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   We are going to watch
    the first 15 minutes of
    Sex Traffic (2004)
   A powerful two-part
    drama about two young
    Moldovan sisters
    kidnapped and
    trafficked through
    Europe to the dark side
    of London, betrayed by
    pimps and police, and
    fighting for their lives.   Watch now on 4oD
Transition Seen in Sex Traffic   Why the transition was used in this drama

Cut                              To change the clip quickly e.g if the location is
                                 changing.
Shot reverse shot                To show a conversation between two people.

Match on action                  To follow the dramatic action scene.

Fade to black                    To put you in the position the girl is when she is
                                 drowning.
   Cutting – The simple change from one
    shot/scene to another

   Cross Cutting - Editing that alternates shots
    of two or more lines of action occurring in
    different places, usually simultaneously. The
    two actions are therefore linked, associating
    the characters from both lines of action.
   We have studied this before for your
    preliminary task.

   This is used in conversation to move from one
    character to another and back again.
   Again we have studied this before
   This is where the camera shoots one
    continuous piece of action and the edit
    switches from one perspective to another.
A cut obeying the axis of action principle, in which the first shot shows a person off in one
direction and the second shows a nearby space containing what he or she sees. If the
person looks left, the following shot should imply that the looker is offscreen right. See
the example below -




First we see her looking... then we see what she looks at.
As her interest grows, the eyeline match (that is the connection between looker and
looked) is stressed with matching close-ups of her face and Icarus's falling into the ocean
in the painting. Again, this implies that she is looking directly at Icarus's body.
First we see her looking...
then we see what she looks
             at.




 As her interest grows, the
 eyeline match (that is the
connection between looker
  and looked) is stressed
with matching close-ups of
her face and the section of
     the painting she is
        interested in
   With pace you are looking for how long or
    short the time between each edit is.
     If we are watching a car chase we would expect
      the time to be short between each edit.
     A emotional drama may have much longer
      between each of its cuts
   You can also think about rhythem. Have the
    edits been timed to key moments or the beat
    of the piece of music behind the scene?
   Watch this clip and analyse how the editing
    techniques have been used in the clip.


   http://www.youtube.com/watch?v=gKkBzbdi
    qV0

   Record examples for each of the techniques
    using the table on the next slide.
Example from 24                          Function of the editing
Editing Device           interrogation scene                      devise

Cutting /Cross Cutting   There is a cut used at the beginning     It changes so that the clip isn't just
                         of this clip when the camera switches    set in one location so the audience do
                         to another room and what is going        not get bored of looking at the same
                         on in there.                             thing for too long.
Shot Reverse-Shot        This is used when showing the            Using this editing devise it allows the
                         conversation between the man and         audience to be placed in the
                         the women in the clip.                   actors/actresses position especially
                                                                  when they’re having a conversation.
Match on Action          The match on action shot is used         The function of this editing devise is
                         when you see a man running through       that it gives the full effect of an
                         a building trying to stop the            action scene to the audience.
                         interrogator.
Eyeline Match            When the man walks into the room         The eyeline match shot shows the
                         you see what he looks like from a        audience what the actor/actress can
                         distance then you get a zoomed in        see so it puts them in their position.
                         shot of him looking at the camera in
                         the corner of the room. This has also
                         been used a number of times with
                         the women when you see a medium
                         shot of her face looking at the clock
                         then it cuts to a zoom onto the clock.
Pace                     The cuts start off with being a quick    Using different pace’s can create
                         pace but then begin to slow down         suspense and make the audience
                         nearer the end of the clip.              have to wait for what to come next
                                                                  (cliff hanger.)
In groups fill in the last
  column of the table
evaluating the function
 of the editing devices.
   Answer the following question:
     Does the use of editing in TV Dramas construct
     the meaning about relationships between
     characters.

   Post your response on your blog along with
    this PowerPoint when it is filled in.

