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Digital Graphics Pro Forma (improved)
The document provides an evaluation of a T-shirt design project, noting that while the final design incorporated elements from the original intentions like using FKA Twigs artwork and creating a floral pattern background, it diverged in aspects like the color scheme and editing of the artwork. The techniques used to create the background pattern from fabric and edit FKA Twigs' face are analyzed, highlighting what was liked such as the natural texture captured and neutral color tones achieved and what could be improved like making the flowers larger. Overall the design is assessed as suitable for the intended audience of FKA Twigs fans while experimenting with her image.
Lesson 6 - Colour Profiles
Digital photography lesson 6 focuses on understanding color management between devices and how devices represent color differently. It discusses how digital cameras embed color profiles related to how they represent color gamut, dynamic range, tone reproduction, white point, and shadows and highlights. Learners are tasked to research and describe the use of embedded color profiles in digital camera images, commenting on why profiles are needed, what profiles do, and how profiles are used in a color managed workflow.
2.01 graphic formats
The document discusses graphic file formats and the factors to consider when choosing one. There are many graphic formats that vary in color depth, compression, portability, and whether they support transparency. Color depth determines the number of colors an image can display, from 1-bit to 24-bit. Compression reduces file size, either losslessly by removing redundant data or lossily by degrading quality. Portability refers to how easily files can be opened across systems. Transparency allows parts of an image to be see-through. The best format depends on an image's intended use and priorities like quality, speed, and file size.
Experimental Photography Evaluations (with improvements)
The document summarizes the author's experimental photography project. They began with the intention of capturing bubbles and movement to represent fear and being "thrown in at the deep end." They were influenced by other artists' use of multiple mediums. Their process involved taking photos, editing them, and painting dots over images. They used watercolors and acrylic paint. While they achieved their theme, they felt the images could be improved with more dots or experimenting with food coloring. Overall they determined their work fulfilled the brief but could be developed further.
Further Techniques Task 3 - W/ Changes
Multiple exposure photography involves superimposing two or more photographs to create a single image. It can be done using analogue cameras by opening the shutter multiple times to expose the film more than once, or digitally by merging images together using editing software. Light writing uses a light source like a fiber optic pen to draw images in a completely dark environment that are then captured with a camera. High speed photography freezes or records very fast moving objects or processes using specialized cameras capable of framing rates of hundreds to millions of frames per second. Post production techniques for these methods may include changing colors, opacity, adding effects, sharpening, or cropping images.
Photography Extension Task
The document discusses when post-production should be used on photographs. It argues that post-production is acceptable for art as it allows artists to achieve their desired creative effects, but should be limited for factual photography. For photojournalism and documentary photography, minor adjustments for lighting may be acceptable, but extensive post-production could mislead audiences. The document concludes that minimal post-production is appropriate for factual images, while artists should have freedom to pursue their visions, and some editing may be suitable for portraits and commercial photography.
Digital graphics pro forma 2
Here are my thoughts on how well your final product reflects your original intentions and is suitable for your intended audience:
- Your final product closely matches your original flat plan designs in terms of using rotoscoped images of the three YouTubers in outfits from the film and keeping a consistent color scheme and style. This shows you achieved your goal of creating cohesive graphic t-shirt designs.
- Some minor changes like adding more hair detail and changing outfits slightly helped improve the designs while still aligning with your original vision.
- Choosing a more design-oriented font coordinated well with the camp theme you described.
- Using individual facial outlines instead of a combined image was a smart adaptation that maintained consistency.
File types pro forma
Raster graphics are made up of pixels and have a set resolution, so they can appear distorted when resized. Vector graphics are made up of mathematical paths between points, so they can be resized without distortion. Common raster file formats include JPEG, TIFF, GIF and BMP, which vary in compression, quality and file size. Common vector file formats are PSD, AI, FLA and WMF, which allow editing layers, transparency and scaling. Files can be optimized and compressed to reduce file sizes for sharing online, but this can reduce quality. Larger files have more pixels and layers, and naming files accurately helps organization. Folders are useful for storing and organizing assets in projects.
Recommended
Digital Graphics Pro Forma (improved)
The document provides an evaluation of a T-shirt design project, noting that while the final design incorporated elements from the original intentions like using FKA Twigs artwork and creating a floral pattern background, it diverged in aspects like the color scheme and editing of the artwork. The techniques used to create the background pattern from fabric and edit FKA Twigs' face are analyzed, highlighting what was liked such as the natural texture captured and neutral color tones achieved and what could be improved like making the flowers larger. Overall the design is assessed as suitable for the intended audience of FKA Twigs fans while experimenting with her image.
