This document provides an overview of key elements of a story, including setting, characters, plot, and conflict. It defines these terms and gives examples. Setting is described as the time and place the story occurs. Characters are the people, animals, or creatures in the story. Plot refers to the series of events that make up the narrative. Conflict is defined as the problem or struggle between two opposing forces in the story. The document uses examples and exercises to illustrate how authors employ these elements in crafting stories.
Teach students how to identify an author's purpose with this interactive presentation. Designed specifically for intermediate and middle school students.
Teach students how to identify an author's purpose with this interactive presentation. Designed specifically for intermediate and middle school students.
This presentation shows readers how to find the theme of a text. For a study guide for students, and stories and activities for finding themes, purchase my Teaching About Theme unit on TeachersPayTeachers:
http://www.teacherspayteachers.com/Product/Teaching-About-Theme-342213
This presentation shows readers how to find the theme of a text. For a study guide for students, and stories and activities for finding themes, purchase my Teaching About Theme unit on TeachersPayTeachers:
http://www.teacherspayteachers.com/Product/Teaching-About-Theme-342213
An expanded Conflict Resolution Presentations which gives more practical advice on how to use the information.
I had members of the class give real life examples of Conflict Causes as listed on pages 13-18 . This helped bring out some very REAL issues (without centering anyone out) that we were able to provide resolutions for. Worked well. Good Luck.
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Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
June 3, 2024 Anti-Semitism Letter Sent to MIT President Kornbluth and MIT Cor...Levi Shapiro
Letter from the Congress of the United States regarding Anti-Semitism sent June 3rd to MIT President Sally Kornbluth, MIT Corp Chair, Mark Gorenberg
Dear Dr. Kornbluth and Mr. Gorenberg,
The US House of Representatives is deeply concerned by ongoing and pervasive acts of antisemitic
harassment and intimidation at the Massachusetts Institute of Technology (MIT). Failing to act decisively to ensure a safe learning environment for all students would be a grave dereliction of your responsibilities as President of MIT and Chair of the MIT Corporation.
This Congress will not stand idly by and allow an environment hostile to Jewish students to persist. The House believes that your institution is in violation of Title VI of the Civil Rights Act, and the inability or
unwillingness to rectify this violation through action requires accountability.
Postsecondary education is a unique opportunity for students to learn and have their ideas and beliefs challenged. However, universities receiving hundreds of millions of federal funds annually have denied
students that opportunity and have been hijacked to become venues for the promotion of terrorism, antisemitic harassment and intimidation, unlawful encampments, and in some cases, assaults and riots.
The House of Representatives will not countenance the use of federal funds to indoctrinate students into hateful, antisemitic, anti-American supporters of terrorism. Investigations into campus antisemitism by the Committee on Education and the Workforce and the Committee on Ways and Means have been expanded into a Congress-wide probe across all relevant jurisdictions to address this national crisis. The undersigned Committees will conduct oversight into the use of federal funds at MIT and its learning environment under authorities granted to each Committee.
• The Committee on Education and the Workforce has been investigating your institution since December 7, 2023. The Committee has broad jurisdiction over postsecondary education, including its compliance with Title VI of the Civil Rights Act, campus safety concerns over disruptions to the learning environment, and the awarding of federal student aid under the Higher Education Act.
• The Committee on Oversight and Accountability is investigating the sources of funding and other support flowing to groups espousing pro-Hamas propaganda and engaged in antisemitic harassment and intimidation of students. The Committee on Oversight and Accountability is the principal oversight committee of the US House of Representatives and has broad authority to investigate “any matter” at “any time” under House Rule X.
• The Committee on Ways and Means has been investigating several universities since November 15, 2023, when the Committee held a hearing entitled From Ivory Towers to Dark Corners: Investigating the Nexus Between Antisemitism, Tax-Exempt Universities, and Terror Financing. The Committee followed the hearing with letters to those institutions on January 10, 202
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
2. Elements of a Story:
• Setting – The time and place a story takes place.
• Characters – the people, animals or creatures in a story.
• Plot – the series of events that make up a story.
• Conflict – a problem or struggle between two people, things or ideas.
Walsh Publishing Co. 2009
4. Setting
Details can describe:
Time of day
Time of year
Time in History
Scenery
Weather
Location
• The setting describes where
an when the story takes place.
• It helps build background and
create images in the mind.
• It helps set the tone or mood
of the story.
Walsh Publishing Co. 2009
5. Using the Five Senses
• A good setting helps
the reader visualize
the places in the
story.
• A good author
includes
descriptions of the
setting using the
five senses…
• SIGHT
• SMELL
• TASTE
• FEEL
• SOUND
Walsh Publishing Co. 2009
6. Take a Look…Which is better?
The castle
was beside
the water.
OR…
The waves crashed loudly against the shoreline. The
fog lifted lightly and the medieval castle came into
view. It was a beautiful site! The fog brushed my
face and I could smell the smoke from the fire in the
distance and taste the sea salt on my lips. Walsh Publishing Co. 2009
7. Your Turn…
• On the next slide, there is a picture of a setting.
• In your own words, write a detailed description of the
setting in your picture. Include many adjectives and
don’t forget to include descriptions for each of the five
senses: see, hear, feel, smell, taste
• Extension: Draw your own setting and then write
about it.
• Extension: Your teacher will give you a magazine to
look through. Find a picture that could be a setting for
a story.
Walsh Publishing Co. 2009
13. Characterization
Characterization is the
way in which an author
shows the personality of a
character
Characterization is a
technique writers use to
make characters “come to
life.”
Walsh Publishing Co. 2009
14. Think about your favorite book,
movie or TV character…
• How can you describe his/her appearance?
• What kind of personality does he/she have?
