Essay On Frank Liszt

Essay on Frank Liszt
&#9;Franz Liszt was born on October 22, 1811 and lived until July 31, 1886. He was taught
the piano by his father and then Czerny (Vienna, 1822–1823), making himself known as a
remarkable concert artist by the age of 12. In Paris he studied theory and composition with Reicha
and Paer; he wrote an opera and bravura piano pieces and went on tours in France, Switzerland and
England before his bad health and religious doubt made him rethink his career. Intellectual growth
came through literature, and the urge to create through hearing opera and especially Paganini, whose
influence effected Liszt. He eagerly transferred to the piano in original works and operatic fantasias.
Meanwhile he gave lessons and began his stormy relationship ... Show more content on
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He remained active as a teacher and performer to the end of his life.
Liszt's personality appears contradictory in its combination of romantic abstraction and
otherworldliness with a cynical diabolism and elegant, worldly manners. But though he had a
restless intellect, he also was ceaselessly creative, seeking the new in music. He helped others
generously, as conductor, arranger, pianist or writer, and took artistic and personal risks in doing so.
The greatest pianist of his time, he composed some of the most difficult piano music ever written
(e.g. the Transcendental Studies) and had an extraordinarily broad repertory, from Scarlatti onwards;
he invented the modern piano recital.
Liszt had two personal touches to all of his compositions, experiment with large–scale structures,
and thematic transformation. His transcendental piano technique was imaginative in the same way,
coming from his desire to make the piano sound like an orchestra or as rich in scope as one. In
harmony he ventured well beyond the use of augmented and diminished chords and the whole–tone
scale; the late piano and choral works especially contain tonal dashes arising from independent
contrapuntal strands, chords built from 4ths or 5ths, and a strikingly advanced chromatics, in non
harmonic tones.
Piano works naturally make up the greater part of Liszt's
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The Dolly Suite Essay
Gabriel Faure (12 May 1845 – 4 Nov 1924) The Dolly Suite is a collection of six short piano duets.
It was inspired and composed for Helene, nicknamed "Dolly", the daughter of singer Emma Bardac,
with whom Faure was intimately associated in the 1890s. This suite was composed and revised
between 1893 to 1896. Berceuse (a Lullaby) is the first in the suite, and was a present for Helene's
first birthday. It has a soothing melody over a gently rocking accompaniment, that hints at a cradle–
song. The other 5 movements of the suite titled "Mi–a–ou", "Le jardin de Dolly", "Kitty Valse",
"Tendresse", and "Le Pas Espagnol" respectively, were given on other separate occasions to mark
special occasions and other birthdays in Helene's life.
Berceuse was chosen as the signature theme song for the long–running BBC home service
programme, 'Listen with Mother', and though Faure usually favoured strictly functional titles, since
the six movements were personal gifts, they were given whimsical titles associated with Dolly and
her family. The suite is Faure's only significant composition for a piano duet, and was first
premiered by Alfred Cortot and Edouard Risler in 1898.
Moritz Moszkowski (23 Aug 1854 – 4 Mar 1925) ... Show more content on Helpwriting.net ...
He was a German pianist, composer, and conductor of Polish descent. His Spanish Dances, which
reflect the essence and rhythmic vitality of Spain, were originally composed as piano duets, but
were arranged for solo piano in order to meet the piece's popular demand (by Moszkowski). The
dances were also later arranged for many different combinations of instruments, like a grand
orchestra and for two violins, just to name a few. His music was so popular that he amassed great
wealth when he sold the copyrights later in

Franciszek Chopin's Life And Music
Fryderyk Franciszek Chopin was a Polish and French (by birth of father and citizenship) composer
and a virtuoso pianist of the Romantic era, who wrote primarily for the solo piano. He gained and
has maintained renown worldwide as one of the leading musicians of his era, whose "poetic genius
was based on a professional technique that was without equal in his generation." Chopin was born in
what was then the Duchy of Warsaw, and grew up in Warsaw, which after 1815 became part of
Congress Poland. A child prodigy, he completed his musical education and composed his earlier
works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of
the November 1830 Uprising.
At the age of 21 he settled in Paris. Thereafter, during the last 18 years of his life, he gave only some
30 public performances, preferring the more intimate atmosphere of the salon. He supported himself
by selling his compositions and teaching piano, for which he was in high demand. Chopin formed a
friendship with Franz Liszt and was admired by many of his musical contemporaries, ... Show more
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Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some
songs to Polish lyrics. His keyboard style is highly individual and often technically demanding; his
own performances were noted for their nuance and sensitivity. Chopin invented the concept of
instrumental ballade. His major piano works also include mazurkas, waltzes, nocturnes, polonaises,
études, impromptus, scherzos, preludes and sonatas, some published only after his death. Influences
on his compositional style include Polish folk music, the classical tradition of J. S. Bach, Mozart
and Schubert, the music of all of whom he admired, as well as the Paris salons where he was a
frequent guest. His innovations in style, musical form, and harmony, and his association of music
with nationalism, were influential throughout and after the late Romantic

Characteristics Of Beethoven Music
1. Briefly describe the status of music in relation to the other arts in the nineteenth century.
Music in the nineteenth century was starting to become recognized as one of the major arts. No
longer seen just as a casual form of entertainment, musicians and composers began to gain respect
in artistic circles. One of the key figures to help bring up this new reverence for music was
Beethoven, with his sonatas and symphonies impacting the public massively. Not only where his
musical works perfect for the Romantic ideals of the time, but his personal afflictions, especially his
deafness, fit perfectly into the Romantic archetype of the suffering artist. Beethoven literally became
a figurehead of Romanticism in a much admired painting of the time depicting Franz Liszt at the
piano, surrounded by other prominent artists, fixated on a bust of Beethoven in the windowsill. This
painting perfectly depicts the new respect music had gained within the artistic community of the
nineteenth century largely through the life and works of Beethoven. 2. Why were the Romantics
seen as rebels?
The Romantics are particularly noted by their relationship with the French Revolution, and their
widely progressive views. Many painters, musicians and poets closely aligned themselves and their
work with libertarian politics. Among those rebelling was Beethoven, who, in admiration of
Napoleon Bonaparte, wrote the symphony Bonaparte (later renamed Eroica in contempt for
Napoleon crowning himself

Franz Liszt Contribution
Franz Liszt (1811–1886) Liszt was not only a principal figure in the Romantic Period but also a
composer of enormous originality and arguably the greatest piano virtuoso of his time. As a
composer, he radically extended the technique of piano writing, extended the harmonic language,
and later developed chromatic harmony which led eventual breakdown of tonality, revolutionizing
the music of the era. As a pianist, Liszt was the first to give complete solo recitals, and he did a great
deal to encourage the performance of music by Bach, Beethoven, Schubert, Berlioz, Wagner, and
Robert Schumann by transcribing their works for piano and playing them in his concerts at a time
when they were insufficiently appreciated. He also helped younger composers, and he taught a
number of pupils who themselves became famous virtuosos. Franz Liszt, one of the greatest pianist,
was a living legend and admired by some of the most accomplished musicians in the world. His
skills captivated his audience and impressed many musicians of his time. When Franz was five
years old, he was already attracted to the piano and was soon given lessons by his father, Adam
Liszt. He began to show interest in both church and Gypsy music. Franz began to compose at the
age of eight and at only nine years old, he made his first public appearance as a concert pianist. He
gave several concerts in Vienna, with great success. Liszt moved with his family to Paris in 1823.
Liszt's Paris debut on March 7, 1824, was