Lesson 6 - Colour Profiles
Digital photography lesson 6 focuses on understanding color management between devices and how devices represent color differently. It discusses how digital cameras embed color profiles related to how they represent color gamut, dynamic range, tone reproduction, white point, and shadows and highlights. Learners are tasked to research and describe the use of embedded color profiles in digital camera images, commenting on why profiles are needed, what profiles do, and how profiles are used in a color managed workflow.
2.01 graphic formats
The document discusses graphic file formats and the factors to consider when choosing one. There are many graphic formats that vary in color depth, compression, portability, and whether they support transparency. Color depth determines the number of colors an image can display, from 1-bit to 24-bit. Compression reduces file size, either losslessly by removing redundant data or lossily by degrading quality. Portability refers to how easily files can be opened across systems. Transparency allows parts of an image to be see-through. The best format depends on an image's intended use and priorities like quality, speed, and file size.
Experimental Photography Evaluations (with improvements)
The document summarizes the author's experimental photography project. They began with the intention of capturing bubbles and movement to represent fear and being "thrown in at the deep end." They were influenced by other artists' use of multiple mediums. Their process involved taking photos, editing them, and painting dots over images. They used watercolors and acrylic paint. While they achieved their theme, they felt the images could be improved with more dots or experimenting with food coloring. Overall they determined their work fulfilled the brief but could be developed further.
Further Techniques Task 3 - W/ Changes
Multiple exposure photography involves superimposing two or more photographs to create a single image. It can be done using analogue cameras by opening the shutter multiple times to expose the film more than once, or digitally by merging images together using editing software. Light writing uses a light source like a fiber optic pen to draw images in a completely dark environment that are then captured with a camera. High speed photography freezes or records very fast moving objects or processes using specialized cameras capable of framing rates of hundreds to millions of frames per second. Post production techniques for these methods may include changing colors, opacity, adding effects, sharpening, or cropping images.
Photography Extension Task
The document discusses when post-production should be used on photographs. It argues that post-production is acceptable for art as it allows artists to achieve their desired creative effects, but should be limited for factual photography. For photojournalism and documentary photography, minor adjustments for lighting may be acceptable, but extensive post-production could mislead audiences. The document concludes that minimal post-production is appropriate for factual images, while artists should have freedom to pursue their visions, and some editing may be suitable for portraits and commercial photography.
Digital graphics pro forma 2
Here are my thoughts on how well your final product reflects your original intentions and is suitable for your intended audience:
- Your final product closely matches your original flat plan designs in terms of using rotoscoped images of the three YouTubers in outfits from the film and keeping a consistent color scheme and style. This shows you achieved your goal of creating cohesive graphic t-shirt designs.
- Some minor changes like adding more hair detail and changing outfits slightly helped improve the designs while still aligning with your original vision.
- Choosing a more design-oriented font coordinated well with the camp theme you described.
- Using individual facial outlines instead of a combined image was a smart adaptation that maintained consistency.
File types pro forma
Raster graphics are made up of pixels and have a set resolution, so they can appear distorted when resized. Vector graphics are made up of mathematical paths between points, so they can be resized without distortion. Common raster file formats include JPEG, TIFF, GIF and BMP, which vary in compression, quality and file size. Common vector file formats are PSD, AI, FLA and WMF, which allow editing layers, transparency and scaling. Files can be optimized and compressed to reduce file sizes for sharing online, but this can reduce quality. Larger files have more pixels and layers, and naming files accurately helps organization. Folders are useful for storing and organizing assets in projects.
Pre production techniques pro-forma
Here are some methods you could employ to identify locations needed for your production:
- Review your production schedule and storyboards/scripts to determine what types of locations you will need (e.g. interior kitchen, exterior garden, office space). This will give you a starting point.
- Research locations you already have access to through friends/family/work connections. See if any of their spaces could work for your needs before looking elsewhere.
- Drive or walk around your local area scouting for potential locations that match your needs. Pay attention to exteriors as well as calling/visiting businesses to ask about interior spaces.
