Brand identity1
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The document discusses plans to establish cohesiveness across a short film, poster, and review by maintaining consistency in images, logos, fonts, and characters. Specifically, the stopwatch image and Farmhouse Films logo will be featured in all three products, and the main characters wearing consistent costumes. This is aimed to help the audience recognize the connection between the different media.
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Question 3
This document discusses the consistency and differentiation between three media texts - a movie trailer, magazine cover, and poster - created to advertise the movie "ANNABELLE." Key elements like the main actress, movie title, and tagline "from the makers of Insidious" were kept consistent across all texts. Color scheme and small details were altered between the texts to create variation while still maintaining continuity of theme and branding. The goal was to familiarize audiences with the film across all advertising platforms using common conventions.
Question 3
This document discusses the consistency and differentiation between three media texts - a movie trailer, magazine cover, and poster - created to advertise the movie "ANNABELLE." The key elements that are consistent across the texts are the main actress, the movie title design and color scheme, and the tagline and release date. Some elements are slightly differentiated, such as the background color and shots used of the actress. The goal is to maintain a consistent overall feel and branding while also creating some variety between the individual pieces.
Presentation eval qs 2
The document evaluates how effectively a short film, movie poster, and movie review page complement each other. It finds that the title, main images, and special effects are similar across the three works to connect them. Production details, distribution channels, and director credits also relate the short film to the other pieces to clearly show they are interlinked works meant to promote the film. The evaluation determines that the consistent use of imagery, fonts, and colors allow the audience to easily identify the synergy between the main film and its ancillary marketing materials.
Evaluation Question 2
The document evaluates how effectively a short film, movie poster, and movie review page complement each other. It finds that the title, main images, and special effects are similar across the three works to connect them. Production details, distribution channels, and director credits also relate the short film to the other pieces to clearly show they are interlinked works meant to promote the same film. In conclusion, consistent use of imagery, fonts, and colors allows the audience to easily identify the synergy between the main short film and its ancillary marketing materials.
Evaluation question 2
The ancillary texts like posters and radio trailers were important to promote the film production. The group had difficulties creating the initial posters but eventually decided on a final poster. They researched posters in similar genres for inspiration, particularly drawing from the pink and white color scheme and character displays of the Pretty Woman poster. Their final poster used these conventions with a love triangle storyline hinted through character placements and interactions. It also included film details like the title, certificate, actors' names, and reviews. Their radio trailer consisted of a voiceover advertising the film and dialogue excerpts to entice listeners without revealing plot details. In conclusion, the poster and radio trailer complemented each other when released together, showing creative synergy within the group
Question 2
The document discusses how effective the combination of the main film "Voices" and its ancillary texts (trailer, poster, magazine) are at marketing the film. It analyzes how using consistent elements like the same actors, fonts, colors, and shots creates recognition and links the different marketing pieces together. However, it notes that some inconsistencies, like the use of silhouettes in the poster, could reduce clarity. Overall, replicating key elements across the trailer, poster and magazine helps make the marketing campaign cohesive and raises audience awareness of the film.
2- How effective is the combination of your main product and the ancillary te...
The document discusses the effectiveness of ancillary texts in promoting a film project. It aimed to maintain a thriller theme throughout the film and ancillary texts. The poster subtly hinted at the theme by merging two faces and using Facebook branding. The radio trailer included brief film clips and eerie music to generate mystery without revealing the plot. The texts were deemed effective at conveying the film's concept, plot, and genre without revealing too much. Both contained the mysterious tone of the film. The radio trailer and poster were also comparable to professionally-made examples in their respective genres.
Final evaluation A2 advanced portfolio
The document provides an evaluation of a media product called "Rebirth" by Sophie Cornelius. It includes a synopsis of the film, which follows Callum, a troubled teen released from prison who spirals into depression after being rejected from his old gang. He seeks comfort in Maisie, a former flame, who finds herself becoming entangled in Callum's dangerous lifestyle. Inspiration and conventions used in the poster, trailer, and website are then discussed. Location choices, camera work, editing, sound, and characterization in the trailer are analyzed. Finally, audience feedback on early drafts of the trailer is presented, highlighting improvements made.
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Question 3
This document discusses the consistency and differentiation between three media texts - a movie trailer, magazine cover, and poster - created to advertise the movie "ANNABELLE." Key elements like the main actress, movie title, and tagline "from the makers of Insidious" were kept consistent across all texts. Color scheme and small details were altered between the texts to create variation while still maintaining continuity of theme and branding. The goal was to familiarize audiences with the film across all advertising platforms using common conventions.
Question 3
This document discusses the consistency and differentiation between three media texts - a movie trailer, magazine cover, and poster - created to advertise the movie "ANNABELLE." The key elements that are consistent across the texts are the main actress, the movie title design and color scheme, and the tagline and release date. Some elements are slightly differentiated, such as the background color and shots used of the actress. The goal is to maintain a consistent overall feel and branding while also creating some variety between the individual pieces.
