The conjuring analysis
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The title sequence of The Conjuring establishes the dark, eerie tone of the film through sharp violin music and grey-colored studio logos. The first shot introduces the main setting, a modern house, and focuses on the doll Annabelle, foreshadowing its importance to the story. Text stating the film is based on a true story is intended to create intrigue around whether the events are factual or not and generate adrenaline in viewers, supported by unsettling chanting sounds during the titles that enhance the ominous atmosphere.
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The Cabin In The Woods - 9 Frame
The opening title sequence of "Cabin in the Woods" uses imagery and music to set a ominous and suspenseful tone. Images of blood and hieroglyphs are accompanied by ambient music that builds dramatic tension. A change to a mundane office setting provides momentary comic relief for the audience. The title appears alongside a scream, embracing horror film tropes. Subsequent shots introduce common horror film elements - an isolated cabin, young people embarking on a trip, and stereotypical characters - signaling the movie will incorporate and subvert genre expectations.
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This document analyzes the trailer for Les Miserables and discusses how various elements are used to advertise the film. It examines how the recognizable songs from the musical help capture audiences and introduce the storyline. There is no voiceover, allowing the lyrics to narrate the story. Key characters are shown being played by famous actors like Hugh Jackman and Anne Hathaway. Cinematography uses close-ups and shots to set the scene and show emotion. Costumes and settings reflect the time period and themes of conflict in the film. Through these elements, the trailer develops a narrative and creates anticipation to entice audiences to watch Les Miserables.
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3. research(1)
The document provides a brief synopsis and background of the horror film "It" (2017). It discusses how the film is based on Stephen King's novel of the same name, which was previously adapted into a 1990 TV miniseries. The 2017 film version remakes and updates the story for a new generation in a darker and creepier tone. It focuses on a group of outcast kids in Derry, Maine who are targeted by a mysterious killer clown. One particularly disturbing scene discussed is when a character named Ben is chased by the clown in the library while a creepy nursery rhyme plays. The film is said to be part of a two-part adaptation of the novel.
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The document analyzes and compares the typography and title sequences of the films The Shining and Halloween. For The Shining, the titles are light blue, bold, and simplistic to encourage viewers to focus on the footage rather than the titles. Individual names are shown separately for prominent personnel. For Halloween, the orange titles coincide with the film's pumpkin theme and hint at danger when red is also used. Individual names are shown separately to give more attention to actors and producers compared to The Shining, and more important credits use larger text. Both films utilize their title sequences and typography to direct audience attention and recognize key personnel.
Edward Scissorhands Analysis
The director conveys multiple genres in the opening scenes of Edward Scissorhands through visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale aspects are represented by gingerbread and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone. Romance is seen through the relationship between the little girl and grandmother. The opening scenes juxtapose warm, colorful settings with the dark, Gothic castle to blend horror, comedy, fairy tale and romance genres.
Halloween
The opening titles for the film Halloween use a blank screen and red and orange colors to set a mood of darkness, evil, and horror. A flickering pumpkin image then appears and grows to dominate the screen, symbolizing the progression of horror elements in the film and fading into the dark background to further this theme.
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The director conveys multiple genres in the opening scenes of Edward Scissorhands through visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale aspects are represented by gingerbread and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone. Romance is seen through the relationship between the little girl and grandmother. The opening scenes juxtapose warm, colorful settings with the dark, Gothic castle to blend horror, comedy, fairy tale and romance genres.
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The opening titles for the film Halloween use a blank screen and red and orange colors to set a mood of darkness, evil, and horror. A flickering pumpkin image then appears and grows to dominate the screen, symbolizing the progression of horror elements in the film and fading into the dark background to further this theme.
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3) The Chinatown titles mimic the style of 1920s/30s films to recreate the neo-noir atmosphere through fading transitions, rolling text, and sepia
Opening credits research
1. The document compares the opening title sequences of the films Panic Room and Ill Manors.
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3. The document analyzes differences in editing, sound, and how each title sequence prepares viewers for the type of film. It concludes the document's author will take a simpler approach like Ill Manors for their own film titles.
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Ocr g324 question3
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2) It subverts the convention of starting in equilibrium by showing a disturbed girl after the death of her baby brother.
3) It uses binary opposites between the girl with the camera who lost her brother, and the girl in the park who still has hers.
