Classical ballet
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This document provides an overview of ballet, including its origins in Italy in the Renaissance period. It discusses the typical training of ballet dancers from ages 6-8 up to becoming professional dancers before age 20. The summary also outlines some of the most famous ballet companies like the Royal Ballet in London and the Bolshoi Ballet in Moscow. It provides short summaries of three classic ballets: Giselle, Don Quixote, and Romeo and Juliet.
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Marius Petipa (1818-1910) was a renowned French ballet dancer and choreographer known as the "father of classical ballet" who spent most of his career in Russia choreographing over 60 ballets. He established classical ballet as the dominant style, focusing on technical virtuosity and elaborate productions. Some of his most famous ballets choreographed to Tchaikovsky's music include The Sleeping Beauty, The Nutcracker, and Swan Lake.
Marius petipa
Marius Petipa was a renowned French ballet dancer and Russian choreographer born in 1818 in Marseilles, France. He was pushed into dancing at a young age and received ballet training before touring and performing across Europe. Petipa was later appointed director of the St. Petersburg Ballet in 1869, where he created over 50 ballets, including his most famous works The Sleeping Beauty, The Nutcracker, and Swan Lake. As a choreographer, Petipa was known for his use of grand pas de deux, 32 fouettes, and mime. He frequently collaborated with composers like Glazunov, Tchaikovsky, and Pugni. Petipa had a significant
From Medici to Jooss: Four Centuries of Crazy Incestuous Dance Action
This document provides a summary of the history of ballet, beginning with Catherine de Medici in the 16th century who initiated the development of ballet in France. Key figures and works that advanced ballet as an art form are discussed, including Balthasar de Beaujoyeulx, Jean-Baptiste Lully, Pierre Beauchamp, Jean-Georges Noverre, and Marius Petipa. The romantic era saw the rise of ballerinas like Marie Taglioni and Fanny Elssler. Iconic ballets from this period like La Sylphide and Giselle are examined. The document traces the evolution and spread of ballet through France, Russia, Denmark and
Beginnings of Ballet(Abbreviated notes from your text)Ba.docx
Beginnings of Ballet
:
(Abbreviated notes from your text):
Ballet originated in the Italian Renaissance courts and was brought to France by
Catherine de' Medici
in the 16th Century.
[1]
During ballet's infancy,
court ballets
were performed by aristocratic amateurs rather than professional dancers.
[1]
Most of ballet's early movements evolved from social court dances and prominently featured stage patterns rather than formal ballet technique.
In the 17th century, as ballet's popularity in France increased, ballet began to gradually transform into a professional art.
No longer performed by amateurs, ballet performances started to incorporate challenging acrobatic movements that could only be performed by highly skilled street entertainers.
[1]
In response, the world's first ballet school, the
Académie Royale de Danse
, was established by King Louis XIV in 1661.
[1]
The Academie's purpose was to improve the quality of dance training in France, and to invent a technique or curriculum that could be used to transform ballet into a formal discipline.
Shortly after the Academie was formed, in 1672, King Louis XIV established a performing company called the Academie Royal de Musique de Dance (today known as Paris Opera), and named Pierre Beauchamp the head dancing-master.
[1]
While at the Academie Royal, Beauchamp revolutionized ballet technique by inventing the five positions (first, second, third, fourth and fifth) of ballet, which to this day remain the foundation of all formal classical ballet technique.
Ballet Techniques
:
Widely used ballet training systems
Ballet style
Training system
Name
Creator
Danish ballet
Bournonville method
August Bournonville
Italian ballet
Cecchetti method
Enrico Cecchetti
Russian ballet
Vaganova method
Agrippina Vaganova
Legat Method
Nikolai Legat
English ballet
Royal Academy of Dance
Various
French ballet
None
American ballet
(
Balanchine
)
None
Romantic Era Ballet Key Points:
era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets.
Romanticism: Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature
The movement emphasized intense emotion as an authentic source of
aesthetic
experience, placing new emphasis on such emotions as
apprehension
,
horror and terror
, and
awe
—especially that experienced in confronting the new aesthetic categories of the
sublimity
and beauty of nature
-Said to have begun in the early 19th century specifically with the debut of Marie Taglioni’s
La Sylphide
at the Paris Opera Ballet. 1832
-Arthur Saint-Leon’s
Coppelia
is considered to be the end of the Romantic era of ballet. 1870
-
Giselle
is one of Romantic era’s most famous ballets. 1841 Corrali and Perrot- choreographer
-the most challenging repertoire
-the development of pointe work through the Romantic period is notable. The illusion of weightless and .
Similar to Classical ballet (7)
From Medici to Jooss: Four Centuries of Crazy Incestuous Dance Action
From Medici to Jooss: Four Centuries of Crazy Incestuous Dance Action
Beginnings of Ballet(Abbreviated notes from your text)Ba.docx
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Classical ballet
- 2. What is ballet? Ballet dancers Some History technique › Origins › Basic Positions › Professional dancers › Centre work Famous dancers and Dancers and their companies training › Characteristics Ballet stories and videos › Ballet Lessons › Dressing up
- 3. Form of dancing Many unnatural movements Women on tips of their toes Men lift women Work team
- 5. Origins: Italy(Reinassance) Fancy entertaiments Not proffesional dancers Masks and costumes Catherine de Medicis (queen of France) Ballet Comique de la Reine King Louis XIV founded Royal Academy of dancing.
- 6. No more masks Plots and characters with their bodies Pointe shoes Russian Imperial Ballet of St Petersbourg La Sylphide (1832) New fashion Marius Petipa Russian Revolution(inmigration)
- 8. 6-8 years old Proffesional before 20, retire by 45 Flexible,slim body Mental characteristics (rythm,understan ding) Express moods
- 9. Daily class,before performance Estructure › Bare (Strengthem and strech) › Centre work › Fast steps › Jumps for boys › Pointe work for girls
- 10. Feet strong Strained kneejoints or back If feet not strong you wear flat shoes
- 11. Two types of tutu Class:maillot,tights,flat shoe,pointe shoe
- 13. Every step begins or ends with one of these positions
- 16. Royal Opera House Covent Garden Ninette de Valois founded in 1931 Frederik Ashton Margot Fonteyn, Rudolf Nureyev, Alicia Markova Tamara Rojo
- 17. Bolshoi Theatre Moscow Founded in 1776 Galina Ulanova, Maya Plisetskaya, Vaslav Nijinsky.
- 18. Founded in 1661 Louis XIV, Jean Baptiste Lully Marie Taglioni, Sylvie Guillem.
- 20. Choreography: Coralli and Perrot Music: Adam Giselle loves Count Albrecht. Her mother wants her to marry Hilarion,woodcutter. Hilarion discovers Albrecht´s fiancé Giselle kills herself.
- 21. Choreography: Petipa Music: Minkus Kitri is engaged with Gamache, Don Quixote falls in love with Kitri. Kitri loves Basilio They marry and run away.
- 22. Choreographer: McMillan Music: Prokofiev Based on Shakespeare´s play Two lovers whose families are in a terrible fight.
- 23. http://www.youtube.com/watch?v=N1J OJCiLVEM http://www.youtube.com/watch?v=J0X 24z4xjVE http://www.youtube.com/watch?v=Nw1 OAP0BqTU&feature=related