This document discusses the relationship between comparative literature and digital humanities. It argues that comparative literature is in a transitional phase as it adapts to the digital age. New areas of study are emerging, such as comparative data studies, which analyzes large datasets across languages and cultures. Comparative media studies also analyzes genres and movements across different media. The document calls on humanists to more deeply engage with digital culture, publishing, and issues of access and ownership of cultural works online. It asserts that new technologies risk being dominated by corporate interests unless humanists advocate for more open access and sharing of intellectual property in digital formats.