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What is the
Enlightenment?
  (also called the Neoclassical
              Period)
It begins with a
 rejection. . . .
      •Of   dogma
      •Of   superstition
      •Of   traditional religion
      •Of   factionalism
      •Of   (in some cases) monarchy
      •Of   disorder
The 1600s had a different ideology
--one steeped in supernatural politics.
       Alchemy, Angelology, Demonology
       The Great Chain of Being
       Divine Right of Kings
. . .but that led to
                    dire political
                    schisms when a
                    monarch died
                    without a clear
                    heir.




The War of the Roses,
anyone?
The Renaissance saw
             many countries
             become Protestant,
             shattering the fifteen-
             hundred-year-old
             spiritual monopoly of
             Catholicism.




Renaissance Reformation!
Martin
             Luther in
             Germany




Jan Hus
In Eastern               Henry VIII in
Europe                   Britain
But that dreaded
factionalism lead to
religious wars--
some continuing
off-and-on for a
century.
England, Germany, and Holland became Protestants allies.
They fought repeatedly against Catholic France, Spain, and
Italy. Later, Protestant groups turned on each other--with
Anglican persecutions against Jansenists, Anabaptists,
Quakers--and in America, Puritans against Quakers, etc.
. . . And
to heresy
   trials
And to the
auto-da-fé
That is the execution of individuals who
dissented from standard scriptural
interpretations--usually by public
burning. The practice began in 1215 in
medieval Catholicism, but Protestants
picked it up in Geneva and London in
the mid-1500s. John Calvin oversaw
the public burnings of Michael Servetus
and other theological dissidents. Martin
Luther moved away from toleration of
Jews early in his career to increasing
anti-semiticism later in his preaching.
And to ever
  increasing
 numbers of
     witch
   burnings

Witch trials were actually
higher in number during
the Renaissance reign of
King James I than in any
decade of the medieval
period in Britain.
And the
Inquisition’s
  growth.

The Inquisition received
official Church sanction in
1215, but the height of its
activity in Spain and France
actually peaked in the
1500s and 1600s--i.e,
Renaissance times.
Not even Galileo
                                                   was safe.
                                           The church arrested Galileo
                                           For heretical ideas such as
                                           heliocentricism. Threatened with
                                           torture, he publicly recanted his
                                           science and lived his last days under
                                           permanent house arrest.

Western Christian biblical references Psalm 93:1, Psalm 96:10, and Chronicles 16:30 include text
stating that "the world is firmly established, it cannot be moved." In the same tradition, Psalm 104:5
says, "[the LORD] set the earth on its foundations; it can never be moved." Further, Ecclesiastes
1:5 states that "the sun rises and the sun sets, and hurries back to where it rises.” This meant that
the
Idea the earth spun on its axis or revolved around the sun was incompatible with literalist readings
of scripture--and many medieval and Renaissance church authorities forbade such teachings.
The printing press dazzled
the early Renaissance . . .
But the overflow of new ideas was also
frightening--leading to national
censorship, book burnings, the index
librorum prohibitorum, pamphlet wars.
Worn out by 200 years of this
bickering, warfare, dissension, and
fanaticism, Europe was ready for a
change by the late 1600s and early
1700s.




                  “I said, a change, a change,
                  would do you good.”
                  --Cheryl Crow, “A Change.”
That change was the
Enlightenment!

 What is the Enlightenment
          attitude?

      (1) A desire for rationality, logic, consistency.
      (2) A rejection of emotionalism
      (3) A preference for evidence, not faith
      (4) Increased interest in science, mathematics,
      geometry
      (5) An admiration for Greece and Rome and an
      abhorrence for everything medieval.
      (6) A preference for the artificial over the natural,
      technology over wilderness.
What is the
 Enlightenment
    socially?

(1) A disdain of “messiness” and “chaos” as being
    unharmonious.
(2) A preference for democracy.
(3) A preference for civilized, polite discussion of
    ideas. Conclusions reached by intelligent debate--
    not force.
(4) A desire to create social standards based on
    reason--not tradition.
(5) An embrace of monotheistic Deism rather than
    traditional Trinitarian doctrines.
What is the
Enlightenment
aesthetically?