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Here is a draft response to the question:Yes, the use of editing in TV dramas can construct meaning about relationships between characters. Editing techniques like shot reverse shot, eyeline match, and cross-cutting are commonly used to depict interactions and build understanding of dynamics between characters. Shot reverse shot is frequently employed during conversations to convey a back-and-forth exchange and imply a connection between the speakers. Eyeline match establishes who characters are looking at and what they can see, giving insight into their focus and relationships. Cross-cutting between different locations or storylines can associate characters and suggest how their actions are interrelated.Beyond individual scenes, editors may strategically structure episodes and entire shows through their cutting choices

  • 1.
  • 2. We are going to watch the first 15 minutes of Sex Traffic (2004)  A powerful two-part drama about two young Moldovan sisters kidnapped and trafficked through Europe to the dark side of London, betrayed by pimps and police, and fighting for their lives. Watch now on 4oD
  • 3. Transition Seen in Sex Traffic Why the transition was used in this drama Cut To change the clip quickly e.g if the location is changing. Shot reverse shot To show a conversation between two people. Match on action To follow the dramatic action scene. Fade to black To put you in the position the girl is when she is drowning.
  • 4.
  • 5. Cutting – The simple change from one shot/scene to another  Cross Cutting - Editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously. The two actions are therefore linked, associating the characters from both lines of action.
  • 6. We have studied this before for your preliminary task.  This is used in conversation to move from one character to another and back again.
  • 7. Again we have studied this before  This is where the camera shoots one continuous piece of action and the edit switches from one perspective to another.
  • 8. A cut obeying the axis of action principle, in which the first shot shows a person off in one direction and the second shows a nearby space containing what he or she sees. If the person looks left, the following shot should imply that the looker is offscreen right. See the example below - First we see her looking... then we see what she looks at. As her interest grows, the eyeline match (that is the connection between looker and looked) is stressed with matching close-ups of her face and Icarus's falling into the ocean in the painting. Again, this implies that she is looking directly at Icarus's body.
  • 9. First we see her looking... then we see what she looks at. As her interest grows, the eyeline match (that is the connection between looker and looked) is stressed with matching close-ups of her face and the section of the painting she is interested in
  • 10. With pace you are looking for how long or short the time between each edit is.  If we are watching a car chase we would expect the time to be short between each edit.  A emotional drama may have much longer between each of its cuts  You can also think about rhythem. Have the edits been timed to key moments or the beat of the piece of music behind the scene?
  • 11. Watch this clip and analyse how the editing techniques have been used in the clip.  http://www.youtube.com/watch?v=gKkBzbdi qV0  Record examples for each of the techniques using the table on the next slide.
  • 12. Example from 24 Function of the editing Editing Device interrogation scene devise Cutting /Cross Cutting There is a cut used at the beginning It changes so that the clip isn't just of this clip when the camera switches set in one location so the audience do to another room and what is going not get bored of looking at the same on in there. thing for too long. Shot Reverse-Shot This is used when showing the Using this editing devise it allows the conversation between the man and audience to be placed in the the women in the clip. actors/actresses position especially when they’re having a conversation. Match on Action The match on action shot is used The function of this editing devise is when you see a man running through that it gives the full effect of an a building trying to stop the action scene to the audience. interrogator. Eyeline Match When the man walks into the room The eyeline match shot shows the you see what he looks like from a audience what the actor/actress can distance then you get a zoomed in see so it puts them in their position. shot of him looking at the camera in the corner of the room. This has also been used a number of times with the women when you see a medium shot of her face looking at the clock then it cuts to a zoom onto the clock. Pace The cuts start off with being a quick Using different pace’s can create pace but then begin to slow down suspense and make the audience nearer the end of the clip. have to wait for what to come next (cliff hanger.)
  • 13. In groups fill in the last column of the table evaluating the function of the editing devices.
  • 14. Answer the following question:  Does the use of editing in TV Dramas construct the meaning about relationships between characters.  Post your response on your blog along with this PowerPoint when it is filled in.