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4000 Spyglass Road
AWESOME HOME! .55 ACRES! EDMOND SCHOOLS. WOOD FLOORS IN GREAT ROOM. BRICK IN FORMAL DINING, KITCHEN, DINETTE & HALLWAYS. LARGE KITCHEN W/ AN ABUNDANCE OF COUNTER SPACE & ISLAND. 2ND LIVING COULD BE MEDIA OR GAME ROOM, OR STUDY. LARGE UTILITY WITH LOTS OF STORAGE & BUILT-IN DESK. MASTER BED IS LARGE WITH ACCESS TO BACKYARD. MASTER BATH INCLUDES JETTED TUB, SEPARATE SHOWER, HIS & HER CLOSETS. 2ND BED HAS ITS OWN BATH. REPLACED VINYL WINDOWS.
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The document analyzes three film title sequences and discusses techniques used to convey meaning and set tone:
1) The Sin City titles use contrasting black/white and the addition of red to connote a city with moral ambiguity and impending violence. Character introductions in black/white with red text suggest shades of good/evil.
2) The Memento titles emphasize clarity through capitalized blue text over a fading background, reflecting the film's theme of memory loss. Stillness implies stability but also instability due to the nonlinear plot.
3) The Chinatown titles mimic the style of 1920s/30s films to recreate the neo-noir atmosphere through fading transitions, rolling text, and sepia
Opening credits research
1. The document compares the opening title sequences of the films Panic Room and Ill Manors.
2. Panic Room uses computer-generated titles over shots of the city to establish setting, while Ill Manors introduces characters through edited photos set to music.
3. The document analyzes differences in editing, sound, and how each title sequence prepares viewers for the type of film. It concludes the document's author will take a simpler approach like Ill Manors for their own film titles.
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The document discusses ways the filmmakers aimed to attract their target male audience aged 15 and over to their crime/mystery film. This included using monochrome colors and fonts in the title and logos that are typically associated with those genres. It also discusses filming techniques like anonymous shots of the protagonist and timelapses over London at night to build intrigue and mystery around the characters and plot. The film title is meant to pique audience curiosity by being the numerical initials of the film's location without explicitly stating so upfront.
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The document discusses ways the filmmakers aimed to attract their target male audience aged 15 and older to their crime/mystery film. This included choosing a monochrome color scheme and font for the title and logos that was suited to the genre. Filming in iconic London locations and editing the timelapses quickly was meant to make the opening scene attention-grabbing. Leaving the protagonist anonymous and mysterious in the opening through an unseen face and ambiguous clues about his past and present was intended to intrigue audiences and make them curious to learn more.
Ocr g324 question3
The document discusses audience feedback received on a trailer for a soap opera targeted at 16-24 year olds. The feedback indicated that the darker tone created by the conflict between the two main characters was suitable for the target age range. However, the title cards did not help tell the narrative as much as wanted. While the song choice worked with the dialogue and matched the downbeat nature of the soap, some of the scenes were too dark. Minor adjustments like adding baby items to scenes with the characters would improve conveying context.
The conjuring
The document analyzes the opening scenes of the film "The Conjuring" and provides suggestions for how to structure the opening of a student film about evil dolls. It recommends starting with a flashback showing the dolls before events turn dark, and mixing this with footage of happy children playing. It also suggests using an unidentified person running through the woods with an eerie soundtrack, and leaving some mystery unexplained to intrigue viewers. Camera techniques like zooming in on a doll's face and handheld footage are cited as effective ways to set an unsettling tone.
production charlie
The document describes the production of a thriller film opening titled "Blood Ivory" created by the author and two others. It details the roles each person took on, the research conducted on thriller films and title sequences, and the creative choices made in filming locations, costumes, music, and editing to build suspense and atmosphere for the opening.
Dead silence analysis
The opening of Dead Silence uses sound, mise-en-scene, editing, and camerawork to set up the horror themes and tension. The sound of an old film roll introduces the story as something from the past. A match lighting plays a creepy music box tune. Mise-en-scene shows a candle lighting to reveal the creation of an evil-looking doll, emphasized through close-ups and dark lighting. Distorted titles and a darkened color palette through editing immerse the audience in the horror. Camera angles like a bird's-eye view of doll-making heighten the tension, as does a closing zoom into the doll's eye.
