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List as many
transitions as
   they can
 think of that
   would be
 used in a TV
    drama
   We are going to watch
    the first 15 minutes of
    Sex Traffic (2004)
   A powerful two-part
    drama about two young
    Moldovan sisters
    kidnapped and
    trafficked through
    Europe to the dark side
    of London, betrayed by
    pimps and police, and
    fighting for their lives.   Watch now on 4oD
Transition Seen in Sex Traffic   Why the transition was used in this drama
List the all of the
 editing devices
  that you can
     think of
   Cutting – The simple change from one
    shot/scene to another

   Cross Cutting - Editing that alternates shots
    of two or more lines of action occurring in
    different places, usually simultaneously. The
    two actions are therefore linked, associating
    the characters from both lines of action.
   We have studied this before for your
    preliminary task.

   This is used in conversation to move from one
    character to another and back again.
   Again we have studied this before
   This is where the camera shoots one
    continuous piece of action and the edit
    switches from one perspective to another.
A cut obeying the axis of action principle, in which the first shot shows a person off in one
direction and the second shows a nearby space containing what he or she sees. If the
person looks left, the following shot should imply that the looker is offscreen right. See
the example below -




First we see her looking... then we see what she looks at.
As her interest grows, the eyeline match (that is the connection between looker and
looked) is stressed with matching close-ups of her face and Icarus's falling into the ocean
in the painting. Again, this implies that she is looking directly at Icarus's body.
First we see her looking...
then we see what she looks
             at.




 As her interest grows, the
 eyeline match (that is the
connection between looker
  and looked) is stressed
with matching close-ups of
her face and the section of
     the painting she is
        interested in
   With pace you are looking for how long or
    short the time between each edit is.
     If we are watching a car chase we would expect
      the time to be short between each edit.
     A emotional drama may have much longer
      between each of its cuts
   You can also think about rhythem. Have the
    edits been timed to key moments or the beat
    of the piece of music behind the scene?
   Watch this clip and analyse how the editing
    techniques have been used in the clip.


   http://www.youtube.com/watch?v=gKkBzbdi
    qV0

   Record examples for each of the techniques
    using the table on the next slide.
Example from 24                Function of the editing
Editing Device           interrogation scene            devise

Cutting /Cross Cutting   This is used to move the     It shows relation and focuses
                         scene from the interrogation on the same narrative as the
                         room to a different room.    other scene. It gives the
                                                      audience more information
                                                      on what is going on
                                                      regarding the same
                                                      particular scene.
Shot Reverse-Shot        This is used when both         This gives clear focus on who
                         characters engage in a         is talking and shows
                         conversation.                  expression of the characters
                                                        involved in talking.
Match on Action          This is used to show two       This makes the audience feel
                         different perspective in the   as if they are there alongside
                         interrogation, without using   the action. The more match
                         the shot reverse-shot.         an actions shots there are
                                                        the more fast-paced the
                                                        sequence becomes.
Eyeline Match            This is used to show what     This makes an object the
                         the main character is looking centre of attention. This way
                         at when he enters the room. the audience will know it is
In groups fill in the last
  column of the table
evaluating the function
 of the editing devices.
   Answer the following question:
     Does the use of editing in TV Dramas construct
     the meaning about relationships between
     characters.

   Post your response on your blog along with
    this PowerPoint when it is filled in.
   Different editing features create different
    effects. If for example the pace is slow and the
    scene focuses on two characters, the mood
    becomes calm. If in addition a shot reverse shot
    and close up is added, we know they are talking
    to each other in a calm mood, suggesting they
    are close. If eye line match is used, focusing on
    their eyes, it suggests that the characters are
    very close. If the pace is fast and focuses on two
    different characters, we know the atmosphere is
    heavy or exciting between the two, suggesting
    they feel anger or hatred towards each other.

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Editing in television drama

  • 1.
  • 2. List as many transitions as they can think of that would be used in a TV drama
  • 3. We are going to watch the first 15 minutes of Sex Traffic (2004)  A powerful two-part drama about two young Moldovan sisters kidnapped and trafficked through Europe to the dark side of London, betrayed by pimps and police, and fighting for their lives. Watch now on 4oD
  • 4. Transition Seen in Sex Traffic Why the transition was used in this drama
  • 5.
  • 6. List the all of the editing devices that you can think of
  • 7. Cutting – The simple change from one shot/scene to another  Cross Cutting - Editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously. The two actions are therefore linked, associating the characters from both lines of action.
  • 8. We have studied this before for your preliminary task.  This is used in conversation to move from one character to another and back again.
  • 9. Again we have studied this before  This is where the camera shoots one continuous piece of action and the edit switches from one perspective to another.
  • 10. A cut obeying the axis of action principle, in which the first shot shows a person off in one direction and the second shows a nearby space containing what he or she sees. If the person looks left, the following shot should imply that the looker is offscreen right. See the example below - First we see her looking... then we see what she looks at. As her interest grows, the eyeline match (that is the connection between looker and looked) is stressed with matching close-ups of her face and Icarus's falling into the ocean in the painting. Again, this implies that she is looking directly at Icarus's body.
  • 11. First we see her looking... then we see what she looks at. As her interest grows, the eyeline match (that is the connection between looker and looked) is stressed with matching close-ups of her face and the section of the painting she is interested in
  • 12. With pace you are looking for how long or short the time between each edit is.  If we are watching a car chase we would expect the time to be short between each edit.  A emotional drama may have much longer between each of its cuts  You can also think about rhythem. Have the edits been timed to key moments or the beat of the piece of music behind the scene?
  • 13. Watch this clip and analyse how the editing techniques have been used in the clip.  http://www.youtube.com/watch?v=gKkBzbdi qV0  Record examples for each of the techniques using the table on the next slide.
  • 14. Example from 24 Function of the editing Editing Device interrogation scene devise Cutting /Cross Cutting This is used to move the It shows relation and focuses scene from the interrogation on the same narrative as the room to a different room. other scene. It gives the audience more information on what is going on regarding the same particular scene. Shot Reverse-Shot This is used when both This gives clear focus on who characters engage in a is talking and shows conversation. expression of the characters involved in talking. Match on Action This is used to show two This makes the audience feel different perspective in the as if they are there alongside interrogation, without using the action. The more match the shot reverse-shot. an actions shots there are the more fast-paced the sequence becomes. Eyeline Match This is used to show what This makes an object the the main character is looking centre of attention. This way at when he enters the room. the audience will know it is
  • 15. In groups fill in the last column of the table evaluating the function of the editing devices.
  • 16. Answer the following question:  Does the use of editing in TV Dramas construct the meaning about relationships between characters.  Post your response on your blog along with this PowerPoint when it is filled in.
  • 17. Different editing features create different effects. If for example the pace is slow and the scene focuses on two characters, the mood becomes calm. If in addition a shot reverse shot and close up is added, we know they are talking to each other in a calm mood, suggesting they are close. If eye line match is used, focusing on their eyes, it suggests that the characters are very close. If the pace is fast and focuses on two different characters, we know the atmosphere is heavy or exciting between the two, suggesting they feel anger or hatred towards each other.