Euthymides Jse
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The document provides details about an Euthymides belly amphora from around 510-500 BC. It describes that Euthymides was part of the pioneering group of vase painters along with Euphronios. His style is subtly different than Euphronios, with heavier figures and simpler details. The amphora depicts a scene of Hector saying goodbye to his parents on one side and three drunken revelers returning from a symposium on the other. It analyzes Euthymides' improvements to composition, drapery, poses and use of diluted glaze to show anatomical details more realistically compared to earlier works.
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The document provides an in-depth analysis of an ancient Greek vase painted by Exekias between 540-530 BC. It summarizes the key features and decoration of the vase, including two mythological scenes painted on opposite sides - Achilles and Ajax playing a game while the Trojans attack on one side, and the return of Castor and Polydeuces greeting their family on the other. The summary highlights Exekias' skillful adaptation of the compositions to suit the vase shape and his attempts to depict realistic details and perspectives.
Exekias Kylix J S E
The document summarizes the decoration on the Niobid Painter Calyx Krater located in the British Museum. On Side A, the scene possibly depicts Heracles leading Theseus, Peirithous, and other warriors. On Side B, the scene depicts Apollo and Artemis killing Niobe's children as punishment for Niobe's boasting about her superior status to Leto. The Niobid Painter was innovative in his use of multiple figures, groundlines, and realistic drapery and anatomy influenced by wall painting traditions.
The Niobid Painter Jse
The document summarizes the decoration on the Niobid Painter Calyx Krater located in the British Museum. On Side A, the scene possibly depicts Heracles leading Theseus, Peirithous, and other warriors. On Side B, the scene depicts Apollo and Artemis killing Niobe's children as punishment for her boasting, in line with the myth of Niobe. The Niobid Painter was innovative in his use of multiple figures, groundlines, and realistic drapery compared to previous vase painters.
Exekias Kylix J S E
The document summarizes the decoration on the Niobid Painter Calyx Krater located in the British Museum. On Side A, the scene possibly depicts Heracles leading Theseus, Peirithous, and other warriors. On Side B, the scene depicts Apollo and Artemis killing Niobe's children as punishment for Niobe's boasting about her superior status to Leto. The Niobid Painter was innovative in his use of multiple figures, groundlines, and shading to create a sense of depth and connection to Greek sculpture.
16. Medias Painter Hydria
1. This hydriai dates to 410 BC and was painted by the Meidias Painter.
2. The upper frieze depicts the abduction of the daughters of Leukippos by Castor and Pollux, while the lower frieze shows Heracles seeking the golden apples of the Hesperides.
3. The Meidias Painter demonstrates great skill in arranging the complex compositions to fit the shape of the vase, using different figure levels to suggest depth and space.
The Amasis Painter Jse
This document describes an ovoid lekythos painted by the Amasis Painter around 550 BC. The lekythos would have held oil and been used for funeral offerings. It depicts women engaged in various tasks related to weaving and textiles. On the lower frieze are two women working a loom and others spinning, weighing, and folding wool and cloth. The upper frieze shows a seated woman receiving gifts, likely representing a wedding scene. The figures are painted in the painter's early distinctive black figure style with minimal detail.
The Use Of Force And Gender Symmetry
The document discusses gender symmetry in domestic violence. It argues that while women do engage in violence, men's violence is often aimed at control and instilling fear, whereas women's violence is often in self-defense. It cites research showing men commit battering against partners much more often than vice versa. Therefore, true gender symmetry does not exist in domestic violence.
introduction_to_othello.ppt
William Shakespeare wrote Othello in 1604. It is a tragedy about the downfall of Othello, a Moorish general in the Venetian army, whose jealousy is manipulated by his ensign Iago. Iago convinces Othello that his wife Desdemona has been unfaithful with his lieutenant Cassio, which leads Othello to murder Desdemona in a fit of jealous rage. The document provides context on Shakespeare, key terminology used in Othello like verse, meter, and tragedy, as well as themes and characters in the play.
Hector In The Odyssey
This document provides context about the character Hector from Homer's epic poem The Iliad. It discusses how Homer uses Hector to develop his character and make him more sympathetic. It describes a moment in Book 6 where Hector interacts tenderly with his child, which humanizes him. The document also explores Hector's contrasting aspects as both a cruel warrior but also a family-oriented figure.
