Culturelink 2008 Rt Culturemondo X10
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1. Aleksandra Uzelac works at the Culture and Communication Department at the Institute for International Relations in Zagreb, Croatia researching digital culture and cultural policy. 2. She is involved with Culturelink Network, a collaboration platform for cultural researchers, policymakers, and practitioners with members in over 100 countries. 3. Her work includes organizing conferences, publishing joint research projects on culture in a networked society, and advocating for the importance of digital culture in cultural policies and practices.
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MA in Digital Humanities
The MA in Digital Humanities at King's College London looks at how we create and disseminate knowledge in an age where so much of what we do is mobile, networked and mediated by digital culture and technology
It gives a critical perspective on digital theory and practice in studying human culture, from the perspectives of academic scholarship, cultural heritage and the commercial world
We study the history and current state of the digital humanities, and their role in modelling, curating, analysing and interpreting digital representations of human culture in all its forms.
For more information: http://www.kcl.ac.uk/artshums/depts/ddh/study/pgt/madh/index.aspx
NIDA: Makerspaces
This presentation includes animations and it best viewed as a download.
Presentation given by Rob Davies in Wuhan, China
23 November 2016
Pierangelo Isernia and Alessandro G. Lamonica - University of Siena
This document outlines the CReW Cultural Relations at Work project, which aims to bridge the gap between theory and practice in cultural relations. It discusses the project goals, events held in Rabat, London, and Stuttgart on sustainable development, cultural heritage, and intercultural dialogue. The research design section explains how a theoretical framework was constructed and case studies were selected, collected, and analyzed. Preliminary findings suggest projects reflect the strategic framework through organizational and relational dimensions. Challenges include strategic approach contradictions and consequences of a changing international order. The next steps will analyze pracademic activities and develop implications and recommendations.
Konferences "Digitālās informācijas uzglabāšana informācijas sabiedrībā" apra...
The document summarizes an international conference on the preservation of digital information to be held in Moscow, Russia from October 3-5, 2011. The conference will bring together approximately 100 participants from libraries, archives, museums, research institutions, and other organizations involved in long-term digital preservation. It aims to raise awareness of challenges in digital preservation, improve policies and strategies, and promote best practices. Participants can present communications on various topics related to digital preservation and collaboration. The conference is organized by the Russian Committee of the UNESCO Information for All Programme and the Interregional Library Cooperation Centre.
Lorna hughes 12 05-2013 NeDiMAH and ontology for DH
This document describes NeDiMAH, a network examining the use of digital methods in the arts and humanities. NeDiMAH is funded by the European Science Foundation and chaired by Lorna Hughes. It aims to research advanced ICT methods, develop activities/publications/networking, and create a map of digital humanities in Europe and a taxonomy of methods. NeDiMAH includes 16 supporting member organizations and has working groups on topics like spatial modeling, visualization, and scholarly publishing. A key output will be a formal ontology of digital methods to provide evidence of their use and enable evaluation of digital humanities projects.
From Digitisation to Preservation, Creative Re-Use of Cultural Content, and C...
Workshop at DISH 2015 conference, Rotterdam, 7 December 2015. http://www.dish2015.nl/programme/workshops/lose-your-modesty/
Including presentation of 4 EU projects: RICHES , EUROPEANA SPACE, CIVIC EPISTEMOLOGIES , PHOTOCONSORTIUM
Iolanda Pensa, Heritage Management 2018, Introduction
This document outlines the lessons and schedule for a course on heritage management. It discusses key concepts like the definition of heritage, structure of proposals, legislation and copyright, critical analysis, stakeholders, target groups, and authenticity. For each lesson, it provides the date, topic, and brief description. It also lists relevant literature and background of the instructor. The estimated time to complete the course assignments is 20 hours. The document aims to provide students with the necessary framework and context to critically analyze heritage sites and develop effective management proposals.
ePSI Trailblazers
Open Cultuur Data is a Dutch network that aims to make cultural data from institutions openly available and accessible in order to create new cultural applications. The network includes cultural professionals, developers, and open data experts. It works to collect and publish open cultural datasets from organizations like museums and archives. It also organizes events like hackathons to encourage developers to build apps using this open cultural data. The goal is to make culture more accessible to the public in new ways through open data and new applications.
Cross-sector collaboration for digital museum and library projects
I provide some examples of cross-sector collaboration from the UK, and include some examples of different models for international collaboration. Invited presentation for the Chinese Association of Museums, Taipei, Taiwan, August 2017
Madrid 2 November 2009
DARIAH aims to develop a digital research infrastructure for the arts and humanities in Europe. It will provide access to digitized cultural heritage resources and tools for computational analysis. The infrastructure will be organized through virtual competency centers located at partner institutions that focus on specific tasks like research, education, content curation and legal issues. It is estimated to cost 6 million euros annually and will involve national contributions related to GDP. The preparation project is establishing the strategic, financial, organizational and technical foundations, with the goal of starting construction of DARIAH in 2011 to support innovative, digitally-enabled humanities research on a European scale.