Single drama analysis 'missed'
This single drama called "Missed" tells the story of a man named Will who meets his friend Emma for coffee. It is later revealed that Emma has died. The drama uses realistic lighting and location to create a natural feel. Various camera shots like mid-shots and point-of-view shots are used to involve the audience. Sound effects of traffic and the cafe help set the scene, and sad music plays when Will learns of Emma's death. The editing uses techniques like shot reverse shot and fades to black to transition between scenes and convey emotion.
Hot fuzz word
This document provides an analysis of the mise-en-scene, cinematography, sound, and editing techniques used in the movie "Hot Fuzz". For the mise-en-scene, the costumes distinguish the police uniforms from everyday clothes of villagers. The cinematography uses dark lighting with a blue hint, shadows, and camera motion to create a gritty, modern atmosphere. Non-diegetic music and diegetic sounds like footsteps are used to set the tone. Tension is built through long shots like of a corridor and mysterious character approaching, cutting off non-diegetic sounds.
5. pre production (1)
Kieran Beal is planning a student film project to be shot in York, UK. Locations being considered include a cafe called Random Encounters and the York Railway Museum. Contingency backup locations are also listed. The storyboard provides a visual overview of planned shots. Costumes, props, communication equipment and health and safety precautions are discussed. A detailed shot list is also included to plan the filming.
In what ways does your media product use, develop or challenge forms and conv...
The document discusses how the media product uses and develops conventions of horror movies and slasher films. It summarizes the key conventions used in areas like setting, title, sound, lighting, characters, and suspense. The production is set in a modern home at night and uses conventions like an isolated female character, dark clothing for the villain, and a masked killer. It builds tension through investigating strange noises and sights before a murder occurs. Overall, it aims to blend classic horror conventions with a modern setting and characters.
Q.5 How did you attract/address your target audience?
The document discusses how the filmmakers addressed their target audience through various narrative techniques:
1) It poses unanswered questions for viewers, like why the girl is photographing the boy in the park.
2) It subverts the convention of starting in equilibrium by showing a disturbed girl after the death of her baby brother.
3) It uses binary opposites between the girl with the camera who lost her brother, and the girl in the park who still has hers.
4) Costume colors like white and red are used to signify innocence and danger for the boy, and black for evilness of the girl home alone. These attract audiences through symbolism without language barriers.
Titles research
The document discusses and analyzes the titles of four films - "The Purge", "World War Z", "The Hunger Games", and "Annabelle" - and how their designs effectively convey information about the films' genres and plots to viewers before the films begin. Specifically, the titles are meant to emphasize what the films are about, capture audiences' attention, suggest elements like blood and horror, and indicate importance within the films' stories through dramatic fonts, colors, imagery and characters featured.
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The document discusses the conventions commonly found in soap opera trailers. It analyzes several key elements that are typically featured, such as including a range of characters to represent the multi-strand narrative, using realistic costumes and props, emphasizing emotional facial expressions and body language without dialogue, incorporating a dramatic soundtrack and voiceover, focusing on relatable themes like relationships and illness, employing rapid editing with shots under a few seconds, and showcasing familiar location settings. All of these common elements are aimed at intriguing audiences and enticing them to watch the new soap opera program.
The perks of being a wallflower
The opening scene of The Perks of Being a Wallflower introduces Charlie, the main character, through a voiceover where he is writing a letter in his bedroom. As the camera zooms out, we learn Charlie lives a quiet, tidy life but hints that there is more beneath the surface, including a traumatic past. The simple editing, low lighting, and Charlie's position facing the wall create an intimate yet mysterious tone as we are drawn to learn more about him and his coming of age story.
Brainstorming ideas
The document proposes a storyline and visual concept for a music video for the song "Secrets" by One Republic. The main idea is that the video would show the artist literally revealing secrets by having words come out of his mouth. It would show him revealing secrets in various everyday locations like homes, parks, and stores. At the end, he is in a room with people discussing and laughing about his secrets, but he feels free for revealing them. Flashbacks would show past events that explain the secrets and reasons for keeping them. The flashbacks would have a white glow to portray them as secret memories.