Presentation eval qs 2
The document evaluates how effectively a short film, movie poster, and movie review page complement each other. It finds that the title, main images, and special effects are similar across the three works to connect them. Production details, distribution channels, and director credits also relate the short film to the other pieces to clearly show they are interlinked works meant to promote the film. The evaluation determines that the consistent use of imagery, fonts, and colors allow the audience to easily identify the synergy between the main film and its ancillary marketing materials.
Evaluation Question 2
The document evaluates how effectively a short film, movie poster, and movie review page complement each other. It finds that the title, main images, and special effects are similar across the three works to connect them. Production details, distribution channels, and director credits also relate the short film to the other pieces to clearly show they are interlinked works meant to promote the same film. In conclusion, consistent use of imagery, fonts, and colors allows the audience to easily identify the synergy between the main short film and its ancillary marketing materials.
Evaluation question 2
The ancillary texts like posters and radio trailers were important to promote the film production. The group had difficulties creating the initial posters but eventually decided on a final poster. They researched posters in similar genres for inspiration, particularly drawing from the pink and white color scheme and character displays of the Pretty Woman poster. Their final poster used these conventions with a love triangle storyline hinted through character placements and interactions. It also included film details like the title, certificate, actors' names, and reviews. Their radio trailer consisted of a voiceover advertising the film and dialogue excerpts to entice listeners without revealing plot details. In conclusion, the poster and radio trailer complemented each other when released together, showing creative synergy within the group
Question 2
The document discusses how effective the combination of the main film "Voices" and its ancillary texts (trailer, poster, magazine) are at marketing the film. It analyzes how using consistent elements like the same actors, fonts, colors, and shots creates recognition and links the different marketing pieces together. However, it notes that some inconsistencies, like the use of silhouettes in the poster, could reduce clarity. Overall, replicating key elements across the trailer, poster and magazine helps make the marketing campaign cohesive and raises audience awareness of the film.
2- How effective is the combination of your main product and the ancillary te...
The document discusses the effectiveness of ancillary texts in promoting a film project. It aimed to maintain a thriller theme throughout the film and ancillary texts. The poster subtly hinted at the theme by merging two faces and using Facebook branding. The radio trailer included brief film clips and eerie music to generate mystery without revealing the plot. The texts were deemed effective at conveying the film's concept, plot, and genre without revealing too much. Both contained the mysterious tone of the film. The radio trailer and poster were also comparable to professionally-made examples in their respective genres.
Final evaluation A2 advanced portfolio
The document provides an evaluation of a media product called "Rebirth" by Sophie Cornelius. It includes a synopsis of the film, which follows Callum, a troubled teen released from prison who spirals into depression after being rejected from his old gang. He seeks comfort in Maisie, a former flame, who finds herself becoming entangled in Callum's dangerous lifestyle. Inspiration and conventions used in the poster, trailer, and website are then discussed. Location choices, camera work, editing, sound, and characterization in the trailer are analyzed. Finally, audience feedback on early drafts of the trailer is presented, highlighting improvements made.
Titling sequences
This document analyzes the title sequences of several action-comedy films. It discusses how the title sequences of Johnny English Reborn, Hot Fuzz, and You Don't Mess With The Zohan first show the distributor and production company logos to convey information to the audience. The fonts, sizes, and placements of the text in the title sequences are intended to seem professional and balance the composition while introducing key elements like locations. Color choices and imagery provide cues about the tone and content of each film.
Q2
The document analyzes the effectiveness of combining the main products and ancillary texts in a marketing package for a film called "New Boy". It describes how each product - the poster, magazine cover, and teaser trailer - conveys key information about the film in a consistent manner through similar design elements, color schemes, fonts, and portrayal of characters and genre. These linking elements across the different media help create a cohesive brand identity and marketing strategy to promote the film.
Main task –
The document discusses a media production called "State of Mind" that uses camera techniques rather than dialogue to develop characters and suspense. It establishes the main character is in his 20s and enjoys social drinking. Warner Bros is presented as a media institution that could distribute the film. The film receives a 15 rating due to themes of drug use and drink spiking. Suspense and tension-building techniques are used to attract audiences. During production, the filmmakers learned to edit footage to achieve desired effects like flashbacks. They also learned conventions of the horror/thriller genre, like using diegetic sounds to build suspense.
Title analysis
The opening sequence of "Now You See Me" establishes the production companies through their logos. Summit Entertainment's logo uses mountains to create a recognizable symbol. The second company also uses distinctive font to brand itself. These logos repeat over the beginning action, blending in but still reminding viewers of the producers. No other credits are shown for the first 12 minutes, keeping the focus on the realistic action and drawing the audience immediately into the story.
Evaluation Question 2
The combination of the horror film, poster, and film review were generally effective due to consistent elements across the products. The same font and color scheme of red, white, and black were used in the mastheads to clearly link the products. Additionally, the use of a black background on the poster and review emphasized the film's theme of mystery. Language was mostly informal in the film but more formal on the poster due to space limitations. Images from the film, like the antagonist, were featured on the poster and review to create connections between the products.