Digital Scholarship at the British Library
The British Library's Digital Research Team supports new ways of exploring and accessing the Library's digital collections through computational methods like machine learning, data visualization, and text mining. The Team collaborates on projects that make more content available digitally, and provides training and guidance to researchers. Examples of projects include crowdsourcing accent maps, analyzing patterns in music history from bibliographic data, and transcribing and georeferencing placenames from historical texts.
digital humanities now and beyond-Erik Champion
A talk on 17 April at Aalborg University on Digital Humanities now and future, and a personal view of research infrastructures
Marie Ostergard- Day 2, Session 2
This document summarizes the Urban Mediaspace Aarhus project in Denmark. It describes the framework of the project which included building a new main library, citizens' services building, and renovating public spaces. It details the vision of creating an open, informal learning space for collaboration, dialogue, and inspiration. Examples are then provided of innovative partnership projects the library engaged in, such as digital installations, gaming programs, events for youth, and mobile probes to better understand users. The document emphasizes the library's focus on user involvement, testing ideas, and an experimental mindset.
Citizen enhanced open science in the cultural heritage sector
This document summarizes 8 citizen science initiatives in Belgium that contribute to open science and cultural heritage. The initiatives engage citizens in activities like crowdsourcing annotations, sharing migration stories, and documenting street art. They aim to move beyond just having citizens collect data by involving them throughout the research process. The initiatives vary in their openness, with some openly sharing datasets, metadata, and results while others are less transparent. Overall they demonstrate how citizen science can enhance open science and cultural heritage but more work is still needed to formalize open data standards and ensure projects follow core open science principles.
Europeana 2019 - Connect Communities
Slide 2 - 66: Shaping innovatin in education with cultural heritage by Fred Truyen, Steven Stegers, Evita Tasiopoulou and Marco Neves
Slides 67 - 152: Multilingual access and machine translation by Andy Neale, Antoine Isaac, Pavel Kats, Alex Raginsky and Sergiu Gordea
Slides 155 - 164: How to implement the FAIR principles in digital culture by Sara Di Giorgio, Saskia Scheltjens and Makx Dekkers, Seamus Ross, Franco Niccolucci and Erzsébet Tóth-Czifra
Slide 166: EuropeanaTech Unconference by Clemens Neudecker
SEAPAVAA 2018 Closing panel
Through a new Audiovisual Think Tank, visionary experts in the AV cultural heritage sector are working together to map out our shared strategic priorities and put into place a research and action agenda to shape the coming decade. The AV Think Tank looks to represent major AV archives and digital cultural heritage professionals from across the globe and closely connects these key players to work collectively at the forefront of the sector in consultation with the wider community. Initiated and actively supported by Sound and Vision, the AV Think Tank aims to lay the groundwork for an AV archiving sector that enables more long-term use of, learning with, and education through AV materials.
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Culture24 awayday 2010 digital and cultural trends
The document discusses several digital trends from 2008-2013 including:
1. Mobile and location-based technologies were growing rapidly, with people expecting to access local information on their phones.
2. People were increasingly sharing live experiences on social media in real-time to feel more connected.
3. There was a value placed on authentic and unique experiences that couldn't be reproduced digitally.
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The document summarizes the results of national museum campaigns in the UK from 2009 to 2010. It notes that the 2009 campaign had over 34,000 visitors, with 61% being new to venues and 80% rating the experience highly. The 2010 campaign saw over 85,000 visitors, with nearly half being new and over 15% not having visited a museum in over a year. It also achieved significant press coverage for both years.
Jane Finnis AMA10
The document discusses measuring success online for cultural institutions. It provides a list of partner organizations for an action research project on this topic. It then lists various tools that can be used to track metrics like website traffic, social media mentions, and influence. It emphasizes starting with goals and audiences before selecting tools. It also stresses the importance of using data to evaluate changes, share learnings, and map activities back to objectives like increasing awareness, engagement, and brand reputation.
The magical world of dde
DDE is the content management system that powers the Culture24 and Engaging Places websites. It allows over 4,500 venues to directly enter and update their information online. The information entered into DDE is used across both websites and is also shared more broadly through data feeds. The system allows venues to provide details on their venue, events, and educational resources so this information can be discovered by users of the websites. Proper tagging and descriptions are emphasized to make content more visible. Technical support is available to help venues use the system.