- Search online location databases and forums where people list available spaces. You can search by
Photography Techniques- Multimedia and Scanography
Multimedia photography involves using more than one medium to create an image, such as painting over a photograph. This creates a textured collage effect. The document describes examples by artist Maureen Gubia who used paint and digital techniques over photographs. Scanography creates photographs using a photocopier by leaving the lid up while scanning to distort images of objects or people placed far from the scanner. Examples show clear images of objects on the scanner surface and blurred distortions of objects farther away.
Presentation
This document discusses an investigation into how color is associated with emotions like happy and angry in photographs. The author will examine works by Hector Sos, Gillian Wearing, and Kyungwoo Chun to analyze how these artists use color in their photos to express emotions. Hector Sos creates paper masks for portraits that use color and paper details to suggest feelings. Gillian Wearing photographs people holding signs with their inner thoughts, using lack of facial expression with messages. Kyungwoo Chun uses blurred portraits and bold colors that the author thinks could emphasize emotions when combined with colored backdrops.
Digital Graphics Pro Forma
The document discusses various digital file formats for graphics, including raster graphics, vector graphics, JPEG, TIFF, PSD, AI, and 3DS.
It provides information on each file format such as what it stands for, typical uses, advantages, and disadvantages. JPEG is noted as the most common format for images used on websites due to its small file size, though it can cause loss of quality upon recompression. TIFF is described as useful for graphic design work due to its lossless compression preventing quality loss. PSD is only compatible with Photoshop but allows for layers. AI uses vector graphics making it suitable for scaling without quality loss. 3DS is an industry standard for 3D modeling.
2.01 graphic formats
The document discusses graphic file formats and the factors to consider when choosing one. There are many graphic formats that vary in color depth, compression, portability, and whether they support transparency. Color depth determines the number of colors an image can display, from 1-bit to 24-bit. Compression reduces file size, either losslessly by removing redundant data or lossily by altering pixels and degrading quality. Portability refers to how easily files can be opened across systems. Transparency allows parts of an image to be see-through. The best format depends on an image's intended use and priorities like quality, speed, and file size.
Unit 16 workbook part 1
This document provides an overview of film and video editing techniques. It begins with an introduction to the unit and learning outcomes. It then discusses the pioneers of filmmaking in the late 19th and early 20th centuries. Examples of early films are provided and analyzed to show pioneering developments in techniques like continuity, jump cuts, and close-ups. Key characteristics of early film production like shot types and movement are also outlined. Modern auteur filmmakers like Hitchcock, Scorsese, and Tarantino are discussed. The document concludes with explanations and examples of important editing conventions and techniques like seamless cuts, continuity, montages, and transitions.
File types.
Raster graphics use pixels to form images, so file sizes are large. When resized, raster graphics become pixelated and distorted. Vector graphics use vectors and paths defined by starting and ending points, so they are scalable without quality loss, making them suitable for logos. Common raster graphic file formats include JPEG, TIFF, GIF and BMP. JPEG is used for web and is universal but loses quality with edits. TIFF retains quality but has large file sizes. GIF is used for animations and has small file sizes but poor quality. BMP has no compression but large file sizes. Common vector graphic file formats are PSD, AI and WMF. PSD is used by artists and retains layers but needs Photoshop.
Experimental Photography Artist Research 2
The document discusses various techniques used by photographers and students to manipulate photographs through the addition of paint, textures, stitching, burning, tearing, scratching, layering, sculpting, color adjustments, and digital manipulation. Some of the techniques mentioned include dripping paint on images, sewing photographs onto fabrics, machine stitching, transferring prints onto canvas, mixed media collages, overlaying images, constructing 3D landscapes, and using Photoshop tools like liquify to distort photos. The document also lists several artist and photographer examples for each technique as well as recommended books on photographic portraiture, curated photography collections, enhanced photography techniques, and botanical photography.
Web graphic formats
The document discusses common graphic file formats used on the web, including GIF, JPG, PNG, and TIFF. It provides details on each format such as when they were created, pronunciation, browser support, color capabilities, compression, and advantages. GIF is best for images with solid colors and supports animation while JPG is best for photographs and PNG supports variable transparency. All browsers support GIF, JPG, and PNG natively while some may require plugins for PNG.
On going evaluations
This document summarizes the process and results of an experimental photography project using colour scanography. The student focused on conveying fear through their images and experimented with different colour tones and editing techniques. This image stands out from the others through its use of bright colours, including green hues, while still maintaining detail through lighter editing. The student feels this image successfully conveys fear while differentiating itself from other works through an unusual colour palette.
