UNIT II - Class 11
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Opera developed in Italy around 1600 as a dramatic musical performance involving singing and stage effects. It was originally based on subjects from classical mythology and history. The new style of opera, called seconda pratica, prioritized the text over strict rules of harmony. This allowed composers like Monteverdi to develop techniques like recitative for spoken dialogue and arias for intense singing. Recitatives and arias became the basic forms used to alternate between speech-like sections and melodic songs in early operas. Purcell and Lully also contributed to establishing opera as a genre that balanced virtuosic display with communicating a story.
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Opera
Opera is an extended dramatic composition that is entirely sung to instrumental accompaniment. It usually includes arias, which are formal songs where characters express emotion, choruses involving multiple singers, and recitatives which are plot-driving passages sung in a non-melodic style. Operas differ from musicals in that musicals combine spoken dialogue with songs, while operas are completely sung. Opera singing involves techniques like bel canto, which uses heavy breath support and controlled vibrato.
The opera
Opera combines music, poetry, drama, and dance with elaborate costumes and scenery. It is normally divided into three acts containing an overture, recitatives, arias, choruses, and instrumental passages. The first opera, L'Orfeo, was performed in 1607 and was based on the myth of Orpheus. Initially performed in private homes, opera became popular public entertainment with the opening of the first opera house in Venice in 1637. In early operas, the highest singing roles were performed by castrati since women were not allowed to sing professionally. The most famous castrato was Farinelli.
Baroque opera
The document discusses key aspects of Baroque musical style and opera. It describes how the Florentine Camerata wanted to add music to Greek drama and have it support the emotions in the text. Monody featured a solo singer with instrumental accompaniment. Recitative advanced the plot through musical speech mimicking inflection and rhythm. Arias provided insight into characters through songs remembered as "tunes." Monteverdi combined Renaissance and Baroque styles in emotionally intense early operas, expanding ideas of the Camerata and standardizing the orchestra. Handel worked in cosmopolitan styles in London, like serious Italian opera exemplified by Giulio Cesare.
Early Baroque Vocal Music
Baroque opera combines vocal and instrumental music, acting, scenery, and dance. It is primarily sung, featuring recitatives, arias, and ensembles. Recitatives advance the plot in a speech-like style while arias express emotion. Operas also feature instrumental music such as overtures and interludes. Oratorios and cantatas have similar musical elements to opera but are usually religious works and performed without staging. Cantatas are shorter works that originated in Italy and Germany, the latter featuring Lutheran chorales.
The Baroque Period 1
The Baroque period of European classical music spans from 1600 to 1750. Baroque music is characterized by complex polyphony, figurative language in lyrics, and the use of musical ornamentation. During this period, new musical forms emerged such as opera, oratorio, cantata, and concerto that featured solo instruments accompanied by orchestra. The harpsichord, pipe organ, and string instruments like violin were commonly used. Baroque music moved away from polyphony towards homophony with a dominant melody supported by chords.
Baroque Opera, Cantata and Oratorio
Baroque opera, cantata, and oratorio developed in the early 1600s. Jacopo Peri's "Dafne" from 1597 is considered the earliest opera. Claudio Monteverdi's "L'Orfeo" from 1607 was one of the first operas still regularly performed. Opera flourished in Italy and France developed its own tradition exemplified by Jean-Baptiste Lully. Henry Purcell wrote one of the earliest English operas, "Dido and Aeneas." Cantatas were vocal compositions with instruments written for church services, especially by J.S. Bach. Oratorios were large musical compositions based on biblical stories for concerts, such as George Frideric Handel's
Power point 12: Middle Baroque Music
In the Middle Baroque period of 1600-1750:
- Jean-Baptiste Lully dominated French music as the head court musician for Louis XIV, establishing the conventions of French opera including dances, choruses, and divertissements. His operas like Armide featured recitatives and arias with distinctive French rhythmic styles.
- Henry Purcell incorporated Italian styles like recitative and aria into English works including the opera Dido and Aeneas, though opera did not become firmly established in England until later.
- German composers like Johann Pachelbel contributed to the development of the suite and other instrumental forms while French composers outside the court like Charpentier wrote oratorios and
Bach, Handel & Vivaldi
This presentation contains information about and musical examples of the three leading composers of the Baroque Period: Bach, Handel & Vivaldi.
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Opera
Opera is an extended dramatic composition that is entirely sung to instrumental accompaniment. It usually includes arias, which are formal songs where characters express emotion, choruses involving multiple singers, and recitatives which are plot-driving passages sung in a non-melodic style. Operas differ from musicals in that musicals combine spoken dialogue with songs, while operas are completely sung. Opera singing involves techniques like bel canto, which uses heavy breath support and controlled vibrato.
The opera
Opera combines music, poetry, drama, and dance with elaborate costumes and scenery. It is normally divided into three acts containing an overture, recitatives, arias, choruses, and instrumental passages. The first opera, L'Orfeo, was performed in 1607 and was based on the myth of Orpheus. Initially performed in private homes, opera became popular public entertainment with the opening of the first opera house in Venice in 1637. In early operas, the highest singing roles were performed by castrati since women were not allowed to sing professionally. The most famous castrato was Farinelli.
Baroque opera
The document discusses key aspects of Baroque musical style and opera. It describes how the Florentine Camerata wanted to add music to Greek drama and have it support the emotions in the text. Monody featured a solo singer with instrumental accompaniment. Recitative advanced the plot through musical speech mimicking inflection and rhythm. Arias provided insight into characters through songs remembered as "tunes." Monteverdi combined Renaissance and Baroque styles in emotionally intense early operas, expanding ideas of the Camerata and standardizing the orchestra. Handel worked in cosmopolitan styles in London, like serious Italian opera exemplified by Giulio Cesare.