Sherlock Holmes - Total Film Cover Analysis
The magazine cover features Robert Downey Jr. as Sherlock Holmes to promote the upcoming film. Downey Jr. is shown in costume in the main image in the center of the page. Subsidiary images in the top corner and pull quotes from Downey Jr. are used to generate additional interest in the film. A variety of fonts, colors, images, and texts are cleverly employed throughout the cover to create an attractive and cohesive design that will appeal to readers.
Annotate of film posters5
The document discusses different strategies for film posters to appeal to mainstream versus independent film audiences. For mainstream films, posters include recognizable cast names and images to attract viewers and be marketable. For independent films, posters may feature producers/directors' names, focus on the title in large text, and use ambiguous focal images that don't give away the plot in order to intrigue audiences and gain more awareness through word of mouth. The goal of both types of posters is to get viewers to watch and enjoy the film thoroughly.
Media A2
The video features many close-ups of the artist looking directly at the camera, allowing viewers to feel connected to the performance. The cartoon-style background enhances the realness and authenticity of the artist. Intertextually, the black and white style and minimal use of red resembles the 2005 film Sin City. Multiple screens focus attention on the artist as the central figure. Unlike many grime videos that promote promiscuity, this video solely features the artist, signifying his importance. Visuals and lyrics are connected, like hand gestures enhancing the meaning of "Check the flow though" and skyscrapers relating to feeling like "Batman on the roof."
4 tv adverts
This document analyzes and summarizes several advertisements, including ones for Honda, Sony Bravia TV, John Smith's beer, and T-Mobile. It describes the visuals, text, music or sounds, target audiences, and intended meanings or messages of each advertisement. The Honda ad uses a domino effect of car parts to convey reliability without words. The Sony ad uses colorful falling balls to represent the TV's color quality. The John Smith's ad humorously shows a celebrity endorsing the "no nonsense" beer. And the T-Mobile ad features 350 dancers to different songs, suggesting life should be shared through technology.
Evaluation question 2
The document discusses the effectiveness of advertisements for a short film called "Unforgettable". It analyzes a poster and 30-second radio trailer created to promote the film. Research was conducted on successful film advertisements. The poster features the two main characters prominently and conveys a sense of their relationship without spoiling the film's twist. The radio trailer uses sounds and a quote to hint at the story and intrigue audiences. Overall, the advertisements are deemed effective at teasing the plot and genre while maintaining secrecy around the twist ending.
The conjuring analysis
The title sequence of The Conjuring establishes the dark, eerie tone of the film through sharp violin music and grey-colored studio logos. The first shot introduces the main setting, a modern house, and focuses on the doll Annabelle, foreshadowing its importance to the story. Text stating the film is based on a true story is intended to create intrigue around whether the events are factual or not and generate adrenaline in viewers, supported by unsettling chanting sounds during the titles that enhance the ominous atmosphere.
Promo package
This document deconstructs and analyzes a promotional magazine cover and movie poster created by the author to promote a fictional film called "Valentine's Day". The summary analyzes design elements like the use of the main actor's name, bright colors to indicate it is a comedy, and similarities between the poster and ancillary tasks like the trailer to create cohesion across marketing materials. Realistic elements like critic reviews and the bar code aim to make the fake materials feel authentic.
How effective is the combination of your main product and ancillary texts?
The document discusses how the marketing campaign for a crime/thriller film effectively combined different products including a trailer, poster, and magazine. Continuity was created across products by using the same actors, costumes, settings, colors, fonts, shots, production and distribution company logos. This helped audiences instantly recognize the products were related and accurately portrayed the film's genre. The mystery of who the villain is was conveyed through both the trailer and poster using silhouettes and giving little away. Key aspects like the characters being thieves were shown throughout to effectively sell the film across all products.
Evaluation task 2 - media
Our group used consistent fonts, colors, and phrases throughout our marketing materials for a film called "Two Tacos One Sausage" to build brand identity. The teaser trailer, poster, and magazine cover all used the same quirky font downloaded from dafont.com and kept colors consistent to seem fun and relate to gender. Phrases like "New Hit Drama" were also repeated to draw attention and associate the brand with popularity. Costumes in stills were designed to relate scenes in the teaser trailer and magazine cover to strengthen the marketing campaign.
Learning outcome 2
The document provides details about three comedy movies: Hot Fuzz, Anchorman, and Clerks. It discusses the synopsis, budget/costs, release details, locations used, and production companies for each film. Hot Fuzz had a low budget of $12 million which it profited $70 million from. It was filmed primarily in one UK location. Anchorman had a higher budget of $26 million due to using famous Hollywood actors and multiple filming locations. Clerks had an extremely low budget of $27,000 since it was filmed in black and white using unknown actors at one location.
Ancillary texts
The main film and ancillary texts effectively form a cohesive campaign through consistent design elements. Both the film poster and trailer use the same Futura font in dark red to connote violence and action related to the film's plot of a man seeking vengeance after his family's death. The magazine title also ties in visually through its design. Together, these elements create a recognizable brand that will be easy for the target audience to identify across different media formats and the film's social media presence.