The work of lurhman in
Baz Luhrmann is known as an auteur director who expresses his unique artistic vision through the films he directs and produces. The document analyzes Luhrmann's work in Romeo + Juliet, The Great Gatsby, and Moulin Rouge. For each film, Luhrmann uses stylistic techniques like music, camerawork, colors and text to set the atmosphere and provide subtle clues about the story and themes. For example, in Romeo + Juliet he uses a broken ring image and the words "star crossed lovers" to foreshadow the love and violence in the story. In The Great Gatsby, he contrasts shots of gold and fading green light with snow to represent
Poster Analysis 3
This poster for The Amityville Horror uses conventional horror imagery and techniques to attract audiences. It depicts a dimly lit haunted house emerging from darkness, with windows that seem to watch like eyes. Near the house stands a determined but ambiguous man with a gun. Text hints at supernatural possession and a true story basis to enhance believability and fear. Overall it draws viewers in with a ominous atmosphere and questions about the evil within the house and the man's role.
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The poster features Gary Oldman with numbers and letters over his face, giving the illusion of a code. The tagline "the enemy is within" hints at the film's theme. No other characters or plot details are provided. The billing block lists the director, producers and production companies. The poster draws intrigue through its coded visuals and tagline, without revealing much about the film's content.
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The opening title sequence of Fifty Shades of Grey establishes expectations for the film's genre and tone through its visual and audio elements. The typography in white against a black background hints at themes of innocence versus dominance that will be explored in the narrative. Dakota Johnson receives top billing as the film's lead actress. Establishing shots then provide indications of the film's setting in Vancouver by showing local landmarks. The introduction of the two main characters, Jamie and the unnamed female lead, gives early impressions of their class and personality through their clothing and surroundings. Non-diegetic music during the credits further sets the romantic and mysterious mood.
Evaluation activity 1
The document evaluates how the student's film opening uses and develops conventions of the horror genre. It summarizes that the opening establishes characters, setting and storyline that mirror conventions from films like The Blair Witch Project and Cabin in the Woods. Cinematography, editing and soundtrack aim to create an unsettling atmosphere and slowly build tension, as is common in horror films. Overall the student believes the opening is successful in attracting the target horror film audience through its use of familiar genre conventions.
presentation 1
The document outlines a student film project that will parody the story of Sweeney Todd by producing a black and white silent film in the style of a Film Noir. The film will tell the story of Sweeney Todd in a comedic and satirical way by using over-the-top acting, costumes from the time period, and exaggerated uses of blood and sound effects. While parodying the dark themes of death and revenge, the film aims to have an overall light-hearted and humorous tone for a younger audience. The students acknowledge the challenges of limited resources and time but feel the ambitious stylistic choices will further contribute to the comedy.
The ring analysis powerpoint doc
The opening title sequence of The Ring establishes it as a horror genre film through various cinematic techniques. DreamWorks' production logo is shown over a dark, stormy background with bold font, foreshadowing themes of good vs. evil. Low-key lighting and a nighttime setting are used when introducing the primary location of an isolated house. Sound effects like heavy rain, whispers and a ticking clock build tension. The two main characters, shown as innocent schoolgirls through costumes and makeup, discuss a mysterious tape that worries them through a series of shots that switch between their faces.
Trailer Analysis
The trailer provides context for the plot of the third Bridget Jones film. It shows Bridget discovering she is pregnant but unsure which of her ex or new partner is the father. The upbeat music and colorful visuals establish the film's genre as a romantic comedy. The trailer attracts viewers by featuring recognizable stars and teases the question of who the baby's father is to encourage audiences to watch to find out.
Media starter
The document provides information about three films - Casino Royale (2006), Gangster Squad (2013), and Suicide Squad (2016) - and discusses their trailers. It summarizes the plotlines and highlights of each trailer. For Casino Royale, it notes the use of diegetic and non-diegetic sounds and how the trailer builds suspense. For Gangster Squad, it analyzes how the trailer establishes the protagonists and antagonists. And for Suicide Squad, it discusses the song choice, editing, and how the trailer blends reality and fiction to create excitement.
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Danny Yount is a top title designer at Prologue who was inspired by Kyle Cooper's work. He is self-taught and spent a year building his reel and refining his skills. His first major title sequence was for Kiss Kiss Bang Bang, which was inspired by Saul Bass's 1960s animated graphics. Some of Yount's other notable title sequences include those for 6 Feet Under, The Grid, Iron Man, RocknRolla, The Reaping, and The Invasion. Analyses of his sequences for Kiss Kiss Bang Bang and Iron Man are also provided.
Media2014 the basement (further ideas)
The document discusses changes made to the narrative, trailer, and poster/cover of a horror film called "The Basement". For the narrative, the ending was changed to be more ambiguous and greater emphasis was placed on nightmares. Changes to the trailer included using static shots and minimal dialogue to build tension from the start. Finally, the poster was adjusted to show an antagonist dragging the main character to make it more intriguing for the target audience.