LO3 - Lesson 2 - Door Triggers
This document discusses using triggers in computer games, with a focus on door triggers. It outlines the goals of understanding trigger importance, knowing the available triggers in a chosen software, and being able to use a range of appropriate door triggers. It then discusses the different types of triggers available in Mission Maker software and instructs students to use various triggers to open and close doors, providing screenshots of the trigger types and door properties as evidence.
LO3 - Lesson 6 - Algorithms
This document discusses the importance of providing clear instructions to players of a game and the use of algorithms within games. It defines algorithms as sets of instructions that must be carried out for things to happen in a game. The goals are to understand the need for clear instructions, know what algorithms are used for in games, and be able to create a winnable computer game. The task is to create suitable algorithms in a game to meet requirements and provide evidence of triggers, player actions, and rules to help or challenge the player.
Experimental Photography On going evaluations
This document summarizes Ryan Goldsmith's experimental photography project exploring high-speed photography of objects disturbing liquids. The summary includes:
- Ryan took photos of various objects like coins and fruit disturbing water, captured using high shutter speeds between 1/5000-1/6400 to freeze the motion.
- One photo features a coin cutting through water, showing the displacement and trail it left.
- Ryan improved a second set of photos by using better lighting to reduce noise, capturing apple and water disruption sequences.
- Technically, Ryan used high ISO 6400 and shutter speeds up to 1/8000 to freeze motion, with a shallow depth of field. Minimal post-processing was needed.
Olivia Bolt Digital graphics pro forma
The document discusses different types of digital graphics file formats. Raster graphics like JPEG and TIFF store images as a grid of pixels and can lose quality when resized, while vector graphics like AI use mathematical formulas to describe shapes and can be resized without quality loss. Common file formats are described along with their uses, advantages, and disadvantages. JPEG is best for photos due to small file sizes but can lose quality during compression. TIFF preserves quality but has large file sizes. PSD and AI are used for image editing but only work with certain programs. 3DS is for 3D modeling and animation but has large, complex files.
Digital graphics powerpoint homework
The document defines raster and vector graphics. Raster graphics are made up of pixels to form images, while vector graphics use vectors like paths and strokes. It then discusses various file formats for raster (JPEG, TIFF, GIF, BMP) and vector (PSD, AI, FLA, WMF) graphics and their uses and advantages/disadvantages. Lossy compression reduces file sizes by removing image information, potentially making images pixelated. Graphics can be captured using scanners, cameras, or graphics tablets, and optimized by reducing file sizes and pixel amounts, though this reduces resolution.
Digital graphics pro form a new
Here is a summary of the peer feedback I received on my t-shirt design project and my thoughts on the responses:
- Strengths mentioned were the simplicity of the design and how eye-catching the use of different colours are. I agree these are strengths as keeping the design clean and focused helps it appeal to a wide audience. The strategic use of colour helps draw the eye.
- An area for improvement mentioned was adding more detail or texture. I disagree with this as I think too much detail could clutter the design and distract from the key elements. More simplicity allows the design elements to stand out.
- It was noted the content choice of Egyptian cats and Hand of Fatima imagery fits the trendy mystical style.
4. [pro forma] reading photographs by james horbury
This document discusses street photography techniques used by photographers Massimo Vitali and Henri Cartier-Bresson. It provides biographical information on each photographer, describing Vitali's use of a high platform and large format camera to capture candid images in Venice, and Cartier-Bresson's role in developing street photography using early 35mm film. Examples of each photographer's work are presented and analyzed visually. The document also briefly discusses target audiences and markets for street photography.
Recipe Card Evaluation (Improved 2)
This document summarizes a student's recipe card project evaluation. The student discusses designing the recipe cards to look like realistic school work with busy details. Photos were taken by the student and stock images were used. Colors, fonts, and added details like ink splotches were meant to evoke the feeling of doing school work. The intended audience is middle-aged adults who would feel nostalgic looking at school-themed cards. Influences included actual school materials like blackboards. The theme appeals to the target demographic and influences included the client, the Vegetarian Society.
Pre- Production Techniques Pro-Forma (improved)
The document discusses pre-production techniques for a project creating recipe cards. It defines different types of project financing such as self-financing, client financing, and Kickstarter crowdfunding. It also discusses scheduling, contingency planning, team roles, and finding personnel to fill those roles for the recipe card project.
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Pre production techniques pro-forma
Here are some methods you could employ to identify locations needed for your production:
- Review your production schedule and storyboards/scripts to determine what types of locations you will need (e.g. interior kitchen, exterior garden, office space). This will give you a starting point.