Guttenburg principal
The document discusses different areas of a movie poster, including the primary optical area containing the star actor, movie title, and slogan to attract attention. The strong and weak fallow areas further convey that the film is an action thriller through imagery like a gun. The terminal area provides additional details like release date and critic reviews.
Presentation1
1. The poster, magazine, and trailer for the fictional film were effectively linked through consistent use of color themes, characters, and story elements.
2. The character Hope Denton was portrayed consistently across the trailer and poster through her dialogue, heart themes, and placement next to the protagonist Jack.
3. Jack was represented somewhat differently in the poster than the trailer to make him appealing on the magazine cover, but his color scheme and props helped link the materials.
Poster progress
The document discusses the design choices made for a movie poster. It describes experimenting with different fonts and deciding on a slimmer, taller text for the title. Colors like red, white and blue were considered to match the teaser trailer, with red ultimately chosen for the title against a blue background. Actresses' names were featured at the top to fill space and follow conventions. Additional tweaks were made to placement of credits and the release date before finalizing the poster design.
Website analysis
The document analyzes the website designs for three movies - Deadpool, The Jungle Book, and Suicide Squad. For each movie website, key aspects of the design are highlighted that effectively promote the film's plot, genre, and tone. Visual elements like posters, trailers, and color schemes are used to grab attention and provide insights into the movies. Social media links and branding elements increase promotion across platforms. Interactive features also aim to engage audiences. Overall, the website designs strategically emphasize visuals, previews, and information to attract viewers and convey essential details about the films.
Beautiful and damned
The document lists several famous photographs from history including Hugh Grant and Divine Brown from 1995, mug shots from 1880 Britain, family composites by Arthur Batut, a photograph of Countess de Grey as Cleopatra from 1897, a photo of Sarah Bernhardt by Nadar from 1860, and a photo of Abraham Lincoln taken by Matthew Brady in January 1864.
Narrative frameworks
The short film begins with a teenager receiving a mysterious package containing a stopwatch from the postman. The stopwatch has the power to control time. The teenager experiments with the watch, amusing himself by stopping time but accidentally rewinds time, altering events. The postman realizes his mistake and uses his own watch to try to correct the timeline.
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What's hot
Titling sequences
This document analyzes the title sequences of several action-comedy films. It discusses how the title sequences of Johnny English Reborn, Hot Fuzz, and You Don't Mess With The Zohan first show the distributor and production company logos to convey information to the audience. The fonts, sizes, and placements of the text in the title sequences are intended to seem professional and balance the composition while introducing key elements like locations. Color choices and imagery provide cues about the tone and content of each film.
Q2
The document analyzes the effectiveness of combining the main products and ancillary texts in a marketing package for a film called "New Boy". It describes how each product - the poster, magazine cover, and teaser trailer - conveys key information about the film in a consistent manner through similar design elements, color schemes, fonts, and portrayal of characters and genre. These linking elements across the different media help create a cohesive brand identity and marketing strategy to promote the film.
Main task –
The document discusses a media production called "State of Mind" that uses camera techniques rather than dialogue to develop characters and suspense. It establishes the main character is in his 20s and enjoys social drinking. Warner Bros is presented as a media institution that could distribute the film. The film receives a 15 rating due to themes of drug use and drink spiking. Suspense and tension-building techniques are used to attract audiences. During production, the filmmakers learned to edit footage to achieve desired effects like flashbacks. They also learned conventions of the horror/thriller genre, like using diegetic sounds to build suspense.
Title analysis
The opening sequence of "Now You See Me" establishes the production companies through their logos. Summit Entertainment's logo uses mountains to create a recognizable symbol. The second company also uses distinctive font to brand itself. These logos repeat over the beginning action, blending in but still reminding viewers of the producers. No other credits are shown for the first 12 minutes, keeping the focus on the realistic action and drawing the audience immediately into the story.
Evaluation Question 2
The combination of the horror film, poster, and film review were generally effective due to consistent elements across the products. The same font and color scheme of red, white, and black were used in the mastheads to clearly link the products. Additionally, the use of a black background on the poster and review emphasized the film's theme of mystery. Language was mostly informal in the film but more formal on the poster due to space limitations. Images from the film, like the antagonist, were featured on the poster and review to create connections between the products.
Sherlock Holmes - Total Film Cover Analysis
The magazine cover features Robert Downey Jr. as Sherlock Holmes to promote the upcoming film. Downey Jr. is shown in costume in the main image in the center of the page. Subsidiary images in the top corner and pull quotes from Downey Jr. are used to generate additional interest in the film. A variety of fonts, colors, images, and texts are cleverly employed throughout the cover to create an attractive and cohesive design that will appeal to readers.
Annotate of film posters5
The document discusses different strategies for film posters to appeal to mainstream versus independent film audiences. For mainstream films, posters include recognizable cast names and images to attract viewers and be marketable. For independent films, posters may feature producers/directors' names, focus on the title in large text, and use ambiguous focal images that don't give away the plot in order to intrigue audiences and gain more awareness through word of mouth. The goal of both types of posters is to get viewers to watch and enjoy the film thoroughly.