Bedanyich Smetana Research Paper
Bedřich Smetana was born in Litomysl on 2 March, 1824. Franz Liszt first spotted his musical talent
and gave him financial support. At the age of 42 he made his first success as a composer with his
operas. In 1874 he suffered from a purulent genital ulcer and later on from a long–lasting throat
inflammation and eczema over his whole body. First he had hearing problems and vertigo, and soon
became deaf on the right ear and partly on the left. He was an introvert, depressed and gloomy,
having hearing hallucinations (paramusias) that he used while composing. He became confused in
the last year of his life; he had attacks of frustration, outbursts of fury and anger. Finally he became
completely confused, had hallucinations, and sometimes screamed. ... Show more content on
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Therefore, he made 8 musical dramas, of which "The Bartered Bride" was the most famous. On an
entire, his musical shows were stupendously devoted, in view of his country's history, legends and
culture that left a legacy of which his kin would be pleased. Consequently, they were exceptionally
normal for euphoric, hopeful Czech music, with inescapable show. His symphonic ballads
additionally revealed a huge obligation to Liszt's instrumental music. Like musical shows, the music
was by and large emotional and gallant with choice greatness. His "Má Vlast" (My Country) was a
mammoth perfect work of art which portrayed the excellent scene of his nation and the national
legends. In spite of the fact that Smetana is an exceptionally regarded as a Czech writer, the vast
majority of his pieces, particularly his piano works and musical shows, are still once in awhile
performed today. Smetana's musical inventiveness was incomparably amazing. Although he usually
relied on Czech subjects for his music, he never quoted any Czech folk music but unconsciously
composed unorthodox Czech

Frederic Chopin Research Paper
"Simplicity is the final achievement. After one has played a vast quantity of notes and more notes, it
is simplicity that emerges as the crowning reward of art." Frederic Chopin said. Chopin is a pianist
and a composer. He was born on March 1, 1810 in Zelazowa Wola, Poland. Chopin's mother was a
piano teacher and his father played the flute and violin. At age 6, he was ably playing and
composing tunes. He published his first composition at age 7, and at age 8 he began performing. His
family engaged professional musician Wojciech Zywny for lessons. Then his parents enrolled him in
the Warsaw Conservatory Music. Chopin studied for three years under Polish composer, Josef
Elsner. By 1818, Chopin was performing in elegant salons and writing

Research Paper On Frederic Chopin
Frederic Chopin
Frederic chopin was a Polish composer. He was famous for composing very beautiful piano solo
pieces, such as "Fantasie" Impromptu, op. 66, Minute" Waltz , and op. 64 no. 1, "Funeral March".
Chopin was famous for his emotional sonatas, waltzes, mazurkas, preludes and nocturnes. Being a
child prodigy, he quickly rose to be one of the greatest piano composers.
Frederic Francois Chopin was born in Poland to a middle–class family. His mother gave him
exposure to music at a young age, influencing him. by the time he was six years old, chopin was
able to play the piano and at eight years old he gave his first concert.
Chopin invented the concept of instrumental ballad. it was given to four important large scale piano
pieces: the Ballades

Analysis Of Les Pr�ludes S. 97
Les Préludes S.97 by Franz Liszt (October 22, 1811–July 31, 1886) is the third of his thirteen
symphonic poems. The premiere took place at the Weimar Hoftheater on 23 February, 1854 under
the baton of Liszt for a benefit concert. The instrumentation consists in three flutes (third also
piccolo), two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba,
timpani, snare drum, cymbals, bass drum, harp and strings. The year 1847 was the year where Liszt
was moving to Weimar to begin a new stage in his musical life, he took the decision to finish his
career as a pianist and begin to dedicate to the composition, besides, he met the Polish Princess
Carolyne zu Sayn–Wittgenstein, that she impulse his career as a composer. He found the necessity
to evolve the music, and the way that he found was combining music with literature. In this essay I
will discuss how Les Préludes evolve the symphonic genre.
Mark Evans Bonds in "Absolute Music" discusses Liszt´s "Program" music. According with Bonds,
Liszt in his "Harold" essay, he distinguishes between "¬¬specifically musical composer" and the
composer driven by an overarching poetic image or narrative. In program music, the recurrence,
variation, alteration, and modulation of motifs are determined by their relationship to a poetic idea.
Liszt used the new term to identify a repertory of instrumental music which through an evocative
title, a verbal program, or both, "draws the listener´s attention in advance toward a specific object".
Bonds analyses the opinion of Liszt in his program music, how he tried to convince that program
music is the next step in music evolve, the necessity of break form rules to adequate the music into
literature (in the case of Liszt) and the fact that he was reinforcing the first ideas of combining
music with other arts, like Berlioz in his "Symphonie Fantastique". Liszt proclaim himself as a
Beethoven´s successor, he felt that he had the necessity to create something new, as we know, the
Weimar period of Liszt was dedicated to him as a composer, leaving aside the achievements of other
composers like Haydn, Mozart and Beethoven. He looked that form and harmony were like a
formula after Beethoven, because

The Realm Of Classical Music
The realm of classical music is a relatively veiled in the sphere of popular culture, but if you take
the time to scour through the beautiful, sometimes hundreds of years old pieces, you will be
surprised by the magnificence and allure that the classical music genre can offer. There are three
categories of classical music that can be observed throughout the extensive universe of classical
pieces, absolute music, program music, and characteristic music or character pieces.
Absolute music is primarily instrumental and doesn't present a general theme or idea, and is merely
"music for music's sake" (Morgan). The term absolute music was first used in 1846 in a program to
Beethoven's Ninth Symphony that was written by Richard Wagner, although the idea had been
created in the late 1700's by German Romanticist authors (Apel). Absolute music does not tell a
story or convey any message external to the music itself, but still produces beautiful ravishing tunes.
Although it is not as common as program or characteristic music, it is still hiding in prominent
classical pieces. An exceptional example of mainstream absolute music that I enjoy is "Canon and
Gigue for 3 violins and basso continuo" by Johann Pachelbel, more commonly known as simply
"Canon in D," or "Pachelbel's Canon." Pachelbel was a German composer who was most commonly
recognized for his organ pieces. He composed "Canon in D" in 1680 during the Baroque era of
classical music, an era characterized by heavily exaggerated and

