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2. Comparison Of The Price And Stephen King s Misery
The last two plays that I have seen on Broadway were Arthur Miller s The Price, and Stephen
King s Misery. Both plays were extremely interesting and captivating to watch because of their
simple set design, small cast, and concentrated, straightforward plot. Similarly, these plays
employed non exaggerated direction, and focused on more subtle movements and stage direction
to focus on the focal point of the scene. Both plays were mainly dramas, so the direction caused
the plays to feel more personal and visceral. In Arthur Miller s The Price, one significant stage
picture that stood out was a scene where Gregory Solomon (played by Danny Devito) is eating an
egg downstage right center, while Victor Franz (played by Mark Ruffalo) stands in center stage
having an argument with Solomon. Solomon was directed to sit further downstage than Franz in
order to pull the audiences attention towards his actions. In the scene, Devito devours a hard boiled
egg while trying to explain furniture appraisal to Ruffalo; Devito never stopped talking and eating
(doing both at the same time). This direction to not break dialogue further intrigued the audience
because it pulled the audiences attention towards Devito and the question of when he would finish.
The physicality of the stage picture was not excessive or magnified to draw attention, yet the scene
was compelling because of the focused attention on detail and realism in character movement and
direction. In Stephen Kings Misery, the
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3. Truth Evident in the Many Beliefs of Al-Ghazali and...
Truth Evident in the Many Beliefs of Al Ghazali and Aquinas
At first glance the words Tradition and tradition may appear to be identical concepts. Upon further
study, examination, and contemplation, however, these two words differ in their precise
definitions. Tradition carries more weight and meaning than the word tradition. Similarly, Truthand
truth do not denote the exact same principle. In fact, philosophers and religious scholars have been
debating the origins of the latter two doctrines since the Middle Ages. The major dispute associated
with Truth with a capital T and truth with a lower case t focuses around the field of study in which
each is used. According to two prominent thinkers of the ... Show more content on Helpwriting.net
...
The general stance of Al Ghazali is that he eventually departs from philosophy and becomes a Sufi
mystic (Inglis).
Within Sufism, Al Ghazali defined the difference between Ilham (inspiration) and Ta allum
(reasoning or learning). He believes that inspiration and revelation in union with religion hold a
superior position than reasoning that originates from philosophy. Rational knowledge, according
to Al Ghazali, is always relative to the senses. The knowledge of the senses, however, cannot be
trusted as valid. True knowledge, known as the Truth, only comes through inspiration and
revelation (McCarthy 378). Al Ghazali introduces the aspect of God, or Allah, in the acquisition of
perfect knowledge. Inspiration can bring one closer to Allah than philosophical learning alone
(Inglis). Ultimately, this idea of Ilham brings with it the Supreme Reality which is equivalent to
Truth (McCarthy 378). In practical terms, Al Ghazali believes that the necessary Truths of the
intellect begin from a light which God most high cast into my breast. That light is the key to the
greater part of knowledge (Al Ghazali 25). An individual can only experience this light of God if
he or she has reached the state.
According to Al Ghazali, when an individual is in the state, the Truth is revealed to him or her by
the divine workings of Allah, and the knowledge of reason has no value. So how does one achieve
this great state? This
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4. Film Theory Aesthetics Of The Music Video Died For...
пїјDavid Burtle Northumbria University DE1209
James Leggott
29 April 2016
Film Theory Aesthetics
In this essay I will be deconstructing stills from the music video, Died for Love, created for The
Unthanks within the module DE1194 and providing evidence on how it corresponds to existing
film theory. The music video shows the final moments in the life of housewife, Evelyn Raines, as
she struggles with the advancement of technology within 1969. The film explores themes of loss
and isolation as she prepares herself for death.
I will analyse the stills relating both to the abstract art form and also images that focus on realism,
showing how the piece uses multiple film methods to create and enhance the music video s
narrative whilst also discussing the meaning within the imagery and how specific techniques were
used to convey a certain message or emotion. Through the imagery, specific focuses will be made
relating to the cinematography, the use of colour and the intention of the shot, this will then be
expanded into how this is relatable with earlier and modern forms of cinema. I will also discuss
how the images have similarities to avant garde and surrealist films and whether animated
characters can relate to live action performances within film.