Paul Cézanne was a French Post-Impressionist painter in the late 19th century who influenced the transition to 20th century art styles like Cubism. He is known for his exploratory brushstrokes and use of color planes that build complex fields. Cézanne met Camille Pissarro and their landscape paintings together had a collaborative influence. Later in his career, Cézanne worked from direct observation and developed a light, airy style while maintaining a solid, architectural composition. He aimed to unite observation of nature with classical composition.
Oscar-Claude Monet
Oscar-Claude Monet was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape
Leonardo di ser Piero da Vinci
Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci, was an Italian polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of paleontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time.[1] Sometimes credited with the inventions of the parachute, helicopter and tank, his genius epitomized the Renaissance humanist ideal.
Pablo Ruiz y Picasso
Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France.
Vincent Willem van Gogh
Vincent Willem van Gogh ( 30 March 1853 – 29 July 1890) was a Post-Impressionist painter. He was a Dutch artist whose work had a far-reaching influence on 20th-century art. His output includes portraits, self-portraits, landscapes and still life's of cypresses, wheat fields and sunflowers. He drew as a child but did not paint until his late twenties.
Painting and Arts date back to prehistoric times. Cave Paintings, Rock Carvings, Stone Calligraphy, eventually evolving into using vegetable compounds as color pigments.
Impressionism & Post-Impressionism Art HistoryS Sandoval
AP ART HISTORY Crash Course - Impressionism and Post-Impressionism
Impressionism artists: United by their depiction of modern life, and rejection of established European Styles, embracing new experimental ideas "Avant-Garde".
The use of synthetic pigments and ready made paint in solid tubes. Impressionist artists were interested in "plein air" landscape painting.
A presentation about Impressionism, Post Impressionism and Neo Impressionism, the movements that changed the state of things in Art and introduced it to abstractio.
HUMAN100: Introduction to Humanities --- The Visual Arts: Painting. This Includes the ff:
1. History of Painting
2. Styles/ Art Movements in Painting
3. Famous Painters (Renaissance to Modern Art)
Colonial Empires About 1900This map is really important .docxdrandy1
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
Oscar-Claude Monet
Oscar-Claude Monet was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape
Leonardo di ser Piero da Vinci
Leonardo di ser Piero da Vinci, more commonly Leonardo da Vinci, was an Italian polymath whose areas of interest included invention, painting, sculpting, architecture, science, music, mathematics, engineering, literature, anatomy, geology, astronomy, botany, writing, history, and cartography. He has been variously called the father of paleontology, ichnology, and architecture, and is widely considered one of the greatest painters of all time.[1] Sometimes credited with the inventions of the parachute, helicopter and tank, his genius epitomized the Renaissance humanist ideal.
Pablo Ruiz y Picasso
Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France.
Vincent Willem van Gogh
Vincent Willem van Gogh ( 30 March 1853 – 29 July 1890) was a Post-Impressionist painter. He was a Dutch artist whose work had a far-reaching influence on 20th-century art. His output includes portraits, self-portraits, landscapes and still life's of cypresses, wheat fields and sunflowers. He drew as a child but did not paint until his late twenties.
Painting and Arts date back to prehistoric times. Cave Paintings, Rock Carvings, Stone Calligraphy, eventually evolving into using vegetable compounds as color pigments.
Impressionism & Post-Impressionism Art HistoryS Sandoval
AP ART HISTORY Crash Course - Impressionism and Post-Impressionism
Impressionism artists: United by their depiction of modern life, and rejection of established European Styles, embracing new experimental ideas "Avant-Garde".
The use of synthetic pigments and ready made paint in solid tubes. Impressionist artists were interested in "plein air" landscape painting.
A presentation about Impressionism, Post Impressionism and Neo Impressionism, the movements that changed the state of things in Art and introduced it to abstractio.
HUMAN100: Introduction to Humanities --- The Visual Arts: Painting. This Includes the ff:
1. History of Painting
2. Styles/ Art Movements in Painting
3. Famous Painters (Renaissance to Modern Art)
Colonial Empires About 1900This map is really important .docxdrandy1
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
Colonial Empires About 1900This map is really important .docxcargillfilberto
Colonial Empires About 1900
This map is really important in understanding how non-Western cultures would have a profound impact on art of the early 20th century. Africa, in particular, was divided among many nations with France taking a huge chunk. Many items would be imported into Europe and would inspire artists like Picasso and Matisse, as you will see.
HENRI MATISSE, Luxe, calme et volupté, 1904-5
Fauvism:
Bold colors of Van Gogh, but used them as complete artistic expression; figure was secondary to color, form, and line; combination of subjective expression and pure optical sensation
Called the fauves by critics who thought the artists like Matisse painted like wild beasts
Combination of Impressionism’s love of nature with Post-Impressionism’s love of expressive color; influenced by African art
Impression upon other coming of age avant-garde artists who were trying to take what Cézanne started even further
Not an entirely cohesive movement as the artists all had their own personal agendas
Henri Matisse first studied law, but in 1891 enrolled in art school and studied under Bouguereau (whose idea later rejected) then studied with Moreau in 1892 who encouraged him to follow his own direction. Later he would experiment with non-descriptive color. He met Andre Derain and Maurice de Vlaminck in 1900 who would also work in the fauvist style.
I’m showing you other works by Matisse so that you get a sense of how much he experimented during the first decade of the 20th century. This piece is a radical reinterpretation of French pastoral landscape painting. We have nudes who don’t have a care in the world, an idyllic female world. There are staccato brushstrokes and color straight from the paint tube applied in a rainbow of colors.