Music In The Romantic Era
Following the Pre–Classical and Classical periods, a new, very distinctive style of music emerged.
The Romantic Era Lasted from the year 1820 up until the year 1900. The Romantic Era consisted of
composers taking a more unique and expressive style of music. Hector Berlioz, Fryderyck Chopin,
and Robert Schumann are considered to be the most influential composers of the Romantic Era.
Nationalism and Exoticism played a very big part of music expression during this period. Both, Art
song and German Lieder music styles were invented and told stories in a musical form. These three
composers helped shape this era through the use of the piano and the use of a more supernatural
realm style of music.
Hector Berlioz was born in the year 1803 in France. At the age of twenty–two he left his career to
pursue his musical career. He went on to composing his first symphony at the age of twenty–seven.
Hector was highly criticized in his homeland France for his music. It was very painful for hector to
be rejected from the musical community and deemed as a laughing stock. After receiving the
negative reviews of his music, he stated, "I belong to a nation which has ceased to be interested in
the nobler manifestations of intelligence, and whose only deity is the golden calf. The Parisians have
become a barbarous people" (Berlioz, 2016). He had to work very hard to be able to afford all of the
costs for his performances and was pretty much ignored throughout his musical career. He was later

The History of Music
The History of Western Music
Music has been around since the dawn of time, ever since man first inhabited this planet we have
learned to communicate in ways other then conventional speaking. Different Cultures all have there
own specific way of communicating through music. Music is basically broken into two specific
groups Eastern Music and Western Music. Eastern music is mainly derived from the orient and
India. While, Western music first emerged from Europe. Western music has developed in many
ways since the middle ages through its form, sound, and message.
The Middle Ages
In 500 A.D., western civilization began to emerge from the period known as "The Dark Ages," a
time in which many invading forces ruled Europe and brought an ... Show more content on
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Harpsichord music achieved new heights, due to the intricate works of such as Domenico Scarlatti.
Dances became formalized into instrumental suites and were composed by many composers of the
era. Yet, vocal and choral music still reigned supreme during this age, and culminated in the operas
of German–born composer George Frideric Handel. Who according too Alfred Einstein in A Short
History of Music was the set up man for musical genius Ludwig Van Beethoven, " Handel 's
achievement is the preparation for what Beethoven afterwards did with the symphony; and it is on
this eminence that these two masters, so utterly unlike, meet conquerors."(69)
The Classical Period
From 1750 to 1820,musicians moved away from the heavily ornamented styles of the Baroque age
instead embraced a clean, and uncluttertered style they reminiscent of Classical Greece. The new
aristocracies were replacing monarchs and the church as patrons of music, and were demanding an
impersonal, but tuneful and elegant music. Dances such as the minuet and the gavotte were
fashioned in the forms of entertaining serenades and divertimenti.
At this time the Austrian capital of Vienna became the musical center of Europe, and works of the
period are often referred to as being in the Viennese style. Composers from all over Europe came to
train in and around Vienna, and gradually they developed and formalized the

Romantic Antics during the Romantic Period of Music
What makes you think of the Romantic Period in music? The music period deemed the "Romantic
Period" was brought into place by the major social and political stresses following the French
Revolution, having the outcome of trends worldwide. The Romantic Period itself, outside of music,
was a dramatic movement that was caused by rebelling everything that the Classical Period held as
far as standards in music, art, and societal living. This rebellion against the cultural norm caused
differing standpoints between logic and emotion, science and faith, freedom and oppression,
capitalism and socialism, and also the difference between structured music and expressive music.
The composers during this period were interesting in that they were able to construct such a stylistic
way of writing, and preforming music, in such a short time. Some artists in this time that were
crucial to this development of music were Chopin, and Schumann, who will be later discussed.
Frederic Chopin was given an early start in music. He was born on March 1, 1879 in Zelazowa
Wola, Poland. The young boy had not but aged 7 years when he wrote his first composition.
Imagine that, a second grader who knew how to write his own compositions. Personally I think that
is amazing because sometimes it seems nearly impossible to write anything that is original. This
young boy was soon after sent to the Warsaw Conservatory of Music, where he studied under the
Polish Josef Elsner. His early beginnings in music did

Adam Liszt As A Principal Figure In The Romantic Movement
Liszt was not only a principal figure in the Romantic Movement but also a composer of enormous
originality and arguably the greatest piano virtuoso of his time. A controversial character, he was
attacked for his innovations, talent and flair by his jealous rivals. As a composer, he radically
extended the technique of piano writing, extended the harmonic language, and later developed
chromatic harmony which led eventual breakdown of tonality revolutionizing the music of the era.
As a pianist Liszt was the first to give complete solo recitals, and he did a great deal to encourage
the performance of music by Bach, Beethoven, Schubert, Berlioz, Wagner, and Robert Schumann by
transcribing their works for piano and playing them in his concerts at a time when they were
insufficiently appreciated. He also helped younger composers, and he taught a number of pupils
who themselves became famous virtuosos. When Franz was five years old; he was already attracted
to the piano and was soon given lessons by his father, Adam Liszt. He began to show interest in both
church and Gypsy music. Franz began to compose at the age of eight and at only nine years old, he
made his first public appearance as a concert pianist. He gave several concerts in Vienna, with great
success. Liszt moved with his family to Paris in 1823. Liszt's Paris debut on March 7, 1824, was
sensational. Between 1830 and 1832, Liszt met three fellow composers who were to have a great
influence on his artistic life, Hector

An Important Part of the Romantic Period, The War of the...
The War of the Romantics was an important part of the Romantic music period. It stretched from
about 1840 to with its peak in 1860. After the death of Robert Schumann in 1856, the contemporary
composers divided themselves into two groups. One of the groups had Franz Liszt as the leader, and
Berlioz and Wagner joined him in the way they viewed music. Liszt wanted change and the music
composing to evolve and some composers saw his compositions as being too radical (Urpi). These
composers on the opposite side, the conservative ones were Johannes Brahms accompanied by
Schumann and Mendelssohn. The conservative side wanted to stay with the rules and order from the
classical era, while the radicals thought that music could be just as beautiful and meaningful without
form. Alan Walker describes the war as "programme music versus absolute music, form versus
content, the oneness versus the separateness of the arts, newness versus oldness, resolution versus
reaction" (Weimar Years 338). To the radicals, what mattered in the music were deep feelings, much
emotion and expression. Earlier the composers now fighting had been united, they all wanted to
leave the past behind and their motto said "Let the dead bury the dead" (Weimar Years 338). One of
the reasons the war took so much space was because they felt that the resolution to this would have
a huge impact on the music for the rest of history (Weimar Years 338). Hector Berlioz was the one
composer who