Danny Younts presentation
Danny Yount is a top title designer who was inspired by Kyle Cooper's work. He spent a year building his reel and refining his skills before designing his first title sequence for the film "Kiss Kiss Bang Bang." Some of Yount's most notable title sequences include those for "6 Feet Under," "The Grid," and "Iron Man." His "Kiss Kiss Bang Bang" titles used animated graphics and typography to reflect the 1960s time period and Saul Bass's classic style, while conveying a sense of mystery, action, and an impending murder. The "Iron Man" titles began with a prologue that symbolized the news-worthy nature of the story through a black-and-
Burlesque product research
Burlesque is about a small town singer, Ali, who moves to New York City to pursue her dreams of becoming a star. She finds work at a glamorous burlesque club owned by Cher. The film stars Christina Aguilera as Ali and Cher as the club owner, and features upbeat jazz-influenced music and elaborate costumes authentic to the burlesque style.
Burlesque- product research
Burlesque is about a small town singer, Ali, who moves to New York City to pursue her dreams of becoming a star. She finds work at a glamorous burlesque club owned by Cher. The film stars Christina Aguilera as Ali and Cher as the club owner. It features beautiful costumes, dancing, and music authentic to the burlesque genre from the 1930s-40s era.
evaluation
This document analyzes the similarities and differences between a student-created trailer for "The Blair Witch Project" and the original film trailer. The student trailer replicated many elements of the original trailer, including using similar titles, recreating scenes showing the main character introducing herself and being interviewed, using establishing shots of forests, and shots implying being lost. Both trailers end simply with just the title of the film. The analysis discusses how replicating these elements made the student trailer feel authentic while building tension and suspense, similar to the effective original trailer.
The Blair Witch Project Re-created trailer
This document analyzes the similarities and differences between a student-created trailer for "The Blair Witch Project" and the original film trailer. The student trailer replicated many elements of the original trailer, including using similar titles, recreating scenes showing the main character introducing herself and being interviewed, using establishing shots of forests, and shots implying being lost. Both trailers also end by simply showing the title of the film. The analysis discusses how replicating these elements made the student trailer feel authentic while building tension and suspense, similar to the effective original trailer.
Codal analysis
The document analyzes the codes used in the trailers for the films Black Mass and Legend. It discusses the visual, narrative, enigma, and audio codes employed. For visual codes, both trailers begin with establishing shots and use lighting and shots to set tone and pace. Narrative codes are more implied to build intrigue. Enigma codes include ambiguous clips and a voiceover to generate questions. Audio codes combine a voiceover, music, and film clips to create tension and draw the audience in.
The grudge
1) The document analyzes different shots, camera angles, titles, sounds, and conventions used in a horror/thriller film clip.
2) It discusses how close-ups of a distressed woman's face and a bird's eye view of a body falling create tension and draw the audience in.
3) The titles use red writing on a black background with moving hair to set the tone and suggest themes of women and horror. Background sounds also increase tension during the titles.
Assignment on Trailers
The document provides an analysis of three film trailers: James Cameron's Avatar, Annabelle, and Into the Woods. For each trailer, the author analyzes elements like target audience, distribution platforms, atmosphere, music, special effects, props, backgrounds, camera angles, logos/companies, and characters. The overall document is assessing how different components of each trailer would appeal to and attract audiences.
Trailer analysis
The trailer summarizes the plot of the horror film The Amityville Horror. It begins by establishing the normal suburban setting and then reveals that the house the main characters move into was the site of a gruesome murder. Strange events begin to occur in the house, hinting at a supernatural presence. The trailer builds an ominous atmosphere through imagery and dialogue while keeping many plot details ambiguous, leaving the viewer wanting to learn more about the horror that awaits the characters in the house.
Mise en scene
The document discusses the importance of mise-en-scene elements for establishing believability in a 1960s-set film opening scene involving the interrogation of a detective by gangsters. Costumes of the time period, natural lighting outside transitioning to low-key lighting inside, realistic makeup depicting injuries, and props like plain chairs, period-appropriate guns and cigarettes will be used. The rural setting provides isolation for the interrogation without witnesses.