HENRI MATISSE, Blue Nude: Memory of Biskra, 1907
Influences of African art can be seen in the exaggeration of the female body, especially in the breasts and buttocks, and in the mask-like face. The extreme position of the body makes it look like the figure is composed of different people. The color is inherently Fauve in that it isn’t descriptive of nature. This is part of the odalisque tradition, but his painting isn’t seductive and erotic because Matisse believed that he was creating a picture, not a woman.
Figure 24-3 HENRI MATISSE, Red Room (Harmony in Red), 1908–1909. Oil on canvas, approx.
5’ 11” x 8’ 1”. State Hermitage Museum, Saint Petersburg.
This painting is more abstract. The use of color is very unconventional and gives the painting a sense of flatness. It is more decorative in surface patterning; a new pictorial space is defined by color and line. Matisse is doing something important here: he’s tell you that you’re looking at a painting, not an actual view of the world. By emphasizing the flatness of the surface, he’s emphasizing that it is a thing in and of itself.
Figure 24-6 ERNST LUDWIG KIRCHNER, Street, Dresden, 1908 (dated 1907). Oil on canvas, 4’ 11 1/4” x 6’ 6 7/8”. M.
A presentation on Cubism with biographies of Pablo Picasso and Georges Brague. The presentation was created in Powerpoint 2010 and features transition effects.
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As a film director, I have always been awestruck by the magic of animation. Animation, a medium once considered solely for the amusement of children, has undergone a significant transformation over the years. Its evolution from a rudimentary form of entertainment to a sophisticated form of storytelling has stirred my creativity and expanded my vision, offering limitless possibilities in the realm of cinematic storytelling.
Panchayat Season 3 - Official Trailer.pdfSuleman Rana
The dearest series "Panchayat" is set to make a victorious return with its third season, and the fervor is discernible. The authority trailer, delivered on May 28, guarantees one more enamoring venture through the country heartland of India.
Jitendra Kumar keeps on sparkling as Abhishek Tripathi, the city-reared engineer who ends up functioning as the secretary of the Panchayat office in the curious town of Phulera. His nuanced depiction of a young fellow exploring the difficulties of country life while endeavoring to adjust to his new environmental factors has earned far and wide recognition.
Neena Gupta and Raghubir Yadav return as Manju Devi and Brij Bhushan Dubey, separately. Their dynamic science and immaculate acting rejuvenate the hardships of town administration. Gupta's depiction of the town Pradhan with an ever-evolving outlook, matched with Yadav's carefully prepared exhibition, adds profundity and credibility to the story.
New Difficulties and Experiences
The trailer indicates new difficulties anticipating the characters, as Abhishek keeps on wrestling with his part in the town and his yearnings for a superior future. The series has reliably offset humor with social editorial, and Season 3 looks ready to dig much more profound into the intricacies of rustic organization and self-awareness.
Watchers can hope to see a greater amount of the enchanting and particular residents who have become fan top picks. Their connections and the one of a kind cut of-life situations give a reviving and interesting portrayal of provincial India, featuring the two its appeal and its difficulties.
A Mix of Humor and Heart
One of the signs of "Panchayat" is its capacity to mix humor with sincere narrating. The trailer features minutes that guarantee to convey giggles, as well as scenes that pull at the heartstrings. This equilibrium has been a critical calculate the show's prosperity, resounding with crowds across different socioeconomics.
Creation Greatness
The creation quality remaining parts first rate, with the beautiful setting of Phulera town filling in as a scenery that upgrades the narrating. The meticulousness in portraying provincial life, joined with sharp composition and solid exhibitions, guarantees that "Panchayat" keeps on hanging out in the packed web series scene.
Expectation and Delivery
As the delivery date draws near, expectation for "Panchayat" Season 3 is at a record-breaking high. The authority trailer has previously created critical buzz, with fans enthusiastically anticipating the continuation of Abhishek Tripathi's excursion and the new undertakings that lie ahead in Phulera.
All in all, the authority trailer for "Panchayat" Season 3 recommends that watchers are in for another drawing in and engaging ride. Yet again with its charming characters, convincing story, and ideal mix of humor and show, the new season is set to enamor crowds. Write in your schedules and prepare to get back to the endearing universe of "Panchayat."
Scandal! Teasers June 2024 on etv Forum.co.zaIsaac More
Monday, 3 June 2024
Episode 47
A friend is compelled to expose a manipulative scheme to prevent another from making a grave mistake. In a frantic bid to save Jojo, Phakamile agrees to a meeting that unbeknownst to her, will seal her fate.
Tuesday, 4 June 2024
Episode 48
A mother, with her son's best interests at heart, finds him unready to heed her advice. Motshabi finds herself in an unmanageable situation, sinking fast like in quicksand.
Wednesday, 5 June 2024
Episode 49
A woman fabricates a diabolical lie to cover up an indiscretion. Overwhelmed by guilt, she makes a spontaneous confession that could be devastating to another heart.
Thursday, 6 June 2024
Episode 50
Linda unwittingly discloses damning information. Nhlamulo and Vuvu try to guide their friend towards the right decision.
Friday, 7 June 2024
Episode 51
Jojo's life continues to spiral out of control. Dintle weaves a web of lies to conceal that she is not as successful as everyone believes.
Monday, 10 June 2024
Episode 52
A heated confrontation between lovers leads to a devastating admission of guilt. Dintle's desperation takes a new turn, leaving her with dwindling options.
Tuesday, 11 June 2024
Episode 53
Unable to resort to violence, Taps issues a verbal threat, leaving Mdala unsettled. A sister must explain her life choices to regain her brother's trust.