Hector Berlioz : French Romantic Music
Hector Berlioz was a French Romantic composer, born 11 December 1803. Surprisingly, as was and
is standard for anyone studying music, he never formally studied the piano, but started on flute and
guitar, on which he became rather virtuosic. His sensitivity for music came at an early age from
attending mass with his father and hearing the inspired beauty in sacred music. Berlioz grew to be
extremely obsessed with free expression through art and believed that it was more important than
anything else in the world. He imagined his ideal city, Euphonia, in Les soirées de l'orchestre, where
"everything is arranged to the service of art and where commerce has no place" (Macdonald). His
great passion for expression led him to great frustration with anyone who didn't agree, however his
other defining characteristic was his ridiculous sense of humor, largely based on the ironic. Because
of this he had some balance, but was a large personality. His father wanted him to follow his
footsteps and work in medicine, and he decided reluctantly that he would follow through with this at
the age of 17. He earned a bachelor's degree from the Ecole de Médecine in Paris and grew to
completely detest what would be his future career. Around this time, he fell in love with Gluck (who
would later become his largest influence, along with Beethoven) after seeing his opera Iphigénie en
Tauride (Macdonald). To his father's disapproval he abandoned his medical studies and started at the
Paris Conservatoire in 1826, studying composition under Le Sueur. Berlioz composed Grande
Ouverture de Waverley in 1828 and it was his first independent orchestral work that did not rely on
previously composed music. Most likely because of this reason, he affixed the label Opus 1 to the
piece (Bloom, 70). He had written major works previously, most notably the opera Les Francs–
Juges. However, the opera was never performed aside from the overture, Grande Ouverture des
Francs–Juges, which was published after Waverley and labelled Opus 3. The piece was first
performed at the Paris Salle du Conservatoire on 26 May 1828, conducted by Nathan Bloc as part of
an all Berlioz concert (a novelty at the time), organized by Berlioz himself, which also included the

Analyzing Sebastian Arredondo's Performance
This is a critique of Sebastian Arredondo's performance on the evening of Monday November 28,
2016 which took place in Recital Hall in Merrill Hall of the Jacob's School of Music. Arredondo
performed three pieces. His first piece was Domenico Scarlatti's Sonata in A Major, K.208 followed
by his Sonata in D Major, K.492. His next piece was Maurice Ravel's Valses nobles et sentimentales
(1911) which contains 8 movements; Modere – Tres franc, Assez lent, Modere, Assez anime,
Presque lent, Vif, Moins vif, and Epilogue: Lent. The last piece Arredondo performed was Franz
Liszt's Sonata in B Minor, S.178. Scarlatti lived from 1685–1757 and the majority of his pieces were
published after his death. Maurice Raval lived from 1875–1937 and his piece Valses nobles et
sentimentales was published for piano in 1911. Franz Liszt lived from 1811–1886 and his Sonata in
B Minor, S.178 was published in 1854.
I thought Arredondo did a great job of ... Show more content on Helpwriting.net ...
My main problems were with things out of his control. I found myself frustrated and annoyed by the
audience who for the majority of the performance either left while he was in the middle of the piece
or entered the auditorium during a song. To make matters worse, it was pouring outside so at one
point in Liszt's Sonata in B Minor, it was a really quiet part of the piece and one person entered and
his shoes squeaked with every step he took. And he didn't even just take a seat in the back row, he
walked about five rows in before he took a seat. I felt bad for Arredondo but he handled it like a pro
because he didn't let it phase him. Another aspect of the performance, I didn't particular care for is
how after every piece, the performer will leave the stage and then come back out. I understand why
they do it and that it's tradition but I found it a little strange. The performance part however, I really
didn't have any complaints. I was entertained and he held my attention for the whole

The Romantic Period Of Music During The Romantic Era
The romantic period of music began in the 1820s and with it came a change of stylistic features.
Beethoven largely impacted the new way that the music of the Romantic era was viewed. He made
people perceive music as a true form of art made to be taken seriously, rather than just a fun time
passer. Another reason for the change of music during that time was due to nationalism and
exoticism. Nationalism promoted music, such as folk songs and dances, which was created for the
purpose of supporting the nation. Exoticism had the opposite effect as nationalism. It caused
audiences to listen to folk music from other nations and it allowed people to have a better
understanding of unique qualities and cultures of surrounding nations. These factors led to the music
during the Romantic period becoming more personal and emotion than it was in the previous
classical era, although it still contained a melody, harmony, tone color, and a form. Much of the
music from the Romantic era can be recognized by its melody. The melodies became wider, more
irregular, and dramatic during this time. The harmony of Romantic music was further advanced as
well. The composers learned how to use harmony to build the melody and intensify its emotionality,
while at the same time experimenting freely with new chords. The tone color of music during this
time was expanded allowing the quality of the sound of the music to improve. One of the most
important changes that were made to the features of music during

The Influences Of Carl Czerny Style
III. The influences of Carl Czerny composition technique
The influences of Carl Czerny to Chopin's etude can be found certain evidence through the letters
and comments, as they were both appreciated on both compositions and the piano pedagogy with
demonstrated one of well–known efficient way reach to virtuosity, step by step practice exercises.
As one of the Chopin's letters to his parents wrote that:
'Czerny is more sensitive than any of his compositions," but to a friend he was more overly critical:"
he is a good fellow. But nothing more."
Chopin's impression to Carl Czerny that is very critical in a way that full of interest, with a sensitive
mind to take care each of his compositions. He appreciated Czerny's using step–by–step musical
exercises with the indication of various technical difficulties, which usually appeared in different
composers masterpieces.In the other perspective from Czerny's view to Chopin, he praised later
pianist–composers including Chopin lead Etudes to a brand new way to interpret; (the brilliance in
conquering new technical difficulties,some with more elegance and grace), lead to the strong links
in musicality developments, with the consideration of technical difficulties for his students.
D. Chopin's pedagogy in his Etudes:
Playing techniques involved in Chopin's Etudes
i) Tone color:finger ... Show more content on Helpwriting.net ...
The right–hand melody shows the use of chordal texture which allows performers using the force
from the forearm, with the focus of top note to bring out the melody of music. It's not appreciated
that using the force from the wrist and being overforce while playing the music. In Chopin's points
of view, he requires the soft and round tone color in all his compositions," Forget you're being
listened to, and listen to yourself..." to let his pupil 'listen' and decorate the melody with finger–
touch with emotional and spiritual in

Franz List Research Paper
Franz list was a Hungarian composter in the 19th century. He was the only child of Adam and Anna
Liszt, born on October 22, 1811, Raiding Hungary and died on July 31, 1886 Bayreuth Germany. He
is a musical figure that majorly influenced music during the 19th century, From a young age Franz
showed musical talent. Before the age of six he started taking lessons from his father and by the age
of eight he was writing music. When he was nine he made his first public appearance as a concert
pianist at Sopron and Pozsony which is now Brartslava, Slovakia. His playing impressed local
Hungarian magnates, influential person in business so much that they gave money to pay for his
musical education for the next six years. Franz later moved to Vienna with his father to take piano
lessons with Carl Cherny a pianist, composer, and a previous pupil of Ludwig van Beetoven. Franz
also studied composition with Anotonia Salieri. Is is said that Beethoven attended on of lists
concert. In this time period foreigners were not given the same opportunities or rights as ... Show
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He was inspired by live and nature and composed several impressions of the swiss countryside.
With new work and several public performance, Liszt grew renowned. What aided in his high
reputation was giving away concert proceed to charities and humanitarian causes. However his
personal life wasn't going so well; He had three children with Marie, which ended. In 1847, he was
in Kiev, Liszt met Princess Carolyne zu Sayn–Wittgenstein. Her influence on him was dramatic; she
encouraged him to stop touring and, instead, teach and compose, so he could spend more time with
her. Liszt gave his final concert for pay at Elisavetgrad in September, and spent the winter with the
princess at her manor in

