The document discusses conventions of the pop music genre that were considered when creating a music video. It analyzes Vernallis's theory of four key concepts in music video production: narrative, editing, camera movement/framing, and diegesis. It also draws from Goodwin's theory of amplification, using colorful clothing, locations, and beats to match this convention. Overall, the document aims to faithfully replicate pop music genre conventions rather than challenge them in the music video and other media products.