Wednesday, 12 June 2024
Episode 54
Winnie makes a very troubling discovery. Taps follows through on his threat, leaving a woman reeling. Layla, oblivious to the truth, offers an incentive.
Thursday, 13 June 2024
Episode 55
A nosy relative arrives just in time to thwart a man's fatal decision. Dintle manipulates Khanyi to tug at Mo's heartstrings and get what she wants.
Friday, 14 June 2024
Episode 56
Tlhogi is shocked by Mdala's reaction following the revelation of their indiscretion. Jojo is in disbelief when the punishment for his crime is revealed.
Monday, 17 June 2024
Episode 57
A woman reprimands another to stay in her lane, leading to a damning revelation. A man decides to leave his broken life behind.
Tuesday, 18 June 2024
Episode 58
Nhlamulo learns that due to his actions, his worst fears have come true. Caiphus' extravagant promises to suppliers get him into trouble with Ndu.
Wednesday, 19 June 2024
Episode 59
A woman manages to kill two birds with one stone. Business doom looms over Chillax. A sobering incident makes a woman realize how far she's fallen.
Thursday, 20 June 2024
Episode 60
Taps' offer to help Nhlamulo comes with hidden motives. Caiphus' new ideas for Chillax have MaHilda excited. A blast from the past recognizes Dintle, not for her newfound fame.
Friday, 21 June 2024
Episode 61
Taps is hungry for revenge and finds a rope to hang Mdala with. Chillax's new job opportunity elicits mixed reactions from the public. Roommates' initial meeting starts off on the wrong foot.
Monday, 24 June 2024
Episode 62
Taps seizes new information and recruits someone on the inside. Mary's new job
From Slave to Scourge: The Existential Choice of Django Unchained. The Philos...Rodney Thomas Jr
#SSAPhilosophy #DjangoUnchained #DjangoFreeman #ExistentialPhilosophy #Freedom #Identity #Justice #Courage #Rebellion #Transformation
Welcome to SSA Philosophy, your ultimate destination for diving deep into the profound philosophies of iconic characters from video games, movies, and TV shows. In this episode, we explore the powerful journey and existential philosophy of Django Freeman from Quentin Tarantino’s masterful film, "Django Unchained," in our video titled, "From Slave to Scourge: The Existential Choice of Django Unchained. The Philosophy of Django Freeman!"
From Slave to Scourge: The Existential Choice of Django Unchained – The Philosophy of Django Freeman!
Join me as we delve into the existential philosophy of Django Freeman, uncovering the profound lessons and timeless wisdom his character offers. Through his story, we find inspiration in the power of choice, the quest for justice, and the courage to defy oppression. Django Freeman’s philosophy is a testament to the human spirit’s unyielding drive for freedom and justice.
Don’t forget to like, comment, and subscribe to SSA Philosophy for more in-depth explorations of the philosophies behind your favorite characters. Hit the notification bell to stay updated on our latest videos. Let’s discover the principles that shape these icons and the profound lessons they offer.
Django Freeman’s story is one of the most compelling narratives of transformation and empowerment in cinema. A former slave turned relentless bounty hunter, Django’s journey is not just a physical liberation but an existential quest for identity, justice, and retribution. This video delves into the core philosophical elements that define Django’s character and the profound choices he makes throughout his journey.
Link to video: https://youtu.be/GszqrXk38qk
Meet Crazyjamjam - A TikTok Sensation | Blog EternalBlog Eternal
Crazyjamjam, the TikTok star everyone's talking about! Uncover her secrets to success, viral trends, and more in this exclusive feature on Blog Eternal.
Source: https://blogeternal.com/celebrity/crazyjamjam-leaks/
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Tom Selleck Net Worth: A Comprehensive Analysisgreendigital
Over several decades, Tom Selleck, a name synonymous with charisma. From his iconic role as Thomas Magnum in the television series "Magnum, P.I." to his enduring presence in "Blue Bloods," Selleck has captivated audiences with his versatility and charm. As a result, "Tom Selleck net worth" has become a topic of great interest among fans. and financial enthusiasts alike. This article delves deep into Tom Selleck's wealth, exploring his career, assets, endorsements. and business ventures that contribute to his impressive economic standing.
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Early Life and Career Beginnings
The Foundation of Tom Selleck's Wealth
Born on January 29, 1945, in Detroit, Michigan, Tom Selleck grew up in Sherman Oaks, California. His journey towards building a large net worth began with humble origins. , Selleck pursued a business administration degree at the University of Southern California (USC) on a basketball scholarship. But, his interest shifted towards acting. leading him to study at the Hills Playhouse under Milton Katselas.
Minor roles in television and films marked Selleck's early career. He appeared in commercials and took on small parts in T.V. series such as "The Dating Game" and "Lancer." These initial steps, although modest. laid the groundwork for his future success and the growth of Tom Selleck net worth. Breakthrough with "Magnum, P.I."
The Role that Defined Tom Selleck's Career
Tom Selleck's breakthrough came with the role of Thomas Magnum in the CBS television series "Magnum, P.I." (1980-1988). This role made him a household name and boosted his net worth. The series' popularity resulted in Selleck earning large salaries. leading to financial stability and increased recognition in Hollywood.
"Magnum P.I." garnered high ratings and critical acclaim during its run. Selleck's portrayal of the charming and resourceful private investigator resonated with audiences. making him one of the most beloved television actors of the 1980s. The success of "Magnum P.I." played a pivotal role in shaping Tom Selleck net worth, establishing him as a major star.
