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NATIONAL ART
CENTERS IN THE
PHILIPPINES
CCP (
CULTURAL
CENTER OF
THE
PHILIPPINES
• in 1969, the Cultural Center of the Philippines (CCP)
was established through executive order No, 303.
• their goal to “preserve, develop & promote arts and
culture in the Philippines”.
• the Philippines Philharmonic Orchestra, UST
Symphony Orchestra, Tanghalang Filipino,
BAYANIHAN National Dance Company of the
Philippines, Ramo Obusan Folkloric Group,
Philippine Madrigal Singers, Philippine Ballet
Theatre, Ballet
Philippines, and National Music Competitions for
Young Artist.Concerts, theatrical performances,
• art exhibits for both local and international.
• The Pasinaya: CCP’s Open House festival, the
largest multi-arts festival for the Filipino Public.
Outreach program – ugnayan sa sining
(Sining ng Bulakeno (SIBUL) from Malolos
Bulacan; St. Louise university from bagiuo
city; CPU Handbell choir iloilo city; and
tagnum city comprehensive national high
school rondalla from davao del norte
Youth Advocates for Theater Arts
of Dumaguete (YATTA)
and Mindanao State University in General
Santos city exchanged cultural visits
• Kaisa sa Sining: The Regional
Arts Centers
• goal to “further strengthen its
linkages and cooperation with
local organizations in
the Regions
• Below is the map of regional
centers participating in Kaisa sa
Sining
• was established in 1976 for
young aspiring artists.
• The student population (135-
140) to ensure quality of
instruction with full scholarship
and living assistance.
• Grace Nono, Sharmaine C.
Buencamino, Nick Pichay, Gerry
Leonardo
• Luzon
1.St. Paul University –tuguegarao
2.St. Louis University – Baguio City
3.Provincial Government in Pangasinan
4.Science of City of Munoz
5. Casa San Miguel – Zambales
• Visaya
1.Provincial Government Of Copiz
2.Central Philippine University – Ilo Ilo City
3.Negros Cultural Foundation – Bacolod City
4.Siliman University – Dumaguete City
5.Art Council of Cebu
• Mindanao
1.Musikahan sa Tagum Foundation
2.Ateneo De davao
3.Municipality of Glan
4.Remon Magsaysay Memorial College – Gen. Santos City
5. City of Koronadal
• RA 7356 in 1992
• Aims to encourage artistic creation within a climate of artistic
freedom
4 Subcommissions:
• -Subcommission on Arts (SCA), committees on Architecture
and Allied Arts, Cinema, Dance, Dramatic Arts, Literary Arts,
Music and Visual Arts
• -Subcommission on Cultural Heritage, Archives, Art Galleries,
Historical Research, Libraries and Information Services,
Monuments and Sites and Museums
• -Subcommission on Cultural Dissemination, Communication,
Cultural Education and Language and Translation
• -Subcommission on Cultural Communities and Traditional Arts,
Northern Cultural Communities, Central Communities and
Southern Cultural Communities
• February is National Arts Month
The National
Commission
for Culture
and the Arts
(NCCA)
NATIONAL ARTISTS OF
THE PHILIPPINES AND
GAWAD SA
MANLILIKHA NG BAYAN
Gawad sa Manlilikha ng Bayan
• National Living Treasures Award
• *Republic Act No. 7355
• *April 1992
• National Commission for Culture and
the Arts (NCCA)
• The highest policy-making and
coordinating body for culture and the
arts of the State
Known as Manlilikha ng Bayan Act was established in 1992 and
shall mean citizen engaged in any traditional art uniquely Filipino,
whose distinct skills have reached such a high level of technical
and artistic excellence, and have passed it on to in his or her
community with the same degree of technical and artistic
competence.
• National Commission for Culture and the Arts
(NCCA)
The highest policy and coordinating body for culture and the arts of
the
state. It has to search for the finest traditional artist of the land who
adopts a
program that will ensure the transfer of their skills to others,
undertakes
measures to promote a genuine appreciation of and crafts and give
pride among
Awardees
As Filipino who recognize the unique identities of our fellow
Filipinos, it is the right
to see their contribution to the community. The country is rich with
various elements
of tangible and intangible cultural heritage which has passed on the
new generation.
Culture as part of our Philippine identity includes a variety of arts
that enhance by
our National Living Treasure artists who are recognized in their
special contribution
to the national heritage. These are Filipino citizen who is engaged
in any traditional
art forms and has contributed to the development of cultural
diversity and the
GAWAD SA
MANLILIKHA
NG BAYAN
• First awarded in 1993 to three
outstanding artists in music and
poetry, the Gawad sa Manlilikha
ng Bayan has its roots in the 1988
National Folk Artists Award
organized by the Rotary Club of
Makati-Ayala. As a group, these
folk and traditional artists reflect
the diverse heritage and cultural
traditions that transcend their
beginnings to become part of our
national character. As Filipinos,
they bring age-old customs, crafts
and ways of living to the attention
and appreciation of Filipino life.
