This short presentation is an anthology of intellectual property law. As a student, creating this presentation has helped me learn; I hope it helps you too. It is unfinished, and there is always more to know.
A look at copyright and the influence of technology in that right. Presentation looks at how copyright is administered in the Caribbean island of St. Vincent and the Grenadines.
This short presentation is an anthology of intellectual property law. As a student, creating this presentation has helped me learn; I hope it helps you too. It is unfinished, and there is always more to know.
A look at copyright and the influence of technology in that right. Presentation looks at how copyright is administered in the Caribbean island of St. Vincent and the Grenadines.
This presentation will be covering intellectual property, tips, case studies, and where the industry is heading for each industrial, communication and interaction design, and also an interview with developer and designer, Audrey Tang, about open sources and creative commons
The protection of intellectual property is important when building an organization´s IP strategy and implementing it in a practice. The entrepreneurs and individuals need to understand the basics of intellectual property (IP) law to best protect their property creations and ideas from an unfair advantage.
Seek professional guidance from an intellectual property attorney to help your company plan for success and avoid theft of ideas, designs, and other concepts.
some of the intellectual property that can be protected are:
Trademark
Patents
Copyrights
Some of the common ways to protect intellectual property are as follows
Intellectual Property is a Part of Social and Professional Issues in Computing. Intellectual Property relates to intangible creative work that is protected for the creator's use under the law as a patent, copyright, trademark, or trade secret. There are four types of protection in intellectual property Copyright, Patent, Trademark and Trade Secret.
Rebecca O'Neill - Exploring CC Licencesdri_ireland
Presentation given by Rebecca O'Neill, Project Coordinator at Wikimedia Ireland, at a DRI-Wikimedia Ireland co-hosted workshop "Exploring Creative Commons Licences" at the Royal Irish Academy on Tuesday 5 September, 2017.
Online marketing has opened the floodgates for trademark and copyright infringement—learn the essentials of intellectual property. BRANDit Live! is a series of webinars hosted by Studio 2055 that include lively discussions with our special guests who bring insight and knowledge to the subject of brand.
Barnes & Thornburg LLP - Intellectual PropertyNAWBO Atlanta
Jason Bernstein & Felicia Boyd, Partners at Barnes & Thornburg LLP, share an Overview of Intellectual Property with NAWBO Atlanta at our October 9 monthly luncheon. We discussed how to understand your IP rights and how to protect your business's innovations, designs, and brands.
Getting your new webby project or business online is easier than ever. But what are some of the legal issues you should concern yourself with? Martin Glogier and Marc Comeau of muttarts law firm offer an overview of some of the legal landscape in New Media.
2011 Silicon Flatirons IP (Crash Course) For EntrepreneurersJason Haislmaier
Intellectual Property Crash Course for Entrepreneurs (February 22, 2011) presentation at the Wolf Law Building at the University of Colorado (Boulder, CO)
This presentation will be covering intellectual property, tips, case studies, and where the industry is heading for each industrial, communication and interaction design, and also an interview with developer and designer, Audrey Tang, about open sources and creative commons
The protection of intellectual property is important when building an organization´s IP strategy and implementing it in a practice. The entrepreneurs and individuals need to understand the basics of intellectual property (IP) law to best protect their property creations and ideas from an unfair advantage.
Seek professional guidance from an intellectual property attorney to help your company plan for success and avoid theft of ideas, designs, and other concepts.
some of the intellectual property that can be protected are:
Trademark
Patents
Copyrights
Some of the common ways to protect intellectual property are as follows
Intellectual Property is a Part of Social and Professional Issues in Computing. Intellectual Property relates to intangible creative work that is protected for the creator's use under the law as a patent, copyright, trademark, or trade secret. There are four types of protection in intellectual property Copyright, Patent, Trademark and Trade Secret.
Rebecca O'Neill - Exploring CC Licencesdri_ireland
Presentation given by Rebecca O'Neill, Project Coordinator at Wikimedia Ireland, at a DRI-Wikimedia Ireland co-hosted workshop "Exploring Creative Commons Licences" at the Royal Irish Academy on Tuesday 5 September, 2017.
Online marketing has opened the floodgates for trademark and copyright infringement—learn the essentials of intellectual property. BRANDit Live! is a series of webinars hosted by Studio 2055 that include lively discussions with our special guests who bring insight and knowledge to the subject of brand.