  (1) A desire for geometric shapes, orderly
      repetition in mathematical patterns.
  (2) A disdain of “messiness” and “chaos” in art and
      clothing and hairstyles as being unharmonious.
  (3) Greco-Roman architecture
  (4) Endless Heroic Couplets
  (5) Satire as a means of social critique
See for instance
 Enlightenment
    gardens.
Here, the “messiness” of the natural world must bow
before pure geometry. In such a garden, the chaos of
nature is tamed to match the orderly design of human
intellect.
Straight lines, 90
degree corners, the
stuff to warm the heart
of an Enlightenment
thinker. Thus, hedge--
mazes appear across
Europe.
Even the untidiness of natural hair disturbs Enlightenment society. Thus,
the tradition of the perfectly coiffed wig appears in the age of Washington
and Jefferson and Marie Antoinette. Powdered porcelain make-up and
other cosmetics become fashionable and artificial “beauty” patches (bits
of black cloth with adhesive) are used to create artificial moles or freckles
(or to hide natural ones.) It is an age of absolute artifice.
The Enlightenment is so devoted to
Greco-Roman logic and philosophy it is
thus also called the “Neoclassic Period.” A
similar taste appears in their architecture,
their plays and drama. . . .
Take a look at the Arch of Emperor
Constantine, built c. 312-315 CE.
Then look at the French Arc de Triomph du
Carrousel. Note any similarities?
Top Left:
   the Parthenon of the
   Acropolis, built
   c. 447-438 BCE.




Bottom left:
Ragensberg Replica,
Planned in the 1790s
And built 1830 CE.
We also see it in their
obsessive and
rigorous attitudes to
standardizing language:

  The French Academy
  Of Language




                          Samuel Johnson working
                          on his dictionary of 1755.
…and artificial grammar rules
based on Latin , or Greek,
or even rules of algebra!     Shall versus Will?
                               “It is I,” or “It is me”?
                               Count Nouns versus
                                    Non-Count Nouns?

Double negatives?
Reflexive pronouns?
Split infinitives?
Standardizing spelling
    based on etymology?
“Incomparables” versus
       positives and
       superlatives?
How do these tendencies
affect the Enlightenment’s
literature?                In poetry: heroic
                               couplets and “perfect”
                               metrical patterns and a
                               return to classical
                               Greco-Roman epics. Cf.
                               Pope’s The Rape of the
                               Lock.




 In both poetry and prose, a focus
 on satire--the use of mockery to
 point out social stupidities.