Media A2
The video features many close-ups of the artist looking directly at the camera, allowing viewers to feel connected to the performance. The cartoon-style background enhances the realness and authenticity of the artist. Intertextually, the black and white style and minimal use of red resembles the 2005 film Sin City. Multiple screens focus attention on the artist as the central figure. Unlike many grime videos that promote promiscuity, this video solely features the artist, signifying his importance. Visuals and lyrics are connected, like hand gestures enhancing the meaning of "Check the flow though" and skyscrapers relating to feeling like "Batman on the roof."
4 tv adverts
This document analyzes and summarizes several advertisements, including ones for Honda, Sony Bravia TV, John Smith's beer, and T-Mobile. It describes the visuals, text, music or sounds, target audiences, and intended meanings or messages of each advertisement. The Honda ad uses a domino effect of car parts to convey reliability without words. The Sony ad uses colorful falling balls to represent the TV's color quality. The John Smith's ad humorously shows a celebrity endorsing the "no nonsense" beer. And the T-Mobile ad features 350 dancers to different songs, suggesting life should be shared through technology.
Evaluation question 2
The document discusses the effectiveness of advertisements for a short film called "Unforgettable". It analyzes a poster and 30-second radio trailer created to promote the film. Research was conducted on successful film advertisements. The poster features the two main characters prominently and conveys a sense of their relationship without spoiling the film's twist. The radio trailer uses sounds and a quote to hint at the story and intrigue audiences. Overall, the advertisements are deemed effective at teasing the plot and genre while maintaining secrecy around the twist ending.
The conjuring analysis
The title sequence of The Conjuring establishes the dark, eerie tone of the film through sharp violin music and grey-colored studio logos. The first shot introduces the main setting, a modern house, and focuses on the doll Annabelle, foreshadowing its importance to the story. Text stating the film is based on a true story is intended to create intrigue around whether the events are factual or not and generate adrenaline in viewers, supported by unsettling chanting sounds during the titles that enhance the ominous atmosphere.
Promo package
This document deconstructs and analyzes a promotional magazine cover and movie poster created by the author to promote a fictional film called "Valentine's Day". The summary analyzes design elements like the use of the main actor's name, bright colors to indicate it is a comedy, and similarities between the poster and ancillary tasks like the trailer to create cohesion across marketing materials. Realistic elements like critic reviews and the bar code aim to make the fake materials feel authentic.
How effective is the combination of your main product and ancillary texts?
The document discusses how the marketing campaign for a crime/thriller film effectively combined different products including a trailer, poster, and magazine. Continuity was created across products by using the same actors, costumes, settings, colors, fonts, shots, production and distribution company logos. This helped audiences instantly recognize the products were related and accurately portrayed the film's genre. The mystery of who the villain is was conveyed through both the trailer and poster using silhouettes and giving little away. Key aspects like the characters being thieves were shown throughout to effectively sell the film across all products.
Evaluation task 2 - media
Our group used consistent fonts, colors, and phrases throughout our marketing materials for a film called "Two Tacos One Sausage" to build brand identity. The teaser trailer, poster, and magazine cover all used the same quirky font downloaded from dafont.com and kept colors consistent to seem fun and relate to gender. Phrases like "New Hit Drama" were also repeated to draw attention and associate the brand with popularity. Costumes in stills were designed to relate scenes in the teaser trailer and magazine cover to strengthen the marketing campaign.
Learning outcome 2
The document provides details about three comedy movies: Hot Fuzz, Anchorman, and Clerks. It discusses the synopsis, budget/costs, release details, locations used, and production companies for each film. Hot Fuzz had a low budget of $12 million which it profited $70 million from. It was filmed primarily in one UK location. Anchorman had a higher budget of $26 million due to using famous Hollywood actors and multiple filming locations. Clerks had an extremely low budget of $27,000 since it was filmed in black and white using unknown actors at one location.
Ancillary texts
The main film and ancillary texts effectively form a cohesive campaign through consistent design elements. Both the film poster and trailer use the same Futura font in dark red to connote violence and action related to the film's plot of a man seeking vengeance after his family's death. The magazine title also ties in visually through its design. Together, these elements create a recognizable brand that will be easy for the target audience to identify across different media formats and the film's social media presence.
Guttenburg principal
The document discusses different areas of a movie poster, including the primary optical area containing the star actor, movie title, and slogan to attract attention. The strong and weak fallow areas further convey that the film is an action thriller through imagery like a gun. The terminal area provides additional details like release date and critic reviews.
Presentation1
1. The poster, magazine, and trailer for the fictional film were effectively linked through consistent use of color themes, characters, and story elements.
2. The character Hope Denton was portrayed consistently across the trailer and poster through her dialogue, heart themes, and placement next to the protagonist Jack.
3. Jack was represented somewhat differently in the poster than the trailer to make him appealing on the magazine cover, but his color scheme and props helped link the materials.