Barnes & Thornburg LLP - Intellectual PropertyNAWBO Atlanta
Jason Bernstein & Felicia Boyd, Partners at Barnes & Thornburg LLP, share an Overview of Intellectual Property with NAWBO Atlanta at our October 9 monthly luncheon. We discussed how to understand your IP rights and how to protect your business's innovations, designs, and brands.
Getting your new webby project or business online is easier than ever. But what are some of the legal issues you should concern yourself with? Martin Glogier and Marc Comeau of muttarts law firm offer an overview of some of the legal landscape in New Media.
2011 Silicon Flatirons IP (Crash Course) For EntrepreneurersJason Haislmaier
Intellectual Property Crash Course for Entrepreneurs (February 22, 2011) presentation at the Wolf Law Building at the University of Colorado (Boulder, CO)
Sharing economy based on mobile activity in Healthcare is applicable in developing and develop countries. The only differences the tools and the applications.
Service Innovation for Low Earth Orbit Space Tourism: Customer Engagement in ...Michael Buquet
The space tourism industry is currently in its infancy, and the rapid increase in technological advancement has allowed this field to invite civilians to experience the wonders of space travel. In the past, space travel was only provided by government agencies and focused on technological innovation. But today the private sector has built a new presence, and this industry has shifted focus towards the customer experience. Travel or ticket cost, travel safety, public perception, and meaningful benefits are just a few examples of challenges this market faces. These challenges create a unique and timely opportunity for the service design discipline to enter this market due to the level of complexity that companies currently face. At the same time, the research will identify services problems that in this context are made more acute as extreme examples of conflicts that can happen in less demanding situations, and use them to generalize the reflection for a more general use across services. Among the various situations arising along the spatial tourism journey, a choice was made to work around the waiting times example, and payment schemes will be tested as a potential tool to overcome the user perception. The aim of this thesis is to gain a deep understanding of current space tourism customers, and potential future customers, utilizing service design thinking and methodologies to improve customer engagement. The research is only focused on organizations in LEO (Low Earth Orbit) space tourism that is currently possible for civilians to travel. This limitation will help focus the research to provide plausible outcomes for the near future of this industry.
AppDynamics the Missing Link to DevOps - AppSphere16AppDynamics
IHS is a premier provider of global market, industry, and technical expertise. Our industry is fast moving, and IT agility is key to IHS's success. A DevOps approach is vital, and factual application performance information centered on business outcomes is key to a true DevOps practice. However, the move to DevOps shouldn’t be seen as a door that opens easily, but a maze that must be navigated carefully.
In this session you will learn how IHS used fact-based application performance data, correlated by AppDynamics, to avoid cultural challenges, competing goals, and unclear strategies. Hear how partnering with AppDynamics Professional Services helped map people, processes, and technology to ensure goals and needs were met. Together, we mitigated risk to the business.
Key takeaways:
o Why the move to DevOps isn't easy
o Why discussions based on fact remove emotion and are the foundation of success
o Why culture can be either a barrier or a catalyst for the move to DevOps, but whatever you do, don't ignore it
o How AppDynamics Professional Services can accelerate the journey and help identify risk, fill gaps, and guide you to best practices
For more information, go to: www.appdynamics.com
Infographie PwC GEMO 2016 sur l'industrie Médias et Loisirs (juin 2015)PwC France
Dans la 16ème édition de l’étude annuelle « Global Entertainment & Media Outlook », sur les perspectives de l’industrie des médias et des loisirs, PwC prévoit que le marché mondial va croître de 5,1 % en moyenne par an entre 2014 et 2019.
Cette étude, réalisée dans 54 pays, montre qu’avec 3,2% de croissance moyenne annuelle d’ici 2019, la France tire son épingle du jeu parmi les pays matures.
Etude PwC "Total Retail 2015" Sur quoi miser aujourd’hui pour réenchanter la ...PwC France
Dans sa 5ème étude mondiale sur les consommateurs connectés - menée dans 25 pays auprès de 22 600 web-acheteurs, le cabinet d’audit et de conseil PwC révèle que la France a recruté 17% de nouveaux web-acheteurs en 2015, un chiffre en hausse par rapport à 2014.
Clare Lanigan - Copyright in digital environmentsdri_ireland
Presentation given by Clare Lanigan, Education and Outreach Manager, DRI, at 'Copyright Issue in Academic Libraries' seminar, organised by the Academic & National Library Training Co-operative in CONUL (Consortium of National & University Libraries) on 23 October 2017, Royal Irish Academy, Dublin.
