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M O D E R N I S M E
THE
OF
LEE ZI YING
HARASAHADEEP KAUR
TAYLOR’S UNIVERSITY
ARCHITECTURE AND COMICS 2017
TUTOR : MS ALINA CHOONG
ONG SHI HUI
A BIT ABOUT THE ARTIST S
I ALWAYS MANAGE TO
KEEP MYSELF
OCCUPIED.
CONSTANTLY
UNRAVELING,
THE MESS IN MY
BRAIN THAT FUELS
ALL MY WORK
I’M NOT GOOD AT
WORDS, SO I USE
PEN TO EXPRESS
MYSELF.
I’M NOT GOOD AT
SPEECH SO I USE
DRAWINGS TO
OPEN UP MY
THOUGHTS
I LOVE
PHOTOGRAPHY
AND
SKETCHING
BECAUSE IT
KEEPS A MOMENT
FROM
RUNNING AWAY
ONG SHI HUI
0320303
ARCHITECTURE
SEMESTER 5
HARASHADEEP KAUR
0325069
ARCHITECTURE
SEMESTER 5
LEE ZI YING
0320435
ARCHITECTURE
SEMESTER 5
IDE A DEVELO PMEN T
This is a general re-telling of Gaudi’s life as it progresses from his time as a child living under his father’s
roof, followed by haphazardly making it through university, to becoming a respected architect and
citizen of the spanish society of the time. It focuses on how his love of geometry and organic form mix
perfectly. His main mode of inspiration is losing himself among the stunning natural forms, orders,
colors and textures
Young ‘Antoni’ is a fan of the
theatre and arts. He is open to
experience and often loses
himself in the arts and nature
but clashes with his father
when it comes to how he
spends his time, compelling
his father to keep him in his
workshop.
In architecture school ‘Ant’
does not excel in many
theoretical subjects besides
geometry and visual art. He
continues to be stimulated
by natural environment and
music. He is more self
assured in his style. His
mentors, however, are not
sure if they just gave a title
to a genius or a fool
Now mostly respected, ‘Mr
Gaudi / Sir ‘ is designing
the Sagrada Familia. He
still wanders aimlessly. But
he is also able to lose
himself in urban settings.
He is taken up in winding
pathways and staircases as
he admirers his own
structure from afar - then
crashes with a tram. He
dies.
The following are a series of drawing to show the original character ideas as Gaudi changes over the
years. These have changed slightly in our final pencils and inks
Just as the tall trees in the spanish forests influenced the interiors of the Sagrada Familia, we wanted to
create more hypothetical situations where Gaudi would be taken into daydreams after gazing into intricacies
of nature. The idea is that the daydreams would become the main template for his beautiful architecture.
The following two pages are snapshots of 2 of 10 initial comic layouts presented during the pitch
Fictional scenario
(or is it?) :
The intricate pattern
on his pet lizard,
Drac’s, anatomy
inspires one of his
drawings in university
M O D E R N I S M E
t h e
o f
H A Z E L A S H A C I N D Y
N O V E M M B E R 2 0 1 7
PAGE 1 2017
2017 PAGE 2
2017PAGE 3
PAGE 4
CARE.
2017
2017PAGE 5
2017 PAGE 6
2017PAGE 7
2017
1852-
1926
PAGE 8
2017PAGE 9
2017 PAGE 10
WRITTEN
S TATEMENT
THE IDEA OF THE SUBJECT MATTER CAME ABOUT WHEN I HAD GONE
THROUGH MANY EXAMPLES OF AMAZING ARCHITECTURAL COMICS
THAT WERE DETAILED, WELL-PROPORTIONED BUT MOSTLY CLINICAL!
I WAS CURIOUS TO SEE IF THERE WAS A WAY TO EXPRESS THE MORE
ORGANIC VARIETY OF ARCHITECTURAL FORMS. MODERNISME WAS
THE PERFECT STYLE TO FOCUS ON, AS OPPOSED TO STYLES LIKE
BAROQUE, ROCOCO OR EVEN ART NOVEAU. THIS WAS BECAUSE
ALMOST ALL THE ELEMENTS MODERNISME IS ATTRIBUTED TO ANTONI
GAUDI, A MAJOR ICON.
TELLING THE STORY THROUGH THE PRISM OF GAUDI’S LIFE SEEMED
IDEAL SINCE THERE WAS A TON OF INFORMATION ON WHERE HE GOT
HIS REFERENCES FROM ; HIS NATURE WALKS AND DAYDREAMS. THERE
IS ALSO CONSIDERABLE DESCRIPTION OF HOW HE CHANGED
THROUGHOUT HIS LIFE WHICH I THOUGHT COULD ENRICH THE COMIC
FURTHER. THIS SEMI-FICTITIOUS ALL-AGES COMIC IS LIGHT-HEARTED
AND QUICK, DESPITE ITS OCCASIONALLY HEAVY SUBJECT MATTERS.