Poster progress
The document discusses the design choices made for a movie poster. It describes experimenting with different fonts and deciding on a slimmer, taller text for the title. Colors like red, white and blue were considered to match the teaser trailer, with red ultimately chosen for the title against a blue background. Actresses' names were featured at the top to fill space and follow conventions. Additional tweaks were made to placement of credits and the release date before finalizing the poster design.
Website analysis
The document analyzes the website designs for three movies - Deadpool, The Jungle Book, and Suicide Squad. For each movie website, key aspects of the design are highlighted that effectively promote the film's plot, genre, and tone. Visual elements like posters, trailers, and color schemes are used to grab attention and provide insights into the movies. Social media links and branding elements increase promotion across platforms. Interactive features also aim to engage audiences. Overall, the website designs strategically emphasize visuals, previews, and information to attract viewers and convey essential details about the films.
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How effective is the combination of your main product and ancillary texts?
How effective is the combination of your main product and ancillary texts?
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Beautiful and damned
The document lists several famous photographs from history including Hugh Grant and Divine Brown from 1995, mug shots from 1880 Britain, family composites by Arthur Batut, a photograph of Countess de Grey as Cleopatra from 1897, a photo of Sarah Bernhardt by Nadar from 1860, and a photo of Abraham Lincoln taken by Matthew Brady in January 1864.
Narrative frameworks
The short film begins with a teenager receiving a mysterious package containing a stopwatch from the postman. The stopwatch has the power to control time. The teenager experiments with the watch, amusing himself by stopping time but accidentally rewinds time, altering events. The postman realizes his mistake and uses his own watch to try to correct the timeline.
Victim Matters 2011 Atlanta
1) Operation MAXIM was a joint agency task force targeting organized immigration crime in London led by Detective Sergeant Roddy Llewellyn of the Metropolitan Police Service.
2) The task force rescued two victims, Rasa and Martina, who had been trafficked into the UK for sexual exploitation. Rasa was sold to multiple traffickers and forced into prostitution until she escaped. Martina was also sold between traffickers, raped, and forced to work as a prostitute against her will.
3) Six traffickers were convicted and jailed for their roles in the trafficking and exploitation of Rasa and Martina in what the prosecution called a case of modern slavery.
Research poster
The document discusses what makes an effective movie poster, including conveying a clear message with visuals and minimal text, focusing on a single message, grabbing attention in an organized and professional manner, and featuring typical conventions. Effective posters intrigue or excite viewers with simplicity and memorability. Common layouts that guide the eye include grids using the rule of thirds, one-point and two-point perspectives, a Z-shape, and circular designs. Close-ups of characters can establish emotion and mystery but may lack context without other shots.
Finl syll tec 2032 fall_2011
This syllabus outlines the structure and requirements for a history of photography course, including meeting times, required text, assignments such as online quizzes and group projects, a term paper, attendance policy, and academic integrity guidelines. The course will examine the evolution of photography over the past 150 years and its impact on society through important photographers and movements. Students are expected to regularly read assignments, engage in class discussions, and demonstrate their understanding of the historical context and development of photography.
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Brand identity
This document discusses establishing a cohesive brand identity across a short film, poster, and review. It outlines that the brand will be unified through consistent use of images, logo, font, and credits. Specifically, the stopwatch image and main characters from the film will be featured on the poster. The same film production company logo and font will be used for the film and poster titles. Credits will also appear across all three products to connect them.
Question 2
We have used consistent elements across our film's trailer, poster, and magazine to create a recognizable brand and draw audiences. This includes using the same reviews, profile shot of the protagonist wearing a hat, title font, and mention of the actors and film festivals where it will be shown. The goal is to immediately create an emotional connection and sense of identification with the film and its characters.
Codes and conventions of trailers, posters, magazine covers
This document discusses the codes and conventions of film trailers, film posters, and magazine covers. It provides examples of several common elements found in film trailers, including displaying the production company logo, title of the film, inclusion of social media links, typical duration of 1-2 minutes, release date, age rating, use of music/sound, introduction of characters, and highlighting popular actors. For film posters, it discusses conventions like typography, use of photographs/illustrations, lighting/color schemes, and camera angles. Magazine covers typically feature a main image in medium close-up or mid-shot of the main article's subject.
Codes and conventions of trailers, posters, magazine covers
This document discusses the codes and conventions of film trailers, film posters, and magazine covers. It provides examples of several common elements of film trailers, including including production company logos, film titles, social media integration, duration, release dates, age ratings, sound/music, voiceovers, and character introductions. For film posters, it examines typography, taglines, photographs/illustrations, lighting/color schemes, and camera angles. Magazine cover conventions discussed include the main image, masthead, giveaways/buzz words, barcodes, cover lines, and content strips.
Evaluating Question 2
The document discusses the house style, iconography, and typography used across a film's trailer, magazine cover, and poster to maintain consistency while allowing some variation. The house style uses the Falcon font for titles and bold font for intertitles. Icons include guns, blindfolds, and suits to portray themes of action, danger, precision and sophistication. Typography follows conventions for each media type while linking them through the use of common fonts, images and taglines.