Clare Lanigan - Copyright and digital preservationdri_ireland
Presented at DRI Members Forum, 6th March 2019 by Clare Lanigan, Education & Outreach Manager at DRI. An overview of copyright requirements when archiving and publishing digital collections.
Clare Lanigan - DRI Training Day UCC: Understanding Copyrightdri_ireland
Presentation given by Clare Lanigan, Education and Outreach Manager, Digital Repository of Ireland, on October 12th, 2016 in the Digital Humanities Active Learning Space, University College Cork, as part of a day-long DRI Training session on 'Preparing Digital Collections'. This seminar introduced attendees to the basics of copyright law as it relates to collecting and publishing digital heritage material. It also explored the types of licences that can be employed for publishing material on DRI and other repositories, and the restrictions on publishing certain kinds of material. It follows the format of an earlier presentation on the same subject from April 2016, with modification to include the announcement of a new Copyright Bill in August 2016.
DRI Introductory Training: Copyright and Licensing in Digital Environmentsdri_ireland
This presentation was delivered by DRI Digital Archivist Kevin Long as part of a Digital Repository of Ireland (DRI) Introductory Training seminar aimed at the University College Cork (UCC) research community on 14 June 2021. The presentation covers copyright and licensing in digital environments.
Clare Lanigan - DRI Training Series: 3. Understanding Copyrightdri_ireland
Presentation given by Clare Lanigan, Education and Outreach Co-ordinator, Digital Repository of Ireland, on April 15th, 2016 in the Royal Irish Academy, Dublin, as part of the DRI Training Series 'Preparing Your Collection for DRI'. This seminar introduced attendees to the basics of copyright law as it relates to collecting and publishing digital heritage material. It also explored the types of licences that can be employed for publishing material on DRI and other repositories, and the restrictions on publishing certain kinds of material.
Rebecca Grant - Facilitating Connectivity: reducing copyright-related barrier...dri_ireland
Facilitating Connectivity: reducing copyright-related barriers to sharing - a presentation by Rebecca Grant at the Pararchive conference, Connecting Communities: Storytelling and the Digital Archive, Leeds, 27th March 2015.
This paper focuses on the issues encountered by the DRI team regarding intellectual property, copyright and licensing while building a repository which does not own the rights to the digital content it holds; and presents some of the solutions put in place to address this challenge.
Wiser Market offers proactive online brand protection services worldwide. Whether you wish to fight counterfeiting, protect your domain name, prevent trademark, copyright and brand infringements or combat gray market selling and knockoffs, Wiser Market is your partner in countering online threats and protecting your brand’s revenue, profitability, reputation, customer service and brand trust. We defend your brand so you can grow your business. Visit us at https://www.wisermarket.com/
Was sind Rights Statements? Für wen und warum wurden Rights Statements von wem entwickelt? Wie viele Rights Statements gibt es? Welches Rights Statement ist für welchen Anwendungsfall gedacht? Was unterscheidet die Rights Statements von den Creative Commons Lizenzen und Public Domain Werkzeugen? Wie lassen sich Rights Statements und wann sinnvoll anwenden? Der Beitrag gibt Input zu den aufgeworfenen Fragen und Übungen dienen dem Erwerb von Anwendungswissen.
Open Access und Museen - Synonym oder Gegensatzpaar?!Ellen Euler
Abstract:
Kulturerbeeinrichtungen wollen auch im Netz, da wo unter 30Jährige im Schnitt über 4h täglich ihrer Zeit verbringen, präsent sein und ihre Kulturschätze, unser kulturelles Erbe, modern präsentieren und in mobilen Anwendungen und über soziale Medien tauschen. Aber dem, was sie ohne Genehmigung der Rechteinhaber dürfen, sind enge Grenzen gesetzt.
Und wenn dann die Kulturerbeeinrichtungen das Recht auf Ihrer Seite haben, setzen hier wiederum viele den virtuellen Besuchern enge Grenzen, indem sie digitalisierte gemeinfreie Werke entweder in mäßiger Qualität oder restriktiv lizenziert zugänglich machen.
Dabei schafft nur frei für alle verfügbares Wissen die notwendigen Voraussetzungen für Innovationen, kulturellen Wandel und demokratische Erneuerungsprozesse.