Jane Finnis Keynote NDF2009 Part Two (see Part One)
Part Two of my key note presentation to the National Digital Forum 2009 in New Zealand (NDF 2009).
You can read the take homes on my blog here: http://janefinnis.wordpress.com/2009/12/02/take-homes-from-the-ndf-2009-in-new-zealand/ less
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Part One of my key note presentation to the National Digital Forum 2009 in New Zealand (NDF 2009).
You can read the take homes on my blog here: http://janefinnis.wordpress.com/2009/12/02/take-homes-from-the-ndf-2009-in-new-zealand/
B Tween 09 Jane Finnis
Museums and cultural institutions are discussing developing online services to connect people to culture through their collections and events. This could involve providing digital interpretations of objects online, targeted marketing, and leveraging social media and user data to better share content. However, some argue that cultural institutions should focus on making their data ready to share online and let specialized digital publishers handle developing online services and understanding how to engage audiences online.
Culturemondo Ohmy News
Jean K. Min presentation to the 'Non-Western Persepctives' section of the Culturemondo. Roundtable on Monday 10th December 2008.
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Geert Lovink's keynote presentation to the Culturemondo Roundtable and Technoculture event in Taipei, Taiwan. Thursday 11h December 2008
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Jock Phillips' from Te Ara presentation to the 'Non-Western Persepctives' section of the Culturemondo. Roundtable on Monday 10th December 2008.
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Case study of the 24 Hour Museum and its journey from portal to publisher. Presented to the Culturemondo Roundtable by Jane Finnis on Thursday 11th December 2008.
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Masayuki Hirafugi from the University of Tsukuba - presentation to the 'Non-Western Persepctives' section of the Culturemondo. Roundtable on Monday 10th December 2008.
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Hans Nissens discusses the opportunity for a new vertical search engine for events due to the limitations of searching for event information on Google. Oxynade aggregates event calendar information from thousands of sources around the clock using automated web harvesting to reduce costs and provide up-to-date event information. Oxynade's method balances high quality, quantity, and low complexity for partners by automating much of the data collection process.
Kafui Prebbie X10
The document discusses the OVI Methodology, which takes an integrated approach to sustainable development through a combination of mobile, wireless, and accessible technologies to replicate best practices in promoting ICTs. It focuses on community revitalization and facilitating eco-living practices through an open digital villages network and international volunteer projects in Ghana. Key challenges include funding sustainability and meeting the demands of social enterprise models.
Dec 08 Faridah Noor Culture Mondo
The document discusses a presentation by Faridah Noor Mohd Noor from the University of Malaya in Malaysia at the 4th Culture Mondo conference in Taipei, Taiwan from December 10-12, 2008. The presentation focuses on communicating cultures through digital means, including participating in various eCulture networks, documenting cultural artifacts and traditions from different communities, and establishing an Asian-European virtual museum through collaboration. It calls for more support for eCulture initiatives in Malaysia to better document and preserve cultural heritage.
George Oates
George Oates is a designer who has worked at Flickr for 12 years in various interface design roles. He enjoys teamwork and problem solving through design. Recently, he created The Commons program on Flickr to use his skills in the cultural sector. The program has been very popular but George still faces challenges letting go and accepting new perspectives on his work.
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The document summarizes the rationalization of the Canadian Heritage web presence, including the decommissioning of Culture.ca and Culturescope.ca portals by December 2008. A new single web portal is being implemented in a 3-year phased approach to better serve clients based on research and lessons learned from the previous portals. The first release will leverage existing content and services while the second will introduce new functionality.
Taipei Summary
Drik Picture Library is a Bangladeshi organization that operates a portal for non-Western photographers, runs a photography festival and school, operates a news photo agency, and publishes a 25,000 subscriber newsletter. It works in a context of political unrest, risk of civil war, curtailed freedoms and media censorship in Bangladesh. Key challenges include corruption, lack of infrastructure, and lack of IT understanding among bureaucrats.
Lfc Culture Mondo Forum
Culturemondo is a networking platform providing information on European arts and culture across borders. It was initiated by the European Culture Foundation to fill an information gap on culture cooperation in Europe. It receives mixed private and public funding. It provides information on organizations, people, projects, funding and networks in 6 languages for professional users in the cultural sector. It aims to connect and engage users through participatory features while managing the intersection between static and dynamic content. Key challenges include building grassroots support and understanding for a top-down initiative and balancing expectations around digital culture.
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Culture360 is a platform that aims to bridge cultural exchange between Asia and Europe by connecting artists, cultural practitioners, and policymakers both virtually and in-person. It provides online and offline opportunities for sharing issues, cooperation, and dialogue to further mutual understanding between the regions. Challenges include maintaining focus, quality, and balance as the platform grows in scope and complexity over time with limited financial and human resources.
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