They provide us with a vision of
ourselves and of our nation, a
vision we might be able to realize
someday, once we are given the
opportunity to be true to
ourselves as these artists have
GAWAD SA
MANLILIKHA
NG BAYAN
• The Gawad sa Manlilikha
ng Bayan logo is a
stylized representation of
the human form used in
traditional cloth. Below
the motif is ‘Manlilikha ng
Bayan’ written in ancient
Filipino script extensively
used throughout the
Philippines at the time of
Western contact in the
sixteenth century.
Scrumble Words
1.NAOMDAIN
2.NLZOU
3.YSIAVAS
• QUIZ
1.In 1969, the Cultural Center of the Philippines
(CCP) was established through.
2.Known as Manlilikha ng Bayan Act was established
in 1992 and shall mean citizen engaged in any
traditional art uniquely Filipino, whose distinct
skills have reached such a high level of technical and
artistic excellence.
3. the NCCA was formed and is
responsible in “preserving, promoting and developing
culture and the arts in the Philippines” just like CCP.
4.The highest policy and coordinating body
for culture and the arts of the state.
5. Surat Mangyan and Ambahan Poetry.
A.executive order No, 303
B.As envisioned in
Republic Act No. 7355
C.under Republic Act No.
7356
D.National Commission for
Culture and the Arts
(NCCA)
E.Ginaw Bilog (d. 2003)
F.Masino Intaray(d, 2013)
G.Samaon Sulaiman(d.
2011)
H.Lang Dulay(d. 2015)
I.Salinta monon(d. 2009)
6.Epic Chanter and Storyteller.
7.Playing Kudyapi.
8.T'nalak Weaving.
9.Inabal Weaving.
10.Playing Yakan Intruments.
A.executive order No, 303
B.As envisioned in
Republic Act No. 7355
C.under Republic ActNo.
7356
D.National Commission for
Culture and the
Arts (NCCA)
E.Ginaw Bilog (d. 2003)
F.Masino Intaray(d, 2013)
G.Samaon Sulaiman(d.
2011)
H.Lang Dulay(d. 2015)
I.Salinta monon(d. 2009)
J.Uwang Ahadas

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Contemporary-Arts.pptx

  • 1. NATIONAL ART CENTERS IN THE PHILIPPINES
  • 2. CCP ( CULTURAL CENTER OF THE PHILIPPINES • in 1969, the Cultural Center of the Philippines (CCP) was established through executive order No, 303. • their goal to “preserve, develop & promote arts and culture in the Philippines”. • the Philippines Philharmonic Orchestra, UST Symphony Orchestra, Tanghalang Filipino, BAYANIHAN National Dance Company of the Philippines, Ramo Obusan Folkloric Group, Philippine Madrigal Singers, Philippine Ballet Theatre, Ballet Philippines, and National Music Competitions for Young Artist.Concerts, theatrical performances, • art exhibits for both local and international. • The Pasinaya: CCP’s Open House festival, the largest multi-arts festival for the Filipino Public.
