3. Shogun Organics Limited
v. Gauri Hari and Others
⢠Shogun Organics Limited (plaintiff) filed a suit
seeking a permanent injunction to restrain the
defendants from infringing its process patent. The
patent relates to the manufacturing of d-trans
Allethrin (an active ingredient in mosquito
repellants). Shogun had also obtained an âoriginalâ
registration for the manufacture of this product
under the Insecticides Act, 1968.
4. Shogun
Organics
Limited v.
Gauri Hari
and Others
⢠The court disregarded the submissions on
the Insecticides Act since the patented
process was not connected to the
insecticides registrations as the plaintiff had
developed a new process which was
different from the one that was disclosed
while obtaining its insecticides registration.
5. Shogun Organics Limited v. Gauri Hari and
Others
⢠As per Section 9(3) of the Insecticides
Act, the original applicant of an
insecticide must file an application
disclosing various technical details of
the proposed insecticide. After scrutiny,
the applicant is awarded a registration
as the âoriginalâ manufacturer /
registrant. Thereafter, any other person
who desires to manufacture / import
the same insecticide can do so by
obtaining a âfollow onâ registration
under Section 9(4).
6. Pidilite Industries Limited
v. Poma-Ex Products & Ors.
⢠The Court held that the mark âKWIKHEALâ
used by the Defendants is prima facie
deceptive and misleading. The Court was
also of the opinion that the Defendants
have adopted identical packaging to ride
on the reputation of the Plaintiff. The
Court further held that there exists a high
degree of phonetic similarity between the
mark of the Plaintiff âFEVIKWIKâ and the
mark of the Defendants âKWIKHEALâ, as
the word âKWIKâ is a dominant part of the
Plaintiffâs trademark. The Court issued an
injunction in favour of the Plaintiff.
7. Glenmark Pharmaceuticals Ltd. v. Curetech
Skincare and Galpha Laboratories Ltd.
⢠The dispute concerned the Plaintiffâs
product Candid-B, an anti-fungal cream, and
a similar drug being sold by Defendant No. 2
named Clodid-B.
⢠In addition to the adoption of similar word
mark, the Defendant No. 2 had also copied
the trade dress, color scheme, art work, font
style and even manner of writing of the
Plaintiffâs product.
8. Glenmark
Pharmaceuticals
Ltd. v. Curetech
Skincare and
Galpha
Laboratories Ltd
⢠The Defendant No. 2 stated that the
impugned mark was adopted by mistake
and chose not to contest the suit. The
Defendant No. 1, being just the contract
manufacturer for Defendant No. 2, also
chose to submit to the decree. While
decreeing the suit in favour of the
Plaintiff, the Court considered the fact
that the Defendant No. 2 is a habitual
offender.
9. Glenmark
Pharmaceutica
ls Ltd. v.
Curetech
Skincare and
Galpha
Laboratories
Ltd
⢠It was also noted by the Court that various
pharmaceutical companies have instituted
infringement cases against Defendant No. 2
and most of them have obtained injunction
orders. Over and above the infringing
activities, the Defendant No. 2 was also
found to be a violator of FDA regulations
11. Sajeev Pillai v. Venu Kunnapalli & Anr
⢠Mamankam is a grand festival which used to be held once in 12 years
on the banks of the Bharathapuzha river in Kerala during the 14th to
19th century.
⢠The appellant, Sajeev Pillai, a film director and a script writer, claims
to have researched the history of Mamankam and to have written a
script for a film. Stated to be his dream project, Pillai met Venu
Kunnapalli, the first respondent while searching for a producer to
make a film based on the script.
12. Sajeev Pillai v. Venu
Kunnapalli & Anr
Thereafter, he signed an MoU with
Kavya Film Company which was
associated with Kunnapalli.
Though Pillai was appointed as the
director, after completion of two
shooting schedules, his services were
terminated and he was replaced by
someone else. The shooting of the film
was thereafter completed, allegedly by
mutilating, distorting and modifying
his script.
13. Sajeev Pillai v. Venu Kunnapalli & Anr
⢠An interim injunction application was also filed to restrain the
respondents from releasing, publishing, distributing or exploiting the
filmâ Mamankamâ and issuing pre-release publicity without providing
adequate authorship credits to Pillai as per film industry standards.
⢠The District Judge denied the interim injunction application triggering
Pillai to appeal before the Kerala High Court.
14. Sajeev Pillai v. Venu Kunnapalli & Anr
⢠In the appeal, Venu Kunnapalli took the stand that Pillai had assigned
his work which includes the story, script, screenplay and dialogue to
the respondents and hence he lost his authorship over the same.