Conventions, analysis and genre differences of film posters
The document summarizes the differences in conventions between film posters that target a general mass audience versus a niche audience. Posters for blockbuster films aiming for mass appeal typically have flashy, colorful designs showcasing spectacular scenery and effects with the title, actors' names, release date and tagline. Indie film posters tend to have a simpler, more minimal style with limited text and empty space, intended to intrigue audiences without revealing too much about the plot. Conventions like the placement of title, tagline, credits and use of color versus a "matte" palette differ based on the intended marketing strategy.
Coursework film promotion lesson 1
- Synergy refers to the process of interlinking multiple media products from a franchise for commercial or artistic purposes, such as films, video games, soundtracks, and animated content. This allows properties to be experienced across different platforms.
- Major film studios like 20th Century Fox are actually part of larger media conglomerates that have holdings in film, television, publishing, and other industries. These conglomerates aim to promote their films through their various subsidiaries and platforms.
- Understanding the institutions that produce media content provides context for audiences, as the logos shown with films communicate the genre and type of content expected from that company.
Evaluation 1
- In what ways does your media product use, develop or challenge forms and conventions of real media products?
Evaluation of film package 1
The document summarizes a marketing campaign for a zombie horror film called "BIO-DEAD". It describes the magazine cover, film poster, and trailer created to promote the film. The cover and poster feature glowing zombie characters and bold font. Feedback indicates the audience clearly understood the horror genre. Suggested improvements include making dialogue and titles clearer in the trailer. A variety of design and video editing software were used to create the marketing materials. Research was also conducted online to understand the target audience.
Q2 Evaluation A2
The document discusses how the media product, a movie trailer for "The Trap", uses conventions of real movie trailers. Some conventions it follows include including logos, a main character, dialogue, a turning point accompanied by changing music, and credits at the end. It does not include a release date or age rating. The trailer, poster, and magazine cover were designed to appeal to teenagers and include conventions like prominent images of the main actor, credits, and references to production companies. While some conventions were not strictly followed, many elements of real movie marketing were replicated to make the media products seem authentic.
Question 2 media evaluation
The combination of the main film and ancillary texts (radio trailer and film poster) were reasonably successful in conveying the film's goal of creating a thrilling story with unexpected twists. Consistent elements like font, imagery, and audio clips were used across all three products to establish a cohesive brand. Inspiration was drawn from other thriller film posters to develop an effective poster for this film that hinted at the plot without revealing too much. The radio trailer also tied into the film through brief audio clips and descriptions of plot points to advertise and generate interest in the film.
Question 2
The document discusses how the magazine front cover, teaser poster, and main film poster for the movie TIME? effectively work together with and summarize the main film. Key elements that connect the ancillary texts to the main film are:
1) The main characters are depicted in the same clothing poses across the texts.
2) A main killer character is shown wearing the same hooded top in the poster, magazine, and trailer.
3) A scene from the trailer of the killers walking is depicted on the film poster.
4) The movie title and tagline are displayed in the same font and layout across the texts.
5) Government housing estates shown in the trailer and poster set the scene and tone
Film trailer conventions
The document analyzes codes and conventions used in film trailers. It discusses several key elements trailers typically include such as character introductions, use of sound, introducing production companies and cast/crew, and including the film title and release date. It provides examples from trailers for several films to illustrate these different elements and how they help attract audiences and convey information about the film's genre and narrative.
Evaluation 3 - A2 Media Studies
The document discusses how the author's movie trailer uses and develops conventions of real movie trailers. It begins by explaining how the trailer follows common conventions like length, use of production logos and film title, and fast-paced editing to show many clips. It then notes one convention that is challenged - using a slower-paced music in the second half rather than dramatic fast music. The document concludes that while adopting many standard conventions, the trailer also challenges a couple conventions to make it feel unique, with the goal of engaging audiences.
Q1. in what ways does your media product use develop or challenge forms and c...
Part of my response to Q1 of my A2 Media Coursework, this presentation is response to the poster and website
Titles Analysis
The document analyzes the opening title sequences of the horror films Friday the 13th (2009) and Sinister (2012) based on uses and gratifications theory. It discusses how the titles provide subtle hints about the plot and convey information about the production companies. Both films manipulate colors, fonts, and positioning of titles to suit the horror genre and build suspense. Friday the 13th uses red imagery and delays revealing the main title, while Sinister incorporates found footage into its titles to reflect the plot. The analysis concludes the titles are an important way to impact audiences and will inform the opening titles of the author's own media project.
Task 3 unit 2, 3, 22
This document discusses the conventions commonly used in film trailers. It begins by explaining the purpose of trailers is to attract audiences to the full film in order to make a profit. Trailers aim to hint at the main storylines without revealing too much. The document then analyzes several specific elements of trailers that follow conventions, including the title design, logos, music, age ratings, social media tags, credits and release dates. Elements are often modified to fit the genre or tone of the film being advertised. Overall, the document examines how trailers employ standard conventions to effectively promote films and intrigue potential viewers.