- Research locations you already have access to through friends/family/work connections. See if any of their spaces could work for your needs before looking elsewhere.
- Drive or walk around your local area scouting for potential locations that match your needs. Pay attention to exteriors as well as calling/visiting businesses to ask about interior spaces.
- Search online location databases and forums where people list available spaces. You can search by
Photography Techniques- Multimedia and Scanography
Multimedia photography involves using more than one medium to create an image, such as painting over a photograph. This creates a textured collage effect. The document describes examples by artist Maureen Gubia who used paint and digital techniques over photographs. Scanography creates photographs using a photocopier by leaving the lid up while scanning to distort images of objects or people placed far from the scanner. Examples show clear images of objects on the scanner surface and blurred distortions of objects farther away.
Presentation
This document discusses an investigation into how color is associated with emotions like happy and angry in photographs. The author will examine works by Hector Sos, Gillian Wearing, and Kyungwoo Chun to analyze how these artists use color in their photos to express emotions. Hector Sos creates paper masks for portraits that use color and paper details to suggest feelings. Gillian Wearing photographs people holding signs with their inner thoughts, using lack of facial expression with messages. Kyungwoo Chun uses blurred portraits and bold colors that the author thinks could emphasize emotions when combined with colored backdrops.
Digital Graphics Pro Forma
The document discusses various digital file formats for graphics, including raster graphics, vector graphics, JPEG, TIFF, PSD, AI, and 3DS.
It provides information on each file format such as what it stands for, typical uses, advantages, and disadvantages. JPEG is noted as the most common format for images used on websites due to its small file size, though it can cause loss of quality upon recompression. TIFF is described as useful for graphic design work due to its lossless compression preventing quality loss. PSD is only compatible with Photoshop but allows for layers. AI uses vector graphics making it suitable for scaling without quality loss. 3DS is an industry standard for 3D modeling.
2.01 graphic formats
The document discusses graphic file formats and the factors to consider when choosing one. There are many graphic formats that vary in color depth, compression, portability, and whether they support transparency. Color depth determines the number of colors an image can display, from 1-bit to 24-bit. Compression reduces file size, either losslessly by removing redundant data or lossily by altering pixels and degrading quality. Portability refers to how easily files can be opened across systems. Transparency allows parts of an image to be see-through. The best format depends on an image's intended use and priorities like quality, speed, and file size.
Unit 16 workbook part 1
This document provides an overview of film and video editing techniques. It begins with an introduction to the unit and learning outcomes. It then discusses the pioneers of filmmaking in the late 19th and early 20th centuries. Examples of early films are provided and analyzed to show pioneering developments in techniques like continuity, jump cuts, and close-ups. Key characteristics of early film production like shot types and movement are also outlined. Modern auteur filmmakers like Hitchcock, Scorsese, and Tarantino are discussed. The document concludes with explanations and examples of important editing conventions and techniques like seamless cuts, continuity, montages, and transitions.
File types.
Raster graphics use pixels to form images, so file sizes are large. When resized, raster graphics become pixelated and distorted. Vector graphics use vectors and paths defined by starting and ending points, so they are scalable without quality loss, making them suitable for logos. Common raster graphic file formats include JPEG, TIFF, GIF and BMP. JPEG is used for web and is universal but loses quality with edits. TIFF retains quality but has large file sizes. GIF is used for animations and has small file sizes but poor quality. BMP has no compression but large file sizes. Common vector graphic file formats are PSD, AI and WMF. PSD is used by artists and retains layers but needs Photoshop.
Experimental Photography Artist Research 2
The document discusses various techniques used by photographers and students to manipulate photographs through the addition of paint, textures, stitching, burning, tearing, scratching, layering, sculpting, color adjustments, and digital manipulation. Some of the techniques mentioned include dripping paint on images, sewing photographs onto fabrics, machine stitching, transferring prints onto canvas, mixed media collages, overlaying images, constructing 3D landscapes, and using Photoshop tools like liquify to distort photos. The document also lists several artist and photographer examples for each technique as well as recommended books on photographic portraiture, curated photography collections, enhanced photography techniques, and botanical photography.
Web graphic formats
The document discusses common graphic file formats used on the web, including GIF, JPG, PNG, and TIFF. It provides details on each format such as when they were created, pronunciation, browser support, color capabilities, compression, and advantages. GIF is best for images with solid colors and supports animation while JPG is best for photographs and PNG supports variable transparency. All browsers support GIF, JPG, and PNG natively while some may require plugins for PNG.