Film Career and Diversification
Expanding Tom Selleck's Financial Portfolio
While "Magnum, P.I." was a cornerstone of Selleck's career, he did not limit himself to television. He ventured into films, further enhancing Tom Selleck net worth. His filmography includes notable movies such as "Three Men and a Baby" (1987). which became the highest-grossing film of the year, and its sequel, "Three Men and a Little Lady" (1990). These box office successes contributed to his wealth.
Selleck's versatility allowed him to transition between genres. from comedies like "Mr. Baseball" (1992) to westerns such as "Quigley Down Under" (1990). This diversification showcased his acting range. and provided many income streams, reinforcing Tom Selleck net worth.
Television Resurgence with "Blue Bloods"
Sustaining Wealth through Consistent Success
In 2010, Tom Selleck began starring as Frank Reagan i
Maximizing Your Streaming Experience with XCIPTV- Tips for 2024.pdfXtreame HDTV
In today’s digital age, streaming services have become an integral part of our entertainment lives. Among the myriad of options available, XCIPTV stands out as a premier choice for those seeking seamless, high-quality streaming. This comprehensive guide will delve into the features, benefits, and user experience of XCIPTV, illustrating why it is a top contender in the IPTV industry.
Skeem Saam in June 2024 available on ForumIsaac More
Monday, June 3, 2024 - Episode 241: Sergeant Rathebe nabs a top scammer in Turfloop. Meikie is furious at her uncle's reaction to the truth about Ntswaki.
Tuesday, June 4, 2024 - Episode 242: Babeile uncovers the truth behind Rathebe’s latest actions. Leeto's announcement shocks his employees, and Ntswaki’s ordeal haunts her family.
Wednesday, June 5, 2024 - Episode 243: Rathebe blocks Babeile from investigating further. Melita warns Eunice to stay clear of Mr. Kgomo.
Thursday, June 6, 2024 - Episode 244: Tbose surrenders to the police while an intruder meddles in his affairs. Rathebe's secret mission faces a setback.
Friday, June 7, 2024 - Episode 245: Rathebe’s antics reach Kganyago. Tbose dodges a bullet, but a nightmare looms. Mr. Kgomo accuses Melita of witchcraft.
Monday, June 10, 2024 - Episode 246: Ntswaki struggles on her first day back at school. Babeile is stunned by Rathebe’s romance with Bullet Mabuza.
Tuesday, June 11, 2024 - Episode 247: An unexpected turn halts Rathebe’s investigation. The press discovers Mr. Kgomo’s affair with a young employee.
Wednesday, June 12, 2024 - Episode 248: Rathebe chases a criminal, resorting to gunfire. Turf High is rife with tension and transfer threats.
Thursday, June 13, 2024 - Episode 249: Rathebe traps Kganyago. John warns Toby to stop harassing Ntswaki.
Friday, June 14, 2024 - Episode 250: Babeile is cleared to investigate Rathebe. Melita gains Mr. Kgomo’s trust, and Jacobeth devises a financial solution.
Monday, June 17, 2024 - Episode 251: Rathebe feels the pressure as Babeile closes in. Mr. Kgomo and Eunice clash. Jacobeth risks her safety in pursuit of Kganyago.
Tuesday, June 18, 2024 - Episode 252: Bullet Mabuza retaliates against Jacobeth. Pitsi inadvertently reveals his parents’ plans. Nkosi is shocked by Khwezi’s decision on LJ’s future.
Wednesday, June 19, 2024 - Episode 253: Jacobeth is ensnared in deceit. Evelyn is stressed over Toby’s case, and Letetswe reveals shocking academic results.
Thursday, June 20, 2024 - Episode 254: Elizabeth learns Jacobeth is in Mpumalanga. Kganyago's past is exposed, and Lehasa discovers his son is in KZN.
Friday, June 21, 2024 - Episode 255: Elizabeth confirms Jacobeth’s dubious activities in Mpumalanga. Rathebe lies about her relationship with Bullet, and Jacobeth faces theft accusations.
Monday, June 24, 2024 - Episode 256: Rathebe spies on Kganyago. Lehasa plans to retrieve his son from KZN, fearing what awaits.
Tuesday, June 25, 2024 - Episode 257: MaNtuli fears for Kwaito’s safety in Mpumalanga. Mr. Kgomo and Melita reconcile.
Wednesday, June 26, 2024 - Episode 258: Kganyago makes a bold escape. Elizabeth receives a shocking message from Kwaito. Mrs. Khoza defends her husband against scam accusations.
Thursday, June 27, 2024 - Episode 259: Babeile's skillful arrest changes the game. Tbose and Kwaito face a hostage crisis.
Friday, June 28, 2024 - Episode 260: Two women face the reality of being scammed. Turf is rocked by breaking
In the vast landscape of cinema, stories have been told, retold, and reimagined in countless ways. At the heart of this narrative evolution lies the concept of a "remake". A successful remake allows us to revisit cherished tales through a fresh lens, often reflecting a different era's perspective or harnessing the power of advanced technology. Yet, the question remains, what makes a remake successful? Today, we will delve deeper into this subject, identifying the key ingredients that contribute to the success of a remake.
Are the X-Men Marvel or DC An In-Depth Exploration.pdfXtreame HDTV
The world of comic books is vast and filled with iconic characters, gripping storylines, and legendary rivalries. Among the most famous groups of superheroes are the X-Men. Created in the early 1960s, the X-Men have become a cultural phenomenon, featuring in comics, animated series, and blockbuster movies. A common question among newcomers to the comic book world is: Are the X-Men Marvel or DC? This article delves into the history, creators, and significant moments of the X-Men to provide a comprehensive answer.