Während für die Freiräume der Kulturerbeeinrichtungen zunächst der Gesetzgeber die Voraussetzungen schaffen muss, können die Kulturerbeeinrichtungen immer dann, wenn sie selbst Rechteinhaber sind, virtuellen Besuchern weitgehende Freiheiten für neue kulturelle Praktiken einräumen.
Die Keynote von Prof. Dr. jur. Ellen Euler zeigt diesen Rahmen auf und ebnet damit das Feld auf, das die folgenden Beiträge mit best practice Beispielen und Notwendigkeiten weiter aufrollen.
Beitrag auf der 4.ten Netzpolitik Konferenz am 01.09.2017 zum 13. Geburtstag von netzpolitik.org in Berlin
Was ist das "digitale Gedächntis" und was bedeutet "freier Zugang" und was hat das überhaupt mit Netzpolitik zu tun? Diesen Fragen widmet sich dieser Beitrag und zeigt auf, dass Gedächtnisinstitutionen Netzpolitik machen, indem sie sich der Überlieferung des Kulturerbes in digitaler Form (Digitalisierung & Zurverfügungstellung der Abbilder ggfs. noch geschützter körperlicher Werke) sowie des neuen digitalen Kulturerbes (Gifs, Memes, Remixes, Mashups etc.) widmen.
Das gilt umso mehr, wenn bei ihnen Rechte bei der Digitalisierung gemeinfreier Werke entstehen, bzw. wenn sie selbst kulturelles Wissen schaffen. Hier haben es die Gedächtnisinstitutuionen in der Hand "freien Zugang" zu schaffen, denn das Recht ist auf ihrer Seite.
Der Beitrag zeigt auf, wie Gedächtnisinstituionen diesen Spielraum in der Praxis nutzen und das noch Luft nach oben offen ist.
Gedächtnisinsitutionen, zumindest die in öffentlicher Hand, sind genau wie Wissenschaftseinrichtungen Adressaten der vielen Open Access Strategien und Erklärungen und sollten ihren Spielraum dergestalt nutzen, dass Open Access zum Standard wird.
Zuletzt wird betont, wie wichtig es ist, dass Nutzer, die sich aus der digitalen Wissensallmende bedienen, eigene Inhalte wieder durch freie Lizenzierung in diese Allemende zurückgeben!
Für die Organisation des digitalen und digitalisierten Kulturerbes kommt dem Urheberrecht eine entscheidende Bedeutung zu. Der Grund dafür liegt im Charakter des Urheberrechts als Ausschließlichkeitsrecht. Auf dessen Grundlage steht es den jeweiligen Rechteinhabern – Urhebern, Verlegern, Tonträgerherstellern, Filmproduzenten und Datenbankherstellern – frei, darüber zu entscheiden, ob und wer ihre Werke digital speichern, vervielfältigen und zugänglich machen darf. Damit rücken marktwirtschaftliche Privatinteressen in den Vordergrund. Das Allgemeininteresse an Erhaltung und Zugänglichkeit des kulturellen Erbes kann dagegen nur im Wege gesetzlicher Ausnahmebestimmungen Berücksichtigung finden, denen jedoch durch das internationale Recht wie durch die Verfassung vergleichsweise enge Grenzen gesetzt sind.
Das hat insbesondere im Hinblick auf die proprietäre Praxis der Museen in Bezug auf Reprografien negative Auswirkungen auf den freien Zugang zum digitalen Gedächtnis und die freie Nutzbarkeit unserer eigentlich gemeinfreien Schätze, wie an Beispielen aufgezeigt wird.
Digitalisierungsprojekte in Kulturerbeeinrichtungen & ihr rechtlicher RahmenEllen Euler
Nach einer Einführung in das 1 x 1 des Urheberrechts werden die Aufgaben der Kultureinrichtungen im digitalen und vernetzten Zeitalter herausgearbeitet und sodann rechtlich untermauert. Dürfen Kultureinrichtungen ihre Schätze einfach digitalisieren, z.B. mittels digitaler Reproduktionsfotografie? Was, wenn hierbei wiederum Rechte entstehen? Welche sonstigen Rechte sind neben Urheberrechten zu beachten? Warum und wie frei lizenzieren?