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Enlightenment

  • 1. What is the Enlightenment? (also called the Neoclassical Period)
  • 2. It begins with a rejection. . . . •Of dogma •Of superstition •Of traditional religion •Of factionalism •Of (in some cases) monarchy •Of disorder
  • 3. The 1600s had a different ideology --one steeped in supernatural politics. Alchemy, Angelology, Demonology The Great Chain of Being Divine Right of Kings
  • 4. . . .but that led to dire political schisms when a monarch died without a clear heir. The War of the Roses, anyone?
  • 5. The Renaissance saw many countries become Protestant, shattering the fifteen- hundred-year-old spiritual monopoly of Catholicism. Renaissance Reformation!
  • 6. Martin Luther in Germany Jan Hus In Eastern Henry VIII in Europe Britain
  • 7. But that dreaded factionalism lead to religious wars-- some continuing off-and-on for a century. England, Germany, and Holland became Protestants allies. They fought repeatedly against Catholic France, Spain, and Italy. Later, Protestant groups turned on each other--with Anglican persecutions against Jansenists, Anabaptists, Quakers--and in America, Puritans against Quakers, etc.
  • 8. . . . And to heresy trials
  • 9. And to the auto-da-fé That is the execution of individuals who dissented from standard scriptural interpretations--usually by public burning. The practice began in 1215 in medieval Catholicism, but Protestants picked it up in Geneva and London in the mid-1500s. John Calvin oversaw the public burnings of Michael Servetus and other theological dissidents. Martin Luther moved away from toleration of Jews early in his career to increasing anti-semiticism later in his preaching.
  • 10. And to ever increasing numbers of witch burnings Witch trials were actually higher in number during the Renaissance reign of King James I than in any decade of the medieval period in Britain.
  • 11. And the Inquisition’s growth. The Inquisition received official Church sanction in 1215, but the height of its activity in Spain and France actually peaked in the 1500s and 1600s--i.e, Renaissance times.
  • 12. Not even Galileo was safe. The church arrested Galileo For heretical ideas such as heliocentricism. Threatened with torture, he publicly recanted his science and lived his last days under permanent house arrest. Western Christian biblical references Psalm 93:1, Psalm 96:10, and Chronicles 16:30 include text stating that "the world is firmly established, it cannot be moved." In the same tradition, Psalm 104:5 says, "[the LORD] set the earth on its foundations; it can never be moved." Further, Ecclesiastes 1:5 states that "the sun rises and the sun sets, and hurries back to where it rises.” This meant that the Idea the earth spun on its axis or revolved around the sun was incompatible with literalist readings of scripture--and many medieval and Renaissance church authorities forbade such teachings.
  • 13. The printing press dazzled the early Renaissance . . .
  • 14. But the overflow of new ideas was also frightening--leading to national censorship, book burnings, the index librorum prohibitorum, pamphlet wars.
  • 15. Worn out by 200 years of this bickering, warfare, dissension, and fanaticism, Europe was ready for a change by the late 1600s and early 1700s. “I said, a change, a change, would do you good.” --Cheryl Crow, “A Change.”
  • 16. That change was the Enlightenment! What is the Enlightenment attitude? (1) A desire for rationality, logic, consistency. (2) A rejection of emotionalism (3) A preference for evidence, not faith (4) Increased interest in science, mathematics, geometry (5) An admiration for Greece and Rome and an abhorrence for everything medieval. (6) A preference for the artificial over the natural, technology over wilderness.
  • 17. What is the Enlightenment socially? (1) A disdain of “messiness” and “chaos” as being unharmonious. (2) A preference for democracy. (3) A preference for civilized, polite discussion of ideas. Conclusions reached by intelligent debate-- not force. (4) A desire to create social standards based on reason--not tradition. (5) An embrace of monotheistic Deism rather than traditional Trinitarian doctrines.
  • 18.
  • 19. What is the Enlightenment aesthetically? (1) A desire for geometric shapes, orderly repetition in mathematical patterns. (2) A disdain of “messiness” and “chaos” in art and clothing and hairstyles as being unharmonious. (3) Greco-Roman architecture (4) Endless Heroic Couplets (5) Satire as a means of social critique
  • 20. See for instance Enlightenment gardens.
  • 21. Here, the “messiness” of the natural world must bow before pure geometry. In such a garden, the chaos of nature is tamed to match the orderly design of human intellect.
  • 22. Straight lines, 90 degree corners, the stuff to warm the heart of an Enlightenment thinker. Thus, hedge-- mazes appear across Europe.
  • 23. Even the untidiness of natural hair disturbs Enlightenment society. Thus, the tradition of the perfectly coiffed wig appears in the age of Washington and Jefferson and Marie Antoinette. Powdered porcelain make-up and other cosmetics become fashionable and artificial “beauty” patches (bits of black cloth with adhesive) are used to create artificial moles or freckles (or to hide natural ones.) It is an age of absolute artifice.
  • 24. The Enlightenment is so devoted to Greco-Roman logic and philosophy it is thus also called the “Neoclassic Period.” A similar taste appears in their architecture, their plays and drama. . . .
  • 25. Take a look at the Arch of Emperor Constantine, built c. 312-315 CE.
  • 26. Then look at the French Arc de Triomph du Carrousel. Note any similarities?
  • 27. Top Left: the Parthenon of the Acropolis, built c. 447-438 BCE. Bottom left: Ragensberg Replica, Planned in the 1790s And built 1830 CE.
  • 28. We also see it in their obsessive and rigorous attitudes to standardizing language: The French Academy Of Language Samuel Johnson working on his dictionary of 1755.
  • 29. …and artificial grammar rules based on Latin , or Greek, or even rules of algebra! Shall versus Will? “It is I,” or “It is me”? Count Nouns versus Non-Count Nouns? Double negatives? Reflexive pronouns? Split infinitives? Standardizing spelling based on etymology? “Incomparables” versus positives and superlatives?
  • 30. How do these tendencies affect the Enlightenment’s literature? In poetry: heroic couplets and “perfect” metrical patterns and a return to classical Greco-Roman epics. Cf. Pope’s The Rape of the Lock. In both poetry and prose, a focus on satire--the use of mockery to point out social stupidities.