Early Baroque Vocal Music
Baroque opera combines vocal and instrumental music, acting, scenery, and dance. It is primarily sung, featuring recitatives, arias, and ensembles. Recitatives advance the plot in a speech-like style while arias express emotion. Operas also feature instrumental music such as overtures and interludes. Oratorios and cantatas have similar musical elements to opera but are usually religious works and performed without staging. Cantatas are shorter works that originated in Italy and Germany, the latter featuring Lutheran chorales.
The Baroque Period 1
The Baroque period of European classical music spans from 1600 to 1750. Baroque music is characterized by complex polyphony, figurative language in lyrics, and the use of musical ornamentation. During this period, new musical forms emerged such as opera, oratorio, cantata, and concerto that featured solo instruments accompanied by orchestra. The harpsichord, pipe organ, and string instruments like violin were commonly used. Baroque music moved away from polyphony towards homophony with a dominant melody supported by chords.
Baroque Opera, Cantata and Oratorio
Baroque opera, cantata, and oratorio developed in the early 1600s. Jacopo Peri's "Dafne" from 1597 is considered the earliest opera. Claudio Monteverdi's "L'Orfeo" from 1607 was one of the first operas still regularly performed. Opera flourished in Italy and France developed its own tradition exemplified by Jean-Baptiste Lully. Henry Purcell wrote one of the earliest English operas, "Dido and Aeneas." Cantatas were vocal compositions with instruments written for church services, especially by J.S. Bach. Oratorios were large musical compositions based on biblical stories for concerts, such as George Frideric Handel's
Power point 12: Middle Baroque Music
In the Middle Baroque period of 1600-1750:
- Jean-Baptiste Lully dominated French music as the head court musician for Louis XIV, establishing the conventions of French opera including dances, choruses, and divertissements. His operas like Armide featured recitatives and arias with distinctive French rhythmic styles.
- Henry Purcell incorporated Italian styles like recitative and aria into English works including the opera Dido and Aeneas, though opera did not become firmly established in England until later.
- German composers like Johann Pachelbel contributed to the development of the suite and other instrumental forms while French composers outside the court like Charpentier wrote oratorios and
Bach, Handel & Vivaldi
This presentation contains information about and musical examples of the three leading composers of the Baroque Period: Bach, Handel & Vivaldi.
Baroque Period pt1
The Baroque period in Europe spanned from 1600 to 1750. Baroque style was very decorated and dramatic with an emphasis on beauty and complexity in music, art, and architecture. Baroque music was characterized by contrasts in texture, pace and volume, strong use of improvisation and embellishment of melodies. The harpsichord was one of the most important instruments of the Baroque era, and dance music was commonly played at social gatherings and parties.
Baroque Music (Maningas and Asturias)
This document discusses the vocal and instrumental forms of Baroque music. The main vocal forms are opera, cantata, and oratorio. Opera combines music, drama, and theater. Cantatas are vocal compositions for soloist or choir accompanied by instruments. Oratorios are large vocal compositions on biblical themes not intended for services. The main instrumental forms are concerto grosso and suite. Concerto grossos feature a small solo group contrasted with a larger tutti group. Suites are collections of dances in the same key. Examples of works in each form are provided.
Baroque Period
The Baroque period saw significant developments in vocal and instrumental music. Opera emerged, particularly in Italy, with stories based on Greek tragedies featuring orchestras, choruses, arias, and elaborate productions. Instrumental music also grew in importance, with new genres like the solo concerto and fugue emerging. Notable Baroque composers included Bach, Handel, Monteverdi, Corelli, Purcell, Rameau, and Vivaldi, each of whom made distinctive contributions to music during this era.
The music of the Baroque
The Baroque period of music began in 1600 and ended with Bach's death in 1750. Baroque music was written for the aristocracy and church to demonstrate power. It featured basso continuo accompaniment, contrasting sound masses, terraced dynamics, and tonality. Common instruments included harpsichord, violin, oboe, bassoon, and timpani. Vocal genres like opera and cantata rose to prominence, as did instrumental forms like the suite, fugue, and concerto grosso. Major composers included Bach, Handel, Vivaldi, and Rameau.
Opera powerpoint
An opera is a staged dramatic work that uses singing and instrumental music. It includes elements such as a story, acting, costumes, sets and lighting. Operas typically involve solo arias, ensembles with multiple singers, and recitative to advance the plot. The librettist writes the words and story, while the composer writes the music. Common forms include comic operas with happy endings and tragic operas ending unhappily.
Opera
Opera is a sung drama that combines visual art, literature, theatre, dance, vocal music, and instrumental music. It features opera singers of different voice types singing arias and recitatives. While often sung in Italian, opera can be in any language. Operas can be serious or comedic, featuring noble or everyday characters. The action moves slower than a play to focus on the musical elements, like arias for characters to reflect on events. Most operas last from two to three hours including an intermission.