- ASHA

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comic and architecture

  • 1. M O D E R N I S M E THE OF LEE ZI YING HARASAHADEEP KAUR TAYLOR’S UNIVERSITY ARCHITECTURE AND COMICS 2017 TUTOR : MS ALINA CHOONG ONG SHI HUI
  • 2. A BIT ABOUT THE ARTIST S I ALWAYS MANAGE TO KEEP MYSELF OCCUPIED. CONSTANTLY UNRAVELING, THE MESS IN MY BRAIN THAT FUELS ALL MY WORK I’M NOT GOOD AT WORDS, SO I USE PEN TO EXPRESS MYSELF. I’M NOT GOOD AT SPEECH SO I USE DRAWINGS TO OPEN UP MY THOUGHTS I LOVE PHOTOGRAPHY AND SKETCHING BECAUSE IT KEEPS A MOMENT FROM RUNNING AWAY ONG SHI HUI 0320303 ARCHITECTURE SEMESTER 5 HARASHADEEP KAUR 0325069 ARCHITECTURE SEMESTER 5 LEE ZI YING 0320435 ARCHITECTURE SEMESTER 5
  • 3. IDE A DEVELO PMEN T This is a general re-telling of Gaudi’s life as it progresses from his time as a child living under his father’s roof, followed by haphazardly making it through university, to becoming a respected architect and citizen of the spanish society of the time. It focuses on how his love of geometry and organic form mix perfectly. His main mode of inspiration is losing himself among the stunning natural forms, orders, colors and textures Young ‘Antoni’ is a fan of the theatre and arts. He is open to experience and often loses himself in the arts and nature but clashes with his father when it comes to how he spends his time, compelling his father to keep him in his workshop. In architecture school ‘Ant’ does not excel in many theoretical subjects besides geometry and visual art. He continues to be stimulated by natural environment and music. He is more self assured in his style. His mentors, however, are not sure if they just gave a title to a genius or a fool Now mostly respected, ‘Mr Gaudi / Sir ‘ is designing the Sagrada Familia. He still wanders aimlessly. But he is also able to lose himself in urban settings. He is taken up in winding pathways and staircases as he admirers his own structure from afar - then crashes with a tram. He dies. The following are a series of drawing to show the original character ideas as Gaudi changes over the years. These have changed slightly in our final pencils and inks
  • 4. Just as the tall trees in the spanish forests influenced the interiors of the Sagrada Familia, we wanted to create more hypothetical situations where Gaudi would be taken into daydreams after gazing into intricacies of nature. The idea is that the daydreams would become the main template for his beautiful architecture. The following two pages are snapshots of 2 of 10 initial comic layouts presented during the pitch Fictional scenario (or is it?) : The intricate pattern on his pet lizard, Drac’s, anatomy inspires one of his drawings in university
  • 5. M O D E R N I S M E t h e o f H A Z E L A S H A C I N D Y N O V E M M B E R 2 0 1 7
  • 16. WRITTEN S TATEMENT THE IDEA OF THE SUBJECT MATTER CAME ABOUT WHEN I HAD GONE THROUGH MANY EXAMPLES OF AMAZING ARCHITECTURAL COMICS THAT WERE DETAILED, WELL-PROPORTIONED BUT MOSTLY CLINICAL! I WAS CURIOUS TO SEE IF THERE WAS A WAY TO EXPRESS THE MORE ORGANIC VARIETY OF ARCHITECTURAL FORMS. MODERNISME WAS THE PERFECT STYLE TO FOCUS ON, AS OPPOSED TO STYLES LIKE BAROQUE, ROCOCO OR EVEN ART NOVEAU. THIS WAS BECAUSE ALMOST ALL THE ELEMENTS MODERNISME IS ATTRIBUTED TO ANTONI GAUDI, A MAJOR ICON. TELLING THE STORY THROUGH THE PRISM OF GAUDI’S LIFE SEEMED IDEAL SINCE THERE WAS A TON OF INFORMATION ON WHERE HE GOT HIS REFERENCES FROM ; HIS NATURE WALKS AND DAYDREAMS. THERE IS ALSO CONSIDERABLE DESCRIPTION OF HOW HE CHANGED THROUGHOUT HIS LIFE WHICH I THOUGHT COULD ENRICH THE COMIC FURTHER. THIS SEMI-FICTITIOUS ALL-AGES COMIC IS LIGHT-HEARTED AND QUICK, DESPITE ITS OCCASIONALLY HEAVY SUBJECT MATTERS. - ASHA