The document appears to be a screenplay describing scenes from the life of a young girl named Madeline. In one scene, Madeline is shown her new bedroom by her adoptive parents. However, when Madeline finds an old ragged doll in a box of her belongings, she has a flashback to traumatic memories and experiences heavy breathing. In another scene, Madeline's mother tells her she will be a big sister, but Madeline looks shocked by the news. Madeline is later shown leaving the doll and a note for the new child in their bedroom before shutting the door and smiling while looking ahead.

1. INT. HALLWAY – NIGHT
TRACKING SHOT
Camera tracking through a dark hallway with lights flickering comes upon the
title and openings scratched into a silver metal door. Indelible.
INT. SURGERY ROOM – NIGHT
HANDHELD SHOT
Lights flickering, eerie silence
BIRDS EYE PANNING SHOT
Pans over numerous tools, covered in dry blood. Diegetic footsteps and ambient
sound of tools clanging against metal surfaces.
BIRDS EYE SHOT
Large pair of hands appears in the frame, wearing a pair of white gloves, cleaning
a scalpel (articulately), they then drop the scalpel
INT.ORPHANAGE - DAY
MERGE/GRAPHIC MATCH
Social worker picks up a pen from the table
CLOSE-UP SHOT
Madeline’s legs swinging on a chair as she fidgets and plays with her hands.
Diegetic, ambient sound of muffled speech in the background.
SOCIAL WORKER
(Quietly)
She’s been through a lot
PANNING SHOT
Slowly pans up to Madeline’s face, she’s expressionless, she then stands up.
MID-FOUR SHOT
SOCIAL WORKER
(Enthusiastically)
I’m sure you’ll love your new home Madeline
MUM
(Happily)
Yeah honey your bedrooms all set, come on you’ll love it
CLOSE-UP SHOT
The mum squeezes Madeline’s shoulder as they start to walk.
ZOOM
Camera zooms into Madeline’s expressionless face
SOCIAL WORKER
(Quietly in the background)
Bye Madeline
FADE
ESTABLISHING SHOT

2. EXT. HOUSE – DAY
MUM
(Excited, soft tone)
This is your new room
SOUNDBRIDGE
CUT TO
INT. MADELINES ROOM. AFTERNOON
MUM
"This is your new room"
(Looks at MADELINE and smiles comfortingly)
CLOSE-UP
MUM and DAD show MADELINE into her new room, they stand behind her as she
looks into the small, girly room presented in front of her.
DAD
"Why don't you get settled while we prepare lunch"
(He places his hands on MADELINES shoulders and squeezes it softly)
WIDE SHOT
MUM and DAD both smile at her and slowly walk out of the frame.
TRACKS
MADELINE walks into the room and begins to look around.
LONG SHOT
SHE turns the lights on and off twice.
CLOSE UP
MADELINE looks at some items on her dresser, she picks some up starting at
them curiously. She turns them around, as though she's inspecting them.
PAN TO
Some of these items

3. CUT TO
MADELINE flicks through a book
CUT TO A LONG SHOT
MADELINE slowly sits on the floor, she struggles to fold her legs as she looks up
at some unpacked boxes in front of her.
WIDE SHOT
SHE begins to pick some items out, then suddenly stops. She stares Intensely into
the box, then slowly brings out a ragged doll.
CUTS TO CLOSE-UP
of tattered doll.
CUTS TO
MADELINE closes her eyes tightly
QUICK CUT
MADELINES POV
FLASHBACK
MADELINE is breathing heavily as the ambient sound of metal clanging echoes.
QUICK CUT
BACK TO PRESENT DAY

4. MADELINE is sitting in her room. She opens her eyes, startled. Her eyes grow
wider as she breathes heavily.
QUICK CUT
FLASHBACK
CLOSE-UP
MADELINES hands are being held down against a surgery table
TILTS UPWARDS
SHE tightly clutches onto the doll
PANS TO
HER hands shaking violently
FLASHBACK
CLOSE-UP
MADELINES feet are being tied down as she reluctantly shakes her legs, trying to
escape the bonds. The diegetic, muffled screams of MADELINE echo in the room.
INSERT NUZHAT
INT. DINING ROOM – DAY
Madeline sitting at the dining table while her mums serving her tea.
MID-SHOT
MADELINE:
Wrly: (Smiles)
MOM:
Dialogue: It’s okay love

5. MOM:
Dialogue: You’re dads caught up in work and won’t be able to join us for dinner so it’ll just be us
tonight
MADELINE:
Wrly: (Nods)
MOM:
Wrly: (Sighs)
Dialogue: Darling, I have some big news to tell you… you’re going to be a big sister!
Wrly: (Hands together smiling)
OVER THE SHOULDER SHOT FROM MUM
MADELINE:
Wrly: (Stops what she’s doing, eyes wide and shocked)
MOM:
Dialogue: It’ll be great! You can finally have someone to play with you and your doll! You won’t be
lonely anymore
MADELINE POV
MADELINE:
Wrly: (sighs and looks at her doll quickly)
INT. STAIRS – DAY
CUTS TO: MADELINE WALKING UP THE STAIRS
DUTCH ANGLE SHOT TRACKS TILTS TO CLOSE-UP TO THE DOLL
Madeline walks up the stairs dragging her doll from her hand with her
INT. MADELINES BEDROOM - DAY
CUTS TO:
WIDE SHOT OF MADELINE
Madeline walks in closing the door, then rummaging through her draw brining out a pen and paper
CLOSE-UP OF CAMERA CIRCLING HER
We can see what she beings to write on the paper, only a few words
MADELINE:
Wrly: (smiles)
INT. CHILDS ROOM - DAY
CUTS TO HER ENETERING NEW CHILDS ROOM
OVER THE SHOULDER SHOT
Madeline places the doll along with the note on the child’s new bed
CUT TO: SIDE VIEW OF MADELINE
MADELINE:
Wrly: (Smiles)
ZOOM IN NOTE
Reveals the words “” on the note

6. CUT TO:
LONG SHOT
We see Madeline walking to the door and opening it waiting outside of it
MADELINE:
Wrly: (Smiles)
Madeline stares straightforward to the camera she shuts the door
FADES BLACK
The End.