Music of the baroque period ( 1685 1750 )
Baroque music is characterized by elaborate melodies that are difficult to sing or remember, contrapuntal textures combined with homophony, and dynamic contrasts between loud and soft. Common genres include operas, oratorios, suites, toccatas, concerto grosso, and fugues. Keyboard instruments like harpsichord and organ were commonly used, and orchestra consisted of strings and continuo. A concerto features a solo instrument with orchestra accompaniment, while a concerto grosso alternates between a small concertino group and full orchestra. A fugue is a contrapuntal piece developed from a single musical theme, and a toccata is a quickly played piece for keyboard. Oratorios incorporate
Buckle baroque period
The Baroque period in Western music history spanned from 1600 to 1750. Baroque music was characterized by contrast, more precise instrumentation, and a focus on melody and harmony rather than complex polyphony. Popular musical forms of the time included opera, oratorio, cantata, sonata, concerto, and suite. Common instruments included trumpet, trombone, bass, cornett, voice, oboe, recorder, flute, bassoon, and harpsichord. Georg Philipp Telemann was one of the most prolific composers of the Baroque era, known for his church cantatas, Passions, operas, and instrumental works including oboe sonatas, a trumpet concerto, and flute suites
The Late Baroque
The Late Baroque period was characterized by length, counterpoint, and refinement rather than innovation. The two masters of this period were Johann Sebastian Bach and George Frideric Handel. Bach was a virtuoso organist and composer who held several church positions and was known for his mastery of counterpoint and genres like the fugue, cantata, and suite. Handel spent most of his career in England, where he found success with Italian opera and oratorios like Messiah, noted for its choruses. Both composers demonstrated the capabilities of equal temperament through their keyboard works.
The Baroque Period
The Baroque period of Western music history lasted from approximately 1600 to 1750. Baroque music was characterized by drama, tension, and grandeur through the use of exaggerated gestures. It originated in Rome in the early 1600s and spread across Europe. Common musical instruments of the period included harpsichords, pipe organs, lutes, violins, and woodwind instruments. Baroque music also featured distinct moods, complex melodies, basso continuo accompaniment, terraced dynamics, polyphonic textures, and counterpoint. The Baroque period ended around 1750 with the death of J.S. Bach and the emergence of a simpler Classical style.
The Baroque Period
The Baroque period and style began in 1600 in Rome and spread across Europe, known for exaggerated gestures and drama in sculpture, painting, literature, dance and music. Baroque architecture is characterized by grand buildings like the Palace of Versailles. Baroque painting used dynamic movement and emotion in works by artists like Rubens. Baroque music featured mood-driven works, complex melodies, basso continuo accompaniment, terraced dynamics and polyphonic textures.
Baroque
Baroque was an artistic period from 1600-1750 characterized by passion and expression over beauty. Opera was born in this era, starting with Monteverdi's L'Orfeo in 1600. Instrumental music like the suite and concerto also developed. Famous Baroque composers included Monteverdi, Vivaldi, Handel, and Bach whose works like the Coffee Cantata exemplified typical Baroque musical forms and styles. Dance was also important, seen in ballet which evolved elaborate choreography. The Baroque saw advances in orchestral instruments and development of instrumental genres.
Power point 14: Late Baroque Music in France and Italy
Vivaldi was a prominent composer in late Baroque Italy who wrote over 500 concertos, most notably The Four Seasons. He helped popularize the solo concerto form which alternated between a solo instrument accompanied by orchestra and full orchestra sections. In France during this period, Couperin wrote keyboard suites comprised of dances and character pieces that featured ornamentation. Rameau was an influential opera composer and theorist who incorporated Italian styles like da capo arias into French opera, while still retaining French elements like overtures and recits with shifting meter.
Music 9 Lesson 2 components of an opera
Opera is a musical composition set to music with components including a libretto (text), overture (introduction), recitative (sung dialogue), arias (songs), score, duets/trios, choruses, and orchestra accompaniment. It features various voice types - soprano, mezzo-soprano, contralto for women and tenor, baritone, bass for men. Terms like a cappella, cantabile, and vibrato describe singing techniques, while rubato and tessitura refer to tempo and vocal range. The components and voice types come together to tell a dramatic story through music.
Power point 4: Early Polyphony
This document summarizes the development of early polyphony from the 9th through 13th centuries. It begins with organum, where one or more voices were added above a chant. The Musica Enchiriadis and Scolica Enchiriadis outlined rules for parallel and oblique organum using 4ths, 5ths, and octaves. Aquitanian manuscripts featured florid and discant organum. The Notre Dame school under Leonin and Perotin in the late 12th century developed discant organum with up to 4 voices above a chant. They innovated rhythmic notation modes. In the early 13th century, motets were developed by adding words above discant organum,
Baroque05
The Baroque period saw the rise of absolute monarchy in Europe from 1600-1750. Music during this time emphasized drama, emotion, and ornamentation. Key developments included the birth of opera, with a new focus on instrumental music and basso continuo accompaniment. The Baroque period also saw the rise of oratorios, cantatas, and instrumental genres like concerto grosso and solo works. Characteristics of Baroque music include emphasis on rhythm, elaborate melodies, frequent changes in texture, and the use of terraced dynamics. Exemplary composers from the period were Henry Purcell, George Frideric Handel, Antonio Vivaldi, and Johann Sebastian Bach.
Baroque Instrumental Music
The Baroque period saw the rise of instrumental music to prominence alongside vocal music. Instruments like the violin became increasingly popular, driving demand for composers to write instrumental works. Genres that developed included the solo sonata and trio sonata, which featured prominent solo lines. Arcangelo Corelli and Antonio Vivaldi were influential composers, with Vivaldi elevating the solo concerto and writing The Four Seasons concertos depicting nature in music.