Synopsis Of Franz Liszt 's ' The King Of Piano '
Kevin Liu
Ms. Seaton
Choir 11
15 December, 2016
Franz Liszt
This essay it 's talk about composer , he 's name is Franz Liszt.He was born on October 22, 1811,
LeiTing, the famous Hungarian composer, pianist, conductor, great romantic master, is one of the
most outstanding representative of the early stage of the romanticism.when he is 6 years old to learn
piano, successively is more than the piano was a disciple of the famous artists.he 16 years old
moved to Paris and settled in Paris. Franz Liszt piano skills development to unparalleled degree,
have greatly enriched the expressive force of the piano, on the piano to create the effect of the
orchestra, he also pioneered the spectrum that he, too, because of the huge contribution in the piano
and above won a laudatory name "the king of piano".Main achievements: the first symphonic poem
genre. He has three teachers,first,Carl Czerny is Austrian composer, pianist, music educators.Carl
czerny is Beethoven 's proudest student, Beethoven in 1801–1803, three years of free taught him to
play the piano. Czerny piano as an educator, and cultivate the Franz liszt such students.He teaches
liszt is free to play the piano, liszt also said: "everything I have is Czerny taught me."As a piano
composer, throughout his life he wrote numerous piano etude, is the basis of practice of students
learning the piano teaching materials.His position is that in the era of Beethoven and modern built a
bridge between playing the piano.

Franz Liszt As A Hungarian Pianist From The Romantic Period
Franz Liszt was an extremely talented Hungarian pianist from the romantic period. Liszt was born
on October 22, 1811 in Raiding, Hungary. Liszt's father was Ádám Liszt, an official in the service of
Prince Nicolas Eszterházy, whose palace was often visited by celebrated musicians. Ádám Liszt was
a talented amateur musician who played cello, as well as several other instruments in court concerts.
Franz Liszt's father passionately taught him how to play piano, and by the age of 6, was already
recognized as a child Prodigy. At this age, Liszt began to show interest in both church and gypsy
music. He developed into a religious child, partly because of his father who spent two years of his
youth in the Franciscan order. By the age of eight, Liszt began to compose elementary works. At the
age of nine, he made his first public appearance as a concert pianist at Sopron and Pozsony. His
playing impressed the local Hungarian magnates so much that they put up the money to pay for his
musical education for the next six years. His father took a leave of absence from the Prince, so that
he could devote his time to helping his son's musical education. They went to Vienna, where he
learned piano with Carl Czerney, a composer and pianist who had been a pupil of Beethoven, and
studied composition with Antonio Salieri, the musical director at the Viennese Court and one of
Mozart's rivals. Liszt continued to perform concerts with great success, his most notable talent being
his ability to

Harold En Italie Analysis
The second symphony by French composer Berlioz (1803–1869): Harold en Italie, Symphonie en
quatre parties avc un Alto principal, Op. 16 was commissioned but never performed by the Italian
violin virtuoso Paganini who had an intention to showcase his new Stradivari viola. Even though
Paganini trusted Berlioz to write suitable music for his new instrument, his disappointment about a
sketch in one of the movements led to ill–fated conclusion. Unluckily, due to incompetent
conductor, plentiful wrong notes and missed entries by the orchestra, the premiere was
unsatisfactory for Berlioz who later commented "it was the sheer murder". According to
https://www.britannica.com/topic/Harold–in–Italy–Op–16, Barlioz stated, "My idea was to write a
series of scenes for the orchestra in which the solo viola would be involved as a more or less active
character, always retaining its own individuality. By placing the viola in the midst of poetic
recollections of my wanderings in the [Italian] Abruzzi, I wished to make of it a sort of melancholy
dreamer after the manner of Byron's Childe Harold. Thus the title: Harold in Italy." This piece was
inspired by the English poet Lord Byron (1788–1824) and his epic narrative poem: Childe Harold's
Pilgrimage, which was dedicated to his lady Charlotte Harley. This storyline was gained after
travelling through Portugal, the Mediterranean and Aegean Sea that is why this poem was thought to
be his own autobiography which revealed a lot of himself. "Harold

Who Is Claude-Achilles Debussy?
Claude–Achilles Debussy was a French composer. He and Maurice Ravel were the most prominent
figures associated with Impressionist music, though Debussy disliked the term when applied to his
compositions. He was made Chevalier of the Legion of Honors in his native France in 1903Debussy
was among the most influential composers of the late 19th and early 20th centuries, and his use of
non–traditional scales and chromatics influenced many composers who followed. Debussy's music
is noted for its sensory content and frequent usage of nontraditional tonalities. The prominent
French literary style of his period was known as Symbolism, and this movement directly inspired
Debussy both as a composer and as an active cultural participant. Debussy was experimental ...
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The young composer's many musical activities during these vacations included playing four–hand
pieces with von Meck at the piano, giving music lessons to her children, and performing in private
concerts with some of her musician friends. Despite von Meck's closeness to Tchaikovsky, the
Russian master appears to have had minimal effect on Debussy. In September 1880 she sent
Debussy's Danes bohemians for Tchaikovsky's perusal. A month later Tchaikovsky wrote back to
her: "It is a very pretty piece, but it is much too short. Not a single idea is expressed fully, the form
is terribly shriveled, and it lacks unity." Debussy did not publish the piece, and the manuscript
remained in the von Meck family; it was eventually sold to B. Schott's Shone in Mainz, and
published by them in 1932. A greater influence was Debussy's close friendship with Marie–Blanche
Vanier, a singer he met when he began working as an accompanist to earn some money, embarking
on an eight–year affair together. She and her husband, Parisian civil servant Henri, gave Debussy
emotional and professional

