FEATURES:
STORIES PEOPLE
WANT TO READ
NEWS, FEATURES,
NEWS-FEATURES
News

• Timely
• Straightforward
• Short
• Tells
Features
• Timeless
• Details
• Shows
News feature
• News story told in feature style
NEWS, FEATURES,
NEWS-FEATURES
News

• City passes a new budget
• Car accident kills woman
Feature
• Describes afternoon at city park
• Describes new safety features in cars
News-feature
• Describes plans for updating park passed in budget
• Budget = news peg

• Uses accident to tell of hazardous intersection
• What’s the news peg?
SO WHAT’S A FEATURE?
• Depth
• Scope
• Structure

• Emotion
• Human Interest

• Personal Style
DEPTH – THE WHY ELEMENT
• More factual history
• More context
• More logical history
SCOPE – SAY MORE ABOUT LESS
•Scene-setting
•Showing, not telling
•Flashlight vs. spotlight
BORROWED STRUCTURES
•Narrative from fiction
•Chronological from radio-tv
•Logical circle from public speaking, essays
•Demonstrative from advertising, marketing
FEATURES HIGHLIGHT EMOTION
• Sources become characters. The writer
shows how the character feels via what
they say and do.
• Writers evoke an emotional response
in the reader through vivid details.
HUMAN INTEREST
• For stories about humans, the effects of
what happens on the people are usually
central.
• Again, think characters, not sources.

Compelling feature stories

  • 1.
  • 2.
    NEWS, FEATURES, NEWS-FEATURES News • Timely •Straightforward • Short • Tells Features • Timeless • Details • Shows News feature • News story told in feature style
  • 3.
    NEWS, FEATURES, NEWS-FEATURES News • Citypasses a new budget • Car accident kills woman Feature • Describes afternoon at city park • Describes new safety features in cars News-feature • Describes plans for updating park passed in budget • Budget = news peg • Uses accident to tell of hazardous intersection • What’s the news peg?
  • 4.
    SO WHAT’S AFEATURE? • Depth • Scope • Structure • Emotion • Human Interest • Personal Style
  • 5.
    DEPTH – THEWHY ELEMENT • More factual history • More context • More logical history
  • 6.
    SCOPE – SAYMORE ABOUT LESS •Scene-setting •Showing, not telling •Flashlight vs. spotlight
  • 7.
    BORROWED STRUCTURES •Narrative fromfiction •Chronological from radio-tv •Logical circle from public speaking, essays •Demonstrative from advertising, marketing
  • 8.
    FEATURES HIGHLIGHT EMOTION •Sources become characters. The writer shows how the character feels via what they say and do. • Writers evoke an emotional response in the reader through vivid details.
  • 9.
    HUMAN INTEREST • Forstories about humans, the effects of what happens on the people are usually central. • Again, think characters, not sources.