On going evaluations
This document summarizes the process and results of an experimental photography project using colour scanography. The student focused on conveying fear through their images and experimented with different colour tones and editing techniques. This image stands out from the others through its use of bright colours, including green hues, while still maintaining detail through lighter editing. The student feels this image successfully conveys fear while differentiating itself from other works through an unusual colour palette.
LO3 - Lesson 2 - Door Triggers
This document discusses using triggers in computer games, with a focus on door triggers. It outlines the goals of understanding trigger importance, knowing the available triggers in a chosen software, and being able to use a range of appropriate door triggers. It then discusses the different types of triggers available in Mission Maker software and instructs students to use various triggers to open and close doors, providing screenshots of the trigger types and door properties as evidence.
LO3 - Lesson 6 - Algorithms
This document discusses the importance of providing clear instructions to players of a game and the use of algorithms within games. It defines algorithms as sets of instructions that must be carried out for things to happen in a game. The goals are to understand the need for clear instructions, know what algorithms are used for in games, and be able to create a winnable computer game. The task is to create suitable algorithms in a game to meet requirements and provide evidence of triggers, player actions, and rules to help or challenge the player.
Experimental Photography On going evaluations
This document summarizes Ryan Goldsmith's experimental photography project exploring high-speed photography of objects disturbing liquids. The summary includes:
- Ryan took photos of various objects like coins and fruit disturbing water, captured using high shutter speeds between 1/5000-1/6400 to freeze the motion.
- One photo features a coin cutting through water, showing the displacement and trail it left.
- Ryan improved a second set of photos by using better lighting to reduce noise, capturing apple and water disruption sequences.
- Technically, Ryan used high ISO 6400 and shutter speeds up to 1/8000 to freeze motion, with a shallow depth of field. Minimal post-processing was needed.
Olivia Bolt Digital graphics pro forma
The document discusses different types of digital graphics file formats. Raster graphics like JPEG and TIFF store images as a grid of pixels and can lose quality when resized, while vector graphics like AI use mathematical formulas to describe shapes and can be resized without quality loss. Common file formats are described along with their uses, advantages, and disadvantages. JPEG is best for photos due to small file sizes but can lose quality during compression. TIFF preserves quality but has large file sizes. PSD and AI are used for image editing but only work with certain programs. 3DS is for 3D modeling and animation but has large, complex files.
Digital graphics powerpoint homework
The document defines raster and vector graphics. Raster graphics are made up of pixels to form images, while vector graphics use vectors like paths and strokes. It then discusses various file formats for raster (JPEG, TIFF, GIF, BMP) and vector (PSD, AI, FLA, WMF) graphics and their uses and advantages/disadvantages. Lossy compression reduces file sizes by removing image information, potentially making images pixelated. Graphics can be captured using scanners, cameras, or graphics tablets, and optimized by reducing file sizes and pixel amounts, though this reduces resolution.
Digital graphics pro form a new
Here is a summary of the peer feedback I received on my t-shirt design project and my thoughts on the responses:
- Strengths mentioned were the simplicity of the design and how eye-catching the use of different colours are. I agree these are strengths as keeping the design clean and focused helps it appeal to a wide audience. The strategic use of colour helps draw the eye.
- An area for improvement mentioned was adding more detail or texture. I disagree with this as I think too much detail could clutter the design and distract from the key elements. More simplicity allows the design elements to stand out.
- It was noted the content choice of Egyptian cats and Hand of Fatima imagery fits the trendy mystical style.
4. [pro forma] reading photographs by james horbury
This document discusses street photography techniques used by photographers Massimo Vitali and Henri Cartier-Bresson. It provides biographical information on each photographer, describing Vitali's use of a high platform and large format camera to capture candid images in Venice, and Cartier-Bresson's role in developing street photography using early 35mm film. Examples of each photographer's work are presented and analyzed visually. The document also briefly discusses target audiences and markets for street photography.
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Photography Techniques- Multimedia and Scanography
Photography Techniques- Multimedia and Scanography
4. [pro forma] reading photographs by james horbury
4. [pro forma] reading photographs by james horbury
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Recipe Card Evaluation (Improved 2)
This document summarizes a student's recipe card project evaluation. The student discusses designing the recipe cards to look like realistic school work with busy details. Photos were taken by the student and stock images were used. Colors, fonts, and added details like ink splotches were meant to evoke the feeling of doing school work. The intended audience is middle-aged adults who would feel nostalgic looking at school-themed cards. Influences included actual school materials like blackboards. The theme appeals to the target demographic and influences included the client, the Vegetarian Society.