Reflection Of A Concert Note On Music By Franz Liszt
The concert I went to was about some of the faculty members and teachers playing music and
singing songs from different times of different eras. The first piece that was played are Classical
genre, Oh! Quand Je Dors, S.282 and O Lieb, So Lang Du Lieben Kannst! S. 298. Both pieces were
composed by the composer Franz Liszt. They were played by Eugenia Eugenia Oi–Yan Yau, who
played Soprano and Amber Yiu– Hsuan Liao, played piano. I never heard or listened to Soprano
before so I didn't know what to think about Eugenia's voice. Hossain 2
But after listening to more sopranos later on, I felt like she did an amazing job with her voice
because the piece contains so many higher pitches and it's so fascinating how she has done it ...
I was entered to listen to this piece because the composer I chose to write about was Maurice Ravel.
The meaning of this piece is "Water Game". There was so many low to high pitched, tones and
melodies. I enjoyed this piece because it made me feel like I was sitting beside a fountain and
watching the water playing and falling down to the river. Only piano was used in
Hossain 4 this piece. One thing I found a little boring about this piece was that some part was
repetitive with the same melody. The next piece was Sonata for Alto Saxophone and Piano (2012)
composed by Steven Cohen. This peace was performed by David Wozniak (saxophone) and Howard
Meltzer (piano). I felt like there was high pitches throughout the entire piece because of the
saxophone. This piece remind me of my country weddings because the groom's family bring
saxophone bands with them in the ceremony when the groom goes to the bride's house. To me it felt
like this piece matches with my country wedding saxophone music. The piece "Paul Bunyan
Mourns for Babe the Ox (2016) composed by Doug Anderson (1950). It was performed by Charles
Samuel Brown (Bass–baritone) and Make Victor Smith (piano). I think the story behind the name of
this piece is interesting and sad. What I liked about the this piece is how bass baritone was played
like he put such a long breath Hossain 5 during some lines and I think the piano was good. It was
soft and slow music

Polish Nationalism in Chopin's Works
Polish Nationalism in Frederic Chopin's Compositions Frederic Chopin was born in the year 1810,
in Warsaw, Poland and died in 1849, at the young age of 39 (Thompson, 113). He was also known
as "the Poet of the Piano" due to his nuance, his expressive depth and his ability to conjure up the
melody of the human voice from the instrument's keys
(http://www.pbs.org/frontlineworld/stories/poland503/chopin.html). "Chopin epitomizes the figure
of the "Romantic Artist": withdrawn, temperamental, talented and doomed to a premature death
from tuberculosis."(Thompson, 112) As he had a small and frail physique, he used the beautiful
tones, rhythmic flexibility, atmospheric uses of the pedal and poetic subtleties in dynamics of his ...
For this example, the melody is not exactly the same, but the pitvhes of the notes are there. The
rhythm in Chopin's Bolero is slower campared to the religious folk song. Yet another example of
Chopin's nationalism is seen in his Etude in A minor, Op 25 No.4, which can be compared to the
Marian song, Matko Najświętsza. The main melody from the religious piece can be found
throughout the entire etude by Chopin. Like most religious songs from

Frederic Chopin as the Greatest Romantic Composer Essay
In the course of the development of music, many great composers have contributed their brilliance
towards the revolution of music. To be a great composer does not necessarily mean that they have
reached a vast amount of fame. However, it means that their compositions have ingenuity and value.
The melodies they have cleverly created have reached a point of worthiness in the world of music.
For it is the sweet harmonies a composer creates that defines who he is. One of these gifted
composers was Frederic Chopin, born on February 22, 1810 in Zelazowa Wola, Poland. Young
Chopin was already composing by the age of eight and as his musical career developed he became
known as a master of piano composition. Although he was often misunderstood ... Show more
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With this clever innovation of harmonics, Chopin was highly ranked amongst other composers
making him an even greater influence towards the world of piano–playing. Already rising up to
becoming a great icon, Chopin played a major role in the art of composing piano pieces. Chopin
created his own original technique that made his music so ingenious. He composed the "Trois
Nouvelles Etudes", the three new studies. These studies showed his various new techniques that
later influenced the keyboard, and music itself (Hueneker 140). Chopin also constructed his own
original pieces by including different genres of music into one composition. For example, he would
combine a polonaise and a mazurka, two different Polish dances, one being slow while the other is
lively. Frederic Chopin also influenced composition with his genius use of the piano. He used the
instrument to its fullest effect to create a beautiful and expressive piece (Politoske, Daniel T.). His
creativity was prominently brought out this way as he was able to produce melody and harmony
(Samson 4). As a matter of fact, Chopin reached fame for his various piano compositions rather than
his orchestral pieces (Politoske, Daniel T.). His arrangements utilized the piano in the most unique
way which is why other musicians and his audiences admired his music. Arthur Rubinstein stated
that, "...all possible expressions are found in his compositions and are all sung by him upon his
instrument," (Hueneker 91). Even

What Are The Characteristics Of The Romantic Period?
Romanticism
The Romantic Era was a movement in the fields of art, literature and intellect that began in Europe
at the end of the 18th century. This cultural movement placed its emphasis on emotion, rooting itself
in subjects such as the supernatural, the beauty of nature and the irrational. It was a period in which
artists rejected the ideas of order and rationality, choosing instead to embrace individualism,
imagination and emotional subjectivity; projecting their own personalities in their works. In music
specifically, the expressive, song–like melodies and the experimentation of form are characteristic
of the Romantic period.
The textures of Romantic music tended to be denser than those of previous eras. Like the Classical
era, music was almost entirely homophonic, made up of a melody ... Show more content on
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Another feature that was coming into use a lot more was the modulating between keys, these which
would take place rapidly. It is because of these shifts in key that the tonic key is less recognizable;
the tonal gravity being less strong. With the Romantics' movement away from the traditional, they
explored new ways to use chords. They emphasized complex harmonies, often using of chromatic
harmony. Romanticism encouraged instability and so there was less stability and resolution in the
music; unprepared dissonances within the chords being common. These dissonances were used to
create specific moods, such as ones of tension. Changes in dynamics were frequent in Romantic
music and crescendos and decrescendos were used a lot more. Dynamic contrast was employed, not
only between phrases but within them and these contrasts were usually sharp and sudden. A wider
range of dynamics started being used, for example, the old extremes of fortissimo and pianissimo no
longer being adequate for Romantic composers. With expression being a focus of Romantic
composers, they experimented with tone colour to

Franz Liszt Research Paper
Franz Liszt was many things in his lifetime; an author; a philanthropist; a scintillating, detail
oriented, conductor; a brilliant, inventive, composer; more than a mere pianist, he was an intriguing
and captivating performer; an altruistic piano teacher; and eventually a devout clergyman. His
father, Adam Liszt, an extremely talented musician, gave young Liszt his earliest lessons on the
piano. It wasn't long before he realized the uncanny talent his son possessed. Seeing this, he placed
his own career as a musician on the back burner in order to obtain further musical education for his
son, a blossoming prodigy. Soon young Liszt was studying composition with Antonio Salieri, and
piano with Carl Czerny, a previous student of Beethoven. By the time he was eight, he had written
his first ... Show more content on Helpwriting.net ...
He transcribed for solo piano, a selection of works by various other composers, such as Berlioz,
Paganini, J.S.Bach, Beethoven, and Schubert. In fact Liszt's music is largely divided in two main
categories; his transcriptions, which easily make up almost half of his works, and his original works
which he composed himself. Regardless of the originality of the music, Liszt's performance was
often so improvised and embellished that it might as well have been his own. For this reason he was
criticized to lack creativity. On the contrary, his execution of improvisation and embellishments of
fluttering trills, cascading runs and trickling arpeggios, proved his extensive creativity, as the pieces
he improved upon were often already masterpieces in themselves. As a composer, Liszt contributed
significantly to the Romantic Period with his invention of the symphonic poem, a one movement
orchestration that depicts a story or artwork of some kind. Liszt also incorported thematic
transformation to combine differing

