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POLITEKNIK SULTAN IDRIS SHAH
Architecture Unit, Department of Civil Engineering




            C 2329



                                                   History of
                                                    Modern
                                                Architecture
                    Lecture 05:

                    Regional Architecture
                    • Malaysian Modern
                    • Regional Modern




www.shahrilkhairi.com                                           Prepared by SKA
POLITEKNIK SULTAN IDRIS SHAH
Architecture Unit, Department of Civil Engineering   C 2329 History of Modern Architecture
MALAYSIAN MODERN ARCHITECTURE
Hijjas Kasturi
Hisyam Al-Bakri
Jimmy Lim
Ken Yeang




REGIONAL ARCHITECTURE                                                            Prepared by SKA
POLITEKNIK SULTAN IDRIS SHAH
Architecture Unit, Department of Civil Engineering   C 2329 History of Modern Architecture
Tabung Haji (1985)
Government Islamic Bank
Hijjas Kasturi


-Built by Hijjas Kasturi and
completed in 1985.
- Located at Jalan Tun Razak, Kuala
Lumpur.
- the LUTH skycraper has a rounded
ground base by reffering to the
concept of ‘tabung’.
- being construct with 5 main
supported columns symbolize the 5
‘rukun islam’. Each column supply
air conducting for each floor.
- the replica of dome which
located at front of the building
represent the function of LUTH as an
organization who manage the
travels for Muslim to perform
pilgrims.




MALAYSIAN MODERN ARCHITECTURE                                                    Prepared by SKA
POLITEKNIK SULTAN IDRIS SHAH
Architecture Unit, Department of Civil Engineering                          C 2329 History of Modern Architecture
Rimbun Dahan (1991)
Architect’s Resident
Hijjas Kasturi

                                                     Rimbun Dahan is the home of architect Hijjas Kasturi and
                                                     Angela Hijjas, in the village of Kuang outside Kuala Lumpur,
                                                     Malaysia. The 14 acre site was alienated from the Crown in
                                                     1926 as Malay Reserve when it was cleared and planted
                                                     with coffee. Rubber planting was prohibited for fear that
                                                     small holders would compete with British owned estates.
                                                     Hijjas bought the land in 1972.

                                                     The main house was completed in 1991, after staff quarters
                                                     in 1989. The basement gallery was built in 1995/6, the
                                                     classic car gallery, dance studio and artists’ studios and
                                                     apartments in 1997. The move and restoration of the
                                                     village house from the state of Perak was finished in 1998.

                                                     Although the main house is built of steel and concrete, the
                                                     form of the house relates to traditional Malay timber
                                                     architecture. When the security shutters at the ground level
                                                     are open the it is exactly like a Malay house on stilts, except
                                                     for its transparent contemporary character, as kampong or
                                                     village houses are completely closed at night to keep spirits
                                                     out. The pitched roof and deep overhangs are another
                                                     obvious similarity to traditional architecture.



MALAYSIAN MODERN ARCHITECTURE                                                                                  Prepared by SKA
POLITEKNIK SULTAN IDRIS SHAH
Architecture Unit, Department of Civil Engineering                          C 2329 History of Modern Architecture

                                                     The avoidance of timber as a building material was to make
                                                     a statement about finding alternatives when Malaysia’s
                                                     forests are so threatened.

                                                     The main house and guest house are linked by a covered
                                                     loggia that overlooks the water garden and cascade to one
                                                     side. The 500 square meter gallery is underground on the
                                                     other side, beneath the entrance plaza. The gallery is
                                                     enclosed and dehumidified, and can be air conditioned
                                                     when in use. The rest of the house relies on through
                                                     ventilation and ceiling fans.