Pre- Production Techniques Pro-Forma (improved)
The document discusses pre-production techniques for a project creating recipe cards. It defines different types of project financing such as self-financing, client financing, and Kickstarter crowdfunding. It also discusses scheduling, contingency planning, team roles, and finding personnel to fill those roles for the recipe card project.
Digital Graphics Pro Forma (improved 3)
The document provides information on different types of digital graphics file formats including raster graphics, vector graphics, and common file formats like JPEG, TIFF, PSD, AI, 3DS. It explains the advantages and disadvantages of each file format in terms of image quality, file size, compatibility with different programs, and other factors. Examples are given to demonstrate how raster and vector graphics work at different scales.
Graphic Narrative Evaluation (Improved)
The document discusses how the graphic narrative created by the student aims to achieve a surreal, homemade collage style. Various techniques were used to create this style, including drawing characters by hand, cutting and arranging photographs from online and their own collection, and outlining images in Photoshop. The student analyzed how they anchored scenes with concise text, used signs like color and imagery to signify meanings, and aimed to positively represent the female protagonist in contrast to conventions of fairy tales from when the story was written.
Design Pro Forma (improved 2)
This document summarizes the development of an advertisement design for an energy drink. The designer experimented with different font styles and colors before selecting a bold green font with a Japanese influence. Packaging designs were created for different drink flavors using complementary color schemes. An initial magazine advertisement featured a large panda logo with the brand name in Japanese and English. Through iterations, the designer improved readability by reducing the background opacity and enhancing the can design details. The final advertisement prominently features the refined can design alongside the repeating panda pattern and brand name.
Noah Lennox (aka Panda Bear) Secondary Research (improved 2)
Panda Bear discusses the differences between his solo music and Animal Collective's music, noting they come from different people with different environments. He says he doesn't intend for his music to make people feel specific emotions, but hopes listeners understand his thoughts when writing songs. Panda Bear also comments that Animal Collective's songs are easy to perform live since they write and play them before recording, allowing flexibility in how the songs sound each time. He explains their on-stage speaker setup allows them more control over their live sound mixing.
Social Action Case Studies
This campaign by Models of Diversity aims to bring about global change by challenging dominant views and increasing representation of disabled people in the modeling industry. The campaign uses images of diverse models and text that crosses out "Dis" in "Disabled" to promote the message that disability does not preclude ability or beauty. It provides contact information to encourage public involvement in the organization and its mission. While the full impact is difficult to measure, the campaign has led to further publicity that could help change public attitudes over time.
Social Action Pitch
The products were designed to appeal to Surfers Against Sewage's target audience and client with a modern yet creative style. The color scheme, style, and copy were carefully considered to portray the right impression. The designs aimed to draw in a wider audience including designers, children, parents, surfers, and those concerned with the environment. Different designs appealed to various audiences, such as the adult poster appealing to designers and the kids merchandise appealing to children and potentially their parents. Various tools and work space were used including Photoshop, paper, pens, and a scanner. Assistance from a writer may be needed to develop the copy for the campaign poster and membership form.
Factual Writing Evaluation (improved)
In the first draft of their fanzine and fan interview, the author took a more formal evaluative style that is atypical for fan-focused works. They received feedback that fanzines are usually more casual and aimed at existing fans, without needing extensive background details. In revisions, the author removed unnecessary information, added more personal experiences and opinions, and adopted a less formal tone. For layout, they were inspired by Animal Collective's website and other fanzines, experimenting with unusual formats, hand-drawn elements, and technology-inspired designs to suit the obscure artist. The fan interview structure was improved by providing context for answers instead of direct questions. Overall, the revisions better suited the works to their intended fan
Fanzine and Magazine Article Plan
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National Union of Journalists Presentation Part 2 (improved)
1) Journalists must maintain credibility by being objective, accurate, truthful, fair and balanced according to guidelines from the National Union of Journalists.
2) To be objective, journalists must present facts impartially and differentiate facts from opinions. However, some newspapers slant stories to appeal to readers with certain political views in a way that compromises objectivity.
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National Union of Journalists Presentation Part 1 (improved)
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