⢠The Court analysed Section 57(1) of the Copyright Act which
prescribes that even after assignment of the copyright in a work, the
author of a work will have special rights to claim the authorship of the
work. the Court held that the film may be released without exhibiting
anyoneâs name as the script writer or as writer of the screen play
thereof till the disposal of the suit.
15. Carlsberg v/s Som
Distilleries
⢠Carlsberg alleged that Som
Distilleries (Som) had adopted an
imitation of its registered bottle
design, trademark and trade dress
to sell its Hunter beer which
amounted to infringement of design
and trademark, as well as passing
off. Carlsberg also filed an injunction
application to restrain Som from
carrying out its infringing activities.
The interim injunction application
was considered by the court and it
ruled in favour of Som.
16. Carlsberg v/s Som
Distilleries
Carlsberg's claim was based on:
⢠the unique and distinctive bottle
and trade dress/get-up of its
Tuborg beer bottle registered
under the Designs Act 2000;
⢠an infringement of registered
trademark Clockman shape label
on the bottle; and
⢠common law rights in the
distinctive shape of the bottle.
17. Carlsberg v/s Som
Distilleries
⢠Som distilleries claimed that
⢠In 2011, Som had initiated steps
to adopt a new design for its
Hunter beer and the bottle design
and label it adopted are a result of
its creativity and efforts.
⢠There was no novelty in
Carlsberg's bottle design, as the
shape, pull caps and labels are
common to the trade over which
no monopoly can be claimed.
18. Carlsberg v/s Som
Distilleries
⢠When the two bottles were
compared it could not be said that
the Hunter beer bottle was an
obvious imitation of Tuborg. The
adoption of the Hunter beer bottle
design appeared to be bona fide â
taking into account Som's
consultations with design
professionals dating back to 2011.
⢠The balance of convenience also
favoured Som as it had invested
heavily in designing and procuring
its bottles.
19. Nippon Steel, represented by Remfry and Sagar, filed a suit when
they received a complaint made to them by Yanbu Steel Company,
a trading company based in Saudi Arabia, about the quality of
some Carbon Seamless Pipes which were to be used in oil plants.
The company informed Nippon Steel that they were falsely
induced by the defendants to believe that these pipes were
manufactured by Nippon.
Nippon Steel & Sumitomo
Metal Corporation vs. Kishor
D Jain
20. It was later discovered that the pipes were manufactured by a
third-party manufacturer. The defendants duped the company by
affixing the Nippon Steelâs trademarks on the pipes and providing
forged certificates bearing Nippon Steelâs trademarks/logos to the
company
Nippon Steel & Sumitomo
Metal Corporation vs. Kishor
D Jain
21. Noting that there was a need to send out a serious message and to
deter other such unscrupulous entities from providing spurious
pipes, the Court decided to deal with the matter with an âiron
handâ and imposed Rs. 5 crores costs on the defendants. The
Court further directed that the costs were to be paid to the Tata
Memorial Hospital, a charitable organisation based in Mumbai.
Nippon Steel & Sumitomo
Metal Corporation vs. Kishor
D Jain
22. Christian
Louboutin V/S
Abubaker
⢠Christian Louboutin filed a
case against a Mumbai
based party, namely
Abubaker & Ors., who
were selling ladies
footwear with the similar
red soles.
⢠The plaintiff has got a
trademark certificate from
Europian Union.
23. Christian
Louboutin V/S
Abubaker
⢠Christian Louboutin
presented their arguments:
⢠That they are the
registered proprietor of the
trademark RED SOLE . Its a
red colour shade applied to
the soles of the ladies
footwear manufactured by
them.
24. Christian
Louboutin V/S
Abubaker
⢠The definition of a âmarkâ under
the Indian Trademark Act {Section
2(m)} has categorically used the
expression âcombination of
coloursâ. Thus a single colour does
not qualify as a mark.
⢠The colour red applied by the
Defendants to the soles of their
footwear, adds to the appeal or
the looks of the products, and
therefore such a feature which is
not used as a trademark will not
entitle the Plaintiff to seek
injunction against use of such
feature of the products by the
Defendants
26. In 2007, the high-end signature
hand-bag and luggage maker, Louis
Vuitton Malletier, lost an
outrageous copyright infringement
case against comedy fashion
company Haute Diggity Dog.
27. The comedy designers had released a line
of parody products named Chewy
Vuitton, to go along with other
memorable knock-offs such as Chewnel
No.5 and Sniffany & Co.
Remarkably, the U.S Court of Appeals ruled
against the claim of copyright breach, stating
that because of the element of parody, the
products were adequately differentiated and
unique, thereby negating any copyright or
trademark infringement.
28. Mattle V/S
MGA
⢠Mattel Inc., creators of the
Barbie doll, won a huge case
against rival toy doll maker,
MGA Entertainment Inc. back in
2008.