                                                     The steel structure extends beyond the roof line to create an
                                                     architectural form that refers to traditional buildings, even
                                                     though they do not create useable spaces. Chosen
                                                     materials were local wherever possible: traditional finishes
                                                     like Shanghai plaster and terrazzo were used for structural
                                                     concrete and floors, but the copper roof was an innovation
                                                     that attempted to provide permanent colour. Unfortunately
                                                     it has been affected by acid rain (a result of climatic
                                                     change with industrialization) that tends to turn it black
                                                     rather than the preferred green.

                                                     The house and underground gallery is the centre of the
                                                     residency programme for Australian and Malaysian artists
                                                     that is supported by Hijjas’ architectural practice, Hijjas
                                                     Kasturi Associates.

MALAYSIAN MODERN ARCHITECTURE                                                                                 Prepared by SKA
POLITEKNIK SULTAN IDRIS SHAH
Architecture Unit, Department of Civil Engineering    C 2329 History of Modern Architecture
National Mosque, Malaysia(1965)
Mosque
Hisyam Al-Bakri


Dato’ (Dr) Ikmal Hisham Albakri was born in 1930 in
Batu Gajah,
Perak.
DATO’ DR IKMAL HISHAM ALBAKRI @ IKMAL HISHAM
HARIRI BIN MUSTAPHA ALBAKRI

The most interesting design element of the
National Mosque is the fan-shaped, folded plate
roof that covers the central player hall. The
galleries, treated like verandas that surround the
prayer hall, are screened with geometrically
patterned grilles. A number of small domes that
cover the galleries are inspired by Middle Eastern
and Mogul architecture. The beauty and the
innovative design of the building, especially the
folded roof, inspire the early post-
independence mosques’ design in Malaysia


Putra World Trade Centre (PWTC)
National Library
The Pan Pacific Hotel KL
National Mosque
The Concorde Hotel Shah Alam

MALAYSIAN MODERN ARCHITECTURE                                                     Prepared by SKA
POLITEKNIK SULTAN IDRIS SHAH
Architecture Unit, Department of Civil Engineering                               C 2329 History of Modern Architecture
                                                          The Walian House,
Jimmy Lim                                                 environmentally friendly and
Jimmy Lim Cheok Siang                                     sustainable interior, Kuala
                                                          Lumpur. 1984
Design and Implementation
Excellence
Maintaining a disciplined regime
once the best solution had been
obtained which ensures that the final
product will be what is to be
achieved.
Conserving and Adaptive reuse
Jimmy Lim Architect formerly CSL
Associates, is strongly committed
towards conservation and is active in                     The challenge in the Tropics is to
many areas related to public                              keep heat from penetrating and
awareness.                                                warming the interiors, an Eco-House,
Conservation of the old built                             Ipoh, 1994

environment in order to enhance
and celebrate the new and
continuous living heritage. Adapting
the old environment to modern
usage hereby giving old buildings
and environment a new lease of life.
Conservation is preserving yesterday
for tomorrow.
                                      Early attempt to create              An early eco-resort, all
“Just as Today is Yesterday’s         environmentally-friendly resort by   facilities are non air-
Tomorrow, Today will be Tomorrow’s minimising air-conditioning to the conditioned, Awana
Yesterday.”                           public spaces, Awana Kijal,          Genting, Genting
                                                     Terengganu, 1994                    Highlands, 1987
MALAYSIAN MODERN ARCHITECTURE                                                                                Prepared by SKA
POLITEKNIK SULTAN IDRIS SHAH
Architecture Unit, Department of Civil Engineering   C 2329 History of Modern Architecture
Ken Yeang

Ken Yeang is an architect-planner, and one of
the leading ecodesigners, theoreticians, and
thinkers in the field of green design.

Eco-design is designing in such a way that the
human built environment or our design system
integrates benignly and seamlessly with the
natural environment. We have to look at it not
just as designing a building as an independent
object in the city or in the site where it's
located. We have to look at it in the context of
the characteristics of the site in which it's
located, the ecological features and we have
to integrate with it physically, systemically and
temporally.
Physical integration means integrating with the
physical characteristics of the place: Its
topography, its ground water, its hydrology, its
vegetation and the different species on the
particular site. Systemic integration is
integrating with the processes that take place
in nature with our human built environment: The
use of water, the use of energy, the use of
waste and sewers and so forth. Both the human
and the natural must blend together, so there
will be no pollution and no waste. Temporal
integration, means integrating the rate of our
use of the resources in the earth and its
material, and the rate of replenishment.

