzes the conventions used in the crime thriller film Red Dragon, including editing, sound, mise-en-scene, camera work, stereotypes, and narrative structure. It discusses how the opening scene uses fast pacing and abrupt editing to amplify tension. Dissonant and symphonic sounds are used to make viewers uncomfortable and build tension. Character clothing, lighting, and physical traits are employed to confuse audiences and portray the antagonist as a threat. Camera angles are used to show the villain's dominance over the hero. The film goes against typical narrative structures to make its opening scene memorable.
2) How does your media product represent particular character types?
The document summarizes how the media product represents the character type in its film. The character is a female investigator played by the author who explores an empty church alone, challenging conventions by having a sole protagonist. Her business-like outfit and neutral camera angles portray her as independent yet create mystery around her intentions. Unsettling sounds match her growing nerves as she explores. Close-ups of her touching religious items and being possessed behind the altar suggest a disrespectful or possessed nature that wasn't clear before. The character is compared to protagonists from other horror films, showing how she maintains more ambiguity around her motives and whether she is hero, victim, or villain.
Camera shots & angles
The document outlines the variety of camera shots and angles that will be used in the opening of a thriller film. It explains that extreme close-up, close-up, over-the-shoulder, high angle, long, and medium shots will be incorporated to create tension, show characters' reactions, depict conversations, convey a sense of victimization, establish settings, and show details of action. The different shots will demonstrate an understanding of filming techniques and how they can be employed to craft an engaging thriller opening.
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The song and music video promote expressing and accepting emotions, especially for men, by depicting a small indie band performing in multiple sets with different colored sections in a studio. The video begins with the star picking up a pink phone with black makeup running down her face, having a silent conversation to set the conceptual, artsy tone of addressing the stigma around being emotional.
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The document provides information on three songs being pitched for a media project, including The Sonder Bombs song "Crying is Cool" with under 10,000 streams, Red Rum Club's "Eleanor" with 8,000 views and 20,000 Instagram followers, and another Sonder Bombs song where the concept suggested focusing on an all-girl band using graffiti and paint on white outfits.
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The song and music video promote expressing and accepting emotions, especially for men, by depicting a small indie band performing in multiple sets with different colored sections in a studio. The video begins with the star picking up a pink phone with black makeup running down her face, having a silent conversation to set the conceptual, artsy tone of addressing the stigma around being emotional.
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Pitch template.pptx
Finn Harry's new song "FALLOUT" tells the story of a messy young love that left both parties scarred. The song explores the breakdown of a relationship between a 23-year old named Harold and a girl who suffers mental breakdown because they cannot be together. Musically, it has the genre of alternative/indie rock and pop with tempo shifts and breakdowns. The music video focuses on an angsty teenager who feels their world is falling apart and they cannot escape. It uses visual cues and influences from Wong Kar-Wai’s In the Mood for Love and Paolo Sorrentino’s The Great Beauty to represent the teenager's lost and disjointed state of mind.
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This document provides a pitch for a short film about a woman named Rosie Lowe. It includes a link to a YouTube video about Rosie Lowe that serves as an influence. The document also lists "Dusky – Sort it out" and "Sharon" as additional influences for the proposed short film.
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The song "Franklin Drive" by Audrey Gillispie is about a breakup between a girl and boy from the singer's perspective. She is still not over the breakup and misses him and the things they used to do together, like going to Franklin Drive. The genre is pop, with a slower, more soulful style. The proposed music video would show the artist writing the song in black and white, interspersing shots of her alone at romantic locations to convey the feelings of missing her ex.
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The document contains pitches for music videos for four songs by different artists. The first pitch is for "Like The Water" by Cindy B, a pop/R&B song that would feature moody lighting and shots of the young female artist singing at various locations including a crowded party and alone on stage. The second is for "Franklin Drive" by Audrey Gillispie, a pop song telling the story of a breakup through shots of the young female artist in romantic settings. The third pitch is for "99 Million Year Old Baby" by Blue Rasberry, a rock song that would feature fast transitions between the teenage band playing in a bare room and hanging out in a cluttered den. The final pitch
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The document discusses the choices made for an opening title sequence for an emotional drama film. It explores how the sequence follows conventions of the genre including using relatable costumes, settings, and characters. It also draws inspiration from films like What's Eating Gilbert Grape, Dead Poets Society, and Good Will Hunting that effectively use such conventions. The sequence aims to represent teenagers, the working class, and a reclusive director, as well as explore the social issue of fan culture.