  • 3. Outreach program – ugnayan sa sining (Sining ng Bulakeno (SIBUL) from Malolos Bulacan; St. Louise university from bagiuo city; CPU Handbell choir iloilo city; and tagnum city comprehensive national high school rondalla from davao del norte Youth Advocates for Theater Arts of Dumaguete (YATTA) and Mindanao State University in General Santos city exchanged cultural visits
  • 4. • Kaisa sa Sining: The Regional Arts Centers • goal to “further strengthen its linkages and cooperation with local organizations in the Regions • Below is the map of regional centers participating in Kaisa sa Sining • was established in 1976 for young aspiring artists. • The student population (135- 140) to ensure quality of instruction with full scholarship and living assistance. • Grace Nono, Sharmaine C. Buencamino, Nick Pichay, Gerry Leonardo
  • 5. • Luzon 1.St. Paul University –tuguegarao 2.St. Louis University – Baguio City 3.Provincial Government in Pangasinan 4.Science of City of Munoz 5. Casa San Miguel – Zambales • Visaya 1.Provincial Government Of Copiz 2.Central Philippine University – Ilo Ilo City 3.Negros Cultural Foundation – Bacolod City 4.Siliman University – Dumaguete City 5.Art Council of Cebu • Mindanao 1.Musikahan sa Tagum Foundation 2.Ateneo De davao 3.Municipality of Glan 4.Remon Magsaysay Memorial College – Gen. Santos City 5. City of Koronadal
  • 6. • RA 7356 in 1992 • Aims to encourage artistic creation within a climate of artistic freedom 4 Subcommissions: • -Subcommission on Arts (SCA), committees on Architecture and Allied Arts, Cinema, Dance, Dramatic Arts, Literary Arts, Music and Visual Arts • -Subcommission on Cultural Heritage, Archives, Art Galleries, Historical Research, Libraries and Information Services, Monuments and Sites and Museums • -Subcommission on Cultural Dissemination, Communication, Cultural Education and Language and Translation • -Subcommission on Cultural Communities and Traditional Arts, Northern Cultural Communities, Central Communities and Southern Cultural Communities • February is National Arts Month The National Commission for Culture and the Arts (NCCA)
  • 7. NATIONAL ARTISTS OF THE PHILIPPINES AND GAWAD SA MANLILIKHA NG BAYAN
  • 8. Gawad sa Manlilikha ng Bayan • National Living Treasures Award • *Republic Act No. 7355 • *April 1992 • National Commission for Culture and the Arts (NCCA) • The highest policy-making and coordinating body for culture and the arts of the State
  • 9. Known as Manlilikha ng Bayan Act was established in 1992 and shall mean citizen engaged in any traditional art uniquely Filipino, whose distinct skills have reached such a high level of technical and artistic excellence, and have passed it on to in his or her community with the same degree of technical and artistic competence. • National Commission for Culture and the Arts (NCCA) The highest policy and coordinating body for culture and the arts of the state. It has to search for the finest traditional artist of the land who adopts a program that will ensure the transfer of their skills to others, undertakes measures to promote a genuine appreciation of and crafts and give pride among
  • 10. Awardees As Filipino who recognize the unique identities of our fellow Filipinos, it is the right to see their contribution to the community. The country is rich with various elements of tangible and intangible cultural heritage which has passed on the new generation. Culture as part of our Philippine identity includes a variety of arts that enhance by our National Living Treasure artists who are recognized in their special contribution to the national heritage. These are Filipino citizen who is engaged in any traditional art forms and has contributed to the development of cultural diversity and the
  • 11. GAWAD SA MANLILIKHA NG BAYAN • First awarded in 1993 to three outstanding artists in music and poetry, the Gawad sa Manlilikha ng Bayan has its roots in the 1988 National Folk Artists Award organized by the Rotary Club of Makati-Ayala. As a group, these folk and traditional artists reflect the diverse heritage and cultural traditions that transcend their beginnings to become part of our national character. As Filipinos, they bring age-old customs, crafts and ways of living to the attention and appreciation of Filipino life. They provide us with a vision of ourselves and of our nation, a vision we might be able to realize someday, once we are given the opportunity to be true to ourselves as these artists have
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  • 14. GAWAD SA MANLILIKHA NG BAYAN • The Gawad sa Manlilikha ng Bayan logo is a stylized representation of the human form used in traditional cloth. Below the motif is ‘Manlilikha ng Bayan’ written in ancient Filipino script extensively used throughout the Philippines at the time of Western contact in the sixteenth century.
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  • 17. • QUIZ 1.In 1969, the Cultural Center of the Philippines (CCP) was established through. 2.Known as Manlilikha ng Bayan Act was established in 1992 and shall mean citizen engaged in any traditional art uniquely Filipino, whose distinct skills have reached such a high level of technical and artistic excellence. 3. the NCCA was formed and is responsible in “preserving, promoting and developing culture and the arts in the Philippines” just like CCP. 4.The highest policy and coordinating body for culture and the arts of the state. 5. Surat Mangyan and Ambahan Poetry. A.executive order No, 303 B.As envisioned in Republic Act No. 7355 C.under Republic Act No. 7356 D.National Commission for Culture and the Arts (NCCA) E.Ginaw Bilog (d. 2003) F.Masino Intaray(d, 2013) G.Samaon Sulaiman(d. 2011) H.Lang Dulay(d. 2015) I.Salinta monon(d. 2009)
  • 18. 6.Epic Chanter and Storyteller. 7.Playing Kudyapi. 8.T'nalak Weaving. 9.Inabal Weaving. 10.Playing Yakan Intruments. A.executive order No, 303 B.As envisioned in Republic Act No. 7355 C.under Republic ActNo. 7356 D.National Commission for Culture and the Arts (NCCA) E.Ginaw Bilog (d. 2003) F.Masino Intaray(d, 2013) G.Samaon Sulaiman(d. 2011) H.Lang Dulay(d. 2015) I.Salinta monon(d. 2009) J.Uwang Ahadas