MALAYSIAN MODERN ARCHITECTURE                                                    Prepared by SKA

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Regional Architecture Lecture on Malaysian and Regional Modern Styles

  • 1. POLITEKNIK SULTAN IDRIS SHAH Architecture Unit, Department of Civil Engineering C 2329 History of Modern Architecture Lecture 05: Regional Architecture • Malaysian Modern • Regional Modern www.shahrilkhairi.com Prepared by SKA
  • 2.
  • 3. POLITEKNIK SULTAN IDRIS SHAH Architecture Unit, Department of Civil Engineering C 2329 History of Modern Architecture MALAYSIAN MODERN ARCHITECTURE Hijjas Kasturi Hisyam Al-Bakri Jimmy Lim Ken Yeang REGIONAL ARCHITECTURE Prepared by SKA
  • 4. POLITEKNIK SULTAN IDRIS SHAH Architecture Unit, Department of Civil Engineering C 2329 History of Modern Architecture Tabung Haji (1985) Government Islamic Bank Hijjas Kasturi -Built by Hijjas Kasturi and completed in 1985. - Located at Jalan Tun Razak, Kuala Lumpur. - the LUTH skycraper has a rounded ground base by reffering to the concept of ‘tabung’. - being construct with 5 main supported columns symbolize the 5 ‘rukun islam’. Each column supply air conducting for each floor. - the replica of dome which located at front of the building represent the function of LUTH as an organization who manage the travels for Muslim to perform pilgrims. MALAYSIAN MODERN ARCHITECTURE Prepared by SKA
  • 5. POLITEKNIK SULTAN IDRIS SHAH Architecture Unit, Department of Civil Engineering C 2329 History of Modern Architecture Rimbun Dahan (1991) Architect’s Resident Hijjas Kasturi Rimbun Dahan is the home of architect Hijjas Kasturi and Angela Hijjas, in the village of Kuang outside Kuala Lumpur, Malaysia. The 14 acre site was alienated from the Crown in 1926 as Malay Reserve when it was cleared and planted with coffee. Rubber planting was prohibited for fear that small holders would compete with British owned estates. Hijjas bought the land in 1972. The main house was completed in 1991, after staff quarters in 1989. The basement gallery was built in 1995/6, the classic car gallery, dance studio and artists’ studios and apartments in 1997. The move and restoration of the village house from the state of Perak was finished in 1998. Although the main house is built of steel and concrete, the form of the house relates to traditional Malay timber architecture. When the security shutters at the ground level are open the it is exactly like a Malay house on stilts, except for its transparent contemporary character, as kampong or village houses are completely closed at night to keep spirits out. The pitched roof and deep overhangs are another obvious similarity to traditional architecture. MALAYSIAN MODERN ARCHITECTURE Prepared by SKA
  • 6. POLITEKNIK SULTAN IDRIS SHAH Architecture Unit, Department of Civil Engineering C 2329 History of Modern Architecture The avoidance of timber as a building material was to make a statement about finding alternatives when Malaysia’s forests are so threatened. The main house and guest house are linked by a covered loggia that overlooks the water garden and cascade to one side. The 500 square meter gallery is underground on the other side, beneath the entrance plaza. The gallery is enclosed and dehumidified, and can be air conditioned when in use. The rest of the house relies on through ventilation and ceiling fans. The steel structure extends beyond the roof line to create an architectural form that refers to traditional buildings, even though they do not create useable spaces. Chosen materials were local wherever possible: traditional finishes like Shanghai plaster and terrazzo were used for structural concrete and floors, but the copper roof was an innovation that attempted to provide permanent colour. Unfortunately it has been affected by acid rain (a result of climatic change with industrialization) that tends to turn it black rather than the preferred green. The house and underground gallery is the centre of the residency programme for Australian and Malaysian artists that is supported by Hijjas’ architectural practice, Hijjas Kasturi Associates. MALAYSIAN MODERN ARCHITECTURE Prepared by SKA