From the Editor's Desk: 115th Father's day Celebration - When we see Father's day in Hindu context, Nanda Baba is the most vivid figure which comes to the mind. Nanda Baba who was the foster father of Lord Krishna is known to provide love, care and affection to Lord Krishna and Balarama along with his wife Yashoda; Letter’s to the Editor: Mother's Day - Mother is a precious life for their children. Mother is life breath for her children. Mother's lap is the world happiness whose debt can never be paid.
1. Cézanne the artist
Paul Cézanne was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the
19th-century conception of artistic Endeavour to a new and radically different world of art in the 20th century. Cézanne can
be said to form the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic
enquiry, Cubism. Both Matisse and Picasso are said to have remarked that Cézanne "is the father of us all."
Cézanne's often repetitive, exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of
colour and small brushstrokes that build up to form complex fields. The paintings convey Cézanne's intense study of his
subjects.
In Paris, Cézanne met the Impressionist Camille Pissarro. Initially the friendship formed in the mid-1860s between Pissarro
and Cézanne was that of master and disciple, in which Pissarro exerted a formative influence on the younger artist. Over the
course of the following decade their landscape painting excursions together, in Louveciennes and Pontoise, led to a
collaborative working relationship between equals.
Cézanne's early work is often concerned with the figure in the landscape and includes many paintings of groups of large,
heavy figures in the landscape, imaginatively painted. Later in his career, he became more interested in working from direct
observation and gradually developed a light, airy painting style. Nevertheless, in Cézanne's mature work there is the
development of a solidified, almost architectural style of painting. Throughout his life he struggled to develop an authentic
observation of the seen world by the most accurate method of representing it in paint that he could find. To this end, he
structurally ordered whatever he perceived into simple forms and colour planes. His statement "I want to make of
impressionism something solid and lasting like the art in the museums",[14]
and his contention that he was
recreating Poussin "after nature" underscored his desire to unite observation of nature with the permanence of classical
composition.
Vincent Willem van Gogh was a Dutch post-Impressionist painter whose work, notable for its rough beauty, emotional
honesty and bold color, had a far-reaching influence on 20th-century art. After years of painful anxiety and frequent bouts
of mental illness, he died aged 37 from a gunshot wound, generally accepted to be self-inflicted. His work was then known to
only a handful of people and appreciated by fewer still.
Van Gogh began to draw as a child, and he continued to draw throughout the years that led up to his decision to become an
artist. He did not begin painting until his late twenties, completing many of his best-known works during the last two years of
his life. In just over a decade, he produced more than 2,100 artworks, consisting of 860 oil paintings and more than 1,300
watercolors, drawings, sketches and prints. His work included self portraits, landscapes, still lifes, portraits and paintings of
cypresses, wheat fields and sunflowers.
2. Henri-Émile-Benoît Matisse was a French artist, known for his use of colour and his fluid and original draughtsmanship.
He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded,
along with Pablo Picasso and Marcel Duchamp, as one of the three artists who helped to define the revolutionary
developments in the plastic arts in the opening decades of the twentieth century, responsible for significant
developments in painting and sculpture. Although he was initially labelled a Fauve (wild beast), by the 1920s he was
increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language
of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading
figure in modern art
3.
4. Cesar Legaspi
Cesar Legaspi on April 2, 1917 in Tondo, Manila (1917–1994) is a Filipino National Artist awardee in painting. He was also an
art director prior to going full-time in his visual art practice in the 1960s. His early (1940s-1960s) works, alongside those of
peer, Hernando Ocampo are described as depictions of anguish and dehumanization of beggars and laborers in the city.
These include Man and Woman (alternatively known as Beggars) and Gadgets'. Primarily because of this early period, critics
have further cited Legaspi's having "reconstituted" in his paintings "cubism's unfeeling, geometric ordering of figures into a
social expressionism rendered by interacting forms filled with rhythmic movement".[1]
Early life
Legaspi was born to Manuel Legaspi and Rosario Torrente in Tondo, Manila. He took up painting for one term at the
University of the Philippines School of Fine Arts before he decided to take commercial art courses instead. There he
received medals for perspective and illustration projects. He earned his Certificate of Proficiency in 1936, after which he
continued his education in art under Pablo Amorsolo. He went to Madrid in 1953 and pursued Art Studies under a scholarship
at the Cultura Hispanic until 1954. He also went to Paris to study at the Academie Ranson for one month under Henri Goetz.
Back in the Philippines, he had his first one-man show at the Luz Gallery in 1963. While this led to an active phase with his
major pieces, he also worked as a magazine illustrator and artistic director at an advertising agency. He finally left the
agency in 1968 to focus on his painting
5. VICENTE MANANSALA
Vicente Silva Manansala (January 22, 1910 - August 22, 1981) was a Filipino cubist painter and illustrator.[1]
Manansala was born in Macabebe, Pampanga. From 1926 to 1930, he studied at the U.P. School of Fine Arts. In 1949,
Manansala received a six-month grant by UNESCO to study at the École des Beaux-Arts in Banff and Montreal, Canada. In
1950, he received a nine-month scholarship to study at the École des Beaux-Arts in Paris by the French government.[1]
Marker (Macabebe, PampangaTown hall.
Manansala's canvases were described as masterpieces that brought the cultures of the barrio and the city together.
