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Media 2.0: Understanding the
      Legal Risks of New Digital
      Technologies in Media &
      Entertainment
                                                                     Presented by:
                                                               Kathleen A. Kirby
                                                                William B. Baker
                                                                Jennifer L. Elgin
                                                                Daniel B. Hassett
                                                                Bruce G. Joseph
                                                                       July 9, 2009

These slides are accompanied by an oral presentation and should not be relied
upon as legal advice
What You Need to Know About
Licensing Intellectual Property
            Jennifer L. Elgin
     Of Counsel, Intellectual Property
Distinguishing Some
              Types of IP

• Patents - original inventions
• Copyrights - original expression of ideas
• Trademarks – anything (words, phrases,
  symbols, colors, smells, sounds) that identifies
  the source of goods or services
• Rights of Publicity/Privacy - right of people to
  profit from their personality
Distinguishing Some
        Types of IP (cont’d)




Patent &     Trademark &   Copyright &
Trademark    Copyright     ROP
Insert dummy website
The Golden Rule of Licensing
          Content:

     IF YOU CREATED IT,
         YOU OWN IT.

  IF YOU DID NOT, YOU MUST
ACQUIRE THE RIGHT TO USE IT.
Make Sure “You” Created It: Work
   Made for Hire Agreements
•   Work must be “specially ordered or commissioned”
•   Prior to commencement of work, parties agree in writing
    work will be “made for hire”
•   Work falls into one of 9 narrow categories, such as: a
    translation, a contribution to an audio-visual work, a
    contribution to a collective work
•   Because the test is somewhat uncertain – good practice is
    also to get an assignment
Content License Agreement
         Key Provisions
•   Does Licensor own all rights?
•   Scope of use – time, territory, method of delivery:
    “All media now known or hereafter devised”
•   Scope of rights granted
•   Exclusivity
•   Representations, warranties, indemnifications
•   Termination rights
•   Sub-license rights
•   Choice of law
•   Approval rights
User-Generated Content
• Did not create content, not a work made for hire
• Get sufficient licensed rights or assignment in
  Terms of Use
• Liability for unlawful third party content
• DMCA Registration – Copyright Act §512(c)
     –   Copyright Policy
     –   Appoint agent & notify Copyright Office
     –   Termination of repeat offenders
Bio & Contact Information
Jennifer L. Elgin is a member of the Intellectual Property
   Group of Wiley Rein LLP. She handles trademark,
   copyright, domain name and unfair competition litigation,
   as well as intellectual property prosecution, licensing and
   counseling. In addition, she advises clients on right of
   publicity and privacy compliance, internet/new media
   related issues, licensing, work-for-hire and other rights-
   related agreements.
   202.719.7453 | jelgin@wileyrein.com

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Licensing Intellectual Property

  • 1. Media 2.0: Understanding the Legal Risks of New Digital Technologies in Media & Entertainment Presented by: Kathleen A. Kirby William B. Baker Jennifer L. Elgin Daniel B. Hassett Bruce G. Joseph July 9, 2009 These slides are accompanied by an oral presentation and should not be relied upon as legal advice
  • 2. What You Need to Know About Licensing Intellectual Property Jennifer L. Elgin Of Counsel, Intellectual Property
  • 3. Distinguishing Some Types of IP • Patents - original inventions • Copyrights - original expression of ideas • Trademarks – anything (words, phrases, symbols, colors, smells, sounds) that identifies the source of goods or services • Rights of Publicity/Privacy - right of people to profit from their personality
  • 4. Distinguishing Some Types of IP (cont’d) Patent & Trademark & Copyright & Trademark Copyright ROP
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11. The Golden Rule of Licensing Content: IF YOU CREATED IT, YOU OWN IT. IF YOU DID NOT, YOU MUST ACQUIRE THE RIGHT TO USE IT.
  • 12. Make Sure “You” Created It: Work Made for Hire Agreements • Work must be “specially ordered or commissioned” • Prior to commencement of work, parties agree in writing work will be “made for hire” • Work falls into one of 9 narrow categories, such as: a translation, a contribution to an audio-visual work, a contribution to a collective work • Because the test is somewhat uncertain – good practice is also to get an assignment
  • 13. Content License Agreement Key Provisions • Does Licensor own all rights? • Scope of use – time, territory, method of delivery: “All media now known or hereafter devised” • Scope of rights granted • Exclusivity • Representations, warranties, indemnifications • Termination rights • Sub-license rights • Choice of law • Approval rights
  • 14. User-Generated Content • Did not create content, not a work made for hire • Get sufficient licensed rights or assignment in Terms of Use • Liability for unlawful third party content • DMCA Registration – Copyright Act §512(c) – Copyright Policy – Appoint agent & notify Copyright Office – Termination of repeat offenders
  • 15.
  • 16. Bio & Contact Information Jennifer L. Elgin is a member of the Intellectual Property Group of Wiley Rein LLP. She handles trademark, copyright, domain name and unfair competition litigation, as well as intellectual property prosecution, licensing and counseling. In addition, she advises clients on right of publicity and privacy compliance, internet/new media related issues, licensing, work-for-hire and other rights- related agreements. 202.719.7453 | jelgin@wileyrein.com