• What kinds of things does he/she like?
• Make a list of character traits for this character.
15. Characterization
Characters are people or animals in a story.
A writer can tell you directly about a character…
(Freddy was very competitive)
Or
A writer can tell you indirectly about a character…
(Two days before the game, Freddy gathered his
teammates and laid out his plan. Then he looked at them
and said, “We are going to win this one. No excuses.”)
16. Direct
Characterization • Direct Characterization
tells the reader the
personality of the
character.
• Direct Characterization is
obvious to the reader and
“spells” it right out.
• “The patient boy and the
quiet girl were both well
behaved and did not
disobey their mother.
17. Indirect
Characterization • Indirect
Characterization shows
things that reveal the
personality of the
character.
• Speech
• Thought
• Effect on Others
• Actions
• Looks
The boy sat next to his
sister as she poked him
and teased him. He did
not react. He carefully
picked up her doll from
the floor and placed it
on her lap saying gently,
“Here you go, why don’t
you play with your
doll?”
18. Indirect
☻WhatC doehs thae crhaaracctert saey? r Hoiwz doaest thie ochnara…cter speak?
☻ What is revealed through the character’s private thoughts and
feelings?
☻ What is the character’s effect on others? How do other
characters feel or behave in reaction to the character?
☻ What does the character do? How does he/she behave?
☻ What does the character look like? Dress like?
20. FFaaccttoorrss iinn AAnnaallyyzziinngg CChhaarraacctteerrss
Physical appearance/what they look like
Personality & Character Traits
Background/personal history
Motivation/why do they act?
Relationships
Conflict or struggles
Does the character change?
What do they think and feel?
How do others feel about them?
21. Character Motivation
• Character Motivation is the driving force behind why
the character does what he/she does. (Reasons for
character’s actions)
• What does the main character want more than
anything else (main goal)?
• What do secondary characters want more than
anything else (main goal)?
• What potential conflicts or struggles might exist
between the characters?
Walsh Publishing Co. 2009
22. Snow White: Character
Motivation • Character Motivation. Why does the queen’s heart turn
against Snow White?
• Character Motivation. Why do the dwarfs allow Snow
White to stay with them?
• Character Motivation. Why does the queen disguise herself
as an old peddler woman?
• Character Motivation. Why does the queen give Snow
White the poison apple?
23. Your Turn…Think of a character from a
book, a movie or TV…
• Who is the character? From what story?
• What does he/she want?
• What does he/she need?
• What is his/her motivation?
• What does he/she do to get what they need?
• How does the character change during the movie,
book or TV show?
24. Character Poem
First name ________________________
Four traits ________________________
Related to:________________________
Cares deeply for _____________________
Who feels ________________________
Who needs ________________________
Who gives _________________________
Who would like to see __________________
Resident of ________________________
Example of poem
Snow White,
Beautiful, giving, loving, unhappy
The Queen, her wicked stepmother
The seven dwarfs
Safe in the forest
The love of a Prince
Love to the seven dwarfs
Goodness throughout the kingdom
The forest.
Identifying Character Traits Worksheet: http://www.readwritethink.org/lesson_images/lesson175/RWT186-2.pdf
26. Plot
Plot - the events that take place in a story. Every story
needs a plot! The plot has different “parts…”
27. Plot Components
Climax: the turning point, the most
intense moment—either mentally
Rising Action: the series of
events and conflicts in the story
that lead to the climax
Exposition: the start of the story,
before the action starts
or in action
Falling Action: all of the
action which follows the
climax
Resolution: the conclusion, the
tying together of all of the threads
29. Special TTeecchhnniiqquueess ooff PPlloott……
Suspense- excitement or tension
Flashback- interrupts the normal sequence of
events to tell about something that happened
in the past
Surprise Ending- conclusion that reader does
not expect
And…Foreshadowing…
30. A hint about what will happen next is
called foreshadowing
For example, if you hear this:
Then you know someone’s about to get eaten!
31. Your Turn…
• You will be given a short story to read.
• Once you’ve finished reading, fill out the plot diagram for the
story.
33. Conflict
• Conflict is the
“battle” between
two forces.
• Conflict isn’t always
bad..sometimes it
helps to create
change.
Walsh Publishing Co. 2009
34. Conflict
Conflict is the struggle between two
forces in a story. Without conflict,
there is no plot.
35. Types of Conflict
Character vs Character
Character vs Nature
Character vs Society
Character vs Self
36. Types Of Conflict…a deeper look
1.Character vs. Character
(problem with another character)
2. Character vs. Nature
(problem with force of nature)
3. Character vs. Society
(problem with the laws or beliefs of a group)
(character vs. community, society or culture)
4. Character vs. Self
(problem with deciding what to
do or think; “inner conflict”)
37. Your turn…
What’s a well-known movie that has…
Character vs. Character Conflict
Character vs. Nature Conflict
Character vs. Society
Character vs. Self
Editor's Notes
Exposition: The mood and conditions existing at the beginning of the story. The setting is identified. The main characters with their positions, circumstances and relationships to one another are established. The exciting force or initial conflict is introduced. Sometimes called the “Narrative HOOK” this begins the conflict that continues throughout the story.
Rising Action: The series of events, conflicts, and crises in the story that lead up to the climax, providing the progressive intensity, and complicate the conflict.
Climax: The turning point of the story. A crucial event takes place and from this point forward, the protagonist moves toward his inevitable end. The event may be either an action or a mental decision that the protagonist makes.
Falling Action: The events occurring from the time of the climax to the end of the story. The main character may encounter more conflicts in this part of the story, but the end is inevitable.
Resolution/Denouement: The tying up of loose ends and all of the threads in the story. The conclusion. The hero character either emerges triumphant or is defeated at this point.