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The document discusses the conventions of the thriller genre and analyzes the opening title sequence of the short film "My Love." It examines elements like the strong female protagonist taking revenge, portrayals of younger women, and moments when wives discover their husband's infidelity. It analyzes camera shots, mise-en-scene elements like location, costumes, and lighting, as well as editing techniques and sound design. Social issues presented in the sequence like female power, older men seeking younger partners, violence, and obsession are also discussed.
CCR 1.pptx
The document discusses the conventions of thriller movies and how the opening sequence of a project adheres to or challenges these conventions. It outlines conventions like a crime occurring due to an antagonist, clues for the protagonist to follow, risk to life, and an action-packed narrative. The summary analyzes how the opening sequence includes a baby kidnapping, close-ups of the distraught mother's reaction, and slow editing to build tension. While containing these thriller elements, it challenges conventions by having a female protagonist and representing women and parents in countertypical ways.
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The document outlines a 4-step process for developing coursework project ideas. Students are to: 1) Come up with 4 initial ideas independently; 2) Write 2 paragraph synopses for each; 3) Pitch their favorite idea to the group; 4) Rework their ideas based on feedback to finalize their 4 options. The goal is for students to independently generate ideas, summarize them, get feedback on pitching an idea, and then refine their proposals.
CCR 1.pptx
The document discusses conventions of thriller genre and analyzes the opening sequence of a film against these conventions. It summarizes that the sequence features a mother discovering her baby has been kidnapped through a baby monitor, portraying women and parents. Though it follows some conventions like close-ups showing emotion, it challenges others by having a female protagonist instead of male. The pacing and music build tension as the kidnapping occurs.
media CCR task 1 .pptx
The document discusses the representation of social groups in the opening title sequence of a psychological thriller film. It describes the main characters as a teenage couple to make the story more emotionally engaging for audiences. To represent the couple, close shots are used when they interact and they are shown holding hands to indicate their romantic relationship. Gender stereotypes are also adhered to - the female character wants to stay inside on her phone, while the male is adventurous and eager to explore the lake. Overall, the document focuses on how conventions like character archetypes and relationships are incorporated to set expectations for the genre.
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The document discusses the conventions of the thriller genre seen in an opening title sequence created by the author. It includes key elements like a strong female protagonist taking revenge, portraying the "younger lady" as a villain, and moments where the wife discovers her husband's infidelity. Camera shots, lighting, locations, costumes and other technical elements are analyzed in detail. Social issues like domestic violence and obsession are also explored.
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Eval task 1
- 1. Evaluation Task 1 In what ways does your media product of film use, develop or challenge forms and conventions of real media products?
- 2. We were influenced by this shot from ‘Twilight’, where the ca
- 3. In this scene from ‘The talented Mr Ripley’ there is an over the shoulder shot, which is angled downwards, as two men fight in a simile manner to our sequence. We used a similar shot in our sequence, however tilted our camera up rather than down and we shot the person who was attacking the person rather than the victim.
- 4. In this shot from ‘Eden Lake’, the woman, surrounded by greenery is positioned slightly off centre as she shows emotion on her face, whilst looking into the distance.We used a similar shot in our thriller during the breakdown, which happens at the beginning of the sequence. I like this shot because it offers an interesting background however stills draws focus to the character.
- 5. In ‘Bronson’ during a fight scene I saw a reaction shot which I liked as it shows the impact of the hit from the victims perspective. To the audience we don’t want them to know that Gabe was in fact the person who started the argument, so this shot fits in perfectly with what were trying to achieve.
- 6. This is close up from ‘The Dark Knight Rises’, where the Batman is showing severe aggression towards the joker and we see this through his intimate choice of holding his collar and shouting into his face.We also used this shot a we particularly like the close intentions of it and the vulnerability it gives to the opposing character. I also found myself feeling one step closer to actually being within the scene, which I hope this shot achieves to our audiences.
- 7. ‘Silence of the Lambs’ proceed a shot of Hannibal Lecture striking down on a victim with a police baton. It is shot from a low angle, which essentially gives this character a lot of power and makes him seem dangerous and aggressive. In our thriller we chose to use this as it gives our character much more power and authority, perceiving him as an aggressive and in control character.
- 8. When looking at Kyle Cooper’s work on the tittles in se7en we