Das Ziel ist es, die Mitarbeiter und Mitarbeiterinnen in den Kultureinrichtungen für rechtliche Fallstricke zu sensibilisieren und Ihnen mehr Sicherheit bei der Beantwortung rechtlicher Fragen im Zusammenhang mit Ihrem digitalen Tun zu geben.
Umgang mit verwaisten & vergriffenen Werken in der PraxisEllen Euler
Der Beitrag beschäftigt sich mit der Frage, wie verwaiste vergriffene Werke nach der Umsetzung der Richtlinie zu den verwaisten Werken in das deutsche Recht genutzt werden können. Es werden sowohl die gesetzlichen Grundlagen dargestellt, als auch Einblick in das Register für verwaiste Werke beim Harmonisierungsamt für dne Binnenmarkt & das Register für vergriffene Werke beim Deutschen Patent & Markenamt genommen und dargestellt, wie viele Werke hier nach Inkrafttreten der Regelung Anfang 2014 hier Ende 2015 jeweils verzeichnet sind. Nach Darstellung von Theorie & Praxis wird auch ein Fazit gezogen & ein Ausblick gegeben.
Informationsweiterverwendungsgesetz - Usage of Public Sector Information Ellen Euler
Neue Pflichten für Museen, Archive & Bibliotheken aus dem Informationsweiterverwendungsgesetz und Auswirkungen auf die Lizenzierungspraxis kultureller Inhalte
NATURE, ORIGIN AND DEVELOPMENT OF INTERNATIONAL LAW.pptxanvithaav
These slides helps the student of international law to understand what is the nature of international law? and how international law was originated and developed?.
The slides was well structured along with the highlighted points for better understanding .
ALL EYES ON RAFAH BUT WHY Explain more.pdf46adnanshahzad
All eyes on Rafah: But why?. The Rafah border crossing, a crucial point between Egypt and the Gaza Strip, often finds itself at the center of global attention. As we explore the significance of Rafah, we’ll uncover why all eyes are on Rafah and the complexities surrounding this pivotal region.
INTRODUCTION
What makes Rafah so significant that it captures global attention? The phrase ‘All eyes are on Rafah’ resonates not just with those in the region but with people worldwide who recognize its strategic, humanitarian, and political importance. In this guide, we will delve into the factors that make Rafah a focal point for international interest, examining its historical context, humanitarian challenges, and political dimensions.
DNA Testing in Civil and Criminal Matters.pptxpatrons legal
Get insights into DNA testing and its application in civil and criminal matters. Find out how it contributes to fair and accurate legal proceedings. For more information: https://www.patronslegal.com/criminal-litigation.html
In 2020, the Ministry of Home Affairs established a committee led by Prof. (Dr.) Ranbir Singh, former Vice Chancellor of National Law University (NLU), Delhi. This committee was tasked with reviewing the three codes of criminal law. The primary objective of the committee was to propose comprehensive reforms to the country’s criminal laws in a manner that is both principled and effective.
The committee’s focus was on ensuring the safety and security of individuals, communities, and the nation as a whole. Throughout its deliberations, the committee aimed to uphold constitutional values such as justice, dignity, and the intrinsic value of each individual. Their goal was to recommend amendments to the criminal laws that align with these values and priorities.
Subsequently, in February, the committee successfully submitted its recommendations regarding amendments to the criminal law. These recommendations are intended to serve as a foundation for enhancing the current legal framework, promoting safety and security, and upholding the constitutional principles of justice, dignity, and the inherent worth of every individual.
How to Obtain Permanent Residency in the NetherlandsBridgeWest.eu
You can rely on our assistance if you are ready to apply for permanent residency. Find out more at: https://immigration-netherlands.com/obtain-a-permanent-residence-permit-in-the-netherlands/.
4. Starting situation
● The institutions inventory is being
docmented digitally.
● Metadata about the institutions inventory
exist in digital format.
● Products from the institution, such as texts,
images, audio material and video material,
are available digitally.
5. Goals
● The institution committed to its responsibility
as a conveyor of knowledge in the digital
arena.
● The institution wishes to make its inventory
and works as easy as possible to use,
wherever possible.
● The institution and its inventory and works
should have high online visibility.