⢠MGA claimed that Mattel had
copied their latest range of Bratz
dolls in order to steal back
MGAâs dominant market share.
The designs were simply too
similar, featuring
disproportionately large heads
and slim bodies.
29. Mattle V/S
MGA
⢠However, lawyers working on
Mattelâs behalf managed to turn
the case around, proving that an
ex-Mattel designer who had
subsequently worked on the
design team for MGA had used
designs that he had created while
employed at Mattel.
⢠In fact, those doll designs were
still the legal property of Mattel.
MGA was ordered to pay damages
to the tune of $100,000,000 and
temporarily remove their dolls
from shelves. It just goes to show,
instigating an intellectual property
claim can end up being an
expensive miscalculation.
30. Coca cola V/S
Parle
⢠Coca Cola was the largest
brand of soft drinks operating
in 200 countries.
⢠Defendant which was earlier
known as Aqua Minerals Pvt.
Ltd., was a part of Parle group
of Industries.
⢠The owners of defendant, Mr.
Ramesh Chauhan and Mr.
Prakash Chauhan, on
September 18, 1993, sold the
trademarks , formulation
rights, know- how, intellectual
property rights, goodwill etc.
of their products THUMBS UP,
LIMCA, GOLD SPOT, MAAZA to
the Coca cola.
31. Coca cola V/S
Parle
⢠The company Bisleri Sales Ltd, had the secret
beverage base for manufacturing maaza and was
an affiliated company of Defendant
⢠On September 12, 1993, several agreements were
signed between both the parties, such as, deed of
assignment, goodwill assignment, know-how,
confidentiality and non- use agreement, non-
compete agreement, general assignment, etc. to
give effect to the sale for a considerable money
value.
⢠Then, the plaintiff was envisaged with the right to
sell the product Maaza within the territory of India.
32. Coca cola V/S Parle
⢠The defendant retained the trademark rights of
MAAZA in respect of other countries where it
had been registered.
⢠In March 2008, the defendant got aware of the
fact that the plaintiff had filed for registration
of MAAZA in turkey.
⢠⢠As a result of this, it sent plaintiff a legal
notice repudiating the Licensing Agreement and
made it devoid of all other selling rights. ⢠The
plaintiff filed the suit for permanent injunction
and damages for infringement of trademark
and passing off, as the defendant had
completely ignored many irrevocable and
absolute rights embarked upon the plaintiff.
33. Coca cola V/S Parle
The court had the territorial jurisdiction
over the matter, because the defendant
had issued a news article in Delhi edition
of Times of India, and the reports itself
created the jurisdiction of the court as
they showed his intention to use the mark
by way of groundless threat. Also, the
defendant had a factory at Shivaji Marg in
New Delhi and the threat was also given
as notice from New Delhi itself.
34. Coca cola V/S Parle
In view of negative covenant under
Section 42 of the Specific Relief Act, the
defendant no. 1 is not entitled to use the
mark MAAZA in India. Hence, the interim
order of injunction was granted to prevent
the plaintiff from irreparable loss and
injury.
The Delhi HC expressly barred Bisleri from
selling Maaza products, however, it is
specified that the company may continue
to manufacture Maaza on Indian soil,
provided the stock is exported
35. Emami Ltd vs Arbaaz
Khan Productions
On September 17, Emami Ltd served a legal notice to
Arbaaz Khan Productions for using the phrase "zandu
balm" in the "Munni badnaam hui" song of the Salman
Khan blockbuster Dabangg citing copyright violation.
⢠By using the brand name in the song, you have not only
violated the copyright of my clients, but you have also
made an attempt to defame the reputation of my clients
and the product manufactured by them, said ZANDU BALM
OFFICIALS
36. Emami Ltd vs Arbaaz
Khan Productions
⢠The company asked the producer to remove the phrase
"Zandu Balm" or delete the song from the film
altogether. Emami, which acquired Zandu
Pharmaceuticals in 2008 for Rs 700 crore, is a Rs 1,000
crore entity today. ⢠Some inside news on September
19, "The issue is not as serious as it is being made out to
be. They have sent a notice. The company is unlikely to
take the matter to court. In fact, they are considering an
out of court settlement, and then using the song to
promote the product." And Arbaaz Khan said, "Now that
our film is a big success, such things are bound to
happen. Everyone wants a share of the pie."
37. Emami Ltd vs Arbaaz
Khan Productions
⢠When the songâs promos went on air, Emami
decided to strike a barter dealâ allowing the filmâs
producers the use of Zandu Balm in return for
rights to the song for its own advertisement.
⢠Also, Mallaika Arora Khan, had to do an
advertisement for the brand free of cost as the
compensation.