11. Kleophrades Hydria
This hydria from 500-490 BC depicts scenes from the fall of Troy. It shows the Greeks destroying the city, with acts of cruelty like Ajax raping Cassandra. The Trojans are portrayed as courageous in defending their city, while the Greeks are almost barbaric in seeking revenge. The artist arranges the figures in pyramidal structures to fit the shape of the vase and conveys moods of cruelty, courage, liberation and hope through the narrative scenes.
Elctra presented at Govt. College University Faisalabad Pakistan
This document provides a detailed summary and analysis of the Greek tragedy "Electra" by Sophocles. It outlines the plot, characters, themes, and motifs of the play. The main characters - Electra, Orestes, and Clytemnestra - are analyzed in depth. The document also discusses symbols, illusions, and provides an overall analysis of the protagonist Electra and writing style.
Sculpture of the 4th century BC
This document provides details about several Greek sculptures from the 4th century BC including Eirene and Ploutos, Hermes and Dionysus, Aphrodite of Knidos, and The Raging Maenad. It describes the original sculptors and dates of the works, as well as new developments in sculpture during this period including a move towards depicting emotions and humanizing gods. Technical details are given about the poses, proportions, drapery, and facial expressions of the figures. The document also includes analysis of aesthetic qualities and techniques used by the sculptors.
Kleopp
This vase was painted by Kleophrades between 500-490 BC. It depicts scenes from the cult of Dionysus on both sides. Side A shows Dionysus surrounded by two maenads. Side B depicts a satyr playing the aulos surrounded by two dancing maenads. The artist uses symmetry, drapery, glaze, and realistic poses and details to represent the ecstatic rituals of Dionysus and his followers.
Kleophrades Painter Hydria Jse
1. The document describes a red-figure hydria painted by the Kleophrades Painter around 500-480 BC depicting scenes from the sack of Troy.
2. The scenes show the death of King Priam, the rape of Cassandra, and the escape of Aeneas carrying his father and son to found a new Troy.
3. The painter uses techniques like foreshortening and continuous narrative friezes to realistically portray the horrors of war and its impact on the defeated Trojans.
Kleophrades Painter Hydria Jse
1. The document describes a red-figure hydria painted by the Kleophrades Painter around 500-480 BC depicting scenes from the sack of Troy.
2. The scenes show the death of King Priam, the rape of Cassandra, and the escape of Aeneas carrying his father and son to found a new Troy.
3. The painter uses techniques like foreshortening and three-quarter views to realistically depict the figures and create a continuous narrative around the vessel. The scenes portray the horrors and despair of war.
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Elctra presented at Govt. College University Faisalabad Pakistan
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哪里办理(sjsu毕业证书)美国圣何塞州立大学毕业证硕士文凭证书原版一模一样
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原版定制【微信:bwp0011】《(ucr毕业证书)美国加州大学河滨分校毕业证研究生文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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Euthymides Jse
- 1. Euthymides Belly Amphora White text: p.43-44 Black text: p.45-48
- 5. Dimensions Height: 60cm Diameter of neck: 29.7cm
- 8. Side A
- 10. The mood of this frieze is sombre, as Hector says goodbye to his parents
- 11. Priam, an aged figure with a bald head and a stubbly beard, is wrapped up in a cloak. He leans on a knobbled stick with his left hand, and seems to be gesturing to Hector with his right.
- 12. The Trojan hero, Hector, is in the centre of the frieze, preparing himself for the battle with Achilles. He is putting on his leather corselet. He already wears his metal greaves His shield is shown leaning up against his mother
- 13. Queen Hecuba stands at the right of the frieze, holding Hector’s spear . She holds Hector’s helmet ready above his head
- 17. Side B
- 18. The mood of this frieze is happy, as 3 drunken revellers return from the symposium Komachos Euedemos Teles
- 21. Composition The main friezes are bordered on all sides: Enclosed red-figure palmettes Linked black-figure pomegranates Stylised black-figure buds Ray bands around the base Handles are decorated with ivy leaves Euedemos’ walking stick interrupts the upper border
- 22. Both sides of the vase show 3 figures, a composition typical for Euthymides. This provides a balance on both friezes, but also allows him to contrast different poses on either side.
- 23. The borders of the frieze follow the contours of the shoulder of the vase, and line up with the handles.
Editor's Notes
- Being a member of the pioneers means being interested in showing the human form
- Note interest in and depiction of human forms
- Realism was new in greek art – an interest in showing not just what happened, but also how it happened.