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Colquhoun, cameron cw feedback
The student completed the main coursework task for their A2 Media Studies class, demonstrating proficiency in technical skills like camera work, editing, and sound mixing. Their music video received positive feedback for beautiful shots, good use of locations and props, and a well-edited beat. The student showed basic ability in their digipack design with a fitting front and back but less creative inside images. Their poster displayed proficiency in technical skills with a design fitting the genre and band that clearly understood conventions.
Colquhoun cameron a2 cw pre production tasks improvements
This document provides feedback on a student's pre-production work for a music video project. The teacher comments that the student's research and planning is generally good, but requires more detail in some areas. Specifically, the student needs to add a shotlist, more details on genre analysis and target audience, explanations for arrows on floorplans, more details on props and actors, and an equipment list. The student created an action plan to address these areas, but some improvements could still be made. The teacher awarded the work a final mark of 14 out of 20.
Colquhoun cameron evaluation and overall feedback sheet
Cameron Colquhoon received marks for their A2 coursework, including 14/20 for planning, 31/40 for their main construction task, 6/10 and 7/10 for ancillary construction tasks of a digipak and poster respectively. Their evaluation received 14/20. Overall they scored 72/100 and received a grade of B for demonstrating proficiency in technical skills and a good understanding of tasks and conventions through their video, packaging, and presentation of the project using various technologies.
Question 3 audience feedback
The document summarizes feedback received from an audience about a video the creator made. The feedback showed that the conventions used identified the genre as indie folk. While shots of the forest lacked color due to the genre, blurry shots hurt clarity. The audience responded positively to the masks and narrative themes of domestic violence. Areas for improvement included retaking shots for clarity, adjusting angles, and adding more light to wolf scenes. Overall, the feedback was constructive and confirmed the video generally conveyed its storyline well.
Question 3: Question 3: What have you learned from your audience feedback?
The document summarizes feedback received from an audience about a video the creator made. The feedback showed that the conventions used identified the genre as indie folk. Respondents overwhelmingly agreed the conventions were typical of the genre. The audience praised the masks and narrative as the best aspects. Areas identified for improvement included shot clarity, lighting, and reducing jumps between shots. The creator reflected that with better masks, lighting, and shot continuity, the narrative would be clearer.
Props and costume
This document outlines props and sets needed for a music video about domestic violence. It describes needing a wolf mask to represent the abuser hunting victims symbolized by deer. Scenes include a bedroom with a deer in the corner representing victimization, and a room with a wolf throwing objects as a deer-person sits in a chair, showing people consumed by domestic violence. Forest scenes are also needed to show wolves chasing deer. Actors include people to play wolves and deer, and main actors Connor, Ella, Eleanor, and Ben who can effectively portray relationships.
Equipment list
The creator will use a Canon 600D camera to film their music video, which will provide good quality shots outdoors to effectively convey the narrative linked to nature. A tripod will also be used to stabilize shots of chase scenes with wolves tracking deer. Adobe Premier Pro will edit the footage, cutting shots for fast-paced chase scenes and smoother couple scenes to generate contrast.
Props and costume
The document outlines props and actors needed for a music video about domestic violence. Wolf and deer masks will be used to represent the abuser and victim, with wolves hunting deer. Scenes will include a bedroom with a deer in the corner symbolizing victimization, and a room with a wolf throwing objects as a deer stands behind a seated man. A forest is also needed to show wolves chasing deer. Various actors are listed to portray wolves, deer, and people in abusive relationships.
Target audience
The target demographic for indie folk music includes young adults aged 16-19 who are still developing their identity but know what they like, with a slightly higher female audience. They are typically still in education or have just entered the workforce. They consume indie folk music through live concerts, Spotify, vinyl/records, and CDs. They likely read magazines such as NME, Indie, and music blogs. A profile of one target audience member named Marcus is provided: he is 18 years old, works part-time in retail, enjoys local gigs and playing guitar, and likes Jose Gonzalez and Jimi Hendrix. The target audience can be considered part of the hipster culture that values non-conformity and independence
Recce
The document lists 3 filming locations for an upcoming production: a forest, a bridge, and a house.
Production Schedule
Cameron Colquhoun's production schedule outlines the timeline and logistics for filming a short film from September 2016 to February 2017. It details the preliminary tasks, pre-production planning period, and production period which runs from Christmas to early February. The production plan lists the specific scene dates and locations, required equipment, actors, start times, breaks, and props for each shoot. Editing is scheduled to take place from the 24th of January to the 3rd of February 2017.
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