6. Task
To make the institutions digitized inventory and
works easy to use
● Technically
● Legally
7. The formula for success in the
Wikiverse
The three main reasons behind Wikipedia’s
success:
● Volunteers
● Free access
● Free licenses
8. The various forms of intellectual property rights; the area outside corresponds to the public domain.
Intellectual property is touching many
laws and regulations
9. Many technical terms
Public domain
Creative Commons
Re-useability
Free licenses
Commercial purposes
Barriers
Copyright
Intellectual property
rights
Image copyright
Personal right
Data protection
Degree of creativity
HELP!!
13. Property rights versus Copyright
Copyright serves to protect the
intellectual intangible content of
objects.
An author can make decisions on the
use of the intellectual content of an
object (that can be characterized as a
“work”) created by him or her.
FOR A FINITE PERIOD
The right of ownership serves to
ensure material control of the tangible
object.
The owner of an object can do as he
or she wishes with the object and
exclude others from exerting any
influence.
FOR AN INDEFINITE PERIOD
CopyrightProperty rights
14. Equitable remuneration
Section 32 (3) UrhG
“The author may, however, grant a non-exclusive right to use
anyone free of charge.”
• Internationally adapted
to national legal regulations
• Multilingual
• Machine-readable and -searchable
• Designed especially for culture and
knowledge
15. Conclusion
A license is, for an intangible work, the
functional equivalent to the property of
a tangible piece of work.
20. Public domain
When is something in the public domain?
Goods that are in the public domain can be used by anyone without consent or
payment obligations for any desired purpose.
In accordance with lex loci protectionis, legal protection is always determined
by the particular national legal regulations in the context of which protection is
desired.
=> In Germany, content is in the public domain if either the degree of creativity
pursuant to Section 2 of the UrhG has not been reached or copyrights are
exhausted.
21. Public domain What do I need to know?
1. The original digital work is not or is no longer copyright-
protected, or the starting work was in the public domain,
or not copyright-protected, prior to digitization.
2. No ancillary copyrights arose through digitization
22. Why is this work in the public
domain?
● The starting work was
no longer protected
prior to the digitization
process.
● Digitization was an
automatic book-
scanning process and
no new rights arose.
24. CC BY What do I need to know?
1. I am the copyright owner of the digital or digitised work
2. The work is not Public Domain
3. No third-party rights are violated through the process of
providing public access.
25. Why may this photo be subject to CC BY?
● The author
licensed the photo
him- or herself and
uploaded it to
Commons.
● No third-party
rights are violated.
27. If in doubt, shelve it
When is caution appropriate?
There are works for which caution with regard to free use is appropriate. This
category includes all digital object representations that are not (or are not yet)
in the public domain and also cannot be legitimately published under CC BY. It
also includes digital object representations for which the institution does hold
rights of re-use but other justified reasons speak against publication (e.g.
objection by the donor/giver, unclear research findings, family members’ need
for reverence, etc.).
28. Pitfalls What do I need to watch out for?
● Author is still living, or died after 1944
● More than one author is involved
● Author is unknown or not all authors are known
● The work’s year of origin is after 1900
● Year of origin is uncertain
● Personal rights or rights of third parties
● Objection by lender or donor
● New ancillary intellectual property rights that arose, for example, through
digitization (3D)
Ask your curator or a Lawyer
29. Why is caution called for?
● A photographer’s
copyright
● A child’s personal rights
● Coca Cola’s trademark
rights in case of
commercial use
30. Workflow for use of analogue works
(e.g.digitization pursuant to Section 16 UrhG)
Analog Object
copyright-protected?
Consent to digitization
required from holder of rights
YES NO
Digitization possible without further requirement
New rights may arise from
digitization process!
31. Workflow for use of digital material (e.g. making
online accessible pursuant to Section 19a UrhG)
Digital Object
copyright-protected?
Use and Licensing
possible
YES
NO
Holder of rights?
YES NO
Licensing and making
online accessible
possible
Making online accessible only with
consent of rightholder(s) and licensing
only by the rightholder(s)
32. No risk, no fun
CC By 2.0. // Kool Cats // https://www.flickr.com/photos/katsrcool/8685850221/
If you don`t risk anythig you risk even more
34. Contact
Dr. Ellen Euler, LL.M.
Deutsche Digitale
Bibliothek (German
Digital Library)
E.Euler@hv.spk-berlin.de
Barbara Fischer
Wikimedia
Deutschland e.V.
barbara.fischer@wikimedia.de
Presentation during the cultural transformation workshop at the Jewish
Museum Berlin on May 12, 2015
Licensing note for text: cc by