  • 7. POLITEKNIK SULTAN IDRIS SHAH Architecture Unit, Department of Civil Engineering C 2329 History of Modern Architecture National Mosque, Malaysia(1965) Mosque Hisyam Al-Bakri Dato’ (Dr) Ikmal Hisham Albakri was born in 1930 in Batu Gajah, Perak. DATO’ DR IKMAL HISHAM ALBAKRI @ IKMAL HISHAM HARIRI BIN MUSTAPHA ALBAKRI The most interesting design element of the National Mosque is the fan-shaped, folded plate roof that covers the central player hall. The galleries, treated like verandas that surround the prayer hall, are screened with geometrically patterned grilles. A number of small domes that cover the galleries are inspired by Middle Eastern and Mogul architecture. The beauty and the innovative design of the building, especially the folded roof, inspire the early post- independence mosques’ design in Malaysia Putra World Trade Centre (PWTC) National Library The Pan Pacific Hotel KL National Mosque The Concorde Hotel Shah Alam MALAYSIAN MODERN ARCHITECTURE Prepared by SKA
  • 8. POLITEKNIK SULTAN IDRIS SHAH Architecture Unit, Department of Civil Engineering C 2329 History of Modern Architecture The Walian House, Jimmy Lim environmentally friendly and Jimmy Lim Cheok Siang sustainable interior, Kuala Lumpur. 1984 Design and Implementation Excellence Maintaining a disciplined regime once the best solution had been obtained which ensures that the final product will be what is to be achieved. Conserving and Adaptive reuse Jimmy Lim Architect formerly CSL Associates, is strongly committed towards conservation and is active in The challenge in the Tropics is to many areas related to public keep heat from penetrating and awareness. warming the interiors, an Eco-House, Conservation of the old built Ipoh, 1994 environment in order to enhance and celebrate the new and continuous living heritage. Adapting the old environment to modern usage hereby giving old buildings and environment a new lease of life. Conservation is preserving yesterday for tomorrow. Early attempt to create An early eco-resort, all “Just as Today is Yesterday’s environmentally-friendly resort by facilities are non air- Tomorrow, Today will be Tomorrow’s minimising air-conditioning to the conditioned, Awana Yesterday.” public spaces, Awana Kijal, Genting, Genting Terengganu, 1994 Highlands, 1987 MALAYSIAN MODERN ARCHITECTURE Prepared by SKA
  • 9. POLITEKNIK SULTAN IDRIS SHAH Architecture Unit, Department of Civil Engineering C 2329 History of Modern Architecture Ken Yeang Ken Yeang is an architect-planner, and one of the leading ecodesigners, theoreticians, and thinkers in the field of green design. Eco-design is designing in such a way that the human built environment or our design system integrates benignly and seamlessly with the natural environment. We have to look at it not just as designing a building as an independent object in the city or in the site where it's located. We have to look at it in the context of the characteristics of the site in which it's located, the ecological features and we have to integrate with it physically, systemically and temporally. Physical integration means integrating with the physical characteristics of the place: Its topography, its ground water, its hydrology, its vegetation and the different species on the particular site. Systemic integration is integrating with the processes that take place in nature with our human built environment: The use of water, the use of energy, the use of waste and sewers and so forth. Both the human and the natural must blend together, so there will be no pollution and no waste. Temporal integration, means integrating the rate of our use of the resources in the earth and its material, and the rate of replenishment. MALAYSIAN MODERN ARCHITECTURE Prepared by SKA