XX .mende hasieran bata besteari jarraiki sortutako abangoardien buruzko datu batzuk azaltzen dira, bai irudia bai literaturari dagokionez. Artista nagusien lanak erakusten dira, hala nola, Picasso, Marinetti, Tristan Tzara, Duchamp, Man Ray, Dalí eta abar.
XX .mende hasieran bata besteari jarraiki sortutako abangoardien buruzko datu batzuk azaltzen dira, bai irudia bai literaturari dagokionez. Artista nagusien lanak erakusten dira, hala nola, Picasso, Marinetti, Tristan Tzara, Duchamp, Man Ray, Dalí eta abar.
Goya was a Spanish painter known for his realistic style and social commentary. He painted religious works early in his career in Aragon. In Madrid, he painted portraits and tapestry cartoons that depicted Spanish life. Later, his works grew darker and more critical as he addressed political and social issues. Influenced by Velazquez, Goya developed a loose brushstroke style. His later works like the "Black Paintings" were precursors to Expressionism and Surrealism.
This document summarizes information on four 20th century Basque painters: Adolfo Guiard, Daniel Vázquez Díaz (Arteta), Fernando de Iturrino, and Darío de Regoyos. It provides biographical details and highlights of each painter's career, styles of work, and key influences. Guiard painted decorative works and was influenced by Degas in Paris. Arteta founded the Basque Artists' Society and painted social realist works depicting the poor. Iturrino painted in Paris and developed an Andalusia-Bilbao-Paris axis. Regoyos painted original landscapes in Belgium, Spain, and the Basque Country and evolved from natural
This document discusses 20th century Basque sculpture. It describes how sculpture evolved after the Spanish Civil War to more abstract shapes under sculptors like Julio Beobide. Jorge de Oteiza and Eduardo Chillida emerged as influential sculptors, with Oteiza considered the father of the new generation and teacher. Chillida's work was acclaimed internationally. The document then examines characteristics of Basque sculpture in the 20th century, focusing on Oteiza, Chillida, and Nestor Basterretxea.
Surrealism was an artistic movement that brought together artists interested in expressing unconscious thoughts and dreams. It was led by Andre Breton and drew inspiration from Freudian psychoanalysis. There were two main trends - the Automatists who focused on free expression through abstraction, and the Veristic Surrealists who sought to represent unconscious images realistically. Notable Surrealist artists included Salvador Dali, Joan Miro, Rene Magritte, and Max Ernst, each with their own unique styles exploring the surreal, paradoxical nature of dreams.
Rodin was a famous sculptor in the early 20th century, but younger artists were questioning his style. They were influenced by Egyptian sculpture, primitive art from Africa and Oceania, and Cubism in painting. Some like Modigliani and Brancusi adapted primitive styles, while Picasso used Cubist principles in his constructions. Futurism celebrated movement and new materials. Dadaists like Duchamp created readymades. Constructivists like Tatlin and Gabo made non-representational works using new materials like metal and glass.
This document discusses several avant-garde sculptors and their techniques from the early 20th century. Pablo Gargallo pioneered the use of sheet metal and assemblage techniques to create dramatic sculptures. Julio Gonzalez was a blacksmith who used iron rods to reproduce figures and penetrate space. Alexander Calder was known for his delicate wire sculptures and mobile sculptures. Alberto Giacometti experimented with surrealism and sought to realistically depict figures in space through elongation and using armatures. He discovered this approach more accurately portrayed the appearance of people at a distance.
Romanticism was an artistic and intellectual movement that emphasized emotion, imagination, and freedom from classical conventions. It was characterized by imaginative and subjective approaches to nature, exotic subjects, and emotional intensity. Romantic artists and writers believed in the artist as a creative genius and valued common language and mythology over high culture. Key Romantic painters included Gericault and Delacroix in France, who depicted intense emotions through dramatic use of color and brushwork, and Friedrich in Germany, whose symbolic landscapes conveyed a mystical and melancholy sense of nature. In England, Constable, Turner, and the Pre-Raphaelites painted landscapes and legends influenced by feelings and medieval styles.
The document discusses realism in art during the 19th century. Some key points:
- Realist artists rejected the subjectivity of Romanticism and sought accurate depictions of ordinary people and everyday life drawn from observation of the real world.
- Important realist artists included Courbet, Millet, and Daumier, who painted scenes of working class life to portray and sometimes criticize the conditions of the poor.
- The Barbizon school, including artists like Rousseau and Daubigny, painted landscapes outdoors in a naturalistic style, attempting to faithfully capture nature.
Rationalism was an architectural movement of the 20th century characterized by simplicity of form following function. Rationalist architects used industrial materials like concrete which was cheap, durable, and allowed for prefabrication. They designed with large windows and open floor plans, eliminating decorative elements in favor of proportion and asymmetry. Notable Rationalist architects included Mies van der Rohe, who designed glass skyscrapers with pure forms, and Le Corbusier, who developed the five points of architecture and applied concrete construction and standardization to projects like the Ville Savoye and Unité d'Habitation housing blocks.
Rúbrica para evaluar un trabajo de grupo que debe presentarse oralmente. Se incluye autoevaluación para ser cumplimentada por todos los miembros de cada grupo.
Este documento describe una insignia propuesta para el curso de Historia del Arte sobre arte clásico griego y romano. La insignia reconocería la adquisición de conocimientos básicos sobre estas épocas artísticas a través de la identificación de obras representativas y sus características. Los estudiantes demostrarían sus conocimientos mediante comentarios y cuestionarios en la plataforma Moodle del instituto.
Este documento presenta una tabla con varios recursos educativos compartidos por diferentes usuarios en distintas plataformas y horas, incluyendo enlaces a sitios web sobre gestión de comunidades de aprendizaje, plantillas de PowerPoint, herramientas para crear presentaciones de forma remota, cómo generar documentos en Genially y más. La tabla proporciona información sobre conocimientos compartidos de manera colaborativa para desarrollar el intercambio de recursos educativos.
Avant garde art after 1945 (Selectivity)mfresnillo
After WWII, American artists developed Abstract Expressionism, seeking to compete with European art. It had two major trends - Action Painting and Color Field painting. Action Painting by Pollock, de Kooning, and Kline used impulsive, irrational techniques. Color Field used large color surfaces without details. Minimalism emerged in the 1950s emphasizing simplicity and impersonality. Major artists included Judd, who made geometric wall elements, and Flavin, who sculpted with neon light. Pop Art referenced mass culture, with Warhol famously reproducing images through silkscreen printing.
The document summarizes trends in architecture since the mid-20th century, including Innovative Architecture, the International Style, Postmodernism, Deconstructivism, and the works of Frank Gehry. Innovative Architecture combined imagination with new materials like reinforced concrete. The International Style originated from the Bauhaus and featured glass towers. Postmodernism valued individuality and complexity. Deconstructivism undermined stability with warped forms. Frank Gehry is known for his innovative use of materials to create expressive, curved forms.
This document discusses the principles of organic architecture and two influential architects from the 1950s: Frank Lloyd Wright and Alvar Aalto. It describes Wright as developing an organic style influenced by Japanese architecture and Maya temples, including his Prairie Style homes featuring integrated indoor and outdoor spaces. His most famous works include Fallingwater and the Guggenheim Museum, integrating architecture with nature using materials like stone and glass. The document also summarizes Aalto's work as rationalist but also incorporating local materials like wood, and focusing on designs appropriate for human use and experience.
The document discusses two avant-garde architectural movements of the early 20th century: De Stijl and Russian Constructivism. De Stijl originated in the Netherlands with artists like Mondrian and architects like Gerrit Rietveld, featuring orthogonal lines and primary colors. It emphasized non-decorative, open structures with asymmetrical planar elements. Russian Constructivism emerged after World War I and the Russian Revolution, featuring completely abstract, geometric forms meant to carry universal meanings. Key figures included Tatlin, whose unbuilt "Monument to the Third International" was symbolic of the movement, and Melnikov, who designed the Russian pavilion for the 1925 Paris Exhibition.
Dadaism was an early 20th century art movement begun in Zurich as a protest against World War I. It rejected reason and logic and emphasized randomness, irrationality, and nonsense. Dadaist works appeared in visual arts, literature, theater, and graphic design. Prominent Dadaists included Hans Arp, Marcel Duchamp, Francis Picabia, Max Ernst, Man Ray, and Kurt Schwitters. Dadaism influenced later artistic movements like Surrealism and became an commentary on art and society.
Metaphysical painting was an Italian art movement that began in 1917 in Ferrara. It was characterized by dreamlike imagery with figures and objects seemingly frozen in time in strange, illogical contexts with unreal lights and colors. The scenes depicted an eventless tone of silence, imminence, and enigma that generated a new reality beyond the meaning of what was presented. The main artists of the movement included Giorgio de Chirico, Carlo Carra, Giorgio Morandi, Italo Savino, Luigi Filippo Tibertelli, and Ardengo Soffici.
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