Baroque early opera
The Baroque period saw many advances in musical composition including the development of opera, oratorio, and instrumental styles such as the concerto and fugue. Composers began using tonality and functional harmony to create coherent melodies and clearer musical forms. Some of the most prominent composers of the time included Monteverdi, who helped establish opera; Bach, known for his complex fugues and cantatas; and Handel, famous for works like Messiah. Instrumental music also emerged as an independent genre, influenced by dance forms and virtuosic displays.
Baroque2
The document provides an overview of the Baroque era in music from 1600-1750. It defines the era as beginning with the first opera in 1600 and ending with Bach's death in 1750. Key aspects of Baroque music discussed include the rise of opera and oratorio as major vocal forms, the development of solo styles and sacred music being composed in a more secular style. Important composers from the era mentioned include Handel, Bach, Monteverdi, and Cesti.
The Baroque Era Period of Music
The Baroque Period of Western Music History circa 1600 to 1750 AD. It may derive from the word barroco in Portuguese meaning “irregular shape.” Originally used in a derogatory fashion to describe artistic trends of this time period, baroque has come to broadly refer to the century and a half beginning in 1600.
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Power point 11: Early Baroque Music
The Baroque era saw the development of new musical styles and genres between 1600-1750. A key doctrine was that a piece of music should express a single emotion. Early styles included Stile Antico which used polyphony and strict rules versus Stile Moderno which broke rules to effectively express text. The Florentine Camerata in the 1570s-80s planned to revive Greek opera and develop monody with solo melody and basso continuo accompaniment. Early opera began around 1600 with Dafne by Peri and L'Euridice by Peri and Caccini. Monteverdi's 1607 opera L'Orfeo was highly influential in establishing conventions for the new genre such
Baroque period
The document provides information about Baroque music between the 17th and early 18th centuries. It describes the social and political context of the time, with monarchies, aristocracies, and the church holding power. Music was used to display authority in courts across Europe. The document outlines characteristics of Baroque music like basso continuo, melodies with accompaniment, and contrasts. It also discusses the development of instrumental music and forms like sonatas, concertos, and suites. Secular vocal music like opera and oratorios are also summarized. The document concludes with brief biographies of important Baroque composers like Bach, Handel, Vivaldi, and Corelli.
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Baroque Period pt1
The Baroque period in Europe spanned from 1600 to 1750. Baroque style was very decorated and dramatic with an emphasis on beauty and complexity in music, art, and architecture. Baroque music was characterized by contrasts in texture, pace and volume, strong use of improvisation and embellishment of melodies. The harpsichord was one of the most important instruments of the Baroque era, and dance music was commonly played at social gatherings and parties.
Baroque Music (Maningas and Asturias)
This document discusses the vocal and instrumental forms of Baroque music. The main vocal forms are opera, cantata, and oratorio. Opera combines music, drama, and theater. Cantatas are vocal compositions for soloist or choir accompanied by instruments. Oratorios are large vocal compositions on biblical themes not intended for services. The main instrumental forms are concerto grosso and suite. Concerto grossos feature a small solo group contrasted with a larger tutti group. Suites are collections of dances in the same key. Examples of works in each form are provided.
Baroque Period
The Baroque period saw significant developments in vocal and instrumental music. Opera emerged, particularly in Italy, with stories based on Greek tragedies featuring orchestras, choruses, arias, and elaborate productions. Instrumental music also grew in importance, with new genres like the solo concerto and fugue emerging. Notable Baroque composers included Bach, Handel, Monteverdi, Corelli, Purcell, Rameau, and Vivaldi, each of whom made distinctive contributions to music during this era.
The music of the Baroque
The Baroque period of music began in 1600 and ended with Bach's death in 1750. Baroque music was written for the aristocracy and church to demonstrate power. It featured basso continuo accompaniment, contrasting sound masses, terraced dynamics, and tonality. Common instruments included harpsichord, violin, oboe, bassoon, and timpani. Vocal genres like opera and cantata rose to prominence, as did instrumental forms like the suite, fugue, and concerto grosso. Major composers included Bach, Handel, Vivaldi, and Rameau.
Opera powerpoint
An opera is a staged dramatic work that uses singing and instrumental music. It includes elements such as a story, acting, costumes, sets and lighting. Operas typically involve solo arias, ensembles with multiple singers, and recitative to advance the plot. The librettist writes the words and story, while the composer writes the music. Common forms include comic operas with happy endings and tragic operas ending unhappily.
Opera
Opera is a sung drama that combines visual art, literature, theatre, dance, vocal music, and instrumental music. It features opera singers of different voice types singing arias and recitatives. While often sung in Italian, opera can be in any language. Operas can be serious or comedic, featuring noble or everyday characters. The action moves slower than a play to focus on the musical elements, like arias for characters to reflect on events. Most operas last from two to three hours including an intermission.