Question 2
The document discusses how continuity was created across products promoting a film by using the same actors, settings, colors, fonts, shots, and production/distribution company logos. Actors were featured in both the trailer and magazine cover to emphasize important roles. Backgrounds in the trailer and magazine reflected the genre. Colors were muted in the trailer and carried over to other products to convey a dark, mysterious tone. The same font was used for the film title in all products to aid recognition. One shot from the trailer was reused on the poster for continuity. Including company logos on the trailer and poster improved opinions of the work.
Question 2
The document discusses how continuity was created across products promoting a film by using the same actors, settings, colors, fonts, shots, and production/distribution company logos. Actors were featured in both the trailer and magazine cover to emphasize important roles. Backgrounds in the trailer and magazine reflected the genre. Colors were muted in the trailer and carried over to other products to convey a dark, mysterious tone. The same font was used for the film title in all products to aid recognition. One shot from the trailer was reused on the poster. Including the logos of the production and distribution companies on the trailer and poster improved opinions of the work.
Billboard deconstructions
The document analyzes and summarizes four movie billboards: Captain America, Angry Birds, Tangled, and Disney. For each billboard, it discusses the main image, text/masthead, background, and logo if present. The main points are that the billboards use recognizable characters, colors and fonts to attract audiences and convey key details like release dates while keeping non-essential text to a minimum for visibility. Imagery provides insights into the movies' tones and events to generate interest. Backgrounds and unique design elements like burns or hair also enhance recognition and appeal factors.
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Codes and conventions of trailers, posters, magazine covers
Codes and conventions of trailers, posters, magazine covers
Codes and conventions of trailers, posters, magazine covers
Codes and conventions of trailers, posters, magazine covers
Conventions, analysis and genre differences of film posters
Conventions, analysis and genre differences of film posters
Q1. in what ways does your media product use develop or challenge forms and c...
Q1. in what ways does your media product use develop or challenge forms and c...
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Early Life and Background
Family Roots and Childhood
Thomas William Selleck was born in Detroit, Michigan, on January 29, 1945. He was the second of four children in a close-knit family. His father, Robert Dean Selleck, was a real estate investor and executive. while his mother, Martha Selleck, was a homemaker. The Selleck family relocated to Sherman Oaks, California. when Tom was a child, setting the stage for his future in the entertainment industry.
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Discovery of Acting Passion
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Early Career Struggles
Breaking Into the Industry
The path to stardom was a challenging one for young Tom Selleck. Like many aspiring actors, he faced many rejections and struggled to find steady work. A series of minor roles and guest appearances on television shows marked his early career. In 1965, he debuted on the syndicated show "The Dating Game." which gave him some exposure but did not lead to immediate success.
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Brand identity1
- 1. Produced by James Perfect with assistance from Tom Smith (who created the logo)
- 2. We plan to establish a cohesiveness across our short film, poster and review by paying attention to the following; o Images oLogo o Font type and colour By doing so we hope our audience will be able to acknowledge a similarity between all three products.
- 3. The main iconic image will be the stopwatch which is central to the narrative of our short film. The image of the stopwatch will be featured across all three products; in the film, used in the title of the poster (and also it will be held by the main character Stefan) and displayed in the review. Below is a screen print of the stop watch we purchased from ebay. We are currently waiting on postage. (19/09/11)
- 4. Both the main characters Stefan and the post man will feature in the poster and short film. The audience will be able to establish a strong link, hence the characters will be wearing the same costume’s they were in the short film. The post man will be in full royal mail costume in both the short film and poster, this will enable the audience to make a clear link between the two characters. Whilst Stefan as seen below in costume , will appear like this in both the short film and poster. Stefan as seen right- Costume subject to change. His image will be used across all our three products
- 5. Our film production company’s logo Farmhouse films will feature across all three of our products. In the short film it will feature before the beginning of the opening credits plus during the ending credits. On the poster it will be featured at the bottom, beside the credits. As far as the review goes we are not 100% certain where the logo will be featured, probably accompanying the credits. The following film production company logo (which we called Farmhouse films) can be see below, as designed by Tom Smith.
- 6. The main impression we were trying to create with the name of the production company and logo was “Farmhouse Films” are a company who produce intellectual content ideal for independent cinema. As seen below the idea we were trying to pursue. Image of a farm (relates directly to production company) but also connotes an audience with an understanding of other environments and the countryside. Name of production company connotes an independent production company (it is far from mainstream). Media products suit niche audiences. Type of font used connotes a young independent audience, who have a “busy” lifestyle.
- 7. The title of our film “Tempus Viator” will appear across both the poster and short film using the font coolvecita. This will enable the viewer to see a cohesive link between the poster and film. As seen below; we will be using the font from the website www.dafont.com.
- 8. The names of the production team such as directors, camera men, actors etc will all feature across the short film, poster and review. By looking at the credits of all three productions the reader will be able to establish a link and associate them with the film. This will be similar to the Connected example as seen below.