Franz Liszt Research Paper
Franz Liszt was a virtuoso pianist, composer and conductor. He contributed greatly to the harmonic
expressiveness of the 19th century. He was a leader in the art of the symphonic poem, and using
techniques such as thematic writing and cyclic form. His imagination was fueled by Niccolo
Paganini, Frederic Chopin, and Hector Berlioz. He took ideas and traits from each of these
individuals and used them to create his masterpieces'. Because of his great achievement in the
symphonic poem form he is still recognized today.
Franz growing up
Franz Liszt, was born in Raiding Hungary on October 22, 1811 and died in Bayreuth Germany on
July 31 1886. He was deeply influenced by his father in many ways including religion and music.
He began to show an interest ... Show more content on Helpwriting.net ...
He also helped Hector by transcribing his Symphony Fantastique to piano for him in 1833.
Franz Liszt met Niccolo Paganini in March of 1831. After he the long illness and depression that
overtook him he became interested in his career as a virtuoso once again and left the idea of
becoming a priest. He was so interested in Paganini's work that he decided to use some of Paganini's
ideas in his piano music. Paganini didn't use characteristic polyphonic. The compositions lacked
consonant melody and harmony.
Also around this time he met Frederic Chopin, who used a poetic style in his compositions. They
became acquaintances. Chopin was more conservative than Liszt and used a "prettier "style in his
music than Liszt. After a while the two composers became uneasy friends and in that time Liszt took
Chopin's idea for the character piece and further developed his idea of the symphonic poem.
Franz as a composer
Franz Liszt was one of the first individuals to experiment with form. He also used theme to unify an
entire work and liked playing suits without pause instead of in single movements. His piano
compositions mirror his talent as a virtuosic piano player, yet he wrote pieces that could also be
performed by many pianists. He also wrote many nationalist compositions and while they are also
amazing his symphonic poem takes the

Adam Liszt : The Romantic Period Of The Romantic Movement
Liszt was not only the greatest piano virtuoso of his time but also a composer of enormous
originality and a principal figure in the Romantic Movement. As a composer he radically extended
the technique of piano writing, giving the instrument not only brilliance but also a full and rich,
almost orchestral sound. Most of his compositions bear titles and are representations of some natural
scene, poetic idea, work of literature or art. Liszt extended the harmonic language of his time, even
in his earlier works, and his later development of chromatic harmony helped lead eventually to the
breakdown of tonality. Liszt's father, Adam Liszt, was an official in the service of Prince Esterhazy,
whose palace in Eisenstadt was frequented by many celebrated musicians. By the time, Franz was
five years old; he was already attracted to the piano and was soon given lessons by his father. He
began to show interest in both church and Gypsy music. He developed into a religious child, also
because of the influence of his father. Franz began to compose at the age of eight and at only nine
years old, he made his first public appearance as a concert pianist. His playing so impressed the
local Hungarian magnates that they put up the money to pay for his musical education for the next
six years. Liszt's father obtained a leave of absence from his post and took Franz to Vienna. He gave
several concerts in Vienna, with great success. Liszt moved with his family to Paris in 1823. Liszt's
Paris debut

Comparing Ludwig Beethoven And Beethoven's Appassionata...
Both Ludwig Beethoven's "Appassionata" piano sonata and Franz Liszt's B minor sonata are
recognized as some of the best compositions of the nineteenth century. The complexity and
creativity of these pieces are astonishing. Considering both pieces are sonatas they have some
similar aspects, but they are also very different which can be credited to the brilliant minds who
composed them. These pieces are both masterpieces of their time which is what has made them
stand out amongst the many songs composed during the nineteenth century. In this paper I will
touch on the significant attributes of these pieces and compare their similarities and differences.
The first piece I will introduce is "Appassionata" by Ludwig Van Beethoven. "Appassionata" was
composed during a time of many changes in both Beethoven's life and the musical world around
him. By 1800 Beethoven's hearing had deteriorated so much that he was almost completely deaf.
Although this was not something easy to cope with, Beethoven did not let this obstacle hinder his
career. In fact, in many aspects his works flourished, and a new wave of creativity sparked in his
career. Beethoven was not the first to compose a multimovement piece for the piano, but he was the
first to stray from the former expectations of piano sonatas. Beethoven's new sonatas were longer
than most and incorporated dramatic elements. With just one instrument Beethoven was able to
convey so much power and emotion, something that no one at the time

Frederic Chopin Research Paper
Frederic Chopin was a well known Polish pianist born in 1810, and died in 1849 (Libbey). He wrote
countless pieces, mazurkas, concertos, preludes, nocturnes, polonaises, and sonatas. Almost all the
pieces he composed were just for the piano. He had his own unique style that can be described as
poetic and lyrical (Hamilton). His songs could be light and almost dream like and yet dark and filled
with emotion at the same time (Bellman). Known as "The Poet of the Piano", he is still considered
one of the most important composers from the Romantic period, and it has been said that no one
could understood the piano quite like him (Bellman).
He was born Frederic Francois Chopin on February 4, 1810, in Zelazowa Wola, Poland (Libbey).
His father was ... Show more content on Helpwriting.net ...
He almost completely gave up composition, and from then to the end of his life wrote only a few
miniatures. In April of 1848, Chopin left for England and Scotland. While there, he gave several
concerts and visits in various localities, including the castles of the Scottish aristocracy. This
extremely hectic life style and intense strain on his strength from constant traveling and many
performances, together with a climate not good to his lungs, further hindered his health. In
November of 1848, despite his frailness and a high fever, Chopin gave his last concert, playing for
Polish émigrés in the Guildhall in London (Liszt). A few days later, he returned to

The Music That Have Changed The Face Of Music
Growing up, Beethoven was a household name. Countless studies have been released claiming
classical music could increase babies' intelligence. The importance of music is vast and affects every
individual in a multitude of ways. Throughout the course of history, there have been artist that have
changed the face of music as we know it. Two important composers to the course of music's history
are Ludwig van Beethoven and Franz Liszt. While both composers certainly have similarities in
their music, there are also multiple differences that separate them as completely different artists.
Ludwig van Beethoven was born around December 16th in 1770 in the city of Bonn. His father,
Johann van Beethoven was a singer and terrible alcoholic. He was locked in a cellar, flogged, and
made to practice for hours upon hours. He was also beaten for any mistakes made while playing
piano. Beethoven's father hoped he would be a musical child prodigy just like Wolfgang Amadeus
Mozart. When Beethoven turned the age of ten, he dropped out of school to pursue studying music
full time. When his father's health began to decay due to his alcoholism, Beethoven began to work
in order to support his family. He worked as an Assistant Court Organist. Ludwig van Beethoven
was sent to Vienna to study music further, but returned home when his mother became ill.
Beethoven's earliest piece was titled "Cantata on the Death of Emperor Joseph II" and was written
after the death of Emperor Joseph II. In 1792 Beethoven