Music of the baroque period ( 1685 1750 )
Baroque music is characterized by elaborate melodies that are difficult to sing or remember, contrapuntal textures combined with homophony, and dynamic contrasts between loud and soft. Common genres include operas, oratorios, suites, toccatas, concerto grosso, and fugues. Keyboard instruments like harpsichord and organ were commonly used, and orchestra consisted of strings and continuo. A concerto features a solo instrument with orchestra accompaniment, while a concerto grosso alternates between a small concertino group and full orchestra. A fugue is a contrapuntal piece developed from a single musical theme, and a toccata is a quickly played piece for keyboard. Oratorios incorporate
Buckle baroque period
The Baroque period in Western music history spanned from 1600 to 1750. Baroque music was characterized by contrast, more precise instrumentation, and a focus on melody and harmony rather than complex polyphony. Popular musical forms of the time included opera, oratorio, cantata, sonata, concerto, and suite. Common instruments included trumpet, trombone, bass, cornett, voice, oboe, recorder, flute, bassoon, and harpsichord. Georg Philipp Telemann was one of the most prolific composers of the Baroque era, known for his church cantatas, Passions, operas, and instrumental works including oboe sonatas, a trumpet concerto, and flute suites
The Late Baroque
The Late Baroque period was characterized by length, counterpoint, and refinement rather than innovation. The two masters of this period were Johann Sebastian Bach and George Frideric Handel. Bach was a virtuoso organist and composer who held several church positions and was known for his mastery of counterpoint and genres like the fugue, cantata, and suite. Handel spent most of his career in England, where he found success with Italian opera and oratorios like Messiah, noted for its choruses. Both composers demonstrated the capabilities of equal temperament through their keyboard works.
The Baroque Period
The Baroque period of Western music history lasted from approximately 1600 to 1750. Baroque music was characterized by drama, tension, and grandeur through the use of exaggerated gestures. It originated in Rome in the early 1600s and spread across Europe. Common musical instruments of the period included harpsichords, pipe organs, lutes, violins, and woodwind instruments. Baroque music also featured distinct moods, complex melodies, basso continuo accompaniment, terraced dynamics, polyphonic textures, and counterpoint. The Baroque period ended around 1750 with the death of J.S. Bach and the emergence of a simpler Classical style.
The Baroque Period
The Baroque period and style began in 1600 in Rome and spread across Europe, known for exaggerated gestures and drama in sculpture, painting, literature, dance and music. Baroque architecture is characterized by grand buildings like the Palace of Versailles. Baroque painting used dynamic movement and emotion in works by artists like Rubens. Baroque music featured mood-driven works, complex melodies, basso continuo accompaniment, terraced dynamics and polyphonic textures.
Baroque
Baroque was an artistic period from 1600-1750 characterized by passion and expression over beauty. Opera was born in this era, starting with Monteverdi's L'Orfeo in 1600. Instrumental music like the suite and concerto also developed. Famous Baroque composers included Monteverdi, Vivaldi, Handel, and Bach whose works like the Coffee Cantata exemplified typical Baroque musical forms and styles. Dance was also important, seen in ballet which evolved elaborate choreography. The Baroque saw advances in orchestral instruments and development of instrumental genres.
Power point 14: Late Baroque Music in France and Italy
Vivaldi was a prominent composer in late Baroque Italy who wrote over 500 concertos, most notably The Four Seasons. He helped popularize the solo concerto form which alternated between a solo instrument accompanied by orchestra and full orchestra sections. In France during this period, Couperin wrote keyboard suites comprised of dances and character pieces that featured ornamentation. Rameau was an influential opera composer and theorist who incorporated Italian styles like da capo arias into French opera, while still retaining French elements like overtures and recits with shifting meter.
Music 9 Lesson 2 components of an opera
Opera is a musical composition set to music with components including a libretto (text), overture (introduction), recitative (sung dialogue), arias (songs), score, duets/trios, choruses, and orchestra accompaniment. It features various voice types - soprano, mezzo-soprano, contralto for women and tenor, baritone, bass for men. Terms like a cappella, cantabile, and vibrato describe singing techniques, while rubato and tessitura refer to tempo and vocal range. The components and voice types come together to tell a dramatic story through music.
Power point 4: Early Polyphony
This document summarizes the development of early polyphony from the 9th through 13th centuries. It begins with organum, where one or more voices were added above a chant. The Musica Enchiriadis and Scolica Enchiriadis outlined rules for parallel and oblique organum using 4ths, 5ths, and octaves. Aquitanian manuscripts featured florid and discant organum. The Notre Dame school under Leonin and Perotin in the late 12th century developed discant organum with up to 4 voices above a chant. They innovated rhythmic notation modes. In the early 13th century, motets were developed by adding words above discant organum,
Baroque05
The Baroque period saw the rise of absolute monarchy in Europe from 1600-1750. Music during this time emphasized drama, emotion, and ornamentation. Key developments included the birth of opera, with a new focus on instrumental music and basso continuo accompaniment. The Baroque period also saw the rise of oratorios, cantatas, and instrumental genres like concerto grosso and solo works. Characteristics of Baroque music include emphasis on rhythm, elaborate melodies, frequent changes in texture, and the use of terraced dynamics. Exemplary composers from the period were Henry Purcell, George Frideric Handel, Antonio Vivaldi, and Johann Sebastian Bach.
Baroque Instrumental Music
The Baroque period saw the rise of instrumental music to prominence alongside vocal music. Instruments like the violin became increasingly popular, driving demand for composers to write instrumental works. Genres that developed included the solo sonata and trio sonata, which featured prominent solo lines. Arcangelo Corelli and Antonio Vivaldi were influential composers, with Vivaldi elevating the solo concerto and writing The Four Seasons concertos depicting nature in music.
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Power point 14: Late Baroque Music in France and Italy
Power point 14: Late Baroque Music in France and Italy
Similar to UNIT II - Class 11
Baroque early opera
The Baroque period saw many advances in musical composition including the development of opera, oratorio, and instrumental styles such as the concerto and fugue. Composers began using tonality and functional harmony to create coherent melodies and clearer musical forms. Some of the most prominent composers of the time included Monteverdi, who helped establish opera; Bach, known for his complex fugues and cantatas; and Handel, famous for works like Messiah. Instrumental music also emerged as an independent genre, influenced by dance forms and virtuosic displays.