His Madonna of the Slums is a portrayal of a mother and child from the countryside who became urban shanty residents once
in the city. In hisJeepneys, Manansala combined the elements of provincial folk culture with the congestion issues of the
city.[1]
Manansala developed transparent cubism, wherein the "delicate tones, shapes, and patterns of figure and environment are
masterfully superimposed". A fine example of Manansala using this "transparent and translucent" technique is his
composition, Kalabaw(Carabao).[1]
Vicente Manansala, a National Artist of the Philippines in Visual Arts, was a direct influence to his fellow Filipino neo-
realists: Malang, Angelito Antonio, Norma Belleza and Baldemor.[1]
The Honolulu Museum of Art, the Lopez Memorial
Museum (Manila), the Philippine Center (New York City), the Singapore Art Museum and Holy Angel University (Angeles City,
Philippines) are among the public collections holding work by Vicente Manansala. Holy Angel University recently opened a
section of its museum called The Vicente Manansala Collection, holding most of the estate left by the artist.
He died on August 22, 1981 in Manila, Philippines due to cancer.
ARTURO LUZ
Arturo Rogerio Luz (born November 20, 1926) is a Philippine National Artist awardee in visual arts. He is also a
known printmaker,sculptor, designer and art administrator. A founding member of the modern Neo-realist school in Philippine
art, he received the National Artist Award, the country's highest accolade in the arts, in 1997.[1]
Luz has produced art pieces through a disciplined economy of means. His early drawings were described as "playful linear
works" influenced by Paul Klee. His best masterpieces are minimalist, geometric abstracts, alluding to the modernist
6. "virtues" of competence, order and elegance; and were further described as evoking universal reality and mirrors an
aspiration for an acme of true Asian modernity.[
Hernando R. Ocampo (April 28, 1911 – December 28, 1978) is a Filipino National Artist in the visual arts. He is
also fictionist, aplaywright and editor.[1]
Profile of the Artist[edit]
Hernando Ruiz Ocampo was a leading radical modernist artist in the Philippines. He was a member of the Saturday Group of
artists (also known as the Taza de Oro Group), and was one of the pre-war Thirteen Moderns, a group of modernist artists
founded by Victorio C. Edades in 1938. Famously known for his triumvirate of with neo-realists Vicente S.
Manansala and Cesar Legaspi, his works reflected the harsh realities of his country after the Second World War. However,
many of his works depicted lush sceneries and the beautiful Philippine landscapes through his skillful use of fierce and bold
colors.[2]
H. R. Ocampo was credited for inventing a new mode of abstraction that exemplifies Philippine flora and fauna, and portrays
sunshine, stars and rain. Using movement and bold colors, Ocampo utilized fantasy and science fiction as the basis for his
works. His art is described to be "abstract compositions of biological forms that seemed to oscillate, quiver, inflame and
multiply" like mutations. His A Wiping (1974, oil on canvas, 30 inches x 40 inches) is a flat rendition of a style that Ocampo
himself revealed to be a representation of "visual melody".[1]
Ocampo was born in Santa Cruz, Manila, but later transferred to Maypajo, Caloocan. His parents were Emilio Ocampo y
Saltiero and Delfina Ruiz y Santo. He originally studied law, commerce and creative writing, and worked as a writer before he
taught himself the visual arts. During his career as a writer, he was one of the organizers of Veronicans, a young group of
progressive and prolific writers. He worked in various periodicals such as Taliba newspaper and Manila Sunday
Chronicle magazine. He also worked as a scriptwriter and director for television, and produced and directed for the Filipino
Players Guild.[2]
His works as a writer includes "Don’t Cry, Don’t Fret" in poetry; "Ikalawang Pagdalaw," "Unang Pamumulaklak," "Rice and
Bullets," and "Bakia" in fiction; and "Buntot Page," a screenplay written with Mario David.
His major works in the visual arts include Ina ng Balon, Calvary, Slum Dwellers, Nude with Candle and Flower, Man and
Carabao, Angel's Kiss, Palayok at Kalan, Ancestors, Isda at Mangga, The Resurrection, Fifty-three "Q," Back drop, Fiesta,
Mother and Child, Easter Sunday, and his most acknowledged work Genesis, which served as the basis of curtain design in
the Cultural Center of the Philippines Main Theater. His works were exhibited in Washington, New York, London, and Tokyo,
among others.[3]
7. Awards received include: Republic Cultural Award in 1965; Patnubay ng Sining at Kalinangan Award in 1969; Diwa ng Lahi
Award in 1976; and Gawad CCP para sa Sining Award in 1979.[2]
Famous for his work "We or They"
MAURO MALANG SANTOS
SANTOS, MAURO MALANG aka Malang b. Santa Cruz, Manila 20 Jan 1928. Painter. He is the son of Dan
Santos and Juliana Malang. He is married to Mary San Pedro. They have four children, two of whom are
painters-Stevesantos and Soler Santos. At the age of 10 he studied drawing under Teodoro Buenaventura.
When he was 19 he decided to stop schooling and joined the staff of the Manila Chronicle art department under
noted cartoonist Liborio (Gat) Gatbonton. He created for the evening Chronicle the country's first English
daily comic strip Kosme, the Cop, Retired. In 1955 he set up together with Gat, Larry Alcala, Hugo Yonzon,
and Elmer Agustan the only gallery specializing in cartoons called the Bughouse. In 1972 he studied at the Otis
Art Institute under a special grant. Malang was first known as a cartoonist before he became a renowned
painter. Among his works is Barrio Fiesta, an oil on canvas measuring 12.7 x 40.16 cm which was
commissioned in 1958 by the Ayala Corp for the FGU-Insular Life Building.
In 1966 together with other prominent painters, Malang launched "Art for the Masses," which allowed art,
8. through reasonably priced prints, to be made available to a wider audience.
In 1957 Malang was included in the list of "Twelve Artists in the Philippines-Who's Who" by Lyd Arguilla,
founder of the Philippine Art Gallery. The following year he received the Award for Editorial Design from the
Art Directors Guild of the Philippines. He has consistently won in the competitions held by the Society of
Philippine Illustrators and Cartoonists, which named him artist of the year in 1964.
Malang won awards in the Art Association of the Philippines annual art competition: second prize, Street
Fight, 1951, third prize, Traffic, 1953; honorable mention, The Yellow Sky, 1959; second prize, Quarter
Moon; and an honorable mention for Gate to Intramuros, 1963. He was a Ten Outstanding Young Men of the
Philippines awardee also in 1963. He received the Patnubay ng Sining at Kalinangan from the City of Manila in 1981.
.
Victorio C. Edades (December 13, 1895 – March 7, 1985) is a Filipino painter who was the leader of the
revolutionary Thirteen Moderns who engaged their classical compatriots in heated debate over the nature and function
of art. He was named a National Artistin 1976.
Victorio Edades was born on December 13, 1895 to Hilario and Cecilia Edades. He was the youngest of ten children (six of
whom died of smallpox). He grew up in Barrio Bolosan in Dagupan, Pangasinan. His artistic ability surfaced during his early
years. By seventh grade, his teachers were so impressed with him that he was dubbed "apprentice teacher" in his art class.
He was also an achiever from the very beginning, having won awards in school debates and writing competitions.
After high school, Edades and his friends traveled to the United States. Before enrolling in Seattle, Edades incidentally
made a detour to Alaska and experienced working in a couple of factories. Nonetheless, he moved on to Seattle and enrolled
at the University of Washington where he took up architecture and later earned a Master of Fine Arts in Painting. The
significant event that stirred Edades, and made him as what he is known now, was his encounter with the traveling exhibition
from the New York Armory Hall. This art show presented modern European artists such
9. as Cézanne, Gauguin, Matisse, Picasso and the Surrealists. His growing appreciation to what he saw veered him away from the
conservative academic art and Realistic schools and thus he began to paint in the modern manner. The two former schools of
thought were inclined more towards idyllic subject matter, and require a mastery of refined detailing. What attracted
Edades to the modernist movement was its principle to go beyond the idealistic exteriors propagated by Impressionism and
Realism. Modernist thought encourages experimentation in artistic expression and allows the artist to present reality as he
sees it in his own way.
"Fontainebleau, August 1937" by Victorio Edades, Philippine National Artist. Painted in Fontainebleau, France in the summer
of 1937 when he completed his formal studies in watercolor painting. In addition to being a historic painting, it depicts the
influences of the French modernists on his works, particularlyPaul Gauguin's Symbolism. Victorio Edades is the Father of
Modernism in Philippine art. Private collection, New York, USA
During his journey to America, he participated in art competitions, one of which was the Annual Exhibition of North
American Artists. His entry The Sketch (1927) won second prize. When he returned to the Philippines in 1928, he saw that
the state of art was "practically dead." Paintings he saw dealt with similar themes and were done in a limited technique that
mostly followed the works ofFernando Amorsolo, the first Philippine national artist and the most popular painter of the time.
He recognized that there was no creativity whatsoever, and that the artists of that time were merely "copying" each other.
So in December, Edades bravely mounted a one-man show at the Philippine Columbia Club in Ermita to introduce to the
masses what his modern art was all about. He showed thirty paintings, including those that won acclaim in America. It was a
distinguished exhibit, for the Filipino art circle was suddenly shaken by what this young man from Pangasinan had learned
from his studies abroad. Viewers and critics were apparently shocked and not one painting was sold.
Edades helped organized the University of Sto. Tomas Department of Architecture in 1930 and was its acting head. In 1935,
he was appointed as Director of the UST College of Architecture and Fine Arts, which he organized under the wing of
Architecture. He was guided by the existing American curricula when he made the Fine Arts curriculum for UST. Alongside
standard subjects like drawing, painting and composition, he also included Western and Oriental art history, foreign
languages and optional science subjects such as zoology and botany. Because of Edades, UST became the forerunner of
Modern Art, while the University of the Philippines remained the precursor of conservative art.
By 1938, he opened up the Atelier of Modern Art at the M. H. Del Pilar, Manila together with Diosdado Lorenzo and Galo
Ocampo. He also organized the School of Design with Juan Nakpil in 1940.
10. While espousing his beliefs and ideas on Modern Art, Edades sparked a debate between modern and academic (classical) art.
The Herald Mid-Week Magazine, Sunday Times Magazine and This Week contained the issues addressed by him and
Guillermo Tolentino, who spoke up for the side of the Conservatives. Another development in the art scene, which was
spearheaded by Edades, was the formation of the "Thirteen Moderns." The list included Edades, Carlos Francisco, Galo
Ocampo, Lorenzo, Vicente Manansala, HR Ocampo, Anita Magasaysay, Cesar Legaspi, Demetrio Diego, Ricarte Puruganan, Jose
Pardo, Bonifacio Cristobal and Arsenio Capili. Coming up with this list was an attempt to form a cohesive unit of artists who
were in search of a modern style. Other achievements by Edades included him receiving the Pro Partia award during the Rizal
Centennial Celebration in 1961. In 1964, Edades was given the Araw ng Maynila Award in Painting. In 1976, he was conferred
the National Artist Award in Painting. On February 12, 1977, UST conferred on Edades the degree of Doctor of Fine Arts,
Honoris Causa.
Edades retired to Davao City with his family. There he taught for a time at the Philippine Women's College and resumed his
career as an artist. He died on March 7, 1985.
ROMEO V. TABUENA
TABUENA, ROMEO V. b. Iloilo city 22 Aug 1921. Painter. Tabuena studied fine arts at the University of the
Philippines (UP). He also studied at the Art Student League in New York, USA, in 1952 and at the Academie
de la Grande Chaumiere in France in 1954.
One of the neorealist, he began his career with several exhibits of drawings and watercolors at the Philippine
Art Gallery in 1949. He is best known for his Watercolors, at times in a vertical format influenced by Chinese
Painting. These near-monochromatic watercolor landscapes of nipa huts, farmers, and carabaos are done in an
exquisite style, with attenuated figures spread out in large tonal areas suggesting early morning fog.
Tabuena had another side to his art, and this was expressed in dark oil paintings, some of which seemed to
reflect the "proletarian" concerns of the period, as in Coal Gatherers. Here the figures are short, and and squat,
with expressionist distortion and no bright colors to relieve the heavy atmosphere. He approaches
expressionism, especially in such a work as Childbirth, in which the pangs of childbirth are expressed in
elongated figures and dramatic lighting which hints of fears of mythological beings. A later series consists of
heads done in a monochromatic style with cubist influence, their jagged, angular features suggesting years of
11. toil and arduous struggle.
When Tabuena settled in Mexico, he developed a colorful, prismatic style with folk subjects, including street
sweepers, candle vendors, guards, and laundry women.
Tabuena won awards from the Art Association of the Philippines: second prize, Agnus Dei (Lamb of God),
1949, and honorable mention, Black Christ, 1952.
Carlos Modesto Villaluz Francisco[2]
(November 4, 1912 – March 31, 1969), popularly known as Botong, was
a muralist fromAngono, Rizal.
12. Early life and career[edit]
Francisco was a most distinguished practitioner of mural painting for many decades and best known for his historical pieces.
He was one of the first Filipino modernists along with Galo Ocampo and Victorio C. Edades who broke away from Fernando
Amorsolo'sromanticism of Philippine scenes. According to restorer Helmuth Josef Zotter, Francisco's art "is a prime
example of linear painting where lines and contours appear like cutouts."[3]
His great works include Blood Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta,
Bayanihan sa Bukid, Sandugo, Portrait of Purita, The Invasion of Limahong, Serenade, and Muslim Betrothal. Some of his
murals have suffered damage over the years. The "Pageant of Commerce" emerged from several years of restoration in
2000.[3]
His murals in the lobby of the Philippine General Hospital were restored for the 3rd time in 2007.[4]
He was also responsible for the discovery of the now famous Angono Petroglyphs in 1965. He was also involved in Costume
Design inPhilippine cinema.
Juan Luna y Novicio (October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of
thePhilippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
His winning the gold medal in the 1884 Madrid Exposition of Fine Arts, along with the silver win of fellow Filipino painterFélix
Resurrección Hidalgo, prompted a celebration which was a major highlight in the memoirs of members of thePropaganda
Movement, with the fellow Ilustrados toasting to the two painters' good health and to the brotherhood between Spain and
the Philippines.
Regarded for work done in the manner of the Spanish, Italian and French academies of his time, Luna painted literary and
historical scenes, some with an underscore of political commentary. His allegorical works were inspired with classical balance,
and often showed figures in theatrical poses.
In 1883 Luna started the painting demanded of him by the Ayuntamiento. In May 1884, he shipped the large canvas of
theSpoliarium to Madrid for the year's Exposición Nacional de Bellas Artes. He was the first recipient of the three gold
medals awarded in the exhibition and Luna gained recognition among the connoisseurs and art critics present. On June 25,
1884, Filipino and Spanish nobles organized an event celebrating Luna's win in the exhibition. That evening, Rizal prepared a
speech for his friend, addressing the two significant things of his art work, which included the glorification of genius and
the grandeur of his artistic skills.
Luna developed a friendly relationship with the King of Spain and was later commissioned by the Spanish Senate to paint a
large canvas which was called the La Batalla de Lepanto(The Battle of Lepanto).[3]
He moved to Paris in 1885 where he opened
his own studio and befriended Hidalgo. A year after, he finished the piece El Pacto de Sangre (The Blood Compact) in
13. accordance with the agreement he had with the Ayuntamiento of Manila. Depicted in this piece was the blood
compact ceremony between the Datu Sikatuna, one of the lords in Bohol island, and the Spanish conquistador Miguel López
de Legazpi.[4]
It is now displayed in the Malacañan Palace. He also sent two other paintings in addition to the one required;
the second canvas sent to Manila was a portrait of López de Legazpi reconstructed by Luna from his recollection of a similar
portrait he saw in the hall of the Cabildo, and the third was of Governor-general Ramón Blanco y Erenas.
Fernando Cueto Amorsolo (May 30, 1892 – April 24, 1972) is one of the most important artists in the history of painting in
thePhilippines.[1]
Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his
craftsmanship and mastery in the use of light. Born in Paco, Manila, he earned a degree from the Liceo de Manila Art School
in 1909.[2][3]
During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later
years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works.
Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and
painting. Two months after being confined at the St. Luke's Hospital in Manila, Amorsolo died of heart failure at the age of
79 on April 24, 1972 .
Four days after his death, Amorsolo was honoured as the first National Artist in Painting at the Cultural Center of the
Philippines by then President Ferdinand Marcos.
Amorsolo was a close friend of the Philippine sculptor Guillermo Tolentino, the creator of the Caloocan City monument to the
patriot Andrés Bonifacio.