Franz Liszt was a Great Romantic Composer
According to De Portales, Liszt had a struggle in himself between the virtuoso and the composer
and he knew that he had to choose. He chose to go with the composer and in 1847 his virtuoso
career was over (De Portales 111–112). Another reason he made the choice was that in 1847 Liszt
once again fell in love upon meeting a princess, named Carolyne Sayn– Wittgenstein, in Kiev. She
gave him a large sum of money after a charity concert and he deeply desired to meet her to thank
her (De Pourtales 117). They met and fell in love. In 1848, after knowing each other for a couple of
months they went back to Weimar together, even though she was married to another man (De
Pourtales 121–122). Liszt accepted a job at the Grand Duke of Weimar's court and became the
Kapellmeister in Weimar and also the conductor (Perenyi 238, Kamien 238). This even though it by
the romantic era was more normal for musicians to be independent ("Liszt, Franz"). His reason was
not because he needed money, he was the first pianist performer who could support himself by
doing what he did, he wanted to start composing (Franz Liszt). He stayed at his position in Weimar
from 1848 until 1861 ("Liszt, Franz"). His new orchestra one of the first in Germany (De Portales
(114). He managed to make the orchestra bigger and to obtain more skilled players. He made sure to
give them better pay and better pensions. The orchestra had 45 members ("Liszt, Franz"), which was
a normal size for a romantic orchestra

The Differences Of Franz Liszt's Flight Of The Bumblebee?
Niccolo Paganini was an violinist, violist, guitarist, and composer in nineteenth–century. He had a
rare congenital disorder that meant he had freakishly flexible fingers, and this is one of the reason
why he can do some great violin virtuosi. Paganini's genius, however, wasn't limited to performance
and traditional violinist skills. He also helped popularize certain techniques common today,
including bouncing the bow on the strings as well as plucking the strings with his left hand.(1)
Meanwhile, Franz Liszt was a colossal pianist, the most awesome virtuoso of his era in nineteenth–
century century, who in his playing and his compositions for piano pushed the boundaries of
technique, texture and sound.(2) Generally considered to be the greatest pianist who ever lived,
Liszt redefined virtuosity in ways that are still felt today. Liszt pushed the boundaries of what was
technically possible on the piano at the very moment when the instrument was evolving into its
modern form. He created new sonorities and dazzling effects with virtuoso passages that, while
considered by many musicians and ... Show more content on Helpwriting.net ...
"Flight of the Bumblebee" is recognizable for its frantic pace when played up to tempo, with nearly
uninterrupted runs of chromatic sixteenth notes. It is not so much the pitch or range of the notes that
are played that challenges the musician, but simply the musician's ability to move to them quickly
enough. Because of this and its complexity, it requires a great deal of skill to perform. Lang Lang
perform this song with not only piano but also an orange. During the performance, his right hand are
pressing the key at a tremendous speed which never stop even for a millisecond. At the same time,
he also made other different body and facial expressions, which worked in concert with other
performers on the

Franz Lizt Research Paper
Franz Liszt was a Hungarian pianist and a composer of enormous influence and originality. He was
renowned in Europe during the Romantic Era on nineteenth century. He was an Educator, Pianist,
and a Songwriter as well (1811–1886). He was said by his contemporaries to have been the most
technically advanced pianist of his age, and in the 1840s he was considered to be the greatest pianist
of all time. Liszt was also a well–known and an influential composer, piano teacher and conductor.
He was a benefactor to other composers. By the age of 6, young Liszt was recognized as a child
prodigy; by the age of 8, he was composing elementary works;. By the time Liszt was 9 years old,
he was performing in concert halls . His father worked as a secretary

Analysis Of Sc�ne Aux Champs
The third movement is entitled Scène aux champs, or "scene in the fields." This pastoral setting
alludes to Beethoven's Am Bach from his sixth symphony, although with less serenity as Berlioz
creates a "mood of sorrowful loneliness." The piece is, like the second movement, in ABA form,
with the idée fix attached at the end as a coda. The movement begins "with an echo from Berlioz's
childhood: the sound of a cowherd's melody. Berlioz uses the huge orchestra to create the sense of
suspension of time that intimacy can bring." This cowherd's melody is a shepherd call, in which the
English horn and oboe call out to one another. The oboe responds from offstage, a device borrowed
from theatre. Then, the idée fixe comes in on flutes and oboes, set against the 6/8 meter of the
movement, and more instruments join in, painting the anguish of the young artist. After an
"orchestral outburst, the idée fixe returns with the English horn again calling out, but there is no
response from the oboe, instead, the "shepherd" is answered by the rumbling of thunder, musically
illustrated by the timpani, which plays unusual minor chords.
The first theme of the fourth movement is entitled March un supplice or "March to the Scaffold,"
which Macdonald describes as "alternatively sinister and brazen." This movement appears in rondo
form. The first theme shows the hero's "hollow footsteps" to the guillotine by a two–octave
descending scale in the cellos and basses, which then is repeated in different

Dante Symphony Essay
Around the year 1855 Franz Liszt began working on the composition for one of his most praised
works, The Dante Symphony. The Dante Symphony is based of Dante's Divina Commedia, which
was introduced to Liszt by his mistress Marie D'Agoult. The Symphony is composed of two
movements depicting Dante's Inferno and Purgatorio. At first Liszt wanted to depict the three
movements of Dante's Divina Commedia but "an effective representation of Paradise in music,
Wagner insisted was impossible, and he counseled Liszt to abandon plans for an elaborate choral
finale" (Grey, pg.56). However, towards the end of the sonata Liszt gives a glimpse of Paradise from
afar, setting it further from our reach, showing that Paradise is beyond comprehensible and how ...
The introduction for the symphony, the Inferno, is slow and begins with three themes, the first
theme repeating itself. Each theme reflecting the lines that are inscribed over the Gates of Hell, the
last theme being "Lasciate ogni speranza mi ch' entrate!" which translates to "All hope abandon, ye
who enter here" (Alighieri 9). After the three themes have been depicted there is a descent motif
which word paints or reflects Dante and Virgil as they descend into hell. One can find word painting
in the descent into hell, laughter painted into parts of the symphony, and the first people Dante sees
in hell who where neither good nor evil who seem to tread back and forth a path, which Liszt paints
in his symphony with melodies that go in one direction and then reverse themselves. There are many
examples of word painting in The Dante Symphony, which help the viewer imagine even more so
the occurrences within Dante's decent into hell, giving one a whole new experience and idea of
Dante's Divina

Essay On Frank Liszt

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