Baroque2
The document provides an overview of the Baroque era in music from 1600-1750. It defines the era as beginning with the first opera in 1600 and ending with Bach's death in 1750. Key aspects of Baroque music discussed include the rise of opera and oratorio as major vocal forms, the development of solo styles and sacred music being composed in a more secular style. Important composers from the era mentioned include Handel, Bach, Monteverdi, and Cesti.
The Baroque Era Period of Music
The Baroque Period of Western Music History circa 1600 to 1750 AD. It may derive from the word barroco in Portuguese meaning “irregular shape.” Originally used in a derogatory fashion to describe artistic trends of this time period, baroque has come to broadly refer to the century and a half beginning in 1600.
▶️ YouTube: https://www.youtube.com/c/JoynulAbadinRasel
☕ Buy me a Coffee: https://www.buymeacoffee.com/JoynulAbadinR
Power point 11: Early Baroque Music
The Baroque era saw the development of new musical styles and genres between 1600-1750. A key doctrine was that a piece of music should express a single emotion. Early styles included Stile Antico which used polyphony and strict rules versus Stile Moderno which broke rules to effectively express text. The Florentine Camerata in the 1570s-80s planned to revive Greek opera and develop monody with solo melody and basso continuo accompaniment. Early opera began around 1600 with Dafne by Peri and L'Euridice by Peri and Caccini. Monteverdi's 1607 opera L'Orfeo was highly influential in establishing conventions for the new genre such
Baroque period
The document provides information about Baroque music between the 17th and early 18th centuries. It describes the social and political context of the time, with monarchies, aristocracies, and the church holding power. Music was used to display authority in courts across Europe. The document outlines characteristics of Baroque music like basso continuo, melodies with accompaniment, and contrasts. It also discusses the development of instrumental music and forms like sonatas, concertos, and suites. Secular vocal music like opera and oratorios are also summarized. The document concludes with brief biographies of important Baroque composers like Bach, Handel, Vivaldi, and Corelli.
6 listeningonline
This document provides an overview of early Baroque opera and music. It discusses how opera emerged in 1600s Italy as a new art form that combined drama, music, staging, and costumes. The first and most influential opera was Claudio Monteverdi's Orfeo from 1607. It also describes Henry Purcell's Dido and Aeneas from 1689, the first English language opera. A key musical technique discussed is the basso ostinato, where a repeating bass line provides structural and emotional support for arias.
Ch14 baroque traits & invention of opera
Baroque opera originated in Florence in the late 16th century through the work of the Florentine Camerata who sought to recreate Greek drama with continuous music, dialogue replaced by recitative. Jacopo Peri's Dafne (1598) and Euridice (1600) were the earliest surviving operas. Claudio Monteverdi's Orfeo (1607) established many opera conventions with its variety of musical styles. Opera flourished in 17th century Italy, spread by Venetian touring companies, with composers like Cavalli establishing the primacy of Venice. The castrato voice type became popular, and opera subjects drew from mythology and history.
Chapter 18 Performing Grief: Purcell and Early Opera
This document discusses the key characteristics and development of Baroque opera. It provides an overview of the components that make up opera, such as poetry, singing, instrumental music, and more. Specific composers and their famous works are discussed, including Monteverdi's Orfeo, which helped popularize opera, and Purcell's Dido and Aeneas, one of the first English-language operas. The document also analyzes selections from these works, such as Dido's Lament from Dido and Aeneas.
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
This document discusses the key characteristics and components of Baroque opera. It provides an overview of how opera developed from early dramatic works and became a large musical genre combining poetry, singing, instrumentation and staging. The document focuses on important composers like Monteverdi, Purcell and Handel who helped establish opera and discusses key works like Monteverdi's Orfeo and Purcell's Dido and Aeneas. It describes characteristics of Baroque opera like the use of recitatives, arias and basso continuo accompaniment.
Arrive at Opera as we know it today Peri’s and Monteverdi’s ope.docx
Arrive at Opera as we know it today: Peri’s and Monteverdi’s operas
Since the early twentieth century, European musical style has significantly changed its tradition for music as having take place around 1600.[footnoteRef:1] In general, it is described as the transition from Renaissance to Baroque style. Opera as an art originated from Italy in the 16th century and it spread out to Europe. This work is associated with drama, dance, vocal and visual music with impressive effects of the Greek and Romans. Orpheus was the greatest of musicians in ancient Greek mythology, it is challenging the gods with his capability to sing and play. Euridice by Peri and Orfeo by Monteverid are well-known works of early opera, which made use of Orpheus’ story and the same libretto. Peri’s Euridice is first survived and credited with early advances in opera composition as recitative and advancing Florentine Camerata’s ideas of Greek drama. On other hand, Monteverdi’s Orfeo Baroque operatic works include a variety of genres and types of styles. The text and plots are drawn from classical antiquity or ancient history, and the action involves a variety of special scenic effects.[footnoteRef:2] Because both works used the same libretto, in examining the two is very informative between two operas. Monteverdi’s opera is more widely known and performed today because it has a greater variety of musical style and richer sounds in instrumental and chorus. The purpose of this essay is to discuss the operas of Peri and Monteverdi’s libretto in various adaptations. This essay will cover an examination of monadic style works, instrumentations, and choral music. Ultimately, it will be shown that the conceptual and composers goals of Jacopo Peri and Claudio Monteverdi are in setting text to music. These ideas and changes effectively influenced the gradual growth of opera with the invention and improvement of today’s opera. [1: David Schulenberg, Music of the Baroque. New York; Oxford; Oxford University Press, 2014, 35.] [2: Schulenberg, 59.]
Before we examine Peri’s Euridice and Monteverdi’s Orfeo, it is necessary to acknowledge the experiments of Florentine Camerata. Florentine Camerata was an important group who met to discuss societies or academies and they were leading to write an ancient Greek and music. Florentine Camerata involved in Vincenzo Galilei and Giulo Caccini, but also Jacopo Peri, Ottavio Rinuccini, and Girolamo Mei participated. Florentine Camerata started with the experiment of stile recitative,which was a Greek style between speech and songs that was eventually called opera.
Rinuccini’s poems were a favorite subject for operas because the mythical hero is himself a singer and the combination of a simple action with a diversity of expressive situations.[footnoteRef:3] Peri was the monadic of the Florentine composers who wrote Eurydice, which is the earliest surviving opera with a completed setting of Rinuccini’s poem. It premiered on October 6, 1600 at .
Arrive at Opera as we know it today Peri’s and Monteverdi’s ope.docx
Arrive at Opera as we know it today: Peri’s and Monteverdi’s operas
Since the early twentieth century, European musical style has significantly changed its tradition for music as having take place around 1600.[footnoteRef:1] In general, it is described as the transition from Renaissance to Baroque style. Opera as an art originated from Italy in the 16th century and it spread out to Europe. This work is associated with drama, dance, vocal and visual music with impressive effects of the Greek and Romans. Orpheus was the greatest of musicians in ancient Greek mythology, it is challenging the gods with his capability to sing and play. Euridice by Peri and Orfeo by Monteverid are well-known works of early opera, which made use of Orpheus’ story and the same libretto. Peri’s Euridice is first survived and credited with early advances in opera composition as recitative and advancing Florentine Camerata’s ideas of Greek drama. On other hand, Monteverdi’s Orfeo Baroque operatic works include a variety of genres and types of styles. The text and plots are drawn from classical antiquity or ancient history, and the action involves a variety of special scenic effects.[footnoteRef:2] Because both works used the same libretto, in examining the two is very informative between two operas. Monteverdi’s opera is more widely known and performed today because it has a greater variety of musical style and richer sounds in instrumental and chorus. The purpose of this essay is to discuss the operas of Peri and Monteverdi’s libretto in various adaptations. This essay will cover an examination of monadic style works, instrumentations, and choral music. Ultimately, it will be shown that the conceptual and composers goals of Jacopo Peri and Claudio Monteverdi are in setting text to music. These ideas and changes effectively influenced the gradual growth of opera with the invention and improvement of today’s opera. [1: David Schulenberg, Music of the Baroque. New York; Oxford; Oxford University Press, 2014, 35.] [2: Schulenberg, 59.]
Before we examine Peri’s Euridice and Monteverdi’s Orfeo, it is necessary to acknowledge the experiments of Florentine Camerata. Florentine Camerata was an important group who met to discuss societies or academies and they were leading to write an ancient Greek and music. Florentine Camerata involved in Vincenzo Galilei and Giulo Caccini, but also Jacopo Peri, Ottavio Rinuccini, and Girolamo Mei participated. Florentine Camerata started with the experiment of stile recitative,which was a Greek style between speech and songs that was eventually called opera.
Rinuccini’s poems were a favorite subject for operas because the mythical hero is himself a singer and the combination of a simple action with a diversity of expressive situations.[footnoteRef:3] Peri was the monadic of the Florentine composers who wrote Eurydice, which is the earliest surviving opera with a completed setting of Rinuccini’s poem. It premiered on October 6, 1600 at ...
Chapter 18 Performing Grief: Purcell & Early Opera
This document discusses the key components and characteristics of Baroque opera. It provides background on the origins of opera and its precursors. The main components of Baroque opera are identified as poetry, singing, instrumental music, acting, scenery and costumes. Characteristics discussed include the use of recitatives to advance the plot, arias for reflection on emotions, and basso continuo accompaniment. Prominent composers of Baroque opera such as Monteverdi, Purcell and Handel are profiled. An example aria by Purcell from Dido and Aeneas is analyzed in its dramatic and musical form.
Buckle baroque period
The Baroque period in Western music history spanned from 1600 to 1750. Baroque music was characterized by contrast, more precise instrumentation, and a focus on melody and harmony rather than complex polyphony. Popular musical forms of the time included opera, oratorio, cantata, sonata, concerto, and suite. Common instruments included trumpet, trombone, bass, cornett, voice, oboe, recorder, flute, bassoon, and harpsichord. Georg Philipp Telemann was one of the most prolific composers of the Baroque era, known for his church cantatas, Passions, operas and instrumental works including oboe sonatas, a trumpet concerto, and flute suites.
The Baroque period
The Baroque period in Western music history spanned from 1600 to 1750. Baroque music was characterized by contrast, more precise instrumentation, and a focus on melody and harmony rather than complex polyphony. Popular musical forms of the time included opera, oratorio, cantata, sonata, concerto, and suite. Common instruments included trumpet, trombone, bass, cornett, voice, oboe, recorder, flute, bassoon, and harpsichord. Georg Philipp Telemann was one of the most prolific composers of the Baroque era, known for his church cantatas, Passions, operas and instrumental works including oboe sonatas, a trumpet concerto, and flute suites.
Buckle baroque period
The Baroque period in Western music history spanned from 1600 to 1750. Baroque music was characterized by contrast, more precise instrumentation, and a focus on melody and harmony rather than complex polyphony. Popular musical forms of the time included opera, oratorio, cantata, sonata, concerto, and suite. Common instruments included trumpet, trombone, bass, cornett, voice, oboe, recorder, flute, bassoon, and harpsichord. Georg Philipp Telemann was one of the most prolific composers of the Baroque era, known for his church cantatas, Passions, operas, and instrumental works including oboe sonatas, a trumpet concerto, and flute suites
Baroque power point
The Baroque era spanned from 1600 to 1750 and was characterized by grandiose and ornate styles in art, music, and architecture. This period saw advancements in music theory including figured bass, major and minor tonalities, and standardization of tuning systems. New genres like opera, oratorio, and concerto emerged and instrumental music became more popular. Key composers who advanced music through new virtuosic styles and genres included Monteverdi, Purcell, Handel, Vivaldi, and Bach.
baroque_music_yr10.ppt
Baroque music originated in the early 17th century and was characterized by basso continuo, or figured bass, which provided a foundational bass line. Common forms included fugues, concerti grosso, solo concertos, and opera/oratorio works featuring arias and recitatives. Ornamentation like trills and turns were frequently used to decorate melodies. Major Baroque composers included Bach, Handel, Monteverdi, Vivaldi, and Alessandro Scarlatti. Bach and Handel were especially influential in perfecting forms like the fugue and oratorio.
baroque.ppt
The document provides an overview of Baroque music, covering its timeline from 1600-1750, key composers like Bach and Vivaldi, musical characteristics, and genres. Baroque music saw the development of new forms like the concerto, fugue, and oratorio. It also discusses the social context of the Baroque period and the evolution of the Baroque orchestra over time.
Mapeh 9 week 1 and week 2 lesson
This document provides an overview of music from the Medieval, Renaissance, and Baroque periods. It discusses the characteristics of music from each period, including that Medieval music was monophonic, Renaissance music became polyphonic, and Baroque music featured more elaborate melodies and dynamic contrasts. Performance practices like Gregorian chant, madrigals, and motets are described. The document also gives examples of important composers from each era like Adam de la Halle, Giovanni Palestrina, and Thomas Morley as well as genres like oratorios, cantatas, and suites that developed in the Baroque period. Other art forms from each period like Byzantine church mosaics, stained glass windows, and paintings by Leonardo da Vinci
Evolution of Opera & Western Vocal Music
Gregorian chant originated as monophonic sacred music in the Catholic Church. Over centuries, church music became more complex with the addition of multiple voice parts and instruments. Secular music also grew out of folk traditions blending with religious music. Opera developed from madrigals and sacred music traditions, combining drama, poetry, and polyphonic vocal music. Monteverdi composed the first successful operas in the early 1600s, helping make opera a popular art form. Opera traditions included Italian opera seria, German Singspiel, and incorporated elements of oratorio, mass, and hymns. Mozart was a highly influential composer of the Classical period who wrote operas and other works that are still performed today.
Similar to UNIT II - Class 11 (20)
Chapter 18 Performing Grief: Purcell and Early Opera
Chapter 18 Performing Grief: Purcell and Early Opera
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
Chapter 18 Performing Grief: Purcell and Early Opera UPDATED
Arrive at Opera as we know it today Peri’s and Monteverdi’s ope.docx
Arrive at Opera as we know it today Peri’s and Monteverdi’s ope.docx
Arrive at Opera as we know it today Peri’s and Monteverdi’s ope.docx
Arrive at Opera as we know it today Peri’s and Monteverdi’s ope.docx
Chapter 18 Performing Grief: Purcell & Early Opera
Chapter 18 Performing Grief: Purcell & Early Opera
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Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
Environmental Initiatives
The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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Sara Saffari: Turning Underweight into Fitness Success at 23
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Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Game
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
The Enigma of the Midnight Canvas, In the heart of Paris
In the heart of Paris, where the Seine River flowed languidly beneath the city's graceful bridges …
created with AI assistance…
University of Western Sydney degree offer diploma Transcript
澳洲UWS毕业证书制作西悉尼大学假文凭定制Q微168899991做UWS留信网教留服认证海牙认证改UWS成绩单GPA做UWS假学位证假文凭高仿毕业证申请西悉尼大学University of Western Sydney degree offer diploma Transcript
The Gallery of Shadows, In the heart of a bustling city
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The Enigmatic Portrait, In the heart of a sleepy town
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The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
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Anasuya Sengupta, an Indian actress and designer, won the Best Actress Award at the Cannes Film Festival for the Bulgarian film 'The Shameless'.
The Evolution and Impact of Tom Cruise Long Hair
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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UNIT II - Class 11
- 1. Orpheus and Eurydice Depiction of Orpheus Greek Vase, c. 440 BC Eurydice and Orpheus Roman Copy of Greek Original
- 4. Monody, and The Florentine Camerata (1573-) In the late 1500s a group of noblemen, scholars, and artists gathered regularly at the home of Giovanni Bardi to discuss matters of literature, philosophy, and the arts. The group was deeply interested in Greek music and Greek drama. A number of musicians associated with this group (including Giulio Caccini and Jacopo Peri) developed a style of vocal composition based on current development in music and certain ideas about Greek music: Monody: A form of composition where a solo voice is accompanied by a supporting harmonic instrument (lute, harpsichord, etc.). Emphasis is on a clear declamation of the words, and a musical structure which expresses